Top 1128 Scotch Tape Quotes & Sayings - Page 17

Too soon we breast the tape and too late we realize the fun lay in the running. We deny that the end justifies the means without ever stopping to consider that for practical purposes the End and the Means are one and the same thing. If there is to be any satisfaction in life it must come in transit, for who can tell when he will be struck down in mid-method?

I don't like the way recording to digital sounds. Most of the time when I'm recording to 2-inch tape, I still have a romantic vision of how songs sounded coming out of the radio when I was younger, and how they sounded coming out of my little four-track cassette player.

The whole tape [Dedication 5] is amazing. It's my favourite accomplishment [working with Lil Wayne] and I say that with thought. It's the biggest accomplishment I've made today, because Lil Wayne is probably the biggest reason why I'm sitting here right now, rapping and doing what I do. I'm a huge Wayne fan forever.

'The Blair Witch Project' is great for motion sickness. The first time you see it, it is extremely creepy. The first time I saw it, I saw it on a bootleg tape on a tour bus before it had even come out. It was one of the first movies I'd seen like that. I didn't even realize it was a damn movie!

I used to love to come to the ballpark. Now I hate it. Every day becomes a little tougher because of all this. Writers, tape recorders, microphones, cameras, questions and more questions. Roger Maris lost his hair the season he hit sixty-one. I still have all my hair, but when it's over, I'm going home to Mobile and fish for a long time.

In the 80s, if you wanted to make electronic music, it was a much tougher and more expensive process. For many people it would involve either spending loads of money on gear or else cutting demos in a proper studio. But I had this Casio keyboard and tape recorder and used to do stuff in my bedroom - I'd listen to Mantronix and all that. That was what I had so that's what I used.

I really admire actors who have time, because time is really the greatest luxury for an actor to live with a character, to develop a walk and a talk, or to listen to tape if you're playing a real character. But without time you're really just forced to make quick choices and move on and hope that the spaghetti sticks against the wall.

Scales lie! You lose thirty pounds of muscle and you gain thirty pounds of fat and you weigh the same, right? Take that tape measure out. That won't lie. Your waistline is your lifeline. It should be the same as it was when you were a young person.

When I started playing solo 10 years ago, I had some ham-fisted idea about trying to subvert the "singer-songwriter" tag/genre, and I tried to obscure my identity into the identity of a collective or band or whatever. That's part of the reason that I used to play with backing tapes and why so much of my early stuff was so awash in tape hiss and echo noise.

I always do casting for every role, even if it's just one sentence. I like to work with theater actors because they're used to a process. I think filmmaking sometimes can become so stiff. Sometimes I have the feeling that people come together praying in the morning that, "Let's just shoot something, no matter what! Let's just finish this day, no matter what we will tape!"

But that was my very first time on a set and they said, you know, you have to stand on a mark. That little piece of tape that you stand on is called a mark. I kept correcting them and telling them that my name was Michael and not Mark. They said, 'No, no honey.' I was a little green.

I think I've thrown enough balls and put it on tape where I don't think arm strength is an issue. I wouldn't be a starting quarterback if my arm strength was such an issue. People are making it seem like I can't throw the ball 30 yards. People are getting out of hand with it.

I submerged myself in all the information that I could find about Idi Amin. I mean, before I left Los Angeles, I was studying Kiswahili. I was working on the dialect. I was studying every documentary and tape of him that I could find - not just visual, but also audiocassettes, even in other languages when he was speaking in other dialects.

I remember when I was in Mid-South and they used to tape interviews every Wednesday morning, and I wasn't required to go to the interviews because I was a rookie and I wasn't cutting any interviews - I was a curtain jerker. But I went every Wednesday anyway because I was going to watch those guys and I was going to glean from them.

I like large sounds and very complex sonorities, and I also tend to opt for creating a feeling of vast space. I could achieve this effect either by using a symphony orchestra, which for a dance piece is pretty much impossible these days, or by using a synthesizer on multi-channel tape and a superb sound system, to get that same sensation of expansiveness and depth.

We had various kinds of tape-recorded concerts and popular music. But by the end of the flight what we listened to most was Russian folk songs. We also had recordings of nature sounds: thunder, rain, the singing of birds. We switched them on most frequently of all, and we never grew tired of them. It was as if they returned us to Earth.

I've had a lot of typewriters that I've had relationships with; one still has a piece of masking tape that says "$8" on it. I love working on them. I can't fix a computer or a car, but I can fix a typewriter. I like them because you can write on them late at night, depending on what you're fortifying yourself with, and the next morning you can still figure what you wrote.

The way I photograph... in many ways it's directed by chance and all my mistakes, which are often the best stuff. I found that no matter if it's the same tape, the same TV, and the same camera, I can never duplicate an image... your arm jiggles, there's just too much chance. And I never put it on pause, or use any of that fancy equipment.

More than anything else, though, to anyone who would write about it, golf offers a four-hour drama in two acts, which becomes memorable even in the tape-recorded reminiscenses of old champs, and which - in the hands of someone like Herb Wind - can become a piece of war correspondence as artfully controlled as Alan Morehead's account of Gallipoli.

Somebody talked me into writing an autobiography about six or seven years ago. And I said I'd try. We talked into a tape recorder, and after a couple of months, I said, To hell with it. I was so depressed. It was like saying, 'This is the end.' I was more interested in what the hell was coming the next day or the next week.

I was basically a sound engineer, I produced radio shows and stuff and had to splice tape in the old days. And you knew a sloppy edit when you heard it, because I had enough of them. But that stuff takes the magic out of it, if you need to know everything. Then you become omnivorous. Everything is tender, and as soon as you burn it up, you're on to the next.

My brother Steve, who was a few years older than me, had 'Bad' on tape, and I remember listening to 'Smooth Criminal' and just thinking it was the coolest thing ever. I must have been five or six at the time, and I remember walking around school by myself thinking I was Michael Jackson. I wasn't dancing, exactly - more like walking musically.

Our producer Jon Davison thought it would be a good idea to put in additional TV scenes. So, they sent me a tape of these additional TV scenes, and I watched them, and I didn't think they were that great. I didn't think it was worth putting them in.

Imagine if Beethoven had a tape recorder. Then you'd know exactly what he meant. Maybe he meant 'Da da da da' instead of 'Boom boom boom boom!' Who knows?

For each glass, liberally large, the basic ingredients begin with ice cubes in a shaker and three or four drops of Angostura bitters on the ice cubes. Add several twisted lemon peels to the shaker, then a bottle-top of dry vermouth, a bottle-top of Scotch, and multiply the resultant liquid content by five with gin, preferably Bombay Sapphire. Add more gin if you think it is too bland... I have been told, but have no personal proof that it is true, that three of these taken in the course of an evening make it possible to fly from New York to Paris without an airplane.

I always loved music and would listen to the radio and watch out for new stuff. When I was about nine or ten, I would go around to me friend's house on a Sunday when the top twenty was broadcast on the radio at 6 P.M., and we would tape it on a cassette, and then we would take turns in sharing it over the next week.

My first synthesizer was the VCS3. I got it in Bristol in the late Sixties, long before Pink Floyd used them. I had to sell an acoustic guitar and an old reel-to-reel tape recorder to raise the money. You can do fantastic things with modern computers, but you cannot use them in the same intuitive, spontaneous way you can a VCS3.

People think that the government honors and respects us, and that they're actually going to come in and help people in need, but in reality it's really just a bunch of red tape, and through the power of language they can really make it seem like they're going to do a lot when they aren't going to do anything but filter money back into their own pockets.

We didn't know anything about comedy duos - Abbot and Costello, Martin and Lewis - we didn't know anything about that. Kim Fields showed us a tape of Martin and Lewis and their old shows and they come through the curtain so we started doing research on them.

The records that I like, they have life and warmth and soul in them. Like the slap back on Scotty Moore's guitar on 'Mystery Train.' You're not gonna get that in a computer. You're gonna want a live room, you're gonna wanna bounce the tape, you're gonna want real musicians, in a room, vibin' off of each other.

The income tax has spawned an intrusive bureaucracy, creating so much complexity and red tape that millions of ordinary citizens have to go get some accountant to fill out the forms for them - and then sign under penalty of perjury that it was done right. If you knew how to do it right, you wouldn't have to go to somebody else to have it done, would you?

I have rage and anger issues. So I get mad about stuff in real life, and then I yell about it onstage, and luckily, something funny ends up coming out. What I'll do is tape-record it, and it will end up coming out even funnier. And I add more punch lines.

As one who was a prosecutor for many years, I can tell you that having a tape recording of interrogations would help everybody. It would make clear if there had been improper pressure exerted on a defendant or witness, and it would also protect the interrogating officer from false claims that such pressure had been brought to bear.

Philosophers get attention only when they appear to be doing something sinister - corrupting the youth, undermining the foundations of civilization, sneering at all we hold dear. The rest of the time everybody assumes that they are hard at work somewhere down in the sub-basement, keeping those foundations in good repair. Nobody much cares what brand of intellectual duct tape is being used.

A lot of musicians like to do the bass and the drums with analog and get that tape distortion that's really beautiful. As far as the digital world goes - it's all going to end up there anyway, but when you hear vinyl it does a different thing to you. Nowadays, people do CDs and then vinyl so it's everything goes; it's a such a beautiful world.

All of the legal defense funds out there, they're looking for people out there with court of appeals experience, because court of appeals is where policy is made. And I know, I know this is on tape and I should never say that because we don't make law, I know. I know.

I grew up in Lancaster, Pennsylvania, watching the Tony Awards on TV. Not just 'watching' the Tony Awards on TV - I would record them on a VHS tape and bring them in to school and show them to the other kids.

Memory is the great deceiver. Perhaps there are some individuals whose memories act like tape recordings, daily records of their lives complete in every detail, but I am not one of them. My memory is a patchwork of occurrences, of discontinuous events roughly sewn together: The parts I remember, I remember precisely, whilst other sections seemed to have vanished completely.

People have reacted to the length of "Aquarius" in very positive ways. For example, at the beginning, you have people in a car on the beach at night. One character says, "I'm going to play you this great track." She pushes in a cassette tape, and they listen to about 45 seconds of Queen's "Another One Bites the Dust." You can actually see the pleasure registering on their faces, but it takes time, and audiences have appreciated that.

It became kind of a fad in the late '70s to try to help people wake up out of comas by hearing things that they liked. I remember we sent out about six tapes. We heard that we were this one kid's favorite band so we sent a tape that said, "Hey this is Motörhead. It's time to wake up."

Restoring the people's voice in Congress is not just one part of our Better Way agenda, it's the most important part. Unless people are back in the driver's seat, we won't be able to rebuild our military, roll back the red tape, or help our most vulnerable.

I don't get pat down, you know what's on the waist, I don't mean Jazz when I say I "count base." Fly Louis sneakers, Purple Tape coming out the speakers, Bumped into my high school teachers, They said I wouldn't be nothing, sitting on the bleachers. Now I'm sitting in the Phantom, trynna figure out the features. I'm a big fish now, I watch for the leeches.

A lot of the gear came out of some of the old studios here in New York City. We picked up a lot of old microphones, reverb tanks, tape machines, so yeah, we try to record the old way, which takes more time and energy, but it certainly feels better when you're getting to the end of the process of making a record.

I have a tape recorder, and I just sing into it. I like to write that way. Sometimes I'll just get melodic ideas, and then I'll go home and sit down and add the lyrics. Or sometimes I'll get a lyric idea that I love. Usually it's pretty combined. Usually I get some kind of a lyrical concept and a melody and work with that.

You had to have two VCRs, and you had to tape everything, and you had to make a choice - you either watch WWF or you watch WCW, or you watch one half of one show and the last half of the second show or whatever the case was back then.

I remember sitting on my couch on a Saturday watching reruns of 'The Real World.' And it said, 'Do you want to be on 'The Real World?' Go to MTV.com, and you can try out there.' And I said, 'I want to be on 'The Real World.'' And I sent in my tape.

People focus too much on weight, dress sizes, and tape measurements - and those aren't motivating. What gets me going is: I'm 52, and because I work out, I know my fitness will improve and my immune system will stay strong, and my body will prevent injuries. I like being fit, strong, coordinated, and agile.

Every cell in our body, whether it's a bacterial cell or a human cell, has a genome. You can extract that genome - it's kind of like a linear tape - and you can read it by a variety of methods. Similarly, like a string of letters that you can read, you can also change it. You can write, you can edit it, and then you can put it back in the cell.

I couldn't listen to music with lyrics for the first few months after the brain surgery, because they were too complex and disturbing. So I listened to a lot of classical music. I didn't really want to read, either, so I listened to books on tape or watched movies. I also re-taught myself all of my childhood piano pieces. It helped me repair my brain.

People think my career started when I sent that tape to Renaissance. I’d actually been working hard for seven years before I got to that point. I was putting on parties and booking DJs around me to get my name on the flyer. I knew I had to do it for myself. I knew no one was going to come knocking on my door. I knew it was up to me.

I had a two-hour VHS tape of Sakuraba and all his crazy stuff. He was doing crazy double flying chops with both hands and undressing the Gracie family one shoulder at a time, and probably my favorite fight of all time was when he fought in Heroes and was rocked and kind of out of it, and they stopped him and kind of shook him in bounds.

I think it's harder to forgive ourselves for mistakes that we made because we keep dwelling on it. We want to know how it affects other people, if they liked us for it, if they didn't like us. I think we stress over it, we replay it in our mind. It becomes an old tape that years later we continue to play it in our mind.

I don't like the way recording to digital sounds. Most of the time, when I'm recording to two-inch tape, I still have a romantic vision of how songs sounded coming out of the radio when I was younger, and how they sounded coming out of my little four-track cassette player.

I am a person who feels guilty for crimes I have not committed, or have not committed in years. The police search the train station for a serial rapist and I cover my face with a newspaper, wondering if maybe I did it in my sleep. The last thing I stole was an eight-track tape, but to this day I'm unable to enter a store without feeling like a shoplifter. It's all the anxiety with none of the free stuff.

We want to be special. We want our place in the cosmos to be central. We want evolution-even godless evolution-to have been directed toward us so that we stand at the pinnacle of nature's ladder of progress. Rewind the tape of life and we want to believe that we (Homo Sapiens) would appear again and again. Would we? Probably not.

I could always hit. I learned to hit with a broomstick and a ball of tape and I could always get that bat on the ball.

I think, a lot of times when you meet someone, you feel like you need to appear like you're not interested in them so that they'll be more interested in you. But what happens when you start showing him that you actually like him? What's he gonna do then? Play the tape forward; how do you keep a guy like that? I don't want to sign up for that.

Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.

We're full of electricity, and the walls and floor of a building contain carbon - the same makeup as a video tape - and I think we give off a huge amount of energy. Some people are able to see that and pick that up. I think almost every person I've met in my life has had some sort of experience that they can't explain, and those fascinate me.

I've always resented the force of attraction that traps me here on Planet Earth. It makes me feel like a bug stuck to a piece of duct tape. Ever since my teenage years, when I used to read a lot of science fiction and took it much too seriously, I've dreamed of somehow reaching escape velocity. I am, you might say, anti-gravity.