Top 725 Scott Fitzgerald Quotes & Sayings - Page 11

Explore popular Scott Fitzgerald quotes.
Last updated on November 28, 2024.
The ideas always have to be in service of the story. And that's what Scott and the writers did - they weren't trying to beat you over the head with an idea; they had a story they wanted to tell, and they had ideas, so they used the story as a way of fleshing out the ideas. It all depends on where they want to go with it.
One night I went over to get some dope from some Hollywood tough guy. After I left, my son Scott, who was only fifteen, went over with a baseball bat to kill him. I was laughing out of one eye and crying out of the other. I thought, Who am I kidding?
I guess this song isn't about anything necessarily sad, but it makes me sad just because it makes me think about how inaccessible the past is, but it's called 'Boy Child' by Scott Walker.
In spite of all the cultural restrictions, in spite of marital or political difficulties, a strong woman continues to create and makes the world go round, such as Abigail Adams and Alexandra Bergson, Harriet Scott, and Emily Dickinson all did. History is full of women creators in the arts, many of whom created under oppressive circumstances.
I can't imagine myself doing something like 'Narnia' again. I would love to do something with Ridley Scott, you know, some action/adventure or something like that. But I'd also love to do a dramatic piece. It's really just whatever you read and take to.
We were interviewing an author, and we started talking about how so many of them - Salinger, Shaw, Fitzgerald - were really an odd bunch. They put a barrier around themselves, and not many people got through it. This was the spark that I really latched onto - someone who could break through the barrier. Of course [FINDING FORRESTER] really began to take shape when I began to wonder, what if it was a young person?
My role models in the business were the older guys on my team when I first got there: Gray Scott, Adrian Smith, Roland Taylor. These were the guys who took me under their wing, and really schooled me in terms of what the business was about.
The tune 'All My Friends,' we recorded because our friend who wrote the song, Scott Boyer, passed way, and Gregg Allman had passed and he had recorded the song on his first solo record.
It just happened that we did [Fences] seven years ago on Broadway. Scott Rudin brought me August Wilson's original screenplay for it, and I realized I hadn't read the play. So I read it. Then I realized that Troy (my character) was 53 - and I was 55 at the time. I realized I better hurry up! I might be too old!
Scott Ritter is a very well-known archetype of a certain U.S. military officer. Very hard talking, very ambitious, zealous, and completely consumed with carrying out his mission. He's a guy who, throughout his career, I would say, did not break rules, but he worked around road blocks.
I would say it was [ifluence] all the Greeks and the Russian classics like [Lev] Tolstoy, [Andrey] Goncharov,[Fedor] Dostoyevsky, [Alexander] Pushkin, and the international classics in Russian translation like Victor Hugo, George Sand, Charlotte Bronte, Sir Walter Scott, Mark Twain.
Working with Ridley is working with one of the great filmmakers and one of the great raconteurs. You know, it's like, a dinner with Ridley Scott or a dinner with Martin Scorsese? You just want to cut your arm off to get those.
There are multiple reasons why I choose to fight for Bellator MMA and Scott Coker. One, they have given me the opportunity to develop and grow a business together. Two, because I already feel respected by the promotion as a professional athlete. And last but not least, because Bellator is offering a setup that no-one in the world can offer me.
I love Hap and Leonard and plan to write more about them, but not exclusively about them. I have always worked in film, or since the eighties, but my screenplays - though I got paid and did screenplays for Ridley Scott and John Irvin and Mark Romanek - seldom got made.
History presents the pleasantest features of poetry and fiction,--the majesty of the epic, the moving accidents of the drama, the surprises and moral of the romance. Wallace is a ruder Hector; Robinson Crusoe is not stranger that Croesus; the Knights of Ashby never burnish the page of Scott with richer lights of lance and armor than the Carthaginians, winding down the Alps, cast upon Livy.
I've had the fortune of meeting most of the 'Kids in the Hall.' One meeting was special in particular because this was before I had gotten anything, before anything was clicking, and I just found myself hanging out with Scott Thompson.
I had this extraordinarily bizarre moment when, two Fridays ago, my missus gave birth to our second child at 11am and by the same time the following day I was sitting around a table with Ridley Scott, Russell Crowe and Leonardo DiCaprio in Rabat in Morocco, rehearsing a scene we were going to shoot the next day.
When I retire, I don't want to just move to some island somewhere. I want to be the guy who gives it all back. I want it to be like, 'Hey who donated that hospital wing that's saving so many lives?' 'I don't know. It was anonymous.' 'Well, guess what. It was Michael Scott.' 'But how do you know? It was anonymous.' 'Because I'm him.
When we got to the moron who was sitting in the only path to the stairway, Adam caught my waist and lifted me over before stepping over the man himself. “Scott?” Adam said as we headed upstairs. “Yeah?” “Unless someone shoots you, skins you, and throws the results on the floor, I don’t want to see you lying in the walkway again.” “Yessir!
I actually don't read comic books. I did when I was a kid - I used to read a lot of 'X-Men' comic books. I read a couple 'Scott Pilgrim' this past year, and those are really good, but I don't read in general, unfortunately.
Well, on a personal level, I would never want to take on a character who didn’t have some redeemable qualities. Even the worst of people, such as Michael Scott in The Office [Carell’s character in the US version of the Ricky Gervais sitcom], have some decent human qualities that you can latch onto.
When I was in college my improvisation troupe and I did a road trip to Chicago, and went to The Second City to see the classic 'Paradigm Lost' revue - with Tina Fey, Rachel Dratch, Scott Adsit and Kevin Dorff. It blew my mind, and proved to me you can do sketch comedy like you're doing 'Long Day's Journey into Night.' We could treat it like theater.
I read for 'Reservoir Dogs,' and it got down to me and Buscemi, and Quentin couldn't make up his mind. I really wanted that part, but Buscemi is great in that. I also got really close on 'Gladiator,' but Ridley Scott decided on Russell Crowe, who's perfect in it.
Travis Scott is definitely a big inspiration. Lil Wayne was a big one. Lil Wayne, 50 Cent. Those were my two, like, big ones growing up. Then I got into Mac Miller, Wiz Khalifa phase.
I agree with Scott Turow: A courtroom is inherently dramatic. You walk into court - it's like an ER, you know? Life and death is going on there. And it's moment-by-moment, and it's packed with energy. And even though you think you know what a witness is going to say, you can be wrong. Witnesses surprise you.
After my early days of being a passionate young Elvis fan, Chuck Berry, Little Richard, etc. I got interested in Ray Charles and Ella Fitzgerald. Then I got turned on to the blues. I realized how important it was to our music in England at the time. Everyone was into the blues. Then you start looking at the different kinds of blues, and you follow the journey backwards from Chicago to earlier times back down to the Delta to the Memphis Blues.
The big problem in translating is that we had to translate the language. People may not know that we record the podcast in Japanese, translate it to English and then actors play us on the podcast. I'm not actually Scott Aukerman, I'm the actor who plays his voice on the podcast. Unfortunately, it's cost prohibitive on a television show.
A good director is like a good coach. You want to play for him. You want to really show him your good stuff. You don't want to let that person down. Ridley Scott is one of those guys.
I was heavily influenced by big voices when I was younger. People like Whitney Houston, Aretha Franklin, and Patti Labelle really spoke to me. When I got older, I was into Erykah Badu, Jill Scott, and Lauryn Hill, but it wasn't until I started working with a voice coach that I really dove into jazz music.
The film that really struck me was Ridley Scott's Blade Runner. That was a film I watched many, many times and found endlessly fascinating in it's density. I think the density of that film is primarily visual density, atmospheric, sound density, moreso than narrative density.
For a joint scientific and geographical piece of organization, give me Scott; for a winter journey, give me Wilson; for a dash to the Pole and nothing else, Amundsen; and if I am in the devil of a hole and want to get out of it, give me Shackleton every time.
There are some parents who always have their daughter's hair whipped. Mine wasn't always like that, but I appreciate that both my parents were into me having natural hair, so they did find Anota Scott, who I was going to for my cornrows and wrapping last year and a couple years before that.
I covered the White House during the Bush years when Ari Fleischer, Scott McClellan and Dana Perino were at the podium. We thought those were, at times, crazy press briefings, asking questions about major events like the Iraq War and the leaking of Valerie Plame's name and the outing of her as a CIA operative.
When I was in the middle of the 'Scott Pilgrim' series, and it was slowly becoming more popular, though still not financially solvent, I had this real bratty instinct to turn around and do something super arty and dark. I felt dismissed by comics culture, stuck in between the artcomix world and the nerdcomix world, and I was cranky about it.
Whether the issue was black political power or nuclear power, Scott-Heron didn't mince words. His comeback record, "I'm New Here," doesn't mince words either, but instead of political battles, these songs suggest he's fighting personal ones.
Oh my God... I worked with George C. Scott, way before 'Chips,' in 'The New Centurion.' I co-star in that movie. It was great working with him. I worked with Charlton Heston, Glenn Ford, Robert Mitchum. Stacy Each. The old Hollywood. I met John Wayne, and that was a thrill. I was working next door to him.
In one point of view, we, the abolitionists and colored people, should meet [the Dred Scott] decision, unlooked for and monstrous as it appears, in a cheerful spirit. This very attempt to blot out forever the hopes of an enslaved people may be one necessary link in the chain of events preparatory to the downfall and complete overthrow of the whole slave system.
I was really psyched about crooner types like Frank Sinatra or Scott Walker. Something that comes more from the stomach than the throat. There's an emotional thrust to singing that way that I wanted to try on my own. I can't really sing deep and strong like that, but I wanted to just aim in that direction.
Scott's Eastwood movie Snowden sounds fascinating. I want to see it because it's about deserting your country ... for whatever reasons you have. Edward Snowden became famous for the wrong reasons, as Captain Chesley "Sully" Sullenberger became famous for doing something spectacular.
Coretta Scott King was all about her pearl earrings. At one point, I'm wearing pearl earrings the size of golf balls. They're enormous! She was bold-she knew that she was the Jackie Kennedy of her community.
The thing I admired most about Scott was his fearlessness. Of course his voice, lyrics, and stage presence have always had an effect on me as they have most STP fans. But it was his fearlessness that I admired the most.
During the presidential campaign, Donald Trump promised to roll back government regulations.Trump plans to nominate fast food executive Andrew Puzder to head the Labor Department and Oklahoma Attorney General Scott Pruitt to lead the EPA. If confirmed, the two men would signal a sharp break from the policies of the [Barack] Obama administration.
Fitzgerald describes the social disillusionments and ballroom romanticism of the young people of the upper classes and the loneliness of Gatsby, who gives large parties and has an extensive social life; yet he is lonely, and his guests scarcely know him.... Hemingway's characters live in a tourist world, and one of their major problems is that of consuming time itself. It is interesting to observe that his works are written from the stand point of the spectator. His characters are usually people who are looking--looking at bullfights, scenery, and at one another across cafe tables.
Bobby is really the one who did all the editing on that stuff. And he did all the mixing. I particularly like the record we did with Logic because Scott Harding did a great job mixing it. He's really a killing engineer.
We've always talked about doing something else and Campbell Scott is always busy and I'm always busy. But when we came up with the idea of doing the potato famine as a hip hop musical, I wanted somebody who was going to bring gravity.
What a lot of people don't know is that I got started as a professional gamemaker when I moved out to Texas to join George Broussard and Scott Miller and Allen Blum who created Duke Nukem, to join those guys and become part of the 'Duke Nukem 3D.'
Comeback records always worry me, especially when they're made by one of my heroes, and I'd heard stories about Gil Scott-Heron recently, about drug arrests and prison terms and other troubles. I wasn't prepared for the ravaged shakiness of his voice on this record or the raw spoken word pieces or the dark electronic backgrounds.
Scott Coker, I've known him such a long time, he's always been a straight shooter. He's always been very, very respectful towards me. He understands the business. He understands marketing and how to push the fighters to make them superstars in a household environment.
I actually do like scary movies. I used to hate scary movies. You know, when I was young, I saw 'The Changeling,' with George C. Scott, which I think is the scariest movie ever made. After I saw that, I swore I would never see a horror film again. Then I started making them.
Fox bought the rights to the book way back when, and there was this attempt by Fox to make a movie out of 'The Hot Zone,' and it tended tragically in a Hollywood disaster involving Robert Redford and Jodie Foster and Ridley Scott. But the rights have been sitting at Fox ever since.
Scott has to be one of the most talented artists I've ever seen. He really captures his subjects in a unique way. He is extremely generous as well. How many artists are willing to donate some of their best works to charity? The Texas Sports Hall of Fame has benefited greatly from Medlock's donated paintings, which are the cornerstones of our auction!
When Scott Coker first mentioned to me that Ken Shamrock wanted to fight I said, 'Thank you.' I played a little hard to get, but for sure I knew we had to do the third fight with Ken; there was no doubt. He still insisted on fighting me. I guess the guy cannot sleep for 22 years.
My first job in acting was in a Scott Baio movie called 'I Love N.Y.' My role was Italian Girl. I sent my 8x10 to a casting agent in the booklet, 'The Ross Report,' which is where all the agents were listed before that little thing called the Internet. I read for this tiny part. I couldn't have been more excited to get it.
I did two matches for WCW, for 'Saturday Night' and for 'WorldWide.' Scott D'Amore was booking the extra talent. I remember I was really torn about it. I was like, 'Hmm... I don't want to do that. I don't want to just be an extra guy. I want so much more than that,' but I was flat broke, and it was 500 bucks.
I think comparisons are very on the surface. If I sing, like, 'Park Bench People,' and there's kind of a social undertone, people will say I sound like Gil Scott-Heron. But for me, the more insightful comparison would be a Roberta Flack or Nina Simone - people who really mix different genres of music.
I went to my first CMA Music Fest when I was 14 and waited in line for two hours to meet two people: Taylor Swift and Hillary Scott from Lady Antebellum. It's very ironic but not accidental that those two people refer to me as their 'little sister' now.
We've had mass shootings in the United States in the part of violent antiabortion protesters, in the part of violent pro-ISIS militants. The trick and the trap and the horror is not faith, Scott. I don't think the trap and the horror is fanaticism.
My biggest style inspirations come from the '90s. I'm really inspired by TLC, Janet Jackson, and designers like Jeremy Scott. I'm hugely inspired by Club Kids from New York back in the '90s. I'm inspired by the drag queen scene. Combat boots and the torn off jeans and a baggy shirt - I love that look.
Winning the gold medal should have been the happiest day of my entire life, and it just wasn't. It felt like the saddest day of my life. Everyone was so angry with us, that Scott and I had fallen in love, because it was so unprofessional, and we were a disgrace and had betrayed everybody.
'Deacon Blues' was special for me. It's the only time I remember mixing a record all day and, when the mix was done, feeling like I wanted to hear it over and over again. It was the comprehensive sound of the thing: the song itself, its character, the way the instruments sounded, and the way Tom Scott's tight horn arrangement fit in.
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