Top 725 Scott Fitzgerald Quotes & Sayings - Page 12

Horror hostess, bondage goddess, Charles Addams cartoon comes to life, Vampire was every first-generation fanboy's wet dream. Scott Poole takes us on an unforgettable ride through the overlapping underworlds of B&D magazines, Hollywood noir, and early political liberation movements that inspired actress Maila Nurmi to challenge a postwar culture bent on stifling women's choices, bodies, and desires. This book is a subversive masterpiece.

There are people who follow me on Twitter and tell me how much they don't like me, how much they don't want me on the show, and that they hope I die. And it's not just about the character. They tell me how they've never liked Scott Foley, and that he's a stupid, white, plain-bread looking fool.

I came out of film school and went after movies that I thought audiences wanted to see or that the studios wanted, as opposed to the movies that I wanted. Over the last 10 years, I've gravitated more and more toward the films that I grew up loving - classic Spielberg, Lucas, James Cameron and Ridley Scott movies.

I've been really happy to be in that conversation with Scott [Derrickson] for a few months now. We started chewing this cud a while ago. He is, as you probably know, an extremely erudite thinker in terms of religious philosophy and just thinking about a modern take on something really, really ancient, about how to imagine living beyond any physical bounds, which we're on the verge of now.

I really discovered [Dr.Strange] through hearing about this film and first meeting Scott [Derrickson] and getting into it and just opening up and saying, "Okay, this is, like all comics, very much of its era," and my first question was, 'How do you make this film? Why do you make this film now?' and the answers were so enticing that I was like, "I'm in."

There was so much fake news in Wisconsin, that Scott Walker stuff, they had fake polls. The protests in Madison, which is where the University of Wisconsin is, perfect examples of the use of fake news, trying to make Walker - really they tried to dispirit Walker's supporters.

Whatever field you can do that, that's where you want to do it, and I think that's why people like David Fincher and Ridley Scott are interested in it, too, because when you sit down on a meeting in HBO and they're like, "More, more." You're just like, "Oh yeah, I love this." Sometimes it's a little harder in film. I think also it's a great audience, take advantage of it. It's a great audience.

The things that I've enjoyed most are not really science fiction. They are not much fun to make because there are so many toys involved. They are fun for directors who like toys, like Ridley Scott, but they are not a lot of fun to make. A lot of hanging around, changing this and that.

I had two projects that fell apart during preproduction. The first one was this movie that Judd Apatow and I had written about two guys following the Rolling Stones. It was going to be half concert film, half pseudo-documentary. It was Mick Jagger's idea.The other one was Simple Plan, based on a novel by Scott Smith. It's a great book - really stark, not a comedy - about a guy who finds $4 million in a plane crash and decides to keep it.

Those traumas when it comes to the historical past generation to generation; our children, our grandchildren, our future grandchildren learn these behaviors. We have to know that they exist and we have to take care of those traumas and learn to heal from them. This movie shows that perspective from Scott's character, and I love it. It shows the American Indians as the ones who respect and help out when people are needed. It's a nice little twist.

Jack Geisinger. He passed, but we were friends up until the end. We took a dress design and apparel class, and I realized that I didn't like it, mostly because I couldn't sew very well. I then change over to textile design, where I could draw and paint. It was perfect for me. I got to the height of my career as a textile designer. I was working with people like Donna Karan, Jean Muir, and Scott Barrie.

Scott Adams is not only a world-famous cartoonist, he's also a world-class failure. And he's the first to admit it. In his new book, 'How to Fail at Almost Everything and Still Win Big,' the Dilbert creator explains how failure can lead to success if you develop the right skills to make the most of your mistakes.

There was once a great actor named George C. Scott. He was on stage in the Delacourt Theater in Central Park, where they do Shakespeare every summer, and he was playing Shylock in The Merchant of Venice. At one point he took the robes he was wearing and just started flipping them up in the air, out of nowhere. And later, an actor said to him, "What was that, George, what were you doing?" And he said, "They were sleeping." You're always trying to catch them.

If you like poetry let it be first rate, Milton, Shakespeare, Thomson, Goldsmith Pope (if you will though I don't admire him), Scott, Byron, Campbell, Wordsworth and Southey. Now Ellen don't be startled at the names of Shakespeare, and Byron. Both these were great Men and their works are like themselves, You will know how to chuse the good and avoid the evil, the finestpassages are always the purest, the bad are invariably revolting you will never wish to read them over twice.

I know that, for me, working with people like Robert Rodriguez and Ridley Scott and the Coen brothers and Oliver Stone and Gus Van Sant was so much easier than working with a lot of the people I had worked with before, because with these guys, there's not a lot of ego involved. It's all about the work. It's all about how to make the story better. So at the end of the day, you feel a trust that you usually don't feel - or at least I haven't felt in the past with most people.

When I introduce you to somebody, his name is Big Pun. When I introduce you to somebody, his name is DJ Khaled. When I introduce you to an artist, her name is Remy Ma. If I introduce you to somebody, it's Cool and Dre or Scott Storch - people who change the face of the game.

As we watch Republican candidates like Scott Walker and Rick Perry and Bobby Jindal and George Pataki, and even Jeb Bush and Chris Christie, guys who are either out or who are really struggling to stay in, it might seem like the Republican Party is no longer a very strong party. There may be people who use the Republican label, but the party itself might feel like it`s in a bit of disarray.

Scott-there's nothing in the world I want but you-and your precious love. All the material things are nothing. I'd just hate to live in a sordid, colorless existence-because you'd soon love less-and less-and I'd do anything-anything-to keep your heart for my own-I don't want to live-I want to love first and live incidentally.

I come from a musical family. Mom was a piano teacher for a large portion of her life, and Dad is a saxophone hobbyist who grew up in England during the heyday of Tubby Hayes and Ronnie Scott. I started taking piano lessons from my Mom, but it's too easy to slack off with your parent, so she passed me on to a friend of hers, where I got more motivated to play music by playing pop hits and TV themes. I did some classical training, but I was always more into the really thematic stuff.

I feel that instead of putting myself out in that light, I'd rather be on this side of the camera just to make sure that the movie, from my perspective as far as police procedures, is done properly. I got my daughters in it, that's good enough for me. Scott's got a way of talking me into things, and I told him I don't like the way he can talk me into stuff.

Do you ever think of moving back?" "To Coldwater? Heck, no. England suits me fine. These Brits love my accent. The first time Gavin asked me out it was just to hear me talk. Lucky for him, it's one of the things I do best." All teasing left her eyes. "Too many memories back home. Can't drive down the street without thinking I see Scott in the crowd.

An eye-opening moment in my life, a very defining moment, was the first time I met Susan Sarandon [before shooting Thelma & Louise]. We were going to meet, just Ridley [Scott] and Susan and I, to go through the script and see if we had any thoughts or ideas. I was reading the script, and in the most girly way possible, meaning that if it was a line that could change or something different I'd like to see, I would think about each one and say, "Well, this one can wait till the set because I don't want to bring up too many things."

I've told many people that I'm not looking to go out there and find the most beautiful girl in the world who likes me because I'm 'Mr. American Idol Scott McCreery.' If I could just find a nice hometown girl who just likes me for who I am, that's all I want.

Scott Brooks you mean the world to me. I love you. You as a man, I never met anybody like you. So selfless. You don't take the credit for nothing, Even though you deserve all of it. I love you and your family for always taking me in, Believing in me, Texting me late at night when I was going crazy. Thank you. Thank you.

In fact, someone was telling me that Gladiator was the one film where Ridley Scott didn't take a producer's credit. And it won. But this guy changed the industry twice; with Aliens which was a whole new way of looking at things and Blade Runner that was also a whole new way of looking at things.

It just tickles me still when you see Roger Clemens, as great as he is, throw a split-finger and the hitter just swings and misses. They don't see that ball that well. Jack Morris threw an awful good one and Mike Scott. There's a lot of great pitchers over the years that I think that pitch definitely helped their career.

Born Losers is a beautiful piece of writing. Scott Sandage is history's Dickens; his bleak house, the late nineteenth century world of almost anonymous American men who failed. With wit and sympathy, Sandage illuminates the grey world of credit evaluation, a little studied smothering arm of capitalism. This is history as it should be, a work of art exploring the social cost of our past.

Here's a list of some of the folks who have written Swamp Thing over the years: Alan Moore, Len Wein, Scott Snyder, Brian K Vaughan, Joshua Dysart, Rick Veitch, Grant Morrison, Mark Millar. That's not even a full list, but you see my point - ol' Swampy has had some seriously brilliant people behind the keyboard in his time.

The annual award of $5,000 goes to an author for a meritorious book published in the previous year for children or young adults. Scott O'Dell established this award to encourage other writers--particularly new authors--to focus on historical fiction. He hoped in this way to increase the interest of young readers in the historical background that has helped to shape their country and their world.

Upon its debut, The Room was a spectacular bomb, pulling in all of $1,800 during its initial two-week Los Angeles run. It wasn't until the last weekend of the film's short release that the seeds of its eventual cultural salvation were planted. While passing a movie theater, two young film students named Michael Rousselet and Scott Gairdner noticed a sign on the ticket booth that read: NO REFUNDS. Below the sign was this blurb from a review: “Watching this film is like getting stabbed in the head.” They were sold.

Ornette Coleman wasn't sure whether he was going to continue with Charlie Haden-Charlie had some personal problems. I said "You've got to be kidding! There's no one on the globe who will be able to accompany you" and no one ever did. [Scott LaFaro] was playing atonally and certainly Ornette was not an atonal player. Jimmy Garrison was a tonal player. He wasn't even polytonal or atonal.

My favorite - my very favorite movie, which I suppose is a bit of a guilty pleasure in that it's like, you know, every scene, you know, pushes every button, is 'True Romance' directed by Tony Scott with Patricia Arquette and Christian Slater, and it's a fantastic, fantastic film, very violent, very romantic.

The biggest thing right now is to know that I just didn't give up. It would have been the easiest thing for me to just go ahead and pull out of the tournament with what has been going on over the last week - just to be up there with my mum and support her. But I really wanted to come down here and play with Adam (Scott) and really try to win the World Cup and we achieved that which was great.

While writing 'Bhavesh,' I pretty much chewed up every single graphic novel I could get my hands on, so all the way from the entire 'Batman' series, Frank Miller's 'Batman,' Ed Brubaker's 'Batman,' Scott Snyder's 'Batman,' all the way through 'Daredevil' to '100 Bullets,' through so many other graphic novels.

I don't have 30 days and 30 nights, to show you why all the hoochies say there's nothing finer than Scott Steiner, but all I need is one night to have your wife call me for the rest of her life, the big bad booty daddy, so this goes to all my freaks out there, Big Poppa Pump is your hook up, hollar if you hear me.

Obviously, there's a big homage to Outland in Moon. I obviously had Ridley Scott's response, which was great. But Peter Hyams really loved Moon and was really enthusiastic about it. He was also enthusiastic about the fact we'd remembered Outland and had remembered it fondly. I think, for him, it was like some kind of edification that there were people out there who loved his film. So, that was a really lovely feeling.

Even though Helen Vendler wasn't on the Harvard faculty when I came first in 1979, she was a guardian spirit; Robert Fitzgerald gave me the use of his study in Pusey Library. Monroe and Brenda Engel kept open house, Bob and Jana Kiely made me at home in Adams House. Then, too, in 1979, Frank Bidart, whom Id met in Dublin after the death of Robert Lowell he was over seeing Caroline Blackwood Frank brought me into his circle of friends, including Robert Pinsky and Alan Williamson.

Honestly, some cases have been more famous than others - like Tot Mom, or Steven Avery, or Scott Peterson - but I would not characterize any one as being more special to me, more intriguing, or more important because that would be placing one victim as more important, or one defendant as more [notorious] than others, and I don't think that's right.

Scott, if your life had a face, I would punch it. I would punch your life in the face.

My mom had this inate ability. Whatever town my mother moved to, the second she walked into town, she would instantly attract the alpha loser of that town. This guy was not a good guy. This guy was half O.J. Simpson and half O.J. Simpson. Scott Peterson sprinkles on the top, a side of Robert Blake. You know, not a good guy.

When Scott and I started, every time we performed we wrote a whole new bit. We didn't know this wasn't the way things were done because we were just starting. But we needed the new material anyway. And it's nice, every time that Matt Besser does the show he does a whole new bit. And it's nice to offer up a place where people can be that experimental while offering some solid, proven comedy as well.

I don't have this fantasy about marriage anymore. Everyone says it takes hard work. Well, it kind of does -- and I'm much more pragmatic about romance than I used to be. [With Scott] I wanted to see him as a white knight and was crushed whenever anything normal happened. I wanted to be the princess. Now I'm much more willing to see myself as human and flawed, and accept someone -- the whole picture. My life is definitely changing for the better. I couldn't be happier or feel more comfortable with the direction it's going in.

Similarly, the press never tested many of the assumptions about WMDs. One of the great myths about the WMD issue is that everybody believed Iraq had them. Well, that's not true. There were a number of people in the intelligence community and the State Department who were skeptical, and many analysts in the Department of Energy were dubious about Iraq's nuclear capability. There were also people like Scott Ritter who were saying quite accurately what was going on.

Scott Brown may be the last Republican to win a statewide fight in Massachusetts for a very long time. He caught the machine flat-footed in January 2010 when he out-hustled Martha Coakley and stole the Senate seat Ted Kennedy held all those years. And since then, the Democrats haven't lost a single statewide fight.

I'm quite curious and excited about seeing a new script for 'Blade Runner.' If, in fact, the opportunity would exist to do another, if it's a good script, I would be very anxious to work with Ridley Scott again; he's a very talented and passionate filmmaker. And I think it would be very interesting to revisit the character.

In other words, when you have someone [like Ridley Scott] with that authority, then you tend to be left alone. But they were good and they're really good people, and I'm a big champion of the BBC and I think that like minds find each other and I think that FX and BBC is a perfect match.

Yeah, Travis Scott's dad taught me how to ride minibikes and how to repair the engines. His name's Jack Webster. Jack had a drum set and his brother had a bass. So I used to play with them, and that's what started me wanting to get into music and take it serious. And this is before rap.

I started writing when I was 26, so I don't even know what year that was. I wrote a script for me to star in. A friend of mine, who was an actor that I would compete against a lot, had written a script and was taking all these meetings. He just kept pushing me and was like, "You got to do it. You're going to love it!" He's a very successful screenwriter now. His name is Michael Bacall and he wrote 21 Jump Street, Project X, and Scott Pilgrim vs. the World. So it was a few factors.

She looked up, her face pink as a Christmas ham. “You ever try chasing down a car?” she gasped. “I’ll one-up you. I gave Scott my hot dog and asked if he’d go to Summer Solstice with me.” “What does the hot dog have to do with anything?” “I said he’d be a wiener if he didn’t go with me.” Vee wheezed laughter. “I’d have run harder had I known I’d get to see you call him a wiener.

Here are a few of the actors who have brought my novels to TV life: Bill Pullman, Holly Hunter, Frances McDormand, Julian Sands, Gena Rowlands, Rob Lowe, Julia Ormond, Chelsea Hobbs, Tate Donovan, Anne Heche, Max Martini, Campbell Scott, Kimberly Paisley-Williams, Alexa Vega, and the late legends Richard Kiley and Kim Hunter.

When the Duke [W.J.C. Scott-Bentinck] died, his heirs found all of the aboveground rooms devoid of furnishings except for one chamber in the middle of which sat the Duke's commode. The main hall was mysteriously floor less. Most of the rooms were painted pink. The one upstairs room in which the Duke had resided was packed to the ceiling with hundreds of green boxes, each of which contained a single dark brown wig. This was, in short, a man worth getting to know.

Activist Supreme Courts are not new. The Dred Scott decision in 1856, imposing slavery in free territories; the Plessy decision in 1896, imposing segregation on a private railroad company; the Korematsu decision in 1944, upholding Franklin Roosevelt’s internment of American citizens, mostly Japanese Americans; and the Roe decision in 1973, imposing abortion on the entire nation; are examples of the consequences of activist Courts and justices.

Mindi Scott has a real talent for getting inside her protagonist's head. She sketches out Coley's story in grand swathes, and then paints in all the little details, so that you feel as though you are enmeshed in Coley's brain: thinking her thoughts, feeling her confusion, anger, and, in the end, pain. I just don't think it's possible to read this book and not identify with Coley in some way.

Well I'm not making predictions. But the point I can - what I can say to you to contribute to your thinking is as somebody who has been out knocking on doors, doing the street corners, speaking to constituents right across the country is that the Government - that people understand that the Government's message of jobs and growth is addressing their concerns and they have a level of - a high level of confidence that Malcolm Turnbull and Scott Morrison are the people who can deliver.

Knox was engaged in a theological discussion with scientist John Scott Haldane. 'In a universe containing millions of planets,' reasoned Haldane, 'is it not inevitable that life should appear on at least one of them?' 'Sir,' replied Knox, 'if Scotland Yard found a body in your cabin trunk, would you tell them: 'There are millions of trunks in the world; surely one of them must contain a body? I think the would still want to know who put it there'.

My dad (Scott Swift) believed in me, even when I didn't.He always knew I could do this. I’m sure that everyone in Reading remembers how much he talked about me. I thought that was sweet, but really I just wasn’t as sure it would happen. So, I just love my dad for believing in his little girl.

I like the hip writers: Fitzgerald, the guy who committed suicide, Hemingway, all those guys. Some of them were alcoholics and drug addicts but they had fun. They were real people. They formed the culture of American literature. Hemingway admired Tolstoy, Tolstoy admired Pushkin, and Mailer admired Hemingway. It all flows down. The greats are all connected. One day I'm gonna write a book myself. The first chapter will be about what a rough deal my momma got. She believed in you guys and your society.

With a historical novel you know that liberties are being taken. Since Walter Scott, we know that poetic license, dramatic license, that events been conflated and that liberties have been taken, characters ditto, dates rearranged. But people don't seem to understand that movies are fictions, they are dramatizations, at least historical movies, and we should accord the moviemakers some of the same understanding and latitude. When you go to a movie you know it's a dramatization and not history.

The first film that really knocked me out was Alien by Ridley Scott. This is a great movie because no matter how many times I watch it, I still find myself fully invested in the characters despite the fact I know what is coming. I think it was this type of mastery of storytelling and the ability of bringing the audience so completely into another world that made me want to become a director.

How much he was shaped by being in the hospital so much as a kid. Because he was sick, he was a reader, and because he was a reader, Kennedy had heroes. Because he had heroes, he went into politics. [Kennedy liked Sir Walter Scott, King Arthur's knights, and biographies of political leaders.] If he hadn't been sick, he might have been like everybody else in the family, a jock.