Top 1200 Screen Time Quotes & Sayings - Page 2

There was a time when I wanted to meet Pawan Kalyan sir at least once and have a picture clicked with him. There was a time when I put up banners for him; I've literally torn my shirt watching him on screen.

Some things we forget. But many things we remember on the mental screen, which is the biggest screen of all.

I like to have the screen full of color, twenty colors on the screen at once, fifty colors. There are no dominants despite what people have said.

On 'Buffy' I wasn't all that high on the totem pole as far as responsibility and screen time.

About that time, stronger features became fashionable on the screen.

Most filmmakers looked at it as a medium to palm off sub-standard stuff. I don't look at it like that. Your TV screen, mobile screen is as relevant as a cinema hall.

Whether one likes it or not, the screen is a profoundly important source of imagery and storytelling for this generation. For me, books remain a stunning place to tell stories, but the screen has a place.

I always loved how people like Jon Voight and Laurence Olivier shocked you every time they came on-screen. They were so different each time. That's what I hope to do with acting - be the chameleon and not get stuck in a type.

Innumerable lovers of Hindi cinema have lit up the big screen. But on screen, they are just two beautiful bodies. They have no caste nor religion. The love that our filmmakers imagined was little more than make-believe.

It is shocking that the screen does not reflect the way the world is and the diversity in the world... What the world really looks like should be on screen, and it isn't.

The first time I was flown to L.A. for a screen test was an incredibly nerve-racking experience.

The biggest surprise watching video on the tiny, 2.5-inch screen (320 by 240 pixels) is completely immersive. Three unexpected factors are at work. First, the picture itself is sharp and vivid, with crisp action that never smears the screen is noticeably brighter than on previous iPods. Second, because the audio is piped directly into your ear sockets, it has much higher fidelity and presence than most peoples TV sets. Finally, remember that a 2.5-inch screen a foot from your face fills as much of your vision as a much larger screen thats across the room.

I wouldn't want you to see me all the time on the screen, because I get bored of it myself!

Software unification. So that I no longer care what computing device I pick up, whether it's a laptop or desktop, whether it's one I own or one in a public place, whether it has a small screen or a large screen.

When you're flying off soft keys on a touch screen it's a totally different feel, and a lot of muscle memory is lost. There is that delay when you look at the screen and input a command before it's executed, versus something instantaneous when you move the stick.

I am not against any kind of physical intimacy on screen, but kissing is a big no unless it's with Jennifer. I'd like to kiss her on-screen as we do it at home, too. If we get paid for it, that's even better.

I hope I'm wrong, but I think the victory of the screen is going to win out. It raises the fundamental question: is the quality of reading and comprehension as good when you read it on a screen as when you read it on a physical paper?

Something I've always known about the screen is that if it's anything in the world, it's literal. It's so literal that there's a whole lot you can't do because you're stuck with the literalness of the screen. The stage is not literal.

I completely took off my eyebrows one time for a screen test. I hadn't even gotten the role yet. So you have to have a commitment.

I love Jennifer Hudson! She is so lovely on screen. She is so buoyant and youthful off screen as much as on.

In computers, we do all kinds of manual manipulations. We grab and drag icons. We click on and open windows. We pull down a screen. We stretch a screen. We scroll up and down.

It's not necessarily how many minutes you're on screen, it's the material you have. It's more important what it is you have to do than the amount of time you're there.

It's really unnatural to be in a room full of people watching you on screen. It's exposing. Your little imaginary world is up on screen. They can see what I've been thinking about! It's very odd.

I'm an entertainer; I try to give the public what it wants while I'm on the screen, and I'm completely sincere about it. If I don't happen to be a laughing boy off the screen, that doesn't make me a hypocrite or a phony.

But what I've also really liked about it is that it not only has Marvel set about... if they just were slavishly trying to bring the comic books to life, literally, I don't the movies would work, because it's different to see something on screen in three dimensions with actors, and they kind of, I believe, are constantly trying to find a way to absolutely respect the source material and at the same time, transform it into something that works and that you believe on screen.

It's one of those once in a lifetime opportunities for me to be sharing the screen with a star of the stature of Pawan Kalyan, and I jumped at it. The intensity that he brings to the screen is incredible, he's a phenomenal performer.

Tony, Stacy and Jay really looked at life completely different and that played into everything that they did, whether it was skating or with their friendships. And for the three of us, we had such a close relationship off screen, that it was so easy to have that on screen.

Web media needs to move to TV metaphor - with full-screen imagery and other content interrupted with full-screen ads.

Realisation is nothing new to be acquired. It is already there, but obstructed by a screen of thoughts. All our attempts are directed to lifting this screen and then realisation is revealed.

When I started earning money from screen-writing, for a long time my only indulgences were books.

When I get my weekly screen-time reports from Apple, it's disturbing.

If you want to enjoy the movie, you should know that it is the combination of film and light and white screen, and that the most important thing is to have a plain, white screen.

People can hide behind a screen. No one is going to do it at a match, in front of you, like throw a banana at a black player or something. They are very happy hiding behind a screen and being comfortable.

When David Goyer comes to the small screen, what he's actually doing is making the small screen bigger.

Our take was that if we are going to support our customers, we have to help them with video distribution, whether that is iPad, TV, small screen or large screen.

I've had people ask me: 'How can you make a movie about a murderer? A terrorist?' What they don't understand is that I'm in support of everyone who appears on screen. I have to be. I take the position of everyone who's on screen. I'm not judging them one way or another.

My reason [for making my own paint] is to force a real-time experience of the work. Most work today is experienced by reproduction, and more specifically by computer screen, like jpegs, but an RGB simulation of fluorescent will never fully accurately depict some colors. For example, our eyes are a lot more sophisticated than you might assume. You can feel a lot more going on on the surface of a canvas than you can on the surface of a screen.

If you can't believe a little in what you see on the screen, it's not worth wasting your time on cinema.

I don't go by the screen time. Even if I have one or two scenes, it is essential that people remember me.

To get a movie star, you have to give them two hours of screen time.

Being a naive 20-something I didn't think that I could just go to the screen cartoonist's union, that I was a member of, and scream bloody murder and they would have jumped all over this guy and said, "Oh, but yes he does get screen credit."

It's not about how much screen time I have, what matters is reaching out to a huge number of people.

It's a very different thing when you're able to read something and see it in your mind, then to imagine it on screen. It's emotional transference that you don't have in literature that you have in movies. People invest in the person they see on the screen and they can't shift gears.

The reality is: By the time swine flu got on the radar screen of global public health, it had already spread. It was already in the States, it was in Mexico, it was in New Zealand. By the time it reaches that point, you've lost the ability to contain it.

The things kids can do on screens can be really delightful - if they are age appropriate. But no, they shouldn't spend all their time on a screen; they should split up their time doing multiple, different things.

Theatrical is fantastic. I don't think anything will ever replace the big dark room, the screen and the popcorn. You can kind of do it in your home if you have a nice screen, but it's not the same thing.

I get small screen offers all the time, specially for hosting shows.

When I first started doing screen work, I thought, 'I'm not beautiful enough for this profession - all the actresses I watch on screen are gorgeous and beautiful goddesses, but I'm just a scrawny, scruffy girl from southwest London.'

To give a character life in a short space of time, it helps if you arrive on screen with a past.

There were so few Asians on-screen when I grew up, and the ones who were on-screen weren't given complex characters to play.

I've actually done a lot of on-screen, live-action stuff prior to 'Adventure Time.'

Any time I'm on-screen it is realistic because I don't pull my punches or anything like that.

When people see me as Gavaskar on screen, I want them to feel that they are looking at the person that they have known and when I play on screen, it should remind them of how he played.

And it is a folly to try to craft a novel for the screen, to write a novel with a screen contract in mind.

I have a hard time watching people getting punched on screen; I have to close my eyes a lot.

When you make a movie like 'Straw Dogs,' your goal is to have people's eyes remain glued to the screen. It serves you no purpose to turn away from the screen.

You can be moved by a performance on set, but when you see it on screen, it does nothing. Yet there will be someone you simply didn't notice on set that on screen: bam!

I work a lot with a green screen, which is really time consuming. All the special effects are.

Celebrity is a pathological sickness of the culture. Narcissists on screen being consumed by narcissists off-screen.

Kids have so much screen time, and it's a concern. I know how overloaded I can feel sometimes.