Top 1200 Screen Time Quotes & Sayings - Page 3

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I feel like my job as a storyteller and director is to create an experience where the audience forgets they're in a cinema and can get lost in the story. Things popping out of the screen call attention to the artifice of what you're doing, so I use 3D as more of a window into a world behind the screen.

I'm involved in Northern Ireland Screen and have been for a long time, so I keep my eyes open and ears to the ground.

Often, when you see yourself on the screen, you feel like a sweater that's been put through the washing machine. You have the impression of having done something full and luminous, and suddenly, when you see it on the screen, it's turned back into a tiny little thing.

If I hear that a film of mine is going to be shown on a big screen somewhere and I haven't seen it in a while, I make a point to get to see it. I just want to see it up on the big screen.

TV is a different animal. I belong on that little screen. The big silver screen, not so much, 'cause I've seen my face up close when it's 25-feet tall. I'm okay as long as you keep me in that little box.

I started to do silk-screen in the early days of my painting training, due to a woman who taught art history at the institute, Kathleen Blackshear. She was interested in silk screen and taught a class that I took.

The first time I sat in a theater and watched myself on a screen was an out-of-body experience. It blew my mind.

Mad Dog Time is the first movie I have seen that does not improve on the sight of a blank screen viewed for the same length of time. Oh, I've seen bad movies before. But they usually made me care about how bad they were. Watching Mad Dog Time is like waiting for the bus in a city where you're not sure they have a bus line.

I always direct next to the camera and watch my actors, and so you can see the small things that you can't see on the small screen but you can definitely see on the big screen.

Everybody thought that screen time was bad for vision. Well, it happens that spending a lot of time reading on a computer is bad for your vision, but spending a lot of time playing first-person-shooter games is good for your vision.

90 percent of the time the terms are misused or unnecessary. Not every image obtained from a computer is a screen shot.

I'm trying to limit the screen time because there's so much crazy news and you can only binge-watch so many TV shows.

When you built television sets, you have all this test equipment. And you'd have all these lines and squares on the screen to test it. So it occurred to me that it might be fun for people to control the lines and squares on the screen.

My job with Sue on 'Bake Off' was to look after the bakers - and to be honest, a lot of that was done off screen as well as on screen. It's very much the same on 'Let It Shine.' You get to know people, you get involved, you want things to be alright.

As the cinema is changing, on-screen kissing, love-making scenes are becoming part of the narrative. I am not saying it is wrong, because it is the reflection of how our society has changed and become comfortable with it. But I am uncomfortable performing it on screen.

The truth is, when I started to make films, I was terrified. I had a huge difference in what I was writing in the screenplay and what was on the screen after. Sometimes there was a big gap. Now, the more I have experienced, the more I do movies, the more I feel that the dream is closer to the screen. It's coming with experience.

Acting with a green screen has been physically challenging. I look at the green screen and then I'll look somewhere else and everything looks red. It's a bizarre thing where green has an effect on my vision, but it's fun.

I get on the airplane and there's a screen in front of everything. You get into a taxicab in New York, there's a screen blinking at you. I think it's going to have a tremendous effect on our brains, because those bright, saturated colors and those strong lines, they do things to your brain.

Stefan would be so great for her, because it's just so annoying watching those two on screen all the time!

It's really important to make the time to curl up and not look at a screen at night. Just to escape into a good book.

I had an audition process that went on for a long time, and I got to spend a lot of time with the guys who are directing the film. Getting to be around them and being around the world a little bit has been the main experience so far. I did my audition on the Millennium Falcon for one of my screen tests, which was pretty cool.

If you give an actor a green screen, the shot may work, but that green screen will not inspire you on the set as a director or as an actor.

Television is a big platform for actors, and so many actors have made it to films from there. And for me, too, it has been a great transition from the small screen to the big screen.

I just remember Bruce Lee blowing my mind on the screen, and I thought to myself, 'That's what I want to do for a living when I'm older.' Bruce Lee was so magnetic and charismatic and held the screen so well.

Even though I'm surrounded by pupils, there is the invisible screen screen between us, and behind the glass wall I am screaming - screaming in my own silence, screaming to be noticed, to be befriended, to be liked.

I was a big Mickey Rourke fan in his first incarnation. I thought that at the time he was America's greatest screen actor.

When you start working on screen, a lot of the time it can feel like you're just trying to make sure that you're not bad.

To be animating at the same time, it's the ultimate freedom in filmmaking because you can literally put anything on the screen that you can imagine.

There are lots of people at our company who dedicate their time and effort to make sure that the journey from product design to hitting the screen is as seamless as possible.

We live in a screen age, and to say to a kid, ‘I’d love for you to look at a book but I hate it when you look at the screen’ is just bizarre. It reflects our own prejudices and comfort zone. It’s nothing but fear of change, of being left out.

I'm a passionate person. I'm a lot of things, like most people are. Most people are dynamic. The focus is not on me though, I'm a screen. The aim is to always keep myself in the position where the screen is clear.

Hard to believe lightning can strike twice, but it surely did. The moment Caitriona Balfe came on screen, I sat up straight and said, ‘There she is!’ She and Sam Heughan absolutely lit up the screen with fireworks.

Piggie James was the storyline that brought LayCool to fruition and really started and helped develop our characters. It was a main storyline that, at the time, started giving Divas more screen time and longer matches - we even had a huge celebration.

Thank you, World Screen, for regularly providing me with excellent articles on international media topics. For me, World Screen is an important means of information-well-structured and reader-oriented.

That's the problem: when you make movies, I find that I never have time to go to the movies and enjoy movies like I used to because I'm so movied out, right? I'm so filmed out that the last thing that I wanna do is, with the little spare time that I have, is stick in a dark room and watch more stuff on the screen.

I couldn't believe it! I mean, I'd always dreamed of acting on the screen - my previous background was all theater - but I wasn't sure if the opportunity would ever present itself. Not only was this acting for the screen, this was acting in 'The Hunger Games!' I knew that I had to give this audition my all.

Who doesn't have a dark place somewhere inside him that comes out sometimes when he's looking in a mirror? Dark and light, we are all made out of shadows like the shapes on a motion-picture screen. A lot of people think that the function of the projector is to throw light on the screen, just as the function of the story-teller is to stop fooling around and simply tell what happened, but the dark places must be there too, because without the dark places there would be no image and the figure on the screen would not exist.

When I started making dances in the '60s, narrative dance was sort of off the radar screen. What was important at the time in the avant-garde was minimalism.

It's tough to get any movie made, but unless it's a movie about race or culture or ethnicity, it's becoming less and less important who's playing what. You see that on the big screen and the small screen, and I think that's great. That's exciting.

I would love to share screen with Aamir as we share a great comfort level. And ideally it should be a love story as it would be easy for us to romance on screen.

Make it compulsory that at least four weeks in a year the theaters have to screen local films and let them choose the time. That's how you have to encourage the industry.

What attracts me to material are characters that I know - characters that I know people don't know but I know - and bringing them to the screen. Spotlighting voices that have not been heard before on screen.

What we see on the TV screen, or the film screen or what we listen to in music, we have an illusion of what Prince Charming looks like or Cinderella's gonna look like in our life and we forget about what true love really means.

Graphic novel genre become really quite popular. It's really a big screen film genre that they have successfully moved into the small screen.

As the watcher of the screen, you are perfect. The movie that is playing on the screen might be horrendous, but you are not the movie. You are what is watching the movie.

That [silk-screen process experience] carried over when I returned from the Army and took more graphic classes at the Institute. And Alix [MacKenzie] and I actually began to produce a line of textiles, which had silk-screen patterns on them.

First we pre-visualized it [the flying fish scene in 'Life of Pi'] so the actors could act. It took a long time to get that to come to life and to design those coming out of the screen. We had great fun with that. It takes a long time, a year maybe.

When you make movies, I find that I never have time to go to the movies and enjoy movies like I used to, because I'm so movied out, right, I'm so filmed out that the last thing that I wanna do is with the little spare time that I have is stick in a dark room and watch more stuff on the screen.

Antagonists are always creatives efforts. They get extra attention be it in their costumes to their screen time. I actually enjoy it.

I was asked to go to Cannes to present Amores Perros. And little did I know that this film would be huge. I saw it for the first time in Cannes, and it was the first time I'd seen myself on such a big screen. And it had a huge impact on me - it was the strangest feeling.

I spent a long time working in the movies to figure out that kind of acting and also how to write and produce for the screen.

On screen chemistry can be very different from off screen chemistry.

On 'Game of Thrones,' we always shoot away from the green screen because it's bloody expensive to shoot green screen.

My karma doesn't seem to be a big screen karma: it's definitely a little-screen karma.

My breasts are beautiful, and I gotta tell you, they've gotten a lot of attention for what is relatively short screen time.

I think that I've been pigeon-holed by virtue of the fact that I've spent so much time in front of a green screen.

The reason I became an actress is because I wanted my acting to reflect life as it is. I want to put truth on the screen. I want real women to see real women on the screen.

I just remember Bruce Lee blowing my mind on the screen, and I thought to myself, Thats what I want to do for a living when Im older. Bruce Lee was so magnetic and charismatic and held the screen so well.

I first began to realize that it was time to leave my job when the sight of my manager's telephone number on my screen made my heart contract and burn.