Top 206 Screening Quotes & Sayings - Page 3

Here's what we must do: Completely reform the vetting process for immigrants and foreign visitors. Change the screening process. Come up with a new visa-application review process. Stop this nonsense of marriage-visa fraud. And in the meantime, seal the borders.

The scariest thing about screening a comedy ... if you screen a drama, you know, there's no real way to tell in real time if people are enjoying it or not. But in a comedy, it's like, if people aren't laughing, it's sort of scary.

It's as if the fasion designers decided that once a woman hit a certain weight, she'd have no need for business suits, for skirts and blazers, for anything except glorified sweatsuits, and they tried to apologize for dressing us like overaged Teletubbies by silk-screening daisies on the tops.

When we made 'Night of the Living Dead,' we got riddled. There was this famous article Roger Ebert wrote just blasting the film because he had gone to see it at some screening where there were all these kids in the audience. I don't know why that happened. We didn't make the movie for kids.

It is not possible to think of a way of screening out effectively the most appropriate embryos, and hence, what we should expect would be late abortions - either occurring spontaneously or being induced deliberately in the second or third trimester of pregnancy - in order to prevent the birth of abnormal children.

When screening engineers from other companies, its smart to value engineers from great companies more than those from mediocre companies.

When it comes to meritocracy and diversity, the symbolic is real. And that means that simple actions that reduce bias, such as blind resume or application screening, are a double win: they reduce implicit bias and they help communicate our commitment to meritocracy.

An interesting opportunity is actually not just thinking about building organs for patients, but actually building little tiny organs that you could do drug screening on.

Against the odds, John Carter is itself pretty amazing-an epic pulp saga that slowly rises to the level of its best imitations and wins you over by degrees. I say that as a grown-up moviegoer; behind me at a recent screening was a row of 10-year-old boys who were ecstatically in from the get-go. That's probably all that matters.

The bottom line is, until we're helping people to stop smoking, screening for breast cancer, giving Pap smears, giving prenatal care to pregnant women, we should not go into publicly paying for the artificial heart, which will benefit at great cost only a few people.

Any movie about cult figure Charles Manson needs lots of sex, drugs and blood. But as John Roecker discovered while filming his first feature - screening Friday and Saturday only at the Avalon - the key to amping up the gore is an old standby: puppets.

Another reform, involves new screening tests for all applicants that include, and this is so important, especially if you get the right people. And we will get the right people.

I quite like that people tend not to know my name. I remember being at the Cannes film festival for 'All or Nothing.' I looked very different in the film - I had a little greasy bob and no makeup. I went to a dinner after the screening, and everyone completely ignored me. I got a real buzz out of that.

I cannot believe they haven't yet come up with a better screening process than the mammogram. If a man had to put his special parts inside a clamp to test him for anything, I think they would come up with a new plan before the doctor finished saying, "Put that thing there so I can crush it.

As part of our layered approach, we have expedited the deployment of new Advanced Imaging Technology (AIT) units to help detect concealed metallic and non-metallic threats on passengers. These machines are now in use at airports nationwide, and the vast majority of travelers say they prefer this technology to alternative screening measures.

I've been creating work by silk-screening images of arms and legs and heads and objects on paper - like drawings of vegetables, guns, hats, whatever - and then also printing sheets of patterns, colorful polka dots and line drawing patterns.

When you screen a film like 'The Missing Picture,' it is not like watching TV. Watching TV is very solitary. When you watch cinema, you watch it together, and you talk about it after the screening.

I was going to make movies. I was the one in the family who was always rolling the video camera, making movies of my brothers around town, and then screening them for my parents. I still would love to make movies someday... that's something that really means a lot to me, and I know I'll have the chance to do it one day.

If you wish to leave much wealth to your children, leave them in God's care. Do not leave them riches, but virtue and skill. For if they learn to expect riches, they will not mind anything besides, and their abundant riches shall give them the means of screening the wickedness of their ways.

The producers and I first talked about the Big Fish musical, right before we did the first test screening of the movie. I said, "I think there's a Broadway musical here." And really, from that day, we started figuring out how we would do it.

I have been doing merch' since I was 15 and in bands when I was a teenager - silk-screening shirts, making the emulsion in my mom's closet I converted into a dark room, through college. That's essentially how us bands survived was selling homemade t-shirts.

The whole switch from film to digital has changed some of the ways I use color and the juxtaposition of light and dark. It's getting better with digital, the separation's gotten better, but I still feel like it's really flatter than film, so I do a lot of screening and subtle textural printing and painting on clothes for film to get it not to look flat.

And it's about a three-month process every screening. And that way we have seven or eight chances at the film before we have to actually build the models, build the sets, do the animation and all of that. So it's a - I think that's a real key to the way we make films.

I didn't audition or anything like that. But I went into John Loganhis office... It was his screening room in his office, actually, and I sat and schmoozed with him for about two minutes, which I think is standard, and, y'know, we got on fine.

In 1998, I was screening 'Good Will Hunting' at Camp David. And I was saying, 'Nice to meet you, Mr. President. Nice to meet you, Mrs. Clinton.' Madeleine Albright, Sandy Berger, Senator Daschle. It was an extraordinary day.

When I'm shooting, really the audience I'm thinking the hardest about is that first test screening audience who I want to like the film and that first opening weekend audience.

An animatic is a process where every voice and every sound effect is added to rough animated drawings and it lasts exactly as long as the final movie. So you actually get to go into a screening room with the rest of the cast and you get to see it all at the same time.

Since evictions go through court, it has a record that comes with it, and many landlords that I spend time with use that as a big screening mechanism. And that's really the reason, we think, families are pushed into worse housing and worse neighborhoods after their evictions.

I am overwhelmed by the reaction to my songs. At Mitra, people went crazy dancing to Paglu's songs. Naveena, which hardly ever screens a Bengali movie, is screening 'Paglu.' I got mobbed at the theaters and lost my watch and shades.

I was going to go to a midnight screening of 'Pee-wee's Big Adventure' in college, and it's the sort of thing where people dress up. So I got dressed up, and then I got lost. I was speeding, and a cop pulled me over while I was wearing a Pee-wee suit. That's a hard ticket to get out of.

The problem of poor vision has gone unnoticed for too long - it's astounding that 700 years after glasses were first invented, there are still 2.5 billion people across the world without access to something as simple as eye screening or a pair of glasses.

The scariest thing about screening a comedy... if you screen a drama, you know, there's no real way to tell in real time if people are enjoying it or not. But in a comedy, it's like, if people aren't laughing, it's sort of scary.

The common thread linking the major Islamic terrorist attacks that have recently occurred on our soil - 9/11, the Ft. Hood shooting, the Boston Bombing, the San Bernardino attack, the Orlando attack - is that they have involved immigrants or the children of immigrants. Clearly, new screening procedures are needed.

I was really enjoying one of the screenings of "Beautiful Creatures" and there was this little 14-year-old boy sitting next to me in the screening and I was laughing at all the jokes and I just felt really judged. I had to keep it down a bit. It's a bit embarrassing.

You know, some people say that Cannes is the worst place in the world to see cinema. It's a paradox. They have the new films , lots of interesting films premiering there for the first time. At the same time it's such a mess and a confusion. You have to run from one screening to another.

I remember staying up all night waiting to see the first screening of Cape Fear because you knew that every time Robert DeNiro had a performance it was going to be revelatory. Then DeNiro hit this place, he seemed like he was done with the emotional cost of impaling himself like that, and he dedicated himself to comedy.

No one leaves the edit room thinking, 'Yeah, I nailed that one!' Everyone I know goes into their first premiere or their first screening thinking, 'I screwed up so bad. I'm sorry, I messed up.' It's just a real common feeling.

A good breeder or experienced rescue agency wants you to prove that you'll be a capable caretaker. The interrogation and screening can be annoying, but it's also a sign that you're on the right track. A breeder ought to know if you work long hours away from home, have a fenced yard, have kids or other animals, or if you have access to parks.

It's like live action if you reshot every scene a million times after finishing the movie. Because even apparently by the very end, a few weeks before they were screening it for the world premiere, they were making changes. That's just simply something you can't do on live action.

I feel like the great filmmakers who have a true voice, yeah they take the notes, they understand the notes, but it's really about the notes underneath the notes. When you do a test screening and somebody says, 'Well, I didn't like the love story,' but it was probably just too long.

When the film [Certified Copy] was in the Cannes Festival, I realized that the fact of having it shot in a different culture, in a different language, in a different setting, that wasn't mine and that I didn't belong to, gave me a totally different relationship to the film. When I was sitting in the audience during the official screening in Cannes, I didn't feel that it was my film.

Another immigration reform involves new screening tests for all applicants that include - and this is so important, especially if you get the right people, and we will get the right people - an ideological certification to make sure that those we are admitting to our country share our values and love our people!

We have to move away from the concept of screening in cinemas. This can be achieved with the new technologies. I enjoy my films and the fact that I can include you in them as well. Cinema is only a small part of a much greater phenomenon. We transcend the barriers of culture. DVDs' image quality and longevity provide us with new prospects. They are a powerful medium. I think they were invented especially for me.

I haven't fully moved over to the iPad. At any given time, I have about four DVDs in my pocket. I'm constantly screening 'Top Chef,' 'Housewives,' and all the other shows we have in development, racing to meet a deadline. So I pretty much bring my laptop everywhere.

Well, a special screening was set up for government officials, so they didn't have to see the experience of going to see the film. They certainly aren't going to the projects to see for themselves the situation.

A few nights ago I went to a Hollywood screening of a small independent film made by Sally Kirkland, an old friend of mine who also did terrific job acting in it. There were other actors in it and they were all terrific.

I'm not looking for is the audience going to like it [the film during the first screening] or not. I want to hear somebody try to poke a hole in it. I want to hear why they saw the logic was flawed or why that scene was not believable.

I was going to make movies. I was the one in the family who was always rolling the video camera, making movies of my brothers around town, and then screening them for my parents. I still would love to make movies someday that's something that really means a lot to me, and I know I'll have the chance to do it one day.

What I think is a really special movie is 'Black and White' with Kevin Costner and Octavia Spencer, which Mike Binder directed. I got to see a screening of it, and I think Kevin and Octavia and Anthony Mackie and Bill Burr all give such beautiful performances in that movie.

Health experts working on a union backed screening program to detect bladder cancer in a Georgia chemical plant were stunned when the local (ACS) cancer society not only didn't support the program, but tried to discourage participation in it.

The main difference to me with Lyft is the sense of community and social experience. The pink mustache, fist bump and strict screening have fostered a strong sense of community with many stories of new friends, discovered jobs, and even some Lyft hugs after a tough break up.

I remember when we were at Sundance, we were in Robert Redford's screening room, and I had never seen the film look so beautiful or sound so great. It was really big and really powerful, and I had a sense of accomplishment in finishing a project like this.

A few weeks ago I went to a screening of 'Portrait of a Lady on Fire' at Utopia. I'm not a very introspective person but when I get on that stage, it feels even more overwhelming than showing my films at the Cannes film festival. Because standing there, I'm so close to my past. I can see how far I've come.

I was really enjoying one of the screenings of 'Beautiful Creatures' and there was this little 14-year-old boy sitting next to me in the screening and I was laughing at all the jokes and I just felt really judged. I had to keep it down a bit. It's a bit embarrassing.

We are hopefully seeking some kind of distribution - but that's the ultimate goal of any independent film-maker. We are sold-out, from what I was told yesterday. We're going to try to put together another screening because I know there's a lot Jersey Boys fans that are coming. I don't know when, why or how, but we definitely want the opportunity for everyone to see this.

Athletes vs Cancer is a foundation that I started in 2008 after I lost my mom to cancer in 2007, and our goal is early detection, preventative screening and just really spreading knowledge about the cancer disease.

Following well-established national security screening procedures and accurately informing Congress about them is not a joke or a political game. It is essential to guaranteeing that our national secrets are protected and to preventing possible blackmailing of key administration officials.

From 2002-2008, Planned Parenthood received $342 million in federal taxpayer money through Title X funding alone. With these funds, Planned Parenthood has provided women throughout the U.S. with important family planning and contraceptive services as well as screening for breast and cervical cancers for low-income women.

I think certain filmmakers going into Sundance or other big festivals should consider screening more for press and tastemakers before the festival. The traditional wisdom has always been the opposite: to not screen for anyone prior, let your film be seen by an audience, and generate the buzz from there.

A minimum required standard to obtain a massage license is quite a different matter from a voluntary certification evidencing higher-level skills. Licensing standards should be set at a level sufficient to assure safe practice, but low enough to avoid screening out those individuals who choose to perform basic work