Top 141 Seduction Quotes & Sayings - Page 3

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Last updated on November 8, 2024.
I think a lot of directors nowadays come from the commercial world, which is about seduction, which has nothing to do with personal directing. If you are trying to seduce an actor he might like it but I can guarantee you that he'll hate it when you start shooting. They are looking for somebody who is like a compadre, their brother, or sister, who can tell them the honest truth and help them to become a better artist than they are right then.
Since God is the end of man, since he has created us to be perfect and happy in him, it is manifest that if the designs of creation have not here below been entirely frustrated, there should be found men who tend to their end in seeking and loving God. And nevertheless, because of human liberty, there should also be found other men who neglect God, their principle and their end, and yield to the seduction of created things. Such indeed is the spectacle which the history of the world unceasingly presents to us.
Writing, therefore, is also an act of courage. How much easier is it to lead an unexamined life than to confront yourself on the page? How much easier is it to surrended to materialism or cynicism or to a hundred other ways of life that are, in fact, ways to hide from life and from our fears. When we write, we resist the facile seduction of theses simpler roads. We insist on finding out and declaring the truths that we find, and we dare to out those truths on the page.
Strider's bedroom "The only thing hanging on the wall that wasn't a weapon was the portrait just over the bed. No. Not true, he thought then. The portrait was a weapon, too. Of seduction. In it Strider was utterly naked and whisking through the cloads like an avenging angel. He was holding a teddy bear in one hand and a stream of pink ribbons in the other. Anya had given him the nearly life-size monstrasity as a joke. But the joke was on her. He loved the thing.
Worship is a meeting at the center so that our lives are centered in God and not lived eccentrically. We worship so that we live in response to and from this center, the living God. Failure to worship consigns us to a life of spasms and jerks, at the mercy of every advertisement, every seduction, every siren. Without worship we live manipulated and manipulating lives. We move in either frightened panic or deluded lethargy as we are, in turn, alarmed by specters and soothed by placebos. If there is no center, there is no circumference.
The Puritan, of course, is not entirely devoid of aesthetic feeling. He has a taste for good form; he responds to style; he is even capable of something approaching a purely aesthetic emotion. But he fears this aesthetic emotion as an insinuating distraction from his chief business in life: the sober consideration of the all-important problem of conduct. Art is a temptation, a seduction, a Lorelei, and the Good Man may safely have traffic with it when it is broken to moral uses--in other words, when its innocence is pumped out of it, and it is purged of gusto.
There is an insistent tendency among serious social scientists to think of any institution which features rhymed and singing commercials, intense and lachrymose voices urging highly improbable enjoyment, caricatures of the human esophagus in normal and impaired operation, and which hints implausibly at opportunities for antiseptic seduction as inherently trivial. This is a great mistake. The industrial system is profoundly dependent on commercial television and could not exist in its present form without it.
Just for a while": Death's opening chat-up line in His great seduction, before he drugged you with soporific comforts, distracted you with minor luxuries and ensnared you with long-term payment plans. Join the Rat Race "just for a while." Concentrate on your career "just for a while." Move in with your girlfriend "just for a while." Find a bigger place, out in the burbs "just for a while." Lie down in that wooden box "just for a while.
If you're reading a book that I've written in the first person, without named characters, you will periodically perhaps as a reader remind yourself: Well, this is or isn't the author. This is a character.I think the second person turns that dynamic onto you, or situates it within you: This isn't really me, but what aspect of the character is really me? That creates a loop of seduction.
Somewhere in between all the mind games, lies and seduction...I fell for you. Somewhere in between all the broken promises, manipulation and heartaches...I got over you. But, I guess I fibbed a few times too. Remember all those times I swore I needed you? Well consider them lies because baby, here I am without you, and I survived.
I hope to make pictures like I walk in the desert—under a spell, an instinct of motion, a kind of knowing that is essentially indirect and sideways.Of all the things I wondered about on this land, I wondered the hardest about the seduction of certain geographies that feel like home–not by story or blood but merely by their forms and colors. How our perceptions are our only internal map of the world, how there are places that claim you and places that warn you away. How you can fall in love with the light.
Longing surged up within me. I wanted it. Oh God, I wanted it. I didn't want to hear Jerome chastise me for my "all lowlifes, all the time" seduction policy. I wanted to come home and tell someone about my day. I wanted to go out dancing on the weekends. I wanted to take vacations together. I wanted someone to hold me when I was upset, when the ups and downs of the world pushed me too far. I wanted someone to love.
Paris is a beautiful city to walk around in. And, you know, all the obvious things: I like the museums, I like the theater, I like the dance. And it's manageable. The food's good. I know a lot of interesting people here. I lived in Boston for 50 years or more. Wherever I am, I'm usually holed up most of the time in the editing room, and so, when I leave the editing room, even if I just take a walk, it's gorgeous. And I walk everywhere. I'm a victim of the seduction of Paris.
The North American Church is at a critical juncture. The gospel of grace is being confused and compromised by silence, seduction, and outright subversion. The vitality of the faith is being jeopardized. The lying slogans of the fixers who carry religion like a sword of judgment pile up with impunity. Let ragamuffins everywhere gather as a confessing Church to cry out in protest. Revoke the licenses of religious leaders who falsify the idea of God. Sentence them to three years in solitude with the Bible as their only companion.
He [D'Artangnan] succumbs to her [Miledy Winter] level of seduction and gives into it. It's only when the series starts to progress that he realizes what she's doing, and the tables turn slightly. But that relationship really pays homage to how D'Artagnan can be easily swayed. You see him grow into somebody who can actually make a decision where he's not being used and forced into doing something that he doesn't want to do.
Like Semmering Academy, the Grove School was a Gothic pile of bricks run by 1950s-era chalk drones, which maintained its cultural viability by perpetuating a weirdly seductive anxiety throughout its community. Mary herself was a victim of the seduction; despite the trying and repetitive emotional requirements of her job, she remained eternally fascinated by the wicker-thin girls and their wicker-thin mothers, all of them favoring dark wool skirts and macintoshes and unreadably far-away expressions; if she squinted, they could have emerged intact from any of the last seven decades.
In the dark, my master let down his guard and he was Caleb again. He didn't correct me. He didn't punish me. He didn't push me away emotionally. Caleb was there to hold me until the nightmares passed. He was there to tell me I was beautiful. He was there to tell me I was going to be okay. In the dark, he seduced me. I didn't want the seduction to end.
Where constraint breaks people, and mediation makes fools of them, the seduction of power is what makes them love their oppression. Because of it, people give up their real riches for a cause that mutilates them; for an appearance that reifies them; for roles that wrest them from authentic life; for a time whose passage defines and confines them.
Then I speak to her in a language she has never heard, I speak to her in Spanish, in the tongue of the long, crepuscular verses of Díaz Casanueva; in that language in which Joaquín Edwards preaches nationalism. My discourse is profound; I speak with eloquence and seduction; my words, more than from me, issue from the warm nights, from the many solitary nights on the Red Sea, and when the tiny dancer puts her arm around my neck, I understand that she understands. Magnificent language!
The degree to which I try to be honest that there's some Donald Trump in all of us. The seduction of the promise of order, the politics of white fear, it's not just some other group of uneducated white people who are susceptible to those appeals. It's everyone. And not just white people, frankly. All Americans have this susceptibility to a politics of fear and order that I think we have to be really honest about.
Both men and women are conceived as merely capable of response to a situation that their society has already defined for them as sexual, and so the Arapesh feel that it is necessary to chaperon betrothed couples who are too young... with their definition of sex as a response to an external situation rather than as spontaneous desire, both men and women are regarded as helpless in the face of seduction. Parents warn their sons even more than they warn their daughters against permitting themselves to get into situations in which someone can make love to them.
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