Top 18 Seesaw Quotes & Sayings

In Seesaw, I played Gittel Mosca, and because it was a musical, I loved it more because I was able to do anything. I was able to use all parts of me that I dont get to use... the comedy and the singing and the dancing.

Each of my books has taken me a different length of time to write - eight months for Seesaw Girl, eight months for Shard, three years for When My Name Was Keoko! The publisher takes another year and a half to work on the book, so altogether each book can take up to three or four years to publish.

If you're being chased by a police dog, try not to go through a tunnel, then on to a little seesaw, then jump through a hoop of fire. They're trained for that!

The only sea I saw Was the seesaw sea With you riding on it. Lie down, lie easy. Let me shipwreck in your thighs.

S. E. Smith's I Live in a Hut has a deceptively simple title, considering that the brain in that hut contains galaxies-worth of invention: At night when your soldiers are praying ceaselessly for less rain and more underwear my soldiers make underwear out of rain. These poems seesaw between despair and delight but delight is winning the battle. Smith is a somersaulting tightrope walker of a poet and her poems will make you look at anything and everything with new eyes: For days I tried to rub the new freckle // off my hand until I realized what it was / and began to grant it its sovereignty.

Laundry is the only thing that should be separated by color.” - - Unknown “Racism rests upon and functions as a kind of seesaw: the persecutor rises by debasing and inferiorizing his victim.

History isn't a seesaw. If you have a really bad regime on one side, the actions on the other side don't automatically become good. It doesn't work that way.

And on seesaw Sunday nights, I'd woo who ever I would with my wicked eye!

Each of my books has taken me a different length of time to write - eight months for 'Seesaw Girl,' eight months for 'Shard,' three years for 'When My Name Was Keoko!' The publisher takes another year and a half to work on the book, so altogether each book can take up to three or four years to publish.

I'm over dey heads like a bulemic on a seesaw

The best of all possible marriages is a seesaw in which first one, then the other partner is dominant.

I first felt successful when I was 13 and in a show called "Seesaw." I came offstage and heard the applause of the theater audience and felt a sense of accomplishment. Around that time, my role model for success was Burt Lancaster. He was one of the first actors in Hollywood to start his own production company, and I respected him because he created something he believed in.

In 'Seesaw,' I played Gittel Mosca, and because it was a musical, I loved it more because I was able to do anything. I was able to use all parts of me that I don't get to use... the comedy and the singing and the dancing.

Balance. It was all about balance. That had been one of the first things that she had learned: the centre of the seesaw has neither up nor down, but upness and downness flow through it while it remains unmoved. You had to be the centre of the seesaw so the pain flowed through you, not into you. It was very hard. But she could do it!

Being on a book tour is like being on the seesaw when you're a little kid. The excitement is in having someone to play with, and in rising up in the air, but then you're at the mercy of those holding you down, and if it's your older brother, or Paul Wolfowitz, they leap up, so that you crash down and get hurt.

When I was reading books for 'Seesaw Girl,' I came across several references to the fact that in the 11th and 12th centuries, Korean pottery was considered the finest in the world. I liked that - the idea of a little tiny country being the best at something.

People with a college education are now less likely to divorce than they were a few decades ago, and they're more likely to describe their marriages as happy. That finding really surprised me. It appears that those with a higher education have been more able to dismantle strict traditional roles and, in doing so, gain more freedom. I call it a seesaw marriage, one in which both the man and the woman take turns being the breadwinner, making it possible for each of them to experience career advancements or breaks at different times.

Nature is more like a seesaw than a crystal, a never-ending conga line of bold moves and corrections.