Top 145 Seinfeld Quotes & Sayings - Page 2

If you watch that show and you didn't know it was called Seinfeld, you'd think it was called 'The George Costanza Show'.

One percent of all comics ever reach the level of a Chris Rock or a Jerry Seinfeld. When audiences come to the underground rooms, they have a chance to watch the process that happens along the way - and see the comedians grow.

One way in which 'Friends' did resemble 'Seinfeld' is that it really found its audience over the summer of 1995 in reruns. That's when the main title song, 'I'll Be There for You', by the Rembrandts, exploded, too.

I watched Season 1 through 9 of 'Seinfeld' bloopers one day, just having a ball. It's fun to see people having fun.

I've always wanted to play Jerry Seinfeld's son, actually, because he's the only person who anyone ever says I look like, in my entire - ever in my life.

I'll work with Jerry Seinfeld any day of the week. Get a nice little paycheck there, but you do it for free. It's just good to be associated with that man. He's a great guy.

I listened to this interview once with Jerry Seinfeld that really influenced my comedy and all of my writing, which is that when you're starting out in comedy, it's the audience that tells you what's funny about you. And you need to listen to that and make a note of that.

I don't really get a chance to watch much television. I mostly watch BBC Worldwide and repeats of Seinfeld and Everybody Loves Raymond

I grew up with 'Friends' from day one and, like, 'Seinfeld' and 'Frazier,' those sorts of shows, but for sure, 'Friends' was it for our family. Like, we would watch every Thursday night at eight o'clock; I couldn't wait.

If I'm a busboy in Philadelphia, then I have to be careful about what I say. But if I'm a public tycoon like Jerry Seinfeld, and I got a billion dollars in my pocket, he's got to be nuts to wonder or worry about what people are going to think.

I snagged the biggest bandwagon in history. Just when the buffet stuff was running out, now I'm the 'Seinfeld' guy. Somebody up there likes me. That's why I never worry. Something always comes up.

If you go back and look at the pilot of 'Seinfeld,' no one would have thought that show would be what it became, and television isn't given that kind of chance anymore.

When anyone pitches me - and I've heard it a million times: 'It's the black Seinfeld,' or, 'It's the new version of something that's already been successful' - I immediately shut it off. I won't ever entertain doing 'the new version of such-and-such.'

Do you know that fat little guy from Seinfeld? He has become the main pitchman for KFC, Jason Alexander. And beginning in May he is going to star in the West Coast production of 'The Producers.' It's made for us. We can be slamming him as the play opens. If we do this properly, he will wish he never saw a chicken.

Really, when people put together the highlight reels of the classic moments from 'Friends,' 'Seinfeld,' 'Cheers,' even 'MASH,' they're full of broad slapstick comedy. Call it cheap or lowbrow, but it works and it works for people of all ages.

I worshipped guys like Bill Maher, Jay Leno, and Jerry Seinfeld, and was doing my variation of that. But as a young person with no political point of view or life experience, it was as funny as you can imagine.

We don't have a laugh track, which helped Seinfeld a lot, and did kind of tell people when to laugh. It just made it a lot easier. Our show doesn't have that, so it's hard for Middle America to catch on.

It's always interesting for me to watch the pilot of an established show because you see how the writers and actors weren't really sure what the show was and what the dynamics were. If you look at the pilot for 'Seinfeld,' for example, it's practically unrecognizable.

Jerry Seinfeld is amazing in many ways, not the least of them his ability to find humor, and convincing us to find it, too, in the million-and-two details about modern life that under different circumstances might send us into paroxysms of rage.

There's a 'Seinfeld' episode, where he talks about why he can't get angry, because his voice rises to a comedic pitch and no one takes him seriously - and that's true of me, too.

Jessica Seinfeld made a toast. She turned to the assembled guests. 'And you are all so lucky to be part of Gwyneth's world. Because this is the real deal. And she's invited all of you good people in here. I would never do that.'

When it comes to English stand-up comedy, Indians have only seen the best - Jerry Seinfeld, Bill Cosby and the like. So, when someone claims to be an English stand-up comedian in India, he'd better be very good if he's going to make a life of it.

I don't really get a chance to watch much television. I mostly watch BBC Worldwide and repeats of Seinfeld and Everybody Loves Raymond.

I was a guest on Comedians in Cars Getting Coffee with Jerry Seinfeld, and I interviewed him when I was 15 years old-those moments really blow your mind.

All comedy does that. Every comedian I can think of - Larry David, Seinfeld, Mel Brooks, Chris Rock - that's where the best comedy comes from, from stereotypes.

I learned a long time ago from when I did 'Seinfeld' never to take anything seriously, and to be part of the joke is the best way to show what a good sport I was.

I like 'The Office.' I particularly like the British version with Ricky Gervais. Of course, I liked the 'Seinfeld' show a lot. I thought that was an awfully good show.

Never met Levinson. Ever. He directed those American Express spots for us for Seinfeld, and I was off on some guest spot that I didn't even want to do... and I got talked into doing it.

You look at shows like The Simpsons or Larry Sanders or Curb Your Enthusiasm or Seinfeld, they're really sophisticated shows that we all love back home.

I've never seen Friends; I've never seen Seinfeld. I've heard people reference these things but I've never seen them.

I love Larry David's take on things in 'Seinfeld', which is that you shouldn't try to help people because it'll always put you into new situations which are unpleasant.

So many stars who have shows are intimidated by having people around them be funnier than them. It's always the unsuccessful ones. Look at Seinfeld - he's great because he let everyone be hilarious.

I was a rabid 'Seinfeld' fan. Then I did the show, and it ruined the show for me. Not that it ruined the quality of the show, but I had seen behind the curtain at Oz.

I have my routine. In the evenings I watch 'Seinfeld' and 'Frasier.' That finishes about 11.30 and then I go to bed. I get up at eight o'clock every day, and I'm on the phone straight away, doing business.

Jerry Seinfeld, he was doing Letterman show all the time, so he kind of had an excuse, that people know the jokes already. He didn't have time to do stand-up. A guy like me, I have no excuses.

I grew up loving David Letterman and Pee-wee Herman, but as far as live performance comedy, all I knew were the Jerry Seinfeld-type comedians of the world, and that's what I thought live performance comedy was all about.

Andy Ackerman directed the episodes that I was doing, and he directed a lot of Seinfeld [episodes]. And that was great.

Back when Jerry Seinfeld was just another comedian hanging around the clubs, I'd imitate him to amuse myself and the other comics. The club owners would say, 'What are you doing that for? Nobody knows him.'

I was such a huge 'Seinfeld' fan, and I walked on the set, and I saw Kramer. I walked into Jerry's apartment, and I was like, 'Oh my God, this is Jerry's apartment.'

In our first season we had a 22 rating. Today Seinfeld, a hit show, gets a 15. Lost in Space actually had a bigger audience than Star Trek got at that time.

Just as like the music industry still wishes for the days when it controlled its own production and distribution, the media and marketing world still yearns for the silver bullet of the thirty-second spot on 'Seinfeld,' even as it knows those days are over.

I've never seen 'Friends;' I've never seen 'Seinfeld.' I've heard people reference these things but I've never seen them.

Frasier and Friends and Seinfeld, they all pissed each other off, said the wrong thing, drove each other nuts, but in the end, it turns out they'd do anything for their friends. TV Land has really found that formula.

Shows like 'Seinfeld' and 'Friends,' they have, like, one or two damn characters throughout the whole series that are minorities.

I'm a massive 'Seinfeld' freak, and growing up, I always wanted to be Elaine - but I think everybody has a little bit of George in them, even if nobody wants to admit it.

'Seinfeld' was an amazing show. It's iconic and defined a whole generation of comedy writers - but by their own admission, that show was about nothing.

They say - "they" being the great philosophers, or possibly the cast of Seinfeld - that breaking up is like pushing over a Coke machine. You can't just do it, you have to set the thing in motion, rock it back and forth a few times.

I saw 'Seinfeld' on TV and told my mum that would be something cool to try one day, and she was like, OK, 'Here is a five-year-old telling me what they want to when they grow up' sort of thing, and what would they know, right!

I mean, comedy's hard. If you go back and look at the first season of Seinfeld, it's a work in progress and that's what happens. It just take time for people to figure each other out, and figure out timing, and to develop creatively with the writers.

To me, in retrospect, it was amazing that 'Seinfeld' was a show that had such mass appeal. At first it was a disaster in the ratings, but then it became a cultural phenomenon. I don't know if that's possible anymore, but I don't try for that.

We have a lot of American TV in Australia. I grew up watching 'Seinfeld,' 'The Simpsons' and those prime time TV shows over the years that feature grown-ups and high school kids. We had a saturation of American voices.

I remember my dad turning to me - my dad loves to turn to me and explain why things are funny. He used to do that with Seinfeld all the time. He did it with Colombo, too, set the scene.

I've never seen 'Seinfeld', never seen 'The Cosby Show'; I just don't watch it. I saw half of 'Oprah' one time. I'd rather read.

I started a radio show where I interviewed comics. And I interviewed Leno and Seinfeld and John Candy and Father Guido Sarducci and Garry Shandling, all when I was 16. And they kind of told me what to do.

I mean, comedy's hard. If you go back and look at the first season of 'Seinfeld,' it's a work in progress and that's what happens. It just takes time for people to figure each other out, and figure out timing, and to develop creatively with the writers.

My all-time favourite programme is 'Seinfeld;' I could just sit and watch that over and over again.

I transplanted my brain into 'HQ' and that's where the dark corners of my mind got exposed: Pop culture, '90s baseball, 'Simpsons,' 'Seinfeld,' 'Mr. Show,' Phish, Grateful Dead.

I love to smile. I love to laugh. I like to hear jokes. For instance, when I'm on the road, every night I watch 'Seinfeld.' I find it somewhere. I think it's so funny, and I watch the repeats over and over again.

Many people don't know our famous 'soup kitchen' episode on Seinfeld was inspired by an actual soup restaurant off 8th Avenue in New York.

All the people I looked up to - Roseanne, Tim Allen, and Jerry Seinfeld - were stand-up comedians who used humor to get TV shows. I'm on TV now, and I'm working towards getting my own show.