Top 304 Sequel Quotes & Sayings - Page 3

Explore popular Sequel quotes.
Last updated on April 17, 2025.
How would that excellent mystery, wedded life, irradiate the world with its blessed influences, were the generous impulses and sentiments of courtship but perpetuated in all their exuberant fullness during the sequel of marriage!
The only reason ever to make a sequel is to spend more time with the characters that people love: to tell more of their story.
Father's Day just be Mother's Day the sequel. — © J. B. Smoove
Father's Day just be Mother's Day the sequel.
I mean, frankly, I'm not speaking as a representative of Disney or Pixar, I'm speaking as just myself as a filmmaker: I don't go into anything that often thinking about a sequel.
I've often thought that we left the original 'Phantom' with a little bit of a cliff hanger, and I thought, 'Well, why not to do a sequel to it' at one point.
I consider composing music to the sequel of 'Ladies Tailor' which had music by Ilayaraaja as my biggest blessing.
Though the Jazz Age continued it became less and less an affair of youth. The sequel was like a children's party taken over by the elders.
When a movie becomes very successful, it's automatic that people will start thinking a sequel, a prequel, a quel-quel.
It was fantastic to be on the set again with Denzel (Washington) and Antoine (Fuqua) and then to have the situation be so different. We weren't making a sequel to Training Day. We were in the middle of the desert riding around on some horses.
'Abraham Lincoln: Vampire Hunter' is without a doubt the best film we are ever likely to see on the subject - unless there is a sequel, which is unlikely, because at the end, the Lincolns are on their way to the theater.
It's always an interesting experience with the 'Saw' films, when a sequel comes out that I didn't have anything to do with, creatively, because here's this idea, this story, and this character that I created for James Wan, but now it doesn't need me anymore.
Whenever I bump into Rajamouli sir, I jokingly ask him about 'Eega 2.' As a fan of 'Eega,' I want the sequel.
I never wanted 'Toy Story 3' to feel like another sequel just grafted on. We all know that if you put 3 after your title, it typically means garbage, and we knew that going in.
She had been forced into prudence in her youth, she learned romance as she grew older: the natural sequel of an unnatural beginning.
'Baby Boy' is one of my favourite films, and Tyrese keeps telling everybody we're going to make a sequel. I mean, we have a story right now but we don't know where we're going to take it.
I didn't think one day something would happen that would bring me back to Wall Street to write what is essentially a sequel.
There's a certain amount of empathy you need to have, and I've also never been one to call it in. I know some roles are easier for certain people, especially when there's the sequel and a third and a fourth one.
I was very fortunate that my first novel captivated the imaginations of so many readers who asked for a sequel. After that, one book led to another as I discovered other facets to my characters I wanted to investigate further.
A magical blending of mystery, romance, and deep and dangerous secrets. Kelly Parra’s Invisible Touch is an action-packed coming-of-age novel, sure to keep readers turning pages and begging for a sequel.
Working with Jim Carrey is an absolute gas. I have never laughed so hard for so long. Had he been on-board for the sequel of Dumb & Dumber, I would've jumped on, with no hesitation.
If I do do a sequel, I'm going to have to know for sure that the script is better than the original. So I'm going to be very careful about that because I'm not eager to repeat myself.
I thought, "why don't we be innovative and create something nobody had ever done before?" It was a huge hit and we immediately did a sequel with Chris Rock, Morgan Freeman, Tina Turner and Maya Angelou.
My office wanted me to register the title 'Devil' since they felt, it could be a good title for 'Kick' sequel. — © Sajid Nadiadwala
My office wanted me to register the title 'Devil' since they felt, it could be a good title for 'Kick' sequel.
I think sequels are fine if there's a story, so I think when there is a property that is worthy of a sequel, it could very well happen!
I would wanna be in the sequel to 'He Got Game.' I would definitely want to be like, in the part two of that movie.
The biggest difference in writing a sequel is that now there are expectations. But also - and this is the awesome part - now there are fans, too!
That's always the trick with the sequels, is how much do you repeat from the first one. Because we all get bummed out when you go see a sequel and it's beat for beat.
I went to NYU thinking I was going to make a 'Die Hard' sequel, or maybe action and genre films for the studios, but I ended up falling in love with personal cinema.
'Sanctus' was done on speculation. I had no agent or publisher. I was being sensible, I suppose, by writing a standalone novel. I figured if that one didn't work, no one would be interested in reading a sequel.
In an industry afflicted by sequelitis, it has taken John Boorman almost three decades to make the sequel to his much-cherished Hope and Glory, but Queen and Country turns out to be well worth the wait.
When I am making a sequel, it needs to be different from what you have already seen. Yet, it needs to maintain a certain discipline so that people still associate it with the prequel.
We don't want John Wick to retire again; we're glad he's back in the game. We want a sequel or a prequel. There's a lot of fertile ground to cover.
It has taken Thomas Harris 11 years to publish the sequel to 'The Silence of the Lambs,' which suggests that while everyone was desperate to read it, he was not desperate to write it.
I was in such a creative groove after turning in my last book (The Andy Cohen Diaries: A Deep Look at a Shallow Year) that I decided to keep writing in the hope that I'd one day do a sequel.
When we did the first sequel [of the Austin Powers] , it was on coattails of the first one doing so well when it was released on video, so we really didn't know what to do with the second plot.
I wanted to play a good guy after doing this lunatic on The Sopranos for two years. And then they did the sequel to Bad Boys, where I get to play the barking captain again.
The impossibility of a sequel ever recapturing everything - or anything - about its ancestor never stopped legions of writers from trying, or hordes of readers and publishers from demanding more of what they previously enjoyed.
I'm not one of those people who had a burning passion for 'Peter Pan' all my life. Although I can't remember a time when I didn't know the story, I didn't carry around with me an ambition to one day write the sequel.
When you're writing for a sequel and there's a movie that's been deemed sacred ground by the fanbase that's the predecessor, you cannot do anything to tread on that, so it's a bit trickier than just being able to sit down and write something.
Basically, I always thought that if I had a movie that did well enough and warranted having a sequel, I would seriously entertain it because that's a huge blessing when that happens in your career.
I think it's very hard to talk about these characters in a closed-ended, sort of non-sequel way, especially characters like The Flash and Green Lantern, which have such rich, long histories.
The original 'Hobbit' was never intended to have a sequel - Bilbo 'remained very happy to the end of his days and those were extraordinarily long': a sentence I find an almost insuperable obstacle to a satisfactory link.
For me, as an actor, the most challenging thing is creating the character in the beginning because you have to write their backstory. The easy part about doing a sequel is that you've done the film, so you already know their backstory.
I was keenly aware that everybody would have loved for me to do a close sequel or a spin-off to 'Marley and Me.' — © John Grogan
I was keenly aware that everybody would have loved for me to do a close sequel or a spin-off to 'Marley and Me.'
I'm not into things that feel like a sequel. There's just something magical about when something happens for the first time.
The sequel to 'Aliens' is not a movie, it's a video game. How cool is that? That's how important our industry has become.
A nice thing about being at Disney is that these movies can develop into a presence in theme parks and become something real, or maybe get a sequel or tell other stories.
Silence is the universal refuge, the sequel to all dull discourses and all foolish acts, a balm to our every chagrin, as welcome after satiety as after disappointment
I have often noticed that when Fate has a phenomenal run of ill luck in store for you, she begins by dropping a rare piece of good fortune into your lap, thereby enhancing the artistic effect of the sequel.
'Interstellar' is a thematic sequel to Christopher Nolan's last original film, 'Inception'. It drops us into a dark future full of otherworldly landscapes and time distortions.
The first movie [Grown Ups], people loved it and we felt that there were so many characters and so many good comic situations that there was enough material leftover for us to do a sequel.
At one point I intended to write precursor and sequel novels, about the establishment of the Web and its next evolution, but I am very unlikely to now; they would take place in a different universe.
The only reason I would write a sequel is if I were struck by an idea that I felt to be equal to the original. Too many sequels diminish the original.
I had a feeling about directing Cocoon II: The Return. At first I wasn't too interested because it was a sequel. Then I read the script and was excited by the relationships and its mystic quality.
When we were shooting for 'Jatt & Juliet 2,' the director, Anurag Singh did not tell us that this was going to be a sequel. The only brief given to us was that, 'go and have fun on the sets.'
All precious things, discover'd late, To those that seek them issue forth, For love in sequel works with fate, And draws the veil from hidden worth.
'Would I mind if someone wrote a sequel to one of my books?' I asked myself, and I decided that I wouldn't, providing that the writer was respectful, had read my book first, and wasn't drunk when doing it.
We had to do the same thing here. To top that sequel was quite a task. Mike had a couple of good conceptual humour and character ideas, which got me back into it. — © Jay Roach
We had to do the same thing here. To top that sequel was quite a task. Mike had a couple of good conceptual humour and character ideas, which got me back into it.
I am not in favor of any sequel to 'Kahaani.' Even if there is any, I don't think I will be part of that. My character in the movie is over and done with.
I'm always surprised when a sequel is not as good or better than the first one. I never understand that. You've already set your own bar. You've already done the hard work. It should be easier to make the second one, but a lot of the times, it's not.
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