Top 1200 Set Designer Quotes & Sayings - Page 15
Explore popular Set Designer quotes.
Last updated on October 12, 2024.
I tend to stay in character between scenes... to be rather serious on set, but here's why, and I think people will find it surprising. I'm one of the worst 'corpses' on a movie set, which means you can't keep a straight face. You start to get the giggles and you can't stop.
I really wanted to make sure that if we set Duke up, that he's set up the right way and he's his own hero for the right reasons.
For me, just as a social recorder of 2016, there's a new girl that emerged that can shop in between Zara and designer and still maintain a sense of her personality and identity.
I think you often have that sense when you write--that if you can spot something in yourself and set it down on paper, you're free of it. And you're not, of course; you've just managed to set it down on paper, that's all.
When my country, into which I had just set my foot, was set on fire about my ears, it was time to stir. It was time for every man to stir.
I was so fortunate to work closely with the designer Nolan Miller whilst on 'Dynasty' to create the wardrobe for Alexis Carrington Colby, and we had great fun sourcing outfits.
When you people have a set up joke and the joke is set up straight and the words are just well written, I always say "C'mon, humans don't speak that way."
Your grandparents did not endure the indignities of a steerage journey to Ellis Island so that you could stand outside a discothèque and beg a wallpaper designer to take you in with him.
I don't see myself as an artist. I work with artists and collaborate with them, but then it becomes graphic design. It's not an art. I'm a graphic designer.
I never went to fashion school. I didn't know what a designer was. I knew I had something, but I didn't know what it was. And it could just have easily been nothing.
God takes what the enemy meant for your bad and turns it for your good! It wasn't a set back but a set up! Wait and see what God is getting ready to do for you!
When I was 23, I went to work for Jack Nicholson reading scripts. Later, I was married to a production designer named Richard Sylbert. So I lived in Los Angeles for ten years.
We're going to protect and honor the Constitution, and I don't have the authority to set it aside.... If I had the authority to set it aside, this would be a dangerous government, and I wouldn't respect it.
I'm an interior designer from the soul. It's not about just putting things in a room. It's much deeper and broader. It's about self-discovery.
Nvidia's CEO, Jen-Hsun Huang, is an engineer and a chip designer. He cofounded Nvidia and still runs it like a startup.
When we're doing our lessons, the teacher doesn't say, 'Ready, set, work,' They say, 'Ready, set, play,' and I always took that word seriously.
The great tragedy of life is not that people set their sights too high and fail to achieve their goals but that they set their sights too low and do.
They that wait upon the Lord shall renew their strength, shall be healed, delivered and set free. Be set free, in the name of Jesus Christ!
Attention must be paid’ is the cardinal rule of design discipline, for the designer is above all someone who pays attention to the situation at hand.
I'm a woman for all seasons. I mix 'n' match, do designer and high street - keep all my good pieces. I design all my evening and cocktail dresses most of the time as I dislike what is out there.
The awkward thing is the people in the room besides us. It's not us. It's just the 20 or 30 people that are around on set, who normally wouldn't be on set. That's always interesting.
I was never a hugely successful theatre designer. I painted a lot of scenery and did the lighting, and my lighting business grew out of that.
I've gotten into such weird jobs just by word of mouth... Like I didn't try to be an accessory designer, but I had a friend working at the company and I needed a job so that's where I ended up.
One thing that I think works in 'Casablanca' and which I've lectured a lot about - in terms of what I've been trying to achieve as a designer - is the film's creation of its own form of reality.
I am not the kind of designer who is racing to the finish line, so while collaborations are important for our growth, each and every one has to be strategic and well-timed with what we have going on internally.
There's nothing funny about, 'Yeah, I took a First Class plane ticket and I went to some designer beach and made out with a Laotian slave girl.' Who cares?
When I'm on the set, I take five minutes to find the best angle for a scene, and then we just shoot it and it looks exactly what you see on screen because I don't touch it afterwards. I never think about it, before being on the set. That's my thing. I love to be stuck.
We'll work with any designer producing something linked to gastronomy. So a chair for the dining area, a van to move food around. Anything that's connected to the gastronomic process.
People are only concerned about the next party, meeting up for casual sex, finding a job as a Web page designer, or getting a new apartment.
As a designer, I believe in the power of fashion. It has the ability to not only change how you look but also how you feel about yourself.
But the funny thing is, I broke my finger not on set doing kung fu. I broke my finger when I fell down the stairs prior to going on set.
My ego would be fed tremendously when I'd go on a set and get in a car and tear it to pieces. I'd get out and everyone on the set would applaud.
I can only speak for myself, but you never set out to be funny. You just set out to play the scenes real, and hopefully the funny comes.
The one important thing you do as boss is you set the standard. The minute you go in and say 'we'll let it go this time,' you set a new standard, which is lower. So you cannot do that.
I was very comfortable on the set of Lost. I was so nervous when I went on to the set because I had just watched all the Lost episodes. I was, like, a fan. A big fan.
I was already in the industry as a costume designer and opportunities to act in films came naturally. I must have designed costumes for over 100 films.
I never set out to convert anyone in the Klan. I just set out to get an answer to my question: 'How can you hate me when you don't even know me.'
You can ask any set decorator on any set where I've had to be in an office, I always kind of claim it - I put Post-its everywhere, and I kind of make it look lived-in.
I think once the artistic world of the type designer merged with the scientific world of the computer programmer, you began to see this crossover.
They all went into the bar business. Which was a mistake, because they began to sip at the merchandise and it set them back, set us all back. Well, them more than I.
Just look at all the awards shows now. It has turned into a catwalk. You have to be wearing a certain designer, a certain dress, and everyone's critiquing.
As a designer, you always dream of having your own store where you can showcase your full collection and how it all looks together.
Amazon can afford to lose money for years on its fashion offerings. But when, if you're a designer or a retailer, fashion is your bread and butter then you can't.
I am trying to get at the moral arguments and the ethical status of various attempts at enhancement, or genetic engineering, or the bid for designer children. But there are implications for society at large.
The atmosphere of a shoot is so intimate, while a show is more of a celebration of that designer and their work and the models coming together to walk in the clothing and present the frocks in their unique way.
We need to incorporate fashion into every element and institution, whether it be through designer-lecture series, photography exhibitions, or collaborative efforts between artists and designers.
Google was the right set of people at the right time, and they ended up doing the right set of things. It's worth looking at how they are managed. They are network-oriented and allow a lot of flexibility and creativity.
I got my first baseball cards as a four-year-old, the 1989 Topps set. I got every Topps set after that.
When I look at designer books I am sometimes puzzled why they don't share their inspiration, when it's obvious somebody had such great inspiration.
It might be a selfish choice, but I find it quite difficult to design for individuals and prefer the distance of larger schemes. It's the same reason why, as a designer, I don't do wedding dresses.
Planning is design. As a designer what I tend to do, and what's different from being a painter, is that I interact with other people, and the people have things they need to have happen.
You have to have some form of talent. Getting to a skill-set when you can do something is achievable. Getting to a skill-set when you can do it an elite level is a different thing.
Were it good
To set the exact wealth of all our states
All at one cast? to set so rich a main
On the nice hazard of one doubtful hour?
It were not good.
I was very comfortable on the set of 'Lost'. I was so nervous when I went on to the set because I had just watched all the 'Lost' episodes. I was, like, a fan. A big fan.
My muse changes all the time because I think every designer is a bit of a muse for themselves in a way - they just don't want to say it.
I like to stand out in the crowd. So anytime a designer offers up items that are a little attention grabbing or pushing the boundaries ever so slightly, I'm always game for that.
I've been designing my own pieces for a long time. My mother's a jewelry designer, so we knew at some point we were going to do a line and dive into the fashion world.
I always wanted to be a designer and always felt surprised as a child when my sister used to deliberate about whether to be a nurse or a teacher.
We definitely set out to make a great 'radio' record. We set out to write great hooky choruses-but with verses that said something.
A designer is like a doctor for a woman. He has a specific job, and if he is doing it well, he will have the gratitude of the woman for the rest of his life.
