Top 1200 Set Designer Quotes & Sayings - Page 19

For half a century photography has been the "art form" of the untalented. Obviously some pictures are more satisfactory than others, but where is credit due? To the designer of the camera? to the finger on the button? to the law of averages?

Hayden [Sterling] told me that he was thrilled about the way he moved around the set, that wherever he would go, there would be lighting. He didn't think about his marks because they were set in the only places he could move.

I gave my mother a matching set [of mugs] for Christmas, and she accepted them as graciously as possible, announcing that they would make the perfect pet bowls. The mugs were set on the kitchen floor and remained there until the cat chipped a tooth and went on a hunger strike.

I think everyone has dreams, and its just how you go about pursuing that. And I think anybody can do anything that they set their mind to. So if you set your mind to do something, and you exhaust every opportunity, I think youre going to get there.

An important meeting point for me was realizing the similarity between a DJ set and a Grateful Dead set: I grew up listening to how the Dead would take a song and just jam on it, and then transition into another song.

It's interesting the whole Kardashian thing with 'Offspring' because really my choices - with my costume designer - for every single episode are based on the emotional journey of that episode for the character.

Now that I'm on Broadway, it's like NASA engineering with the costumes. I was very grateful for the slightly more high-tech ones in my show, 'Venus in Fur'; our costume designer Anita Yavich is kind of a genius.

People working in films are somewhat like gypsies: we move from set to set and spent weeks, sometimes even longer working while shooting a film. Right from the spot boys to the make-up guys and cast and crew, we become a kind of family.

In the nineties, it was common to see people who expressed themselves through one designer - the Jil Sander woman, the Martin Margiela woman. You saw her on the street, and you knew who she was.

Since I was a child, everyone would ask me what I wanted to do when I grew up. Was I going to be a designer? It's as if there was a path drawn for me, and I could see, from where I was standing, exactly where it ended.

Willem de Kooning as an artist is insane, Sonia Rykiel is amazing for her colour sensibility, and Ettore Sottsass was an architect and product designer who sometimes created clothes to go with his other designs.

I don't know what I am on set. I can be many different things on set depending on how stressful a situation is. But at the end of the day we're making movies, we're not saving the world... we're not an army, no one's lives are at risk and we're just trying to make art, so I think as long as you keep reminding yourself that's what it's about you can have fun.

What a costume designer does is a cross between magic and camouflage. We create the illusion of changing the actors into what they are not. We ask the public to believe that every time they see a performer on the screen, he's become a different person.

I invite you to sit down in front of your television set when your station goes on the air . . . and keep your eyes glued to that set until the station signs off. I can assure you that you will observe a great wasteland.

In the 1920s and 1930s, scientists from both the political left and right would not have found the idea of designer babies particularly dangerous - though, of course, they would not have used that phrase.

Truthfully, I love being in the jungle. I love it when the make-up artists come to set, they come equipped with dirt and sweat. I spend my days climbing trees and I can crawl out of bed and walk on set and that's exactly all I have to look like.

To make sense of this view (design as opposed to accident), one must accept the idea of transcendence: that the Designer exists in a totally different order of reality or being, not restrained within the bounds of the Universe itself.

I'm all about the highs and lows. I'm not a designer that thinks you need to spend a lot of money. You can get the look you want between thrift stores and stores like Ikea and Target.

Harrison Ford comes on set, and he's very polite and says, 'Hello' to everyone. He cares about everything that's going on, on set. He cares about what's going on with your character and what's in the scene and what's on the desk.

I think everyone has dreams, and it's just how you go about pursuing that. And I think anybody can do anything that they set their mind to. So if you set your mind to do something, and you exhaust every opportunity, I think you're going to get there.

What a costume designer does is a cross between magic and camouflage. We create the illusion of changing the actors into what they are not. We ask the public to believe that every time they see a performer on the screen he's become a different person.

We've been playing a lot with television. We have some shows set up and then some new shows that are about to be set up. That's gonna be kind of a fun thing for us as producers.

While there are many varieties of grills, each with their own virtues to be sure, I prefer the standard Weber kettle grill. Don't be fooled into thinking that you need any fancy gadgets in order to take advantage of cooking over a live fire. Just a good set of tongs and you're set.

I worked as President of House of Waris for a year and a half, and Waris is one of my favorite people. He is not only a talented designer but also a warm and genuine person and a pleasure to work with.

Men's hearts ought not to be set against one another, but set with one another and all against evil only.

Everybody growing up where I came from that was the designer shoe. Nobody had Balenciaga's and all the stuff that we walk around in now. If you had Jordans, that was like a prize basically.

My dad supports me. He said, "I wished when I was at your age I started doing rock and roll music. Then I wouldn't have to be a fashion designer." And I just laugh and keep it moving and appreciate his support.

If nations always moved from one set of furnished rooms to another -- and always into a better set -- things might be easier, but the trouble is that there is no one to prepare the new rooms. The future is worse than the ocean -- there is nothing there. It will be what men and circumstances make it.

The skill sets it takes to be a successful entrepreneur, a successful marketer, or a relevant celebrity is a different skill set than you needed ten years ago, even though that was the skill set that mattered for decades.

Set your sights not just on the next few weeks ... set your sights on the years ahead - because our vision will look that far ahead.

It's not easy to remember, but IBM was the computer industry when I was growing up. You loved 'em. You hated 'em. You knew what they were doing. They had set a standard for mainframes. They also set a standard for great sales focus and heavy product R & D.

One of the first things I do when I step onto a set is I scan the set and try to take in every detail, because what I'm trying to find are tools that I can use to incorporate myself into the space and tools that I can use to make the performance authentic and to build on the authenticity of that.

The Hermes scarf is a coveted, much-collected symbol of success that defines the Paris-based luxury company. But it has no single designer. Rather, the scarves are designed by a far-flung array of freelance artists.

I have to believe in myself, set goals for myself, set expectations for myself, and continue to work for those goals every single day.

Every accountable child of God needs to set goals, short- and long-range goals. A man who is pressing forward to accomplish worthy goals can soon put despondency under his feet, and once a goal is accomplished, others can be set up.

We work on our set pieces for every opponent. It's a moment of the game that requires a lot of hard work, defensive and offensively. We try to invest our time in set pieces.

I was headed in the wrong direction. I didn't think I'd make it to 21. My Uncle Chuck saved my life. He was a graphic designer, and he gave me my first sketchbook. In the front, he wrote, 'Wear it like your underwear.'

Designer Marc Jacobs ended his sixteen-year tenure at Louis Vuitton with a spring 2014 collection that celebrated fashion in its purest and least complicated form - as majestic, superficial beauty.

For me, it always comes back to the blogger, the author, the designer, the developer. You build software for that core individual person, and then smart organisations adopt it and dumb organisations die.

People sometimes ask me what I did when I was hired at HAL. The answer is that I was a programmer. And an engineer. And a designer. And I marketed our games. I also ordered food. And I helped clean up. And, it was all great fun.

When I would sell encyclopedias, I would drive down the road looking for a house with a swing set in the back, and I'd say, "Oh, those folks got kids. They need some books." I'd knock on their door and sell them a set of encyclopedias, and those books were from $300 to $600. I'd look around the house, and if there wasn't that much furniture in the house, I felt a little bad about selling a $600 set of books to people who couldn't afford a couch. So I didn't last at that job very long.

I've been accused of being a shell designer - you start with a machine and enclose it. But in many cases, the shell is essential. A locomotive without a shell would be nonfunctional.

It's very important to set your place in a concrete environment. I think Chekhov said that the important thing when you have a play or any kind of novel is to set the roots in a concrete place.

If you look at any designer you admire, whose work inspires you, and whose approach somehow resonates with you, I promise you'll find a person who does not think of what they do as just their job

I was always extremely creative. I was very artistic and never strong with numbers or science. I wanted to be an artist or a fashion designer. I wanted to be something that allowed for a lot of imagination.

I'm a populist. I'm the people's designer... It's important that there are price points that allow people in who maybe don't have the ability to have higher-ticket items - but they can still have something very emblematic of the collection.

From now on I will consider a language to be a set (finite or infinite) of sentences, each finite in length and constructed out ofa finite set of elements. All natural languages in their spoken or written form are languages in this sense.

I don't see myself as a pure fashion designer sending dress after dress down the runway but about wanting those watching my shows to aspire to a certain lifestyle.

A book unwritten is a delightful universe of infinite possibilities. Set down one word, however, and it immediately becomes earthbound. Set down one sentence and it’s halfway to being just like every other bloody book that’s ever been written.

When you audition for something, and you book it, you think, 'Okay, well, I got the job, and now I actually have to show up on set and do it.' So, you show up on set, and you don't know, 'Am I going to get swallowed up by these people?'

I think film and television - particularly film - you are very isolated as a writer. If you're lucky, you have a good relationship with the director. Then you do make that development and come on set and be part of something. But ultimately, your work is kind of done by the time you come on set.

The idea of life in France is a utopia where the women are beautiful and they eat cheese all day and wear designer clothes and are magically thin and more evolved. And that's wonderful. Over here, we're still fighting for birth control.

I'm a person who, when I set out to write, I write. It's just like when you set out to eat, you eat, or when you set out to sleep, you sleep. I don't do somersaults to write something. I just do it.

Amazon could also be the next Vogue, the next designer, the next WGSN.

But there have been human hearts, constituted just like ours, for six thousand years. The same stars rise and set upon this globe that rose upon the plains of Shinar or along the Egyptian Nile and the same sorrows rise and set in every age.

I mean, sometimes when you do a show or a campaign with a designer, you get along with them really well and you become friends. And then, sometimes, people are just a bit... weird.

I remember one day, Ekta Kapoor came to the set and scolded me that you don't know how to act, why did we cast you'? She asked me to stay on the set till I learnt the technique of correct dialogue delivery. At that time I felt very humiliated.

There I was limited to what happened the same way I am with Riel. It doesn't feel like a great burden to have your story, to some degree, set. I am enjoying figuring out what I think is the most dramatic way of telling this set of historical facts.

What I liked was to set the tone - set the pace for the team. I know when we're starting the game, I can get on and steal a base, then a guy bring me in. Then we're in the lead and in a good position to win. That was the most exciting thing - to help the team.

I like every individual editor, designer, marketing and publicity person I deal with, but I don't like what publishers, corporately, are doing to the ecology of the book world. It's damaging, and it should change.