Top 1200 Set Designer Quotes & Sayings - Page 20

There are so many women throughout the world who appreciate beautiful design and have the budget to buy designer fashion but sometimes have a hard time finding the things that they really want or that suit their lifestyle or their culture or whatever it may be.

A designer who is not also a couturier, who hasn't learned the most refined mysteries of physically creating his models, is like a sculptor who gives his drawings to another man, an artisan, to accomplish.

That's the thing with electronic music, you set up systems to bring in an accident, to bring in quirks you didn't choose, but you still will have had to set up systems.

It is horrible to say, but I was stigmatized by being a bridal designer for a long time. I am amazed I have been able to move beyond it. I had really all but given up trying, but I did it because it was my lifelong dream.

I love Ralph Lauren, just as a designer. I still think he could make some better sizes with his clothes, but I like the idea of his classic American style.

MySpace is such a weird world to me. I don't have a MySpace account. The stuff that's up there, I didn't set any of it up. Fans set it up.

I'm sort of like Jean-Paul Goude, the graphic designer who used to style Grace Jones and shoot all her visuals, just meaning that I use all mediums in one - music, fashion, and art. I'm hitting it from all angles.

I felt like there wasn't a political discourse. I felt like there was just one set of values, and any one set of values was wrong; that there should at least be room for conversation.

But I don't feel that as a politician I'm hugely different. Obviously I have a different set of experiences that chime with experiences that many of my constituents have. I think I essentially still have the same set of values and the issues that are important to me don't seem to have changed hugely.

How can I set free anyone who doesn't have the guts to stand up alone and declare his own freedom? I think it's a lie - people claim they want to be free - everybody insists that freedom is what they want the most, the most sacred and precious thing a man can possess. But that's bullshit! People are terrified to be set free - they hold on to their chains. They fight anyone who tries to break those chains. It's their securityHow can they expect me or anyone else to set them free if they don't really want to be free?

We sell in Moda Operandi, which, if you don't know what it is, it's a beautiful luxury site that does pre-trunk shows for designer collections. We got them to change their algorithm online to go up to a size 24.

Sometimes I'm on a TV set, and I can't feel what I'm supposed to feel as that character because I've not worked my way up to that point. I think there's a bit more insecurity on a set - you've got to blag it, or you've got to do what you've been paid a lot of money to do in a very short space of time.

I think we've set the bar with respect to the notion that it is possible to provide health care for people. Now I know that the incoming Congress and administration talks about repealing it. But we've set a bar that shows that this can be done. And that core principle is one that the majority of Americans, including supporters of Donald Trump believe in.

A design style is defined by a set of microdecisions. A clear style reflects a consistent set. A clear style may not be a good style; a muddled one never is.

So, our vocation is to go, not just to one parish, not just to one diocese, but all over the world; and do what? To set people's hearts on fire, to do what the Son of God did. He came to set the world on fire in order to inflame it with His love.

It is the end of art to inoculate men with the love of nature. But those who have a psssion for nature in the natural way, need no pictures nor gallereies. Spring is their designer, and the whole year their artist.

I don't think I could ever have a desk job, so I get to be mobile. I'm on set. I get to walk around kind of doing my own thing, being independent - it's just a really good vibe. Everyone on a film set is very happy, and they all love their jobs, so it's a cool environment to be a part of.

Innocence lost is not easily regained. The designer simply cannot predict the problems people will have, the misinterpretations that will arise, and the errors that will get made.

They are just really stupid people in Hollywood. You write them a script, and they say they love it, they absolutely love it. Then they say, 'But doesn't it need a small dog, and an Eskimo, and shouldn't it be set in New Guinea?' And you say, 'But it is a sophisticated romantic comedy set in Paris.'

Carbon tax has the advantage of basically being able to subsidize one set of activities that you want with another set of activities that you don't want. It's like a cigarette tax.

I was very aware of the fact that I was a young designer, and I didn't want to fall into the trap of 'mother of the bride' dressing and 'occasion-wear.' I wanted to make sure that girls my age were wearing it and that there was a cool factor to my clothes.

You learn so much on set; I don't know if you learn as much anywhere else as you do when you're on set, working.

If you come on the set of 'Sleepy Hollow,' and you go, 'So, is this a 'Once Upon a Time' spinoff?' That's right when we start slappin' people. It's right then. Now if you came on the set, and you were like, 'I like this show. It kinda reminds me of 'Supernatural,'' that gets you a high five.

I visited the set [of Allied] a few times, and it was a great set to visit. A lot of it was in West London, in an old Gillette factory. You'd go into the factory through the security, and then there were a lot of camels and goats. Most sets are really dull, but this was fantastic.

I wasn't allowed to watch it as a little kid but I went with some friends who were some big independent wrestling fans and I saw it, I fell in love with it. Very quickly, I asked if I could help set up the ring, set up chairs, just be around it.

Noah Baumbach does more takes than any director I've ever worked with. He runs a very quiet set and he runs a very hard working set. He has such an intense level of dedication to what's happening that he cultivates a group of people around him who have an equal level of dedication. Nobody asks, "When is lunch?" That's just not part of our sets. It's complete immersion. He has a 'no cell phone' rule. Nobody checks their cell phone. Nobody reads on set. It's like, "If you're there, you're there. If you're not on board with that, don't work on this movie."

I was partially raised by an aunt who was a dress designer, so I was around her studio all of my early life. I know materials. I can look through Harper's Bazaar and decide what works and what doesn't, or any other magazine, Seventeen if you wish.

I've always aligned myself with a more modern, European fit. I maintain that fit is the thing that makes or breaks an outfit. Good tailoring trumps designer and price any day.

I don't design cars. I'm not a designer. I know what I desire to be built, I know what the end result is, the horsepower, the competition we'll be working against - but I leave it to the people who work with me to put it all together. I don't do anything.

I love designer stuff but like it will only be like, on a whim. I love Alexander Wang so much, but it's expensive.

After graduating from high school, I worked at an advertising agency as a designer. After I left, I spent a year doing nothing in particular. At age 23, I drew my first comic.

I'm not really a fashion designer. I just love clothes. I've never been to design school. I can't sketch. I can't cut patterns and things. I can shorten things. I can make a dress out of a scarf.

In L.A., retro culture is just part of the thing you do. When we were kids, we didn't have allowances, and it was not cool to wear designer clothes. So it meant that we were into 1920s dresses when we were 13.

You played 'Snake' on it. That's what we had a cell phone for, when my mother would let us use it. When you had it, you set it down at the table, you set it down in the other room, we ate, and you enjoyed your time with your family.

Master Michelangelo once said that 'I saw the angel in the marble and carved until I set him free.' This is what we must do when we see an ignorant man: To set him free from the black marble we call ignorance!

That's because we did not set out to make black music. We set out to make quality music that everyone could enjoy and listen to.

So my advice is always buy essentials, like jeans, on the high street or designer if you are willing to invest. Get a pair that fit you perfectly then put together the rest of your outfit with vintage finds.

A fashion photographer is nothing without clothes and hair and makeup. And when I speak to other photographers, a lot of them can't reference a picture by the designer. Me, I say, 'The Balenciaga.' And I go to the shows. I feel like it's my business.

Religion doesn't start with a set of laws or rules and it doesn't start with a set of ideas. It starts with an encounter, with the living God and in our case, Christ risen from the dead. In that encounter you meet someone you can trust. That's faith: trust in truth.

I came from Bill Blass, where it was a well-oiled machine and if I said I needed a fabric, it was done. Now, I have to budget everything. I have to take on the role not just as a designer but a business. But I'm a glass half-full kind of guy.

Mythology is a set of primitive lies that people rarely believe. This is rather different from history, which is a set of lies that people actually believe.

Game, set, match equals tennis. Set, match, run equals arson.

I don't think if you set out to make an album to get a bunch of Grammy nominations... you just have to set out to make an album you'll really love.

Fidelity, Bravery, and Integrity set the expectations for behavior; they set a standard for our work. More than just a motto, for the men and women of the FBI, Fidelity, Bravery, and Integrity is a way of life.

Entrepreneurs must be practical experts. They needn't set out to be subject matter experts in what they do; they must set out to solve a problem or pursue some cause or purpose greater than themselves.

Primeval forests! virgin sod! That Saxon has not ravish'd yet, Lo! peak on peak in stairways set- In stepping stairs that reach to God! Here we are free as sea or wind, For here are set Time's snowy tents In everlasting battlements Against the march of Saxon mind.

I used to juggle from one set to the next. I would start at 5 A. M. in the morning and would sometimes finish only at 5 A. M. the next day. I would then go home, take a bath and set out again. There would be no sleep at all.

But I will add, there's one thing I will not do, ever: I will never talk to you about things you cannot change. It plants a negativity in the head of a designer or the student, and it's a distraction.

Like your weight set-point, which keeps the scale hovering around the same number, your happiness set-point will remain the same unless you make a concerted effort to change it.

I happen to think we’ve set our ideal on the wrong objects; I happen to think that the greatest ideal man can set before himself is self-perfection.

The comedies I have been in that have been successful were the ones where the set was the most tense. It seems that the comedies where you have a real nice time on the set, the film just sits there on the screen. Now that just may be the pictures I have made, I don't know.

Set we forward; let A Roman and a British ensign wave Friendly together. So through Lud's town march, And in the temple of the great Jupiter Our peace we'll ratify, seal it with feasts. Set on there! Never was a war did cease, Ere bloody hands were washed, with such a peace.

Designer pricing should hurt, but it shouldn't kill you. You wince when you hand over your AmEx, but once you get it home, you never regret it. You divide it by how many days you're using it, and suddenly it becomes affordable.

To this day, I remember vividly Missy Elliott, Ludacris, and my grandma riding in a golf cart to set. My grandma went back to Ohio and told her bowling friends, 'Guess what? I was riding to set with Missy and Ridiculous!'

Auditioning and actually acting on a set are two different things. When you audition, you're in a room and you don't have anything to play with and you don't have anything physically in the room. Whereas on set, you have direction, you have costumes, and you have other actors to work with. It's a completely different thing.

When I'm on set, I'm on set, and I focus and get the work done. Then when I'm done, I kind of have this button that I switch. I'm constantly switching this button and putting on different masks, and that kind of keeps me organized.

The world is changing, and you have to keep up with the way the world is changing as well as your own expectations that you set for yourself or that your family might set you.

I don't think writing stops until the film is out. In the edit, it's another draft. [The script] is the food for set, and then the set is food for the edit, and the edit is food for the screen. It's constant, and this is just the first stage of it.

Designers are more like artistic directors now. Before, there wasn't this idea of supervising the artistic direction of the entire house. The old way was to think you could be this couturier or designer or stylist.

The Communal Land Rights Bill then said, since there would be those collectives set up in terms of the other legislation, there was no need for them to set up other structures to deal with the land issues.