Top 622 Shade Quotes & Sayings - Page 11

Once again Erak bellowed with laughter. "Your master here went nearly the same shade of green as his cloak," he told Will. Halt raised an eyebrow. "At least I found a use for that damned helmet," he said, and the smile disappeared from Erak's face. "Yes. I'm not sure what I'm going to tell Gordoff about that," he said. "He made me promise I'd look after that helmet. It's his favorite-a real family heirloom." "Well it certainly has a lived in feel to it now," Halt told him, and Will noticed there was a hint of malicious pleasure in his eye.

What is such a resource worth? Anything it costs. If we never hike it or step into its shade, if we only drive by occasionally and see the textures of green mountainside change under wind and sun, or the fog move soft feathers down the gulches, or the last sunset on the continent redden the sky beyond the ridge, we have our money's worth. We have been too efficient at destruction; we have left our souls too little space to breathe in. Every green natural place we save saves a fragment of our sanity and gives us a little more hope that we have a future.

I haven’t had the chance to look at too many men’s faces up close. And I noticed how his skin was thicker than mine, and a gorgeous shade of toast. The stiff blond hairs on his cheeks and chin seemed to be growing before my eyes. He smelled like starch. Like pine. His nose wasn’t so pointy afterall. …And out of the blue, he kissed me. Right in the middle of the Robert E. Lee Hotel Restaurant, he kissed me so slowly with an open mouth and every single thing in my body-my skin, my collarbone, the hollow backs of my knees, everything inside of me filled up with light.

Is it possible for the rose to say, "I will give my fragrance to the good people who smell me, but I will withhold it from the bad?" Or is it possible for the lamp to say, "I will give my light to the good people in this room, but I will withhold it from the evil people"? Or can a tree say, "I'll give my shade to the good people who rest under me, but I will withhold it from the bad"? These are images of what love is about.

Consider the many special delights a lawn affords: soft mattress for a creeping baby; worm hatchery for a robin; croquet or badminton court; baseball diamond; restful green perspectives leading the eye to a background of flower beds, shrubs, or hedge; green shadows - "This lawn, a carpet all alive/With shadows flung from leaves' - as changing and as spellbinding as the waves of the sea, whether flecked with sunlight under trees of light foliage, like elm and locust, or deep, dark, solid shade, moving slowly as the tide, under maple and oak. This carpet!

Between the dusk of a summer night And the dawn of a summer day, We caught at a mood as it passed in flight, And we bade it stoop and stay. And what with the dawn of night began With the dusk of day was done; For that is the way of woman and man, When a hazard has made them one. Arc upon arc, from shade to shine, The World went thundering free; And what was his errand but hers and mine - The lords of him, I and she? O, it's die we must, but it's live we can, And the marvel of earth and sun Is all for the joy of woman and man And the longing that makes them one.

As to the Christian system of faith, it appears to me as a species of Atheism — a sort of religious denial of God. It professes to believe in a man rather than in God. It is a compound made up chiefly of Manism with but little Deism, and is as near to Atheism as twilight is to darkness. It introduces between man and his Maker an opaque body, which it calls a Redeemer, as the moon introduces her opaque self between the earth and the sun, and it produces by this means a religious, or an irreligious, eclipse of light. It has put the whole orbit of reason into shade.

What is your substance, whereof are you made, That millions of strange shadows on you tend? Since everyone hath every one, one shade, And you, but one, can every shadow lend. Describe Adonis, and the counterfeit Is poorly imitated after you. On Helen’s cheek all art of beauty set, And you in Grecian tires are painted new. Speak of the spring and foison of the year; The one doth shadow of your beauty show, The other as your bounty doth appear, And you in every blessèd shape we know. In all external grace you have some part, But you like none, none you, for constant heart.

Warm are the still and lucky miles, White shores of longing stretch away, A light of recognition fills The whole great day, and bright The tiny world of lovers' arms. Silence invades the breathing wood Where drowsy limbs a treasure keep, Now greenly falls the learned shade Across the sleeping brows And stirs their secret to a smile. Restored! Returned! The lost are borne On seas of shipwreck home at last: See! In a fire of praising burns The dry dumb past, and we Our life-day long shall part no more.

I remember I would not stand still; I would not stop being perplexed by everything that spontaneously attracted me or caught my attention. I would never cease to look around me and observe myself in relation to nature: either crystal clear skies and sun-melting afternoons, or foggy winter days and weirdly tinted nights. I would never cease to dream and stand by the window, ready to let the diversity of life pass freely through my skin; courageous enough to believe I stood a chance in devouring each shade of sensation. Or perhaps, immensely foolish to plainly - believe at all.

The intellectual is always showing off, the lover is always getting lost. The intellectual runs away. afraid of drowning; the whole business of love is to drown in the sea. Intellectuals plan their repose; lovers are ashamed to rest. The lover is always alone. even surrounded by people; like water and oil, he remains apart. The man who goes to the trouble of giving advice to a lover get nothing. He's mocked by passion. Love is like musk. It attracts attention. Love is a tree, and the lovers are its shade.

Midsummer Night was roasting hot. The shore, of red granite, glowed with the heat; the dark blood of the earth seemed to be rising from below. There was a sharp, unbearable smell of birds, of cod, of green decaying seaweed. Through the mist the huge ruddy sun loomed nearer and nearer. And in the sea, dark blood welled up to meet it - in bloated, rearing, huge white waves. Night. The mouth of the bay between two cliffs was like a window. A window shutting out curious eyes with a white shade-white woolly fog. And all that you could see was that behind it something red was happening. (The North)

The first western gardens were those in the Mediterranean basin. There in the desert areas stretching from North Africa to the valleys of the Euphrates, the so-called cradle of civilization, where plants were first grown for crops by settled communities, garden enclosures were also constructed. Gardens emphasized the contrast between two separate worlds: the outer one where nature remained awe-inspiringly in control and an inner artificially created sanctuary, a refuge for man and plants from the burning desert, where shade trees and cool canals refreshed the spirit and ensured growth.

So you see,' said Stepan Arkadyich, 'you're a very wholesome man. That is your virtue and your defect. You have a wholesome character, and you want all of life to be made up of wholesome phenomena, but that doesn't happen. So you despise the activity of public service because you want things always to correspond to their aim, and that doesn't happen. You also want the activity of the individual man always to have an aim, that love and family life always be one. And that doesn't happen. All the variety, all the charm, all the beauty of life are made up of light and shade.

I think 'Shade Room,' it's a different me. You know, I think it's more on the lyrical side, talking about my life and how I really feel. You know, all these things outside of football. And people really get to look at how I feel about things or how I look at certain things. It's not just a song, more so me just telling people how I feel.

I began reading Harper Lee's novel in the skimpy shade of a pine outside my grandmother's house, fat beagles pressing against me, begging for attention, ignored. At dark, I kept reading, first on the couch, a bologna sandwich in one hand, then in my bed, by the light of a 60-watt bulb hanging from the ceiling on an orange drop cord. When my mother came in from her job as a maid and unplugged my chandelier, I replayed the story in my head until it was crowded out by dreams. I woke the next morning, smelling biscuits, and reached for the book again.

To fly! to live as airmen live! Like them to ride the skyways from horizon to horizon, across rivers and forests! To free oneself from the petty disputes of everyday life, to be active, to feel the blood renewed in one's vein - ah! that is life. . . . Life in finer and simpler. My will is freer. I appreciate everything more, sunlight and shade, work and my friends. The sky is vast. I breathe deep gulps of the fine clear air of the heights. I feel myself to have achieved a higher state of physical strength and a clearer brain. I am living in the third dimension!

There's nothing that builds up a toil-weary soul Like a day on a stream, Back on the banks of the old fishing hole Where a fellow can dream. There's nothing so good for a man as to flee From the city and lie Full length in the shade of a whispering tree And gaze at the sky. . . . . It is good for the world that men hunger to go To the banks of a stream, And weary of sham and of pomp and of show They have somewhere to dream. For this life would be dreary and sordid and base Did they not now and then Seek refreshment and calm in God's wide, open space And come back to be men.

Look, little currant bush, I am the gardener here, and I know what I want you to be. I didn’t intend you to be a fruit tree or a shade tree. I want you to be a currant bush, and some day, little currant bush, when you are laden with fruit, you are going to say, ‘Thank you, Mr. Gardener, for loving me enough to cut me down, for caring enough about me to hurt me. Thank you, Mr. Gardener.’

Bastian had climbed a dune of purplish-red sand and all around him he saw nothing but hill after hill of every imaginable color. Each hill revealed a shade or tint that occured in no other. The nearest was cobalt blue, another was saffron yellow, then came crimson red, then indigo, apple green, sky blue, orange, peach, mauve, turquoise blue, lilac, moss green, ruby red, burnt umber, Indian yellow, vermillion, lapis lazuli, and so on from horizon to horizon. And between the hill, separating color from color, flowed streams of gold and silver sand.

Oh," the girl said, shaking her head. "Don't be so simple. People adore monsters. They fill their songs and stories with them. They define themselves in relation to them. You know what a monster is, young shade? Power. Power and choice. Monsters make choices. Monsters shape the world. Monsters force us to become stronger, smarter, better. They sift the weak from the strong and provide a forge for the steeling of souls. Even as we curse monsters, we admire them. Seek to become them, in some ways." Her eyes became distant. "There are far, far worse things to be than a monster.

To a Mistress Dying Lover. YOUR beauty, ripe and calm and fresh As eastern summers are, Must now, forsaking time and flesh, Add light to some small star. Philosopher. Whilst she yet lives, were stars decay'd, Their light by hers relief might find; But Death will lead her to a shade Where Love is cold and Beauty blind. Lover. Lovers, whose priests all poets are, Think every mistress, when she dies, Is changed at least into a star: And who dares doubt the poet wise? Philosopher. But ask not bodies doom'd to die To what abode they go; Since Knowledge is but Sorrow's spy, It is not safe to know.