Top 1200 Shades Of Grey Quotes & Sayings - Page 20

Flower god, god of the spring, beautiful, bountiful, Cold-dyed shield in the sky, lover of versicles, Here I wander in April Cold, grey-headed; and still to my Heart, Spring comes with a bound, Spring the deliverer, Spring, song-leader in woods, chorally resonant; Spring, flower-planter in meadows, Child-conductor in willowy Fields deep dotted with bloom, daisies and crocuses: Here that child from his heart drinks of eternity: O child, happy are children!

The discovery of a grey hair when you are brushing out your whiskers of a morning—first fallen flake of the coming snows of age—is a disagreeable thing.... So are flying twinges of gout, shortness of breath on the hill-side, the fact that even the moderate use of your friend's wines at dinner upsets you. These things are disagreeable because they tell you that you are no longer young—that you have passed through youth, are now in middle age, and faring onward to the shadows in which, somewhere, a grave is hid.

For us there is only one season, the season of sorrow. The very sun and moon seem taken from us. Outside, the day may be blue and gold, but the light that creeps down through the thickly-muffled glass of the small iron-barred window beneath which one sits is grey and niggard. It is always twilight in one's cell, as it is always twilight in one's heart. And in the sphere of thought, no less than in the sphere of time, motion is no more.

More wonderful than the lore of old men and the lore of books is the secret lore of the ocean. Blue, green, grey, white, or black; smooth, ruffled, or mountainous; that ocean is not silent. All my days I have watched it and listened to it, and I know it well. At first it told to me only the plain little tales of calm beaches and near ports, but with the years it grew more friendly and spoke of other things; of things more strange and more distant in space and time.

Toska - noun /?t?-sk?/ - Russian word roughly translated as sadness, melancholia, lugubriousness. "No single word in English renders all the shades of toska. At its deepest and most painful, it is a sensation of great spiritual anguish, often without any specific cause. At less morbid levels it is a dull ache of the soul, a longing with nothing to long for, a sick pining, a vague restlessness, mental throes, yearning. In particular cases it may be the desire for somebody of something specific, nostalgia, love-sickness. At the lowest level it grades into ennui, boredom.

Lately, however, on abandoning the brindled and grey mosquitos and commencing similar work on a new, brown species, of which I have as yet obtained very few individuals, I succeeded in finding in two of them certain remarkable and suspicious cells containing pigment identical in appearance to that of the parasite of malaria. As these cells appear to me to be very worthy of attention ... I think it would be advisable to place on record a brief description both of the cells and of the mosquitos.

Samuel Spade's jaw was long and bony, his chin a jutting v under the more flexible v of his mouth. His nostrils curved back to make another, smaller, v. His yellow-grey eyes were horizontal. The V motif was picked up again by thickish brows rising outward from twin creases above a hooked nose, and his pale brown hair grew down--from high flat temples--in a point on his forehead. He looked rather pleasantly like a blond Satan.

One realizes that human relationships are the tragic necessity of human life; that they can never be wholly satisfactory, that every ego is half the time greedily seeking them, and half the time pulling away from them. In those simple relationships of loving husband and wife, affectionate sisters, children and grandmother, there are innumerable shades of sweetness and anguish which make up the pattern of our lives day by day, though they are not down in the list of subjects from which the conventional novelist works.

Drink because you are happy, but never because you are miserable. Never drink when you are wretched without it, or you will be like the grey-faced gin-drinker in the slum; but drink when you would be happy without it, and you will be like the laughing peasant of Italy. Never drink because you need it, for this is rational drinking, and the way to death and hell. But drink because you do not need it, for this is irrational drinking, and the ancient health of the world.

Most eyes have more than one color, but usually they're related. Blue eyes may have two shades of blue, or blue and gray, or blue and green, or even a fleck or two of brown. Most people don't notice that. When I first went to get my state ID card, the form asked for eye color. I tried to write in all the colors in my own eyes, but the space wasnt big enough. They told me to put 'brown'. I put 'brown', but that is not the only color in my eyes. It is just the color that people see because they do not really look atr other people's eyes.

We wear the mask that grins and lies, It hides our cheeks and shades our eyes,- - This debt we pay to human guile; With torn and bleeding hearts we smile And mouth with myriad subtleties. Why should the world be otherwise, In counting all our tears and sighs? Nay, let them only see thus, while We wear the mask. We smile, but, O great Christ, our cries To thee from tortured souls arise. We sing, but oh the clay is vile Beneath our feet, and long the mile; But let the world dream otherwise, We wear the mask!

I write, and I feel how the correct and precise use of words is sometimes like a remedy to an illness. Like a contraption for purifying the air, I breathe in and exhale the murkiness and manipulations of linguistic scoundrels and language rapists of all shades and colors. I write and I feel how the tenderness and intimacy I maintain with language, with its different layers, its eroticism and humor and soul, give me back the person I used to be, me, before my self became nationalized and confiscated by the conflict, by governments and armies, by despair and tragedy.

Scarlett's mind went back through the years to the still hot noon at Tara when grey smoke curled above a blue-clad body and Melanie stood at the top of the stairs with Charles' sabre in her hand. Scarlett remembered that she had thought at the time: 'How silly! Melly couldn't even heft that sword!' But now she knew that had the necessity arisen, Melanie would have charged down those stairs and killed the Yankee - or been killed herself.

You're a rotten driver,' I protested. 'Either you ought to be more careful or you oughtn't to drive at all.' 'I am careful.' 'No, you're not.' 'Well, other people are,' she said lightly. 'What's that got to do with it?' 'They'll keep out of my way,' she insisted. 'It takes two to make an accident.' 'Suppose you met somebody just as careless as yourself.' 'I hope I never will,' she answered. 'I hate careless people. That's why I like you.' Her grey, sun-strained eyes stared straight ahead, but she had deliberately shifted our relations, and for a moment I thought I loved her.

Oxford, in those days, was still a city of aquatint. In her spacious and quiet streets men walked and spoke as they had done in Newman's day; her autumnal mists, her grey springtime, and the rare glory of her summer days - such as that day - when the chestnut was in flower and the bells rang out high and clear over her gables and cupolas, exhaled the soft airs of centuries of youth. It was this cloistral hush which gave our laughter its resonance, and carried it still, joyously, over the intervening clamour.

Black is the absence of all color. White is the presence of all colors. I suppose life must be one or the other. On the whole, though, I think I would prefer color to its absence. But then black does add depth and texture to color. Perhaps certain shades of gray are necessary to a complete palette. Even unrelieved black. Ah, a deep philosophical question. Is black necessary to life, even a happy life? Could we ever be happy if we did not at least occasionally experience misery?

My Heart I'm not going to cry all the time nor shall I laugh all the time, I don't prefer one "strain" to another. I'd have the immediacy of a bad movie, not just a sleeper, but also the big, overproduced first-run kind. I want to be at least as alive as the vulgar. And if some aficionado of my mess says "That's not like Frank!," all to the good! I don't wear brown and grey suits all the time, do I? No. I wear workshirts to the opera, often. I want my feet to be bare, I want my face to be shaven, and my heart--you can't plan on the heart, but the better part of it, my poetry, is open.

Yet, even for us, there is left some loveliness of environment, and the dullness of tutors and professors matters very little when one can loiter in the grey cloisters at Magdalen, and listen to some flute-like voice singing in Waynfleete's chapel, or lie in the green meadow, among the strange snakespotted fritillaries, and watch the sunburnt noon smite to a finer gold the tower's gilded vanes, or wander up the Christ Church staircase beneath the vaulted ceiling's shadowy fans, or pass through the sculptured gateway of Laud's building in the College of St. John.

...Rose of all Roses, Rose of all the World! You, too, have come where the dim tides are hurled Upon the wharves of sorrow, and heard ring The bell that calls us on; the sweet far thing. Beauty grown sad with its eternity Made you of us, and of the dim grey sea. Our long ships loose thought-woven sails and wait, For God has bid them share an equal fate; And when at last defeated in His wars, They have gone down under the same white stars, We shall no longer hear the little cry Of our sad hearts, that may not live nor die.

If we don't have a clear sense of our identity and purpose, we are much more vulnerable to Lucifer. He of course knows this and accordingly attempts to blur our vision. He lies. He shades and obliterates truth. He makes evil look good and good look unenlightened and unsophisticated. Make no mistake about it: Lucifer will do anything to derail, disappoint, dishearten, discourage, and deceive us—and particularly those who have made and are seeking to keep sacred covenants. His motives are entirely self-centered, selfish, destructive, and evil.

The old dead trees are the most fascinating - the countless trees lying in the gullies and up the hills that fell perhaps a century ago, pulling up their roots from the earth as they toppled. The great upheavals left rocks in their huge tentacles and, as they slowly rot, the trunks are home to populations of creatures, from goannas to wild pigs. As grey as tombstones in a cemetery they lie there, having outlasted generations of farmers, as they'll outlast me. In their own way they are as beautiful, more beautiful, than living trees.

My sisters and I stand, arms around each other, laughind and wiping the tears from each others eyes. The flash of the Polaroid goes off and my family hands me the snapshot. My sisters and I watch quietly together, eager to see what develops. Ghe grey-greensurface changes to the bright colors of our three images, sharpening and deepening all at once. And although we don't speak, I know we all see it: Together we look like our mother. Her same eyes, her same mouth, open in suprise to see, her long-cherished wish.

All the fear in the world, and the violence that comes from the fear, and the hatred that comes from the violence, and the lonliness that comes from the hatred. All the unhappiness, all the cruelty, it gathers like clouds in the air, and grows dark and cold and heavy, and falls like grey snow in thick layers over the land. Then the world is muffled and numb, and no one can hear each other or feel each other. Think how sad and lonely that must be.

It will be my earnest aim that The New York Times give the news, all the news, in concise and attractive form, in language that is permissible in good society, and give it as early if not earlier, than it can be learned through any other reliable medium; to give the news impartially, without fear or favor, regardless of party, sect, or interest involved; to make of the columns of The New York Times a forum for the consideration of all questions of public importance, and to that end to invite intelligent discussion from all shades of opinion.

We've forgotten much. How to struggle, how to rise to dizzy heights and sink to unparalleled depths. We no longer aspire to anything. Even the finer shades of despair are lost to us. We've ceased to be runners. We plod from structure to conveyance to employment and back again. We live within the boundaries that science has determined for us. The measuring stick is short and sweet. The full gamut of life is a brief, shadowy continuum that runs from gray to more gray. The rainbow is bleached. We hardly know how to doubt anymore. (“The Thing”)

Had I known but yesterday what I know today, I’d have taken out your two grey eyes and put in eyes of clay. And had I known but yesterday you’d be no more my own, I’d have taken out your heart of flesh and put in one of stone.

Common sense is the guy who tells you that you ought to have had your brakes relined last week before you smashed a front end this week. Common sense is the Monday morning quarterback who could have won the ball game if he had been on the team. But he never is. He's high up in the stands with a flask on his hip. Common sense is the little man in a grey suit who never makes a mistake in addition. But it's always someone else's money he's adding up.

The poet’s life is just so much crenellated waste, nights and days whipping swiftly or laboriously past the cinematic window. We’re hunched and weaving over the keys of our green our grey or pink blue manual typewriter maybe a darker stone cold thoritative selectric with its orgasmic expectant hum and us popping pills and laughing over what you or I just wrote, wondering if that line means insult or sex. Or both. Usually both.

Do not fear death, but welcome it, since it too comes from nature. For just as we are young and grow old, and flourish and reach maturity, have teeth and a beard and grey hairs, conceive, become pregnant, and bring forth new life, and all the other natural processes that follow the seasons of our existence, so also do we have death. A thoughtful person will never take death lightly, impatiently, or scornfully, but will wait for it as one of life's natural processes.

Time wastes too fast : every letter I trace tells me with what rapidity Life follows my pen ; the days and hours of it, more precious, my dear Jenny! than the rubies about thy neck, are flying over our heads like light clouds of a windy day, never to return more -- every thing presses on -- whilst thou are twisting that lock, -- see! it grows grey ; and every time I kiss thy hand to bid adieu, and every absence which follows it, are preludes to that eternal separation which we are shortly to make!

The idea of some kind of objectively constant, universal literary value is seductive. It feels real. It feels like a stone cold fact that In Search of Lost Time, by Marcel Proust, is better than A Shore Thing, by Snooki. And it may be; Snooki definitely has more one-star reviews on Amazon. But if literary value is real, no one seems to be able to locate it or define it very well. We're increasingly adrift in a grey void of aesthetic relativism.

A lot of my books deal with very controversial issues that most people often don't want to talk about, issues that, in my country, are more likely to get put under the carpet than get discussed. And when you talk about moral conundrums, about shades of gray, what you're doing is asking the people who want the world to be black and white to realize instead that maybe it's all right if it isn't. I know you'll learn something picking up my books, but my goal as a writer is not to teach you but to make you ask more questions.

She still had her bad days, no question, when the black dog of depression sniffed her out and settled its crushing weight on her chest and breathed its pungent dog breath in her face. On those days she called in sick to the IT shop where, most days, she untangled tangled networks for a song. On those days she pulled down the shades and ran dark for twelve or twenty-four or seventy-two hours, however long it took for the black dog to go on home to its dark master.

At some point in every racer's life he has to make his peace with cheating. I do not approve of cheating ... at all. Of course, like every successful racer, I differentiate between taking advantage of loopholes in the regulations, stretching the grey areas and outright cheating. In any given racing series I will not start the cheating. If someone else starts it, I will appeal to them and to the officials to stop it. If my efforts do not succeed, then I'll show them how it is done.

Carmen sat up when she heard a familiar trill from her computer. It was an instant message from Bee. Beezy3: Packing. Do you have my purple sock with the heart on the ankle? Carmabelle: No. Like I'd wear your socks. Carmen looked from her computer screen down to her feet. To her dismay, her socks were two faintly different shades of purple. She rotated her foot to get a view of her anklebone. Carmabelle: Ahem. Might possibly have sock.

Alpha children wear grey. They work much harder than we do, because they're so frightfully clever. I'm awfully glad I'm a Beta, because I don't work so hard. And then we are much better than the Gammas and Deltas. Gammas are stupid. They all wear green, and Delta children wear khaki. Oh no, I don't want to play with Delta children. And Epsilons are still worse. They're too stupid to be able to read or write. Besides they wear black, which is such a beastly color. I'm so glad I'm a Beta.

Very softly, but very swiftly, Last, the man with the grey face and the staring eyes, bolted for his life, down and away from the White House. Once in the road, free from the fields and brakes, he changed his run into a walk, and he never paused or stopped, till he came with a gulp of relief into the ugly streets of the big industrial town. He made hi way to the station at once, and found that he was an hour too soon for the London express. So, there was plenty of time for breakfast; which consisted of brandy.

Few tasks are more like the torture of Sisyphus than housework, with its endless repetition: the clean becomes soiled, the soiled is made clean, over and over, day after day. The housewife wears herself out marking time: she makes nothing, simply perpetuates the present … Eating, sleeping, cleaning – the years no longer rise up towards heaven, they lie spread out ahead, grey and identical. The battle against dust and dirt is never won.

What kind of tea do you want?" "There´s more than one kind of tea?...What do you have?" "Let´s see... Blueberry, Raspberry, Ginseng, Sleepytime, Green Tea, Green Tea with Lemon, Green Tea with Lemon and Honey, Liver Disaster, Ginger with Honey, Ginger Without Honey, Vanilla Almond, White Truffle Coconut, Chamomile, Blueberry Chamomile, Decaf Vanilla Walnut, Constant Comment and Earl Grey." -"I.. Uh...What are you having?... Did you make some of those up?

One of the grandest figures that ever frequented Eastern Yorkshire was William Smith, the distinguished Father of English Geology. My boyish reminiscence of the old engineer, as he sketched a triangle on the flags of our yard, and taught me how to measure it, is very vivid. The drab knee-breeches and grey worsted stockings, the deep waistcoat, with its pockets well furnished with snuff-of which ample quantities continually disappeared within the finely chiselled nostril-and the dark coat with its rounded outline and somewhat quakerish cut, are all clearly present to my memory.

At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dressed in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight the clock begins once more to fold in upon itself. The face lightens and the clouds return. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.

Cold air rises from the ground as the sun goes down. The eye-burning clarity of the light intensifies. The southern rim of the sky glows to a deeper blue, to pale violet, to purple, then thins to grey. Slowly the wind falls, and the still air begins to freeze. The solid eastern ridge is black; it has a bloom on it like the dust on the skin of a grape. The west flares briefly. The long, cold amber of the afterglow casts clear black lunar shadows. There is an animal mystery in the light that sets upon the fields like a frozen muscle that will flex and wake at sunrise.

The Rolling Stones were an inkling towards an appreciation of the unity of music, dance and words. Any of the black R&B people who had a stage show that involved dancing, music and words did the same thing, except that I thought Jagger's words were good, his music was good and his dancing was good. I spoke to him about Blake and tried to get him to sing [William] Blake's The Grey Monk, to use his words as lyrics. He didn't do it. In the end, I did it myself.

We must carry Jesus in our hearts to wherever He wants to go, and there are many places to which He may never go unless we take Him to them. None of us knows when the loveliest hour of our life is striking. It may be when we take Christ for the first time to that grey office in the city where we work, to the wretched lodging of that poor man who is an outcast, to the nursery of that pampered child, to that battleship, airfield, or camp

Americans are an "almost chosen people," which is meant to suggest that there are clear parallels, literal, theological and everything else, between the American story and the Old Testament story of Israel and then the broader story of the Christian church. It's OK to recognize the parallels. It's OK to invoke them. But, you have to keep that "almost" in front of the "chosen." You can't go all the way and say, "America is Israel, America is the Church." That's where I think patriotism shades into, what I call, the heresy of nationalism.

He domesticated and developed the native wild flowers. He had one hill-side solidly clad with that low-growing purple verbena which mats over the hills of New Mexico. It was like a great violet velvet mantle thrown down in the sun; all the shades that the dyers and weavers of Italy and France strove for through centuries, the violet that is full of rose colour and is yet not lavender; the blue that becomes almost pink and then retreats again into sea-dark purple—the true Episcopal colour and countless variations of it.

You may be the only guy my age I've ever met who knows what bergamot is, much less that it's in Earl Grey tea." "Yes, well," Jace said, with a supercilious look, "I'm not like other guys. Besides," he added, flipping a book off the shelf, "at the Institute we have to take classes in basic medicinal uses for plants. It's required." "I figured all your classes were stuff like Slaughter 101 and Beheading for Beginners." Jace flipped a page. "Very funny, Fray.

Needle was Robb and Bran and Rickon, her mother and her father, even Sansa. Needle was Winterfell's grey walls, and the laughter of its people. Needle was the summer snows, Old Nan's stories, the heart tree with its red leaves and scary face, the warm earthy smell of the glass gardens, the sound of the north wind rattling the shutters of her room. Needle was Jon Snow's smile. He used to mess my hair and call me "little sister," she remembered, and suddenly there were tears in her eyes.

Jessica, I know I've been...difficult," he said. "All the same—" "Difficult?" She looked up, her grey eyes wide, "You have been impossible. I begin to think you are not right in the upper storey. I knew you wanted me. The only thing I've never doubted was that. But getting you into bed— you, the greatest whoremonger in Christendom— gad, it was worse than the time I had to drag Bertie to the tooth-drawer. And if you think I mean to be doing that the rest of our days, you had better think again. The next time, my lord, you will do the seducing— or there won't be any, I vow.

Being a goalkeeper gives you quite a unique perspective on things. You are part of a team yet somehow separate; there are no grey areas, with success or failure being measured in real time; and you have a physical job which you can only do well by paying attention to your mental well-being. A great goalkeeper has to have the keys to a great mindset. To be able to work well in the box, I believe you have to be able to think outside the box

The selective winnowing of time leaves only a few recognizable individuals behind for the historian to light on. Thus the historian who finds the human being more interesting than what the human being has done must inevitably endow the comparatively few individuals he can identify with too great an importance in relation to their time. Even so, I prefer this overestimate to the opposite method which treats developments as though they were the massive anonymous waves of an unhuman sea or pulverizes the fallible surviving records of human life into the grey dust of statistics.

Spread the glad tidings that it will not disappoint Miss Heyer's many admirers. Judging from the letters I've received from obviously feeble-minded persons who do so wish I would write another These Old Shades, it ought to sell like hot cakes. I think myself I ought to be shot for writing such nonsense, but it's questionably good escapist literature and I think I should rather like it if I were sitting in an air-raid shelter, or recovering from flu. Its period detail is good; my husband says it's witty---and without going to these lengths, I will say that it is very good fun.

There comes a terrible moment to many souls when the great movements of the world, the larger destinies of mankind, which have lain aloof in newspapers and other neglected reading, enter like an earthquake into their own lives--when the slow urgency of growing generations turns into the tread of an invading army or the dire clash of civil war, and grey fathers know nothing to seek for but the corpses of their blooming sons, and girls forget all vanity to make lint and bandages which may serve for the shattered limbs of their betrothed husbands.

"We will make such a chase as shall be accounted a marvel among the Three Kindreds: Elves, Dwarves and Men. Forth the Three Hunters!" Like a deer he sprang away. Through the trees he sped. On and on he led them, tireless and swift, now that his mind was at last made up. The woods about the lake they left behind. Long slopes they climbed, dark, hard-edged against the sky already red with sunset. They passed away, grey shadows in a stony land.

Historically different groups find different things in each comics, as with *X-Men*. Gay readers find parallels to living a closeted lifestyle or choosing to come out and be openly gay. Black readers find a relevance to their lives growing up in America as a black guy. Picked-on brainy kids find a metaphor for being an outsider. It's a simple enough, and direct enough metaphor that it has different shades for different people. And so each reader to some degree gets out of it what they bring to it. That's one of the things I think that makes *X-Men* such a strong property.

I sort of watched everyone go through it on that show ["Grey's Anatomy" ] because I came on later in the first season, so I kind of watched everyone else go through it but really I am so grateful and blessed and feel I have had such a great career and I love that fans love the shows that I do, and so when I get approached I still, I go, "Oh, thank you. That makes me feel good."

In each of us lie good and bad, light and dark, art and pain, choice and regret, cruelty and sacrifice. We’re each of us our own chiaroscuro, our own bit of illusion fighting to emerge into something solid, something real. We’ve got to forgive ourselves that. I must remember to forgive myself. Because there is a lot of grey to work with. No one can live in the light all the time.

A whole big, giant world full of men. Men with blue eyes. Brown eyes. Green eyes. And indescribable shades in between. Tall men. Short men. Skinny men. Built men. And all combinations thereof. Nice men (so I've heard, but never really seen). Mean men. Decent men, indecent. And who knows which is the best kind to have, to hold, to love? I'd say, with so many men in the world, it would pay to sample a few. Scratch that. More than a few. Lots and lots. And then a few more. And maybe, after years of research, you might find one worth not throwing back. But hey, the fun is in the fishing.

As I came down the Highgate Hill, The Highgate Hill, the Highgate Hill, As I came down the Highgate Hill, I met the sun's bravado, And saw below me, fold on fold, Grey to pearl and pearl to gold, This London like a land of old, The land of Eldorado.

Countless candles dribbled with hot wax, and their flames, like little flags, fluttered in the unchartered currents of air. Thousands of lamps, naked, or shuttered behind coloured glass, burned with their glows of purple, amber, grass-green, blue, blood red and even grey. The walls of Gormenghast were like the walls of paradise or like the walls of an inferno. The colours were devilish or angelical according to the colour of the mind that watched them. They swam, those walls, with the hues of hell, with the tints of Zion. The breasts of the plumaged seraphim; the scales of Satan.