Thought and science follow their own law of development; they are slowly elaborated in the growth and forward pressure of humanity, in what Shakespeare calls
...The prophetic soul,
Of the wide world dreaming on things to come.
I am Warhol. I am the No. 1 most impactful artist of our generation. I am Shakespeare in the flesh.
Where does an actress go after playing Cleopatra's magnificent death? Why didn't Shakespeare write more - and more powerful - roles for mature women?
Having spent so much of my life with Shakespeare’s world, passions and ideas in my head and in my mouth, he feels like a friend—someone who just went out of the room to get another bottle of wine.
Soccer and sports are entertainment ... You can't call Beethoven's 9th Symphony or a work of Shakespeare `entertainment.' It's not `entertainment.' It's culture.
It is strongly suspected that a NEWTON or SHAKESPEARE excels other mortals only by a more ample development of the anterior cerebral lobes, by having an extra inch of brain in the right place.
Homer, Vergil, Dante, Shakespeare, Goethe, Proust - not exactly authors one expects to whiz through or take lightly, but like all works of genius, they are meant to be read out loud and loved.
If Shakespeare was around today I would ask him out to dinner. The only thing I don't like about him is the way he did his hair.
We're very lucky, men, that there are these fabulous parts. Women - once you've done all the parts in Shakespeare, they start running out. So you can pick and choose and find something to energise you.
I wanted to play a TV detective because it's a rite of passage; I wanted to experience every area of acting. I haven't done comedy or as much Shakespeare as I had intended.
It was in India that I started my acting career, courtesy of my parents, long before I set foot on stage in England. They headed a company of travelling players performing Shakespeare up and down the land.
You're just trying on different identities, like everyone in those Shakespeare plays. And the people we pretend at, they're already in us. That's why we pretend them in the first place.
There are some great roles mostly in Shakespeare's tragedies which no one can play at full strength from beginning to end. One simply hopes that one can hit the peaks as often as one has the strength.
I love acting, I really do, I've always loved doing it, and it's a joy to be asked to do this. I mean, to do Beatrice, for God's sake, it is the best comedy Shakespeare role for a woman, and to be asked to do it.
Life is an admirable arrangement, isn't it, little mother. It is so clever of it to have June in every year and a morning in every day, let alone things like birds, and Shakespeare, and one's work.
[Anton] Chekhov is the most produced playwright in the world after Shakespeare, and most of the people in my sort of audience would have seen at least one of his plays.
In my family, there was no celebration of ignorance. They'd come and see Chekhov or Shakespeare. I've got a sister who got a first in her degree. We don't sit around watching TV all the time.
I think it's sad that movies and television have caused the theatre to fade as a popular art form. I hope to get young people into the theatre and expose them to Shakespeare.
Think of Shakespeare and Melville and you think of thunder, lightning, wind. They all knew the joy of creating in large or small forms, on unlimited or restricted canvases. These are the children of the gods.
The highest wisdom and the highest genius have been invariably accompanied with cheerfulness. We have sufficient proofs on record that Shakespeare and Socrates were the most festive companions.
Having spent so much of my life with Shakespeare's world, passions and ideas in my head and in my mouth, he feels like a friend - someone who just went out of the room to get another bottle of wine.
On the whole, Chaucer impresses us as greater than his reputation, and not a little like Homer and Shakespeare, for he would haveheld up his head in their company.
I did my English A level in England, and we studied Shakespeare. I had great, great high school teachers, and we parsed the text within an inch of its life.
Because when you're in drama school, you're playing multiple characters at once. You know, in the morning you're doing a Chekhov play, and then you're doing a Shakespeare workshop midday.
I was emotional. I wanted to be taken seriously. I was pretty emo. I was reciting Shakespeare monologues when I was 10. I still know the whole 'To be, or not to be...' monologue, because I knew it when I was 10.
Each writer is born with a repertory company in his head. Shakespeare has perhaps 20 players. ... I have 10 or so, and thats a lot. As you get older, you become more skillful at casting them.
I remember, the players have often mentioned it as an honour to Shakespeare, that in his writing (whatsoever he penned) he never plotted out a line. My answer hath been, would he had blotted a thousand.
That's really how I got started was doing Shakespeare. When I got out of school, I was lucky enough to meet George Wolfe, who ran The Public Theater.
My father used to act in high school. He was in a production of 'Othello;' I don't know who he played, but it wasn't Othello. He would talk about it, though, and read Shakespeare to me.
I started out as a singer and a musician, and I was taught that your job is just to get out of the way of Brahms or Arthur Miller or Shakespeare and convey the brilliance that they created.
I always loved the creative process, from 'Shakespeare in Love' to 'Finding Neverland' to 'Basquiat'; whether it's serious, or it's comedic, whether it's the 'inside look' at that, it seems to be a theme of what I do.
Shakespeare lets us see real people undergoing real processes, with real feelings
An actor should be ready to play any role within reason. For example, I think the most ridiculous thing for me to do would be to try and play Shakespeare.
As the great poet wrote, ‘To thine own self be true.’…What? You don’t think a Skotos can be literate? I happen to love Shakespeare. Hamlet is one of my faves. (Zeth) I’m not touching that one with tongs and a gas mask. (Jericho)
Everything that we have gone through, are going through, and will go through is there in Shakespeare. It is all of human life.
What a Beethoven, Shakespeare or Picasso has done is not create something, so much as they have accessed that place within themselves from which they could express that which has been created by God.
I grew up with Shakespeare, and there are so many wonderful teachings in those plays. The stories are all so unique and timeless. There is just so much learning in that body of work, and that is something I will always go back to.
Shakespeare was of us, Milton was of us, Burns, Shelley, were with us. They watch from their graves!
I'd like to do a little bit of everything. I think the only thing I can't do is a British accent, so that's out. No Shakespeare for me. Unless it's like one of those modern-day remakes.
We poets would die of loneliness but for women, and we choose our men friends that we may have somebody to talk about women with. Letter to Olivia Shakespeare, 1936
With 'True Grit,' the language was very specific, as is Shakespeare. You couldn't really improvise, nor would you really ever have to. I never felt the need to. It was all so beautifully written, and it was all right there.
I did a season at the Royal Shakespeare Company. People say, 'Why aren't you doing theater anymore?' And I say, 'Look, my kids have gotten used to wearing shoes.'
I like the fact George R. R. Martin took Shakespeare's political plays as material, but he also took on all sorts of other sensational stories and mingled them in together.
Shakespeare knew the human mind, and its most minute and intimate workings, and he never introduces a word, or a thought, in vain or out of place; if we do not understand him, it is our own fault.
Taking trains and trams in Berlin, I noticed people reading. Books, I mean - not pocket-size devices that bleep as if censorious, on which even Shakespeare scans like a spreadsheet.
Only the pun remains. The pun, beloved of Shakespeare, children and tabloid headline-writers, is normally eschewed in the modern, sophisticated circles in which I move.
We need to take a far more active role in love than 'Romeo and Juliet' would lead us to believe. Perhaps that's what Shakespeare's saying, in a way. We can't leave it all up to fate.
I was very surprised that they would ask a foreign actress to be Lady Macbeth, but I felt it was an opportunity that I couldn't miss. Having the opportunity to play Shakespeare in English - that wouldn't come twice.
I also became a poet, and for one year lived in a Paradise of my own creation; I imagined that I also might obtain a niche in the temple where the names of Homer and Shakespeare are consecrated.
Classical plays require more imagination and more general training to be able to do. That's why I like playing Shakespeare better than anything else.
Here Greek and Roman find themselves alive along these crowded shelves; and Shakespeare treads again his stage, and Chaucer paints anew his age.
I find Shakespeare terrifying. When Simon Russell Beale does a speech, I understand every word of it, but if I did the same speech, people would be going, 'Huh? What?'
In 1600, when Shakespeare's audience at the Globe heard 'Hamlet' for the first time, every one of them knew very well what it meant to be handed a cup of wine by a figure of authority and told to drink.
These books ain't window dressing. I think Machiavelli's the most sophisticated writer outside of Shakespeare. Way ahead of his time. Such a manipulative person. Everything he accomplished he did by kissin' ass.
I owe so much to Shakespeare. Nothing is more humbling and more exhilarating than taking ahold of those sacred words and riding them like a wave.
Most people, even among those who know Shakespeare well and come into real contact with his mind, are inclined to isolate and exaggerate some one aspect of the tragic fact.
My dad is a retired Shakespeare professor, my mother a retired classicist. Suffice to say I grew up in a house full of books, where reading was encouraged if not required.
I've definitely learned that if you want to have power as a woman in Shakespeare's time, and it's still relevant today, that you have to play a different game than men play, and you have to be a lot cleverer.
Shakespeare lets us see real people undergoing real processes, with real feelings.
My father was an athlete, a great athlete, fought in the Marines in World War I. He was all sports and activity. My mother was all academics. I still have the complete works of Shakespeare that she had.
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