Top 1200 Shaking My Head Quotes & Sayings - Page 18

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Last updated on November 25, 2024.
I feel like there's a voice in my head, always, telling me every idea is brilliant, and another telling me every idea is the worst. And they argue in my head until somebody wins, until I solicit an audience to be, like, 'Will you help me figure this out? Is this the best or the worst idea?' And they tell me!
My dad grew up with straight-up no running water. He slept in a twin bed with his two sisters and his mom, like 'Charlie And The Chocolate Factory' style: like, feet at the head, feet at the head alternating. And then I think his dad slept on, like, a bed of newspapers on a floor in their apartment.
We [me,Maggie Smith and Natasha Richardson ] rehearsed [Suddenly, Last Summer] like a play for a month, and then we shot it over the course of... I believe it was 10 days. All live, basically. Long, uninterrupted takes. And for me, a lot of it is me going head to head with Maggie Smith. And anybody who's ever had that opportunity never forgets it! It's a real career highlight, and it was everything I ever thought it would be, and more.
The first undeniable reality is that every living thing dies, and the second undeniable reality is that we suffer throughout our lives because we don't understand death. The truth derived from these two points is the importance of clarifying the matter of birth and death. The third undeniable reality is that all of the thoughts and feelings that arise in my head simply arise haphazardly, by chance. And the conclusion we can derive from that is not to hold on to all that comes up in our head. That is what we are doing when we sit zazen.
Basically, you're still sitting there using just the muscles of your hand, really. Of one hand, actually. It's another example of the transfer of literacy to making music because the assumption is that everything important is happening in your head; the muscles are there simply to serve the head. But that isn't how traditional players work at all; musicians know that their muscles have a lot of stuff going on as well. They're using their whole body to make music, in fact.
You must have the score in your head, not your head in the score. — © Hans von Bulow
You must have the score in your head, not your head in the score.
[S]omething inside us, the feeling of resentment, the feeling that wants to get one's own back, must be simply killed. I do not mean that anyone can decide this moment that he will never feel it anymore. That is not how things happen. I mean that every time it bobs its head up, day after day, year after year, all our lives long, we must hit it on the head. It is hard work, but the attempt is not impossible.
Sylvia had given him a scalding lecture, the gist of it being that whatever a woman enjoyed wearing was feminine and anything she didn't enjoy wearing wasn't, and if he was too stubborn and old fashioned to understand that, he could go and soak his head in a bucket of cold water. He hadn't quite forgiven her yet for saying they would have to look hard to find a bucket big enough to fit his head in to, but he admired the sass behind the remark.
There yet remains but one concluding tale, And then this chronicle of mine is ended - Fulfilled, the duty God ordained to me, A sinner. Not without purpose did the Lord, Put me to witness much for many years, And educate me in the love of books. One day some indefatigable monk, Will find my conscientious, unsigned work; Like me, he will light up his ikon-lamp, And, shaking from the scroll the age-old dust, He will transcribe these tales in all their truth.
Meanwhile someone is shining my head to get it dry to attach my top-hat to my head with toupee tape. I get into microphone and get back up into my dressing room for the rest of my costume. I get snapped into all these things and layers and bundled up. I walk downstairs to the pit. Someone hands me my baton (which lights up like a wand) and I watch the first three minutes of the show. Then I come up out of the pit and there I am.
This is quite difficult 'cause I have a really flat head, and so it's quite difficult to get a correct angle. And you can't go up from down below as well, 'cause I've got, like, rock solid gelled hair. And so, like, it was odd. I don't know, sometimes I feel like my head is being, like, turned inside out. Like that episode of Ren & Stimpy when he's inside his own belly button. I don't know.
All I do is listen to music. It's a weird thing. It's like I have so much catching up to do. I've always been over my head. That's just the way I work best, you know. Like when you're studying for school you think, "I can only study when I have to study the night before." That kind of means you're lazy or you're a procrastinator, but for me with music it's a similar thing. It's like I've been over my head for most of my career so to speak.
I patterned the accent after this guy I was in a play with, but that was three years ago. Now I'm listening to Tony Head (Giles in Buffy), who sounds kind of like Spike in real life. It's much more tough-guy talk in real life. His accent (as Giles) is just as fake as mine. His is nice and gritty, but it's not North London. I'm always afraid that I'm morphing over into Tony Head, wherever he's from.
That's something you can't get off the wires in New York is people providing intelligent coverage of what your theater company in Podunk is up to. Many of the people who write what we call amateur criticism are professionals in anything other than name and receiving a paycheck. Very often, they know more than the professional critic who might be writing for their local newspaper. So, really, I'm all for it. It's changing the playing field, it's shaking things up, it's going to make the critical environment a healthier environment.
Guess what, Avery?" "What?" I wondered if he could see how fast my heart was beating beneath my shirt. "Remember how you just said you were having a good time?" Cam lowered his head so that our mouths were scant inches apart. "It's about to get better." "Is it?" He shifted his head and his nose grazed mine. "Oh, yeah." "Are you not going to kiss me again?" His lips tipped up. "That's exactly what I'm going to do.
I'm sorry, was that homophobic? No--I think it was, 'cause I hear that a lot. Dave, What?, You're talking about being gay. You probably secretly are gay. And I'm like listen voice in my head, I'm not! HOW DO YOU KNOW YOU WOULDN'T LIKE IT? HOW DO YOU KNOW YOU WOULDN'T LIKE IT? I know I wouldn't like it, other scarier voice in my head! 'Cause one time while making a sandwich, a cucumber went up my ass. Three times.
There is a breeze blowing. I see it in the deep discontent that is being voiced with the threadbare state of the evangelical world, with its empty worship, its market-driven superficiality, and its trivial thought. It is a breeze blowing toward better, deeper, more honest things. I suspect that it is the Holy Spirit who is blowing, that this is his breeze, and that these leaves that are shaking are the signs of better things to come within an evangelical faith that is thus being reformed. Let us all pray that it is so!
Some would assert that Providence was at work shaking out its pockets in Humanity's lap. Other would argue for that mindless choreographer, Chance. Either way it was a simple thing: a lost diary fell into the hands of a soul-sick war hero on a train from Bombay to Jaipur just when he'd grown tired of the scenery and needed something to keep his thoughts from the minefield of his wretched thoughts. In such mild ways is the groundwork laid for first kisses and ruined lives.
It must never be forgotten that nothing that is really great in this world has ever been achieved by coalitions, but that it has always been the success of a single victor. Coalition successes bear by the very nature of their origin the germ of future crumbling, in fact of the loss of what has already been achieved. Great, truly world-shaking revolutions of a spiritual nature are not even conceivable and realizable except as the titanic struggles of individual formations, never as enterprises of coalitions.
When you shoot a scene, you remember every moment. You remember when your head went down, your head went up. You don't see little quirks, little eye movements, little lip movements. Once again, you become completely vain when you're watching it in a way that you weren't when you were shooting it. And the vanity, what it makes you focus on are everything that has nothing to do with the scene and everything to do with your own ego.
THIS TORTURE Why should we tell you our love stories when you spill them together like blood in the dirt? Love is a pearl lost on the ocean floor, or a fire we can’t see, but how does saying that push us through the top of the head into the light above the head? Love is not an iron pot, so this boiling energy won’t help. Soul, heart, self. Beyond and within those is one saying, How long before I’m free of this torture!
I had been playing with matches and burned a small rug. I was in the process of covering up my crime when suddenly God saw me. I felt His gaze inside my head and on my hands....I flew into a rage against so crude an indiscretion, I blasphemed....He never looked at me again....I had the more difficulty getting rid of Him the Holy Ghost in that He had installed Himself at the back of my head....I collared the Holy Ghost in the cellar and threw Him out.
Hey, here's a way to stop suicide bombings - give the Palestinians a bunch of missile-firing Apache helicopters and let them and the Israelis go at each other head to head. Four billion dollars a year to Israel - four billion dollars a year to the Palestinians - they can just blow each other up and leave the rest of us the hell alone.
He stuck the pencil over his ear, looking unconvinced. "Mmm. What position would you be the most comfortable for you?" I couldn't say aloud the answers that popped into my head at that question, but the flush that spread across my face like wildfire gave me away. He caught his lower lip in his teeth, and I was sure it was to contain a laugh. Most comfortable position? What about with my head stuck under a pillow?
Nothing frustrates me more than someone who reads something of mine or anyone else's and says, angrily, 'I don't buy it.' Why are they angry? Good writing does not succeed or fail on the strength of its ability to persuade. It succeeds or fails on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head—even if in the end you conclude that someone else's head is not a place you'd really like to be.
Ask not what's inside your head but what your head's inside of.
I know my head isn't screwed on straight. I want to leave, transfer, warp myself to another galaxy. I want to confess everything, hand over the guilt and mistake and anger to someone else. There is a beast in my gut, I can hear it scraping away at the inside of my ribs. Even if I dump the memory, it will stay with me, staining me. My closest is a good thing, a quiet place that helps me hold these thoughts inside my head where no one can hear them.
You can read minds, and you didn't tell me?” Link stared at me like he just found out I was the Silver Surfer. He rubbed his head nervously. “Hey, man, all that stuff about Lena? I was yankin’ your chain.” He looked away. “Are you doin’ it now? You're doin’ it, aren't you? Dude, get out of my head.” He backed away from me and into the bookshelf. “I can't read your mind, you idiot.
We have reached the age, those of us to whom fortune has assigned a post in life's struggle, when beaten and smashed and biffed by the lashing of the dragon's tail, we begin to appreciate that the old man was not such a fool after all. We saw our parents wrestling with the same dragon, and we thought, though we never spoke a thought aloud, 'Why doesn't he hit him on the head?' Alas, comrads, we know now. We have hit the dragon on the head and we have seen the dragon smile.
I sleep during the day. I still dream about drinking and drugs. Sometimes I wake to a hang-over, sometimes I wake to a trickle of blood from my nose, sometimes I wake scared and shaking. I read, go to museums and visit Lilly in the afternoon. Sometimes I read to her, sometimes I talk to her, sometimes I just sit and remember the times, remember the times, remember the times." (James Frey, pg.119)
And I knew that the Spirit that had gone forth to shape the world and make it live was still alive in it. I just had no doubt. I could see that I lived in the created world, and it was still being created. I would be part of it forever. There was no escape. The Spirit that made it was in it, shaping it and reshaping it, sometimes lying at rest, sometimes standing up and shaking itself, like a muddy horse, and letting the pieces fly.
And Hermione was struggling to her feet in the wreckage, and three red-headed men were grouped on the ground where the wall had blasted apart. Harry grabbed Hermione's hand as they staggered and stumbled over stone and wood. 'No - no - no!' someone was shouting. 'No! Fred! No!' And Percy was shaking his brother, and Ron was kneeling beside them, and Fred's eyes stared without seeing, the ghost of his last laugh still etched upon his face.
Ideas are dangerous, but the man to whom they are least dangerous is the man of ideas. He is acquainted with ideas, and moves among them like a lion-tamer. Ideas are dangerous, but the man to whom they are most dangerous is the man of no ideas. The man of no ideas will find the first idea fly to his head like wine to the head of a teetotaller.
Now, more than ever, we need people in space... The events of September 11 show us how vulnerable we and our civilization are down here on Earth... So let us use our strength, our awareness of mortality as a civilization, to do something truly lasting and earth-shaking for humanity. Let us join with the peoples and cultures of this planet, the diversities of its perspectives and religions and science, so we can leave it-not behind, but as a springboard to something better.
I hate to tell you, dragon, but that's an integral part of the whole usiness," he whispered. "If you're afraid to touch me then we're not going to get very far." She lifted her head to look at him. "I thought I could lie back and let you ravish me," she said with complete honesty. He shook his head, the smile hovering around his lips, his eyes intent. "This is a cooperative effort, my love. You have to do your part.
What helped me a lot is the fact that I have a very short neck. If I had a neck like a stack of dimes, you can bet I couldn't take a good shot. But the fact that I had a short neck and worked on it a lot (as opposed to most fighters who don't work on their neck muscles) definitely helped. I would stand on my head against a wall and move my head back and forth, side to side, for half an hour or so while talking on the phone.
One of the things that sets the Bible apart from all other ancient religious writings is its scientific accuracy. Without exception, every other ancient religious writing contains certain scientific errors. For example, Muhammad taught in the Qur'an that the sun descends down into a muddy spring. The Hindu Vedas state that the Earth is flat and triangular, that earthquakes are caused by elephants shaking themselves under it. You'll never read absurd statements like those in the Bible.
Looking at life through the eyes of a Daddy long legs: Imagine walking on legs so long you could cover a mile in fifty strides! Imagine looking to either side through eyes set not in your head but in a... hump in your back! Imagine your knees, when you walked, working a dozen feet or more above your head.
Let us avoid debt as we would avoid a plague...Let every head of every household see to it that he has on hand enough food and clothing, and, where possible, fuel also, for at least a year ahead...Let every head of household aim to own his own home, free from mortgage. Let us again clothe ourselves with these proved and sterling virtues-honesty, truthfulness, chastity, sobriety, temperance, industry, and thrift; let us discard all covetousness and greed.
I love to say that not only is the throne room of God a place of reverence, it's always a place of refuge. So when everything else in life seems to be shifting, or breaking and shaking apart, there's a place that is always stable, safe, and constant. When we draw near to God in worship, and approach His throne, we tap into that. It's a very re-assuring place, where we're reminded that there's a God on His throne, and even when we don't understand everything, we can trust it to Him.
The ability to walk in someone else's shoes, or in my case, play down in someone else's cleats is one of the very best things you can do. There's nobody in this world who doesn't have that voice in their head. Sometimes it's the best voice in the world, and it pumps you up, but sometimes the voice is down. I wanted my players to be able to hear my voice in their head instead of someone else's because I knew that was a narrative I could control.
I begged her, 'Please don't leave me stranded in the middle of some primitive zarking forest with no medical help and a head injury. I could be in serious trouble and so could she.'" "What did she say?" "She hit me on the head with the rock again," Ford responded curtly. "I think i can confirm that was my daughter." "Sweet kid." "You have to get to know her," said Arthur. "She eases up, does she?" "No, but you get a better sense of when to duck.
Lissa lowered her voice and added, "I might not even go to school anyway. I might defer and join the Peace Corps and go to Africa and shave my head and dig latrines." "Shave your head?" I said, because, really, this was the most ludicrous part of the whole thing. "You? Do you have any idea how ugly most people's bare heads are? They've got all kinds of bumps, Lissa. And you won't know until it's too late and you're flat-out bald.
Think with the big head, man! Think with the big head! — © M. Leighton
Think with the big head, man! Think with the big head!
In Ronan's hand, the mask was as thin as a sheet of paper, still warm from Adam's gasped breaths. Orphan Girl buried her face in his side, her body shaking with sobs. Her tiny voice was muffled: "Tollerere me a hic, tollerere me a hic..." Take me away from here, take me away from here.
What did you say to the messanger mi'lady? Do you remember the exact words of your last proposal?" "I probably said, "Will you marry me?" Connor smiled. He pulled her toward him, lowered his head and kissed her just long enough to stun her. He lifted his head then, looked into her eyes, and finally spoke to her. "Yes Brenna. I will marry you.
Nick could see the gun shaking in Alan's hand now, in tight, terrified spasms. "Last night we put a magician in the river," Alan said, his voice low and intense as if he was making a promise."Maybe we should send you to join him." "You know the rules," the woman whispered. "Don't shoot the messenger." Nick interrupted, leaning down to speak in her ear. "Do they say 'Don't cut the messenger in half with your great big sword'?
You rarely see one punch kill anybody. I mean, Davey Moore died, the first fight I ever worked for the title, my guy fought and was getting killed, and he hit Davey Moore. Davey Moore went down. There was no bottom rope to it. I then put bottom rope to it, when I got in power. Hit his head. One blow, hit his head and died.
The sun is a huntress young, The sun is a red, red joy, The sun is an Indian girl, Of the tribe of the Illinois. The sun is a smouldering fire, That creeps through the high gray plain, And leaves not a bush of cloud To blossom with flowers of rain. The sun is a wounded deer, That treads pale grass in the skies, Shaking his golden horns, Flashing his baleful eyes. The sun is an eagle old, There in the windless west. Atop of the spirit-cliffs He builds him a crimson nest.
Indian street magic tends to be very gory, blood and guts. One trick is for a magician to take a knife and appear to cut his kid's head almost off. The magician then says to the crowd, 'Well I can continue to cut off my son's head or you can all give me some money.' Then he wanders around and takes 10 rupees from everyone and restores his son.
The question so often asked of modern painting, "What is it?", contains more than the dull skepticism of the man who is not going to have the wool pulled over his eyes. It speaks of a fundamental placement in relation to the work, that of a voyager in the world coming upon a strange object. The reader reconstitutes the work by his active participation, by approaching the object, tapping it, shaking it, holding it to his ear to hear the roaring within. It is characteristic of the object that it does not declare itself all at once, in a rush of pleasant naïveté.
Use the head, use the heart, and if you can use both a tremendous revolution will happen. If you can use both you will become aware that you are the third force - neither; you are neither head nor heart; because if you can move so easily from one to another you cannot be either; you must be separate from both - then the witnessing arises; then the identification is broken. And that witnessing is what meditation is all about.
I'm always confused when people say how much they miss 'Invader Zim' because the show never stopped running in my head, and then I remember everyone else isn't in my head. I try to imagine the world for all those people who don’t know what Zim's been up to since the show went off the air and it makes me shudder. How can people live that way? Hopefully this comic helps make the world a better place.
You're not hurt, Watson? For God's sake, say that you are not hurt!" It was worth a wound -- it was worth many wounds -- to know the depth of loyalty and love which lay behind that cold mask. The clear, hard eyes were dimmed for a moment, and the firm lips were shaking. For the one and only time I caught a glimpse of a great heart as well as of a great brain. All my years of humble but single-minded service culminated in that moment of revelation.
Um, Bella? You've got a huge cut on your forehead, and it's gushing blood," he informed me. I clapped my hand over my head. Sure enough, it was wet and sticky. I could smell nothing but the damp moss on my face, and that held off the nausea. Oh, I'm so sorry, Jacob." I pushed hard against the gash, as if I could force the blood back inside my head. Why are you apologizing for bleeding?" he wondered as he wrapped a long arm around my waist and and pulled me to my feet.
The Christmas presents once opened are Not So Much Fun as they were while we were in the process of examining, lifting, shaking, thinking about, and opening them. Three hundred sixty-five days later, we try again and find that the same thing has happened. Each time the goal is reached, it becomes Not So Much Fun, and we're off to reach the next one, then the next one, then the next.
We're shaking up a format, which I think is always a good thing. The thing about [2011 Oscar hosts] James [Franco] and Anne [Hathaway] is, they've both hosted Saturday Night Live, and they both did a good job at it. So they are accustomed to working with short rehearsal time, and live, lots of pressure, rewrites, things like that. They can make quick changes, which is very advantageous, and they're skilled comedians.
And in that narrow cockpit I wept, as I shall never weep again, when I felt the concrete brush against his wheels and, with a great sweep of the wrist, dropped him on the ground like a cut flower. As always, I carefully cleared the engine, turned off all the switches one by one, removed the straps, the wires and the tubes which tied me to him, like a child to his mother. And when my waiting pilots and my mechanics saw my downcast eyes and my shaking shoulders, they understood and returned to the dispersal in silence.
We need saints; we need this head - this talking head - to communicate. Every single religion you have people that go in-between, that can talk to god or communicate ideas. Then there are the talking heads in the news every time we watch TV. No matter how complex, you still need a person there to tell you what happened: a storyteller of sorts. I find that fascinating that we feel so attached to this primitive mode of connection, this primitive interface to the world.
Shaking herself, Petunia looked around. Several of her sisters had been talking to her, but she hadn't heard them. "And that answers our questions about why he gave himself up," Poppy was saying, a smile turning up one corner of her mouth as she looked at Petunia. "Now if everyone could please avoid saying his name [Oliver], so that Petunia doesn't drift off again...?
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