Top 167 Shawn Michaels Quotes & Sayings - Page 3

Al Michaels is a good announcer. I think Keith Jackson is a terrific announcer. I always loved him on Monday Night Football. I never understood why they got rid of him

When I started as an assistant at 'SNL,' I got my eyes on Kristen Wiig and was able to bring her for an audition for Lorne Michaels and the other producers. Turns out, Kristen Wiig can give you some street cred early on.

I'd done light comedy. In some quarters, About Last Night... is a romantic comedy. So it wasn't like I'd been doing Sophie's Choice my entire career. But for whatever reason, nobody had really given me the room or the ability to be out and out funny. And Lorne [Michaels] and Mike [Myers] and Chris [Farley] and Dana [Carvey], that crop really helped me do that.

I often think of setting as an important character in my story. 'Dark Powers' takes place in Doncaster, a Maryland Eastern Shore community rich with watermen and historic atmosphere. I modeled it after a stunning little town called St. Michaels, but since a lot of bad things happen in Doncaster, I changed the name.

[William Shawn] took over The Voice and tried to turn it into New York Magazine - very glitzy covers that promised practically nothing in terms of what was inside, very rushed paper anymore. You - not very contemplative, thoughtful or whatever.

My chronology is terrible. [Work with William Shawn] must have some ago. It was after he was fired by Newhouse. After New - when Newhouse bought The New Yorker, he said in one of those grand press

The Giants beating the undefeated Patriots, that's all a joke. The star of a reality show is going to run the country. The guy who decided if Bret Michaels or Cyndi Lauper would make a better CEO for a company that doesn't exist is going to be running stuff.

The decision to use a pen name was nothing more than a desire to compartmentalise my life. However, I had not thought about an appropriate pseudonym, and since there's an abundance of anagrams in the novel, the idea struck me: why not use an anagram of my name? Hence, Shawn Haigins.

[Bill Shawn] had always been in The New Yorker immaculately dressed - quietly, immaculately dressed, very soft-spoken. On the phone I could hardly hear him sometimes.

I want to tell the story. Mostly, when you see rock movies, it has to be this over-the-top thing. I want to give people a Bret Michaels movie where they see that my life is a comedy of errors. I also want to show my fans how to get through the kind of troubles that would leave most people flat on the floor.

The Hell in a Cell match that always sticks in my mind is the original Michaels versus Undertaker match. It was really something. The bout itself was so good, while Kane's debut made it even more memorable. That takes the cake in terms of Hell in a Cell matches.

Much of the way books get classified has to do with marketing decisions. I think it's more useful to think of literary books and sci-fi/fantasy books as existing on a continuum. To oppose them, to suggest that one category excludes the other, always feels bogus to me. The great Leonard Michaels line is "I wanted proximity to darkness, strangeness"? That's what I'd say I want from a book, regardless of where it falls on the fantastical spectrum - that suspense connected to a particular human character, rather than just some mechanized plot.

[Wayne's World and Tommy Boy] was all from hosting Saturday Night Live the first time [in 1990]. I just had such a great time, and I had such a simpatico relationship with Mike Myers. And Lorne [Michaels]. I'll always be grateful for Lorne, who saw me as funny.

One time, I put up 40, 50 points dunking on Shawn Bradley. After the game, he brought his family over. He was like, 'This is my wife. She wants to take a picture.' I'm like, 'Nice to meet you.' I smile into the camera, take the picture, and then feel guilty about dunking on him so many times.

Shawn Porter is a good fighter, but he hasn't accomplished nearly as much as Danny Garcia has accomplished or beat the fighters who he has beat.

I admire my boss, Lorne Michaels. He never stops producing. I think, for him, comedy is a tool of compassion, a way of rallying people together and saying, 'Guys, isn't the world bonkers? Aren't we all just trying our best?' There's a tenderness in everything he does.

The only two TV shows I saw do that, where they don't warm them up and you can really bomb, was Saturday Night Live - and that's why it gets a lot of heat, too. Obviously it gets criticism fairly, too. But a lot of it is because Lorne [Michaels] lets the audience decide and doesn't force them to laugh.

After New - when Newhouse bought The New Yorker, he said in one of those grand press conferences that `Bill Shawn will stay here as long as he wants to be here.' Well, he wanted to be here until he died, but he wasn't allowed to.

In my experience, 'SNL' has Lorne Michaels, who is, you know, the captain of the ship and gives the show direction and a singular focus, whereas 'MadTV' - even in my 13 episodes there - had maybe one too many cooks and was a bit more chaotic creatively.

My parents were both born in Birmingham, Alabama, and come from large Catholic families with lots of Michaels, Marks, and Patricks, so they wanted to choose two names that I don't think you could find anywhere else in the family tree: Haley and Joel.

I had been on this improv team at this really great improv theater. It's called iO now. It used to be called Improv Olympic. They have showcases for Lorne Michaels and other writers and people who work at 'SNL' usually about once a year, although I don't know if it always happens.

Whether it's Al Michaels, when the earthquake happened in San Francisco and his ability to handle it like Walter Cronkite would have handled it, or Bob Costas with his overview of what's happening with worldly events at the Olympics and the perspective that he has there, you know these guys are so well read.

Think it is just a matter of... well look how long it took Shawn Colvin to reach the level that she has. Believe me, that girl has done everything except stand behind the cash register at Tower and take the money.

I don't hold on to fear as much as I used to, because I've learned a lot about genuinely not caring what strangers think about me. It's very liberating. It's very empowering, and I've learned a lot of that from Jay-Shawn Carter-Z, because his approach to life is very internal. It's a very good lesson to learn.

Tom Byron is my friend. JJ Michaels is my friend. I haven't heard from him. I don't know what he believes. A couple of other have called but I haven't called them back.

'Saturday Night Live' was actually started with a show that Lorne Michaels and I did at a summer camp called Timberlane in Ontario when we were 14 and 15. We would do an improvisational show with music, comedy and acting.

If Keith Thurman comes back, and he has a great fight and he shows what he's been showing in the fights with Danny Garcia and Shawn Porter, everyone is going to talk about Errol Spence vs. Keith Thurman.

Al Michaels is a good announcer. I think Keith Jackson is a terrific announcer. I always loved him on Monday Night Football. I never understood why they got rid of him.

St. Michaels Mount is a favourite place of mine; people will walk across to the Mount all day and assume they will be able to walk home. The spectacle of hundreds of people realising that the path they walked over on is disappearing under several feet of water is very amusing.

The way I work with my people is totally different. I never wanted to compare myself, in a healthy way to Jillian [Michaels] because she did what she did, and I respect that. Now I want to do what I do.

I had seen Shawn Levy's movie just before, Just Married. And I think when I met him too, he's very smart and together and he's got it together.

I went to America and beat Shawn Porter, a guy that was being called a 'mini Mike Tyson' and that most people were saying was going to take over from Floyd Mayweather. I went to his backyard and ripped his title off him.

I've always sort of marveled at our ability to chat and match, because of, I come, honestly I think of myself of as a little bit of hack, and think like that, and I think of her [Mia Michaels] as an artist.

Clay Felker was then - he had - to his credit, he had created New York Magazine, which was the first of the city magazines that covered the city and gave all kinds of advice and all that sort of stuff. And there were copies all over the country by the time he left. He had, however, a view of journalism that was very much, I must say, like Tina Brown's at The New Yorker. You hit 'em hard, fast, give 'em something to talk about the day after the paper comes out, as contrasted with William Shawn, who gave them something to talk about two or three years from then.

Shawn Spears, he is a scumbag. He decided, after years of friendship with one of the greatest men to ever live Cody Rhodes, to waffle him with a chair. No one should be laying a finger on that man, he is a saint.

If [Bill Shawn] liked the piece, then he would run it. But he wanted the magazine to be something that was more than just a weekly event. And as a result you could pick up a New Yorker under him, as I mentioned before, a year from then or 10 years or 20 years and there would always be something worth reading in it.

There wasn't much said, but I was thinking, perhaps unkindly - not unkindly,but on - inaccurately of Theodore Dreiser's "Carrie," when the main character in "Carrie" has been brought down by Carrie and his - he - dress is disheveled and all that sort of thing. And that's the last I ever saw of [Will Shawn].

I have been influenced by the greatest artists in jazz, pop, reggae, traditional, ballards, pop, and all types of music, taking the best from each to represent my own personality. Whitney Houston, George Michaels, Sade, Phil Collins, and many others have influenced me.

I like [John Cardinal O'Connor] a lot. He - I started a - to know him - when I asked William Shawn at The New Yorker, `Sh - can I do a profile of Cardinal O'Connor?' He said, `All right. Find out what he's like.' So I went to his office, and I heard somebody - and it turned out to be O'Connor - yelling outside, and I've never heard him since raise his voice.

I grew up in the Northwest, so I was always a really big Sonics fan. I loved Gary Payton, Shawn Kemp, a lot of those players who were really good through the '90s.

I watched Master Class with Lorne Michaels on OWN. How can somebody produce a sketch show and talk for an hour and not say something even slightly amusing, or sarcastic, or ironic, or interesting, or informative? 'My mission as a producer is to encourage creativity.' Mission accomplished.

Saturday Night Live was actually started with a show that Lorne Michaels and I did at a summer camp called Timberlane in Ontario when we were 14 and 15. We would do an improvisational show with music, comedy and acting.

As nearly as possible in the spirit of Matthew Salinger, age one, urging a luncheon companion to accept a cool lima bean, I urge my editor, mentor and (heaven help him) closest friend, William Shawn, genius domus of The New Yorker, lover of the long shot, protector of the unprolific, defender of the hopelessly flamboyant, most unreasonably modest of born great artist-editors to accept this pretty skimpy-looking book.

Whether it's Marcos Maidana, Shawn Porter, Amir Khan or Kell Brook, there are a lot of fights out there that I think would be very interesting for me, my career and the sport of boxing outside of Floyd Mayweather.

I was always a fan of the old-style comics. I loved vaudeville. I loved Milton Berle, Dick Shawn, Phyllis Diller, Don Rickles, Charlie Callas, all those guys. Hilarious. I love the Bing Crosby and Bob Hope movies, and Abbott & Costello. My television influences were 'Monty Python's Flying Circus,' 'Benny Hill,' and 'Hee Haw.'

Shawn Carter was born December 4th, Weighing in at 10 pounds, 8 ounces. He was the last of my 4 children, The only one who didn't give me any pain when I gave birth to him. ...And that's how I knew that he was a special child.

My uncle Shawn used to stay with us when we were really young, and I used to come downstairs and see him break dancing on this piece of a cardboard. I probably always thought they were cool since then. I never knew his comedy, but I used to always see him break dancing. And he was terrible at it.