Top 1200 Shoot Quotes & Sayings - Page 2

I was constantly shooting. Sometimes I would shoot through the night and in the morning go to my next shoot without any sleep or just two hours of sleep.

HBO spends almost a month perfecting an episode. They shoot at the same speed that you would shoot a major motion picture, and they give you all of the things that you need to succeed. They really do support their artists.

Some things shoot in Chicago, but even those things that shoot there still cast their bigger roles in L.A. or New York.

There's just some kind of men you have to shoot before you can say hidy to 'em. Even then, they ain't worth the bullet it takes to shoot 'em.

You break into my house, I will shoot you. My wife will shoot you and then spend thirty minutes telling you why she shot you.

We are somewhat amused by the hysteria manifest in the press at the suggestion by Gordon Liddy that if one is menaced by bad guys (particularly the ninja) one is wise to shoot for the head. That statement has got a whole bunch of journalists and commentators bleeding from the nose. One wonders why it should. Where else should you shoot a man if he is probably wearing an armored vest? If you decide to shoot you have made the big decision. Where you place your shot is merely a technical matter.

I love Michael Anthony. We met on set for a shoot and ever since then he has been my guy. We don't do too much conceptualizing - it's usually just a vibe we are feeling based on the wardrobe or mood of the shoot, and we go from there.

They [Democrats in Congress] believe in communism. They believe and have called for a revolution. You're going to have to shoot them in the head. But warning, they may shoot you.

When your bow is broken and your last arrow spent, then shoot, shoot with your whole heart.

For me, it's never really been a road block for me to shoot, it's just a matter of me continuing to shoot and shooting with confidence.

I come from the school of thought that feels that if you can shoot film, you should shoot film.

If I'm contested, I'm not going to shoot the pull-up 3. But if I'm wide open and someone backs up off me, I'm gonna shoot it.

I've done Last Samurai in Japan, in LA, in New Zealand. Even in Japan it is very hard to shoot, because there's been so many changes. Only around a temple can we shoot.

If you shoot with a billion cameras, then there's no perspective. You want to use one shot at a time, so it's better to discover what that is before you shoot, rather than trying to make something in the cutting room, and then it just becomes generic.

I usually bring a point and shoot with me so I can go out on the weekends and shoot a bit. I used to bring more cameras, but I'm also an Ebay nut so sometimes I'll order something if I'm really pining for it when I'm on location.

Bong Joon-ho is enormously sensitive to performance. He knows what he needs to see and that's all he needs to shoot. He is so daring. We don't do that in the west. We shoot everything.

I've always been able to shoot the ball, so it's just about continuing to work on your shot and shoot the ball. That's the main thing. Got to get those shots up.

We [Raymond and Meursault] stared at each other without blinking, and everything came to a stop there between the sea, the sand, and the sun, and the double silence of the flute and the water. It was then that I realized that you could either shoot or not shoot.

'Balls of Fury' was a 45-day shoot when it probably - hindsight being 20/20 - probably should've been a 75-day shoot with all the ping-pong action.

I had the feeling that Sarajevo was the perfect place to shoot the film I wanted to shoot. It is the perfect illustration of purgatory.

A lot of directors, they don't go into the editing room during the shoot. When they come back, they've forgotten what they've shot. That's why their films come out a year after they shoot them.

I've always been a guy that if you can shoot 3s, you need to shoot 3s. It extends the defense, especially when you've got a guy that can play an undersize 5 role.

If a man can shoot 10 birdies, there's no reason why he can't shoot 18. Why can't you birdie every hole on the course?

One of the principles we teach in our programs is "If you shoot for the stars, you'll at least hit the moon." Poor people don't even shoot for the ceiling in their house, and then they wonder why they're not successful.

I went where the boys in the family went. We would shoot basketball. We would shoot guns. We'd play cards. We'd go fishing at the pond.

The great thing about not having a script is there's nothing you have to shoot that day. When you start filming, you can shoot anything you want. There's no pressure to shoot anything. Whatever interests you that day is what you're shooting. That's a big liberation that makes it more enjoyable and more relaxed. I think if you have that kind of framework it can make it a much more satisfying thing to work on and to watch as well.

Men are imposible, but after you've had one around nothing ever has quite the flavor without one. It's terrible, really. When they're there you want to shoot them and when they're not you want to shoot yourself.

Why would you want to go all the way to Africa and shoot a giraffe? I don't think you can eat him. I only shoot stuff I can eat.

There's some nights you shoot the ball better than others. When you don't shoot it well, you have to have an understanding you can play well by doing other things.

I'm interested in how people shoot because I have a very specific way of shooting and I'm fascinated by the way other people shoot films, particularly if they're smart and talented.

Production-wise, it is difficult to shoot an entire film in the U.S. It's logistically difficult, as getting permission takes time, and it is also expensive to shoot there.

You might as well aim high. Why shoot yourself in the foot when you can shoot yourself in the head?

When you're working with film, you can only shoot one angle at a time, and then everything has to stop, and you re-light it and shoot everything else from the opposite side, so it's really important that you stick exactly to what's written.

Don't shoot fast, shoot good.

'You Can Count On Me' took 20 days to shoot, and we had 50 days to shoot 'Margaret.'

In America, they shoot budgets and schedules, and they don't shoot films any more. There's more opportunity in Europe to make films that at least have a purity of intent.

Well, I haven't really been able to shoot in California for a while. Little movies yeah, but the big movies we can't shoot there. It's just a shame that Arnold Schwarzenegger can't deliver on this level.

I shoot in Mexico, but I can shoot in India, anywhere. I have no nationality myself. My nationality is the planet.

Bad Boy Entertainment did not shoot anybody. I didn't shoot anybody.

If you try to shoot me, I will have to shoot you back and I promise I will not miss.

I never shoot my movies like I'm shooting 'a horror movie,' I shoot them like dramas. Dramas and then something horrible happens.

I intentionally shoot violence to make the audience feel real pain. I have never and I will never shoot violence as if it's some kind of action video game.

A friend of mine told me to shoot first and ask questions later. I was going to ask him why, but I had to shoot him.

I shoot a lot of video, first of all, whatever I think is interesting, just my travels; hard to say why. If something looks good, I take a picture or try to shoot it.

Tom Arnold and I, we have a huge firefight scene on top of a German tank. I get to shoot 50 caliber rounds. We shoot a helicopter out of the sky. That's the only fight I'm in.

I hunt feral hogs. I try not to shoot creatures. That doesn't do anything for me. But big, nasty, smelly, bristly things with tusks that destroy everything that they touch. Yeah, I'll shoot them.

I think the worst thing you could do is not shoot the shot. When you shoot you got two options: It can go in or you can miss, and even in the miss you might learn.

The most difficult thing with a new shot is if you go two or three games without making it, or you struggle, and people start saying, 'You can't shoot 3s,' or, 'Why do you shoot 3s?'

Shooting the ball is a part of the game. Everybody can shoot in their own way. Not everybody can make. But everybody can shoot.

For the first time in my life, I was in a shoot-out. A real, honest-to-goodness shoot-out with a bad guy. And, apparently, we both sucked.

When the messenger arrives and says 'Don't shoot the messenger,' it's a good idea to be prepared to shoot the messenger, just in case.

I tend to shoot really quick so you don't get the problems you might get on a traditional film where you shoot one way, then another, and it's pissing down with rain and they won't cut together. We shoot so fast we can incorporate the weather into it. The worst weather we had was when they were in the caravan up the mountain and there was no cover. One man's weather is another man's production value. To create the sleet would cost a fortune but we got it for free so we'll just have to go with it.

It’s what happens when you shoot someone,” Wayne pointed out. “At least, usually someone has the good sense to get dead when you go to all the trouble to shoot them.

I spent a lot of my career fighting coaches. When coaches told me don't shoot, I'd shoot anyway.

Yeah, I like that idea. Maybe he'll shoot at us again. I was hoping someone would shoot at me today. That was the first thing I said when I got up: Boy, I hope I get shot at today.

Seventh grade is when I met my shooting coach and he fixed my shot. I used to shoot with two hands. Really ever since is when my I started to shoot real well.

My teammates tell me to shoot the ball when I'm open. I feel like I'm open most of the time, so I shoot it.

We were fortunate that most of the '1666' stuff we did shoot all together. We were filming out in Hampton, Georgia. It was so amazing. They built a village for us to shoot in. It made our job as actors so much easier.

On 'B&B,' we shoot so fast and eight episodes a week, so we have to always be on our A-game. There's really no time to make certain adjustments. We usually shoot a scene in one take, maybe two or three only if needed.

How do you shoot a 150-day movie? You shoot it one day at a time.