Top 1200 Shooting Quotes & Sayings

This will sound really funny, but I'm so used to shooting in Hindi that shooting in English took a while to get used to.

I like shooting movies in Thailand very much because the government is so cooperative there. The police help you to close the roads for shooting.

I've had mental errors before while not shooting the ball well and while shooting the ball well, and vice versa. So I can't compound one on top of the other. It's just a matter of getting out of the groove of shooting bad and just staying more locked in.

Shooting Umbrella Academy' is like shooting five movies. You're working with a cast of incredibly talented 30-year-olds who all know what their mission is.

Just learn the whole script before you start shooting. That makes shooting a joy. Even if they rewrite, it's easy.

When a man is shooting a handgun, it's just like he is shooting because that's his job, and he has no other choice. It's no good. When a girl is shooting a handgun, it's really something.

I realized that a lot of the great directors that I admire from [Ingmar] Bergman to [Fredrico] Fellini re always shooting, then going into the editing room, and shooting again.

I enjoyed shooting 'Chandramukhi' so much that I would not say it was a relief when the shooting got over.

I was shooting Beyond Redemption, I started shooting American Horror Story, so I was going back and forth between Northern California and LA. That was not bad at all - that flight is like getting on the subway, it's nothing. And then during rehearsals.

At night my father often heard sporadic gunfire mixed in with the sound of dogs howling. If the war came closer, soon there would be only minor difference between shooting a dog and shooting a man.

Whenever I am shooting in Chennai, I spend most of my time with my wife and kids. Sometimes, I take my kids to the shooting spot, and they just love it.

You have to keep shooting, even on tough shooting nights. You have to believe the next shot is going in.

I always get a little anxious like the first day of school when we've had our hiatus and we're coming back, because I think I'm not as insane as I was when we started shooting. I have that anxiety before we start shooting.

Four months after we finished shooting, I'd been in New Orleans shooting another movie and my agent and I were having a bite to eat - actually in London - and he's sitting there and goes, 'Wow, I just can't believe how ripped you are.'

When I decided to see what Nascar was all about in 2005, it was an intellectual project, the same reason I went to the shooting range on West 20th Street and tried shooting a rifle at paper targets. I was addicted to both things instantly.

When you're shooting with long lenses, even if you're shooting a close-up, you feel the air, the distance between the camera and the subject.

Shooting on the street in Brazil - compared to people trying to sneak a picture of something, if you're shooting in the States or Canada - people would literally just try to grab you.

I love Calgary. It's a great city. I enjoyed my time there, quite a bit. Shooting and filming in that cold could be very difficult, at times. When you're shooting nights, and it's 3 in the morning and minus 35 degrees, that's hard to work in.

Shooting in sequence, I think it intensifies everybody's relationship, the crew, the actors. You have to be very focused, and shooting at night is a challenge because you get tired. I think it requires a special kind of concentration, but it's also exhilarating.

If you're not shooting in the right direction, it doesn't matter how well you're shooting.

Oh, yeah - I could see myself as a catch and shooter, come off curls and shooting. I really feel good about shooting the ball.

I was shooting for 'Maaya' when I got a call from John Abraham's office. They told me about the film and asked if I could audition. But since I was shooting, I recorded my audition and sent them the tapes. The next thing I know, I was on board.

Shooting videos with lots of effects is like shooting a bunch of puzzle pieces.

Every year is Super Bowl or bust, really. If you ain't shooting for the Super Bowl... I mean, I guess if you're the Browns, you're shooting for a win. Or a few wins, at least. But everybody else, you gotta be shooting for the Super Bowl.

I want to improve my shooting, my free throw shooting, keeping my turnovers down.

While shooting in Patiala, I never felt as if I was shooting here for first time, such was the love I got from the locals and Punjabi actors shooting with me.

My mother…was perfectly horrified when I began shooting and tried to keep me in school, but I would run away and go quail shooting in the woods or trim my dresses with wreaths of wildflowers.

Shooting in Los Angeles is always pleasant and comfortable. Shooting in New York is like being on 'Survivor.'

Literally, people probably came up with a budget and said, 'It'll be cheaper if we cut down the prep,' but it's not cheaper, because then you're shooting, you're fumbling through the movie and you are prepping at three times the cost because you're quadruple-time as you're shooting and then prepping after you're done shooting.

It's always challenging when you're shooting a film. Shooting things out of order and keeping continuity on all levels is always for me the most challenging thing.

Shooting a fight is like shooting any other scene. You have to tell a story using a very specific choreography.

What's great is when you're shooting at the same hotel you're living in, you finish shooting, put your stuff down, take an elevator and go to bed.

Basketball is big stuff in New York. If you're good in it, everybody respects you. Nobody would want to ruin your shooting eye or your shooting arm.

The shooting of the guns, that was kind of funny, because rolling a cigarette and shooting a gun aren't like normal things for a 13-year old girl!

Direction is something that interests me. Even while shooting, I always have conversations with the director to get a better understanding of shooting technicalities.

When I was in Vietnam with Jane Fonda, I was shooting a farmer in a field - just a pastoral scene. And while I was shooting him, an explosion occurred right - he blew up right in my lens, so to speak. And he had stepped on a landmine.

Scenes change while shooting. Nowadays, while you're shooting the movie, you're cutting at the same time.

They're not shooting me for deserting the United Stated Army - thousands of guys have done that. They're shooting me for bread I stole when I was 12 years old.

When you're shooting a movie, it's two months of your life usually. You don't really have time to see anybody else. Your friends are put on hold while you're shooting, and what you have is the family that you create on set.

I'm not very aware of styles. We never talk about styles before we start shooting, or even during shooting, because I think the film will bring you there.

You can practice shooting eight hours a day, but if your technique is wrong, then all you become is very good at shooting the wrong way. Get the fundamentals down and the level of everything you do will rise.

I think some people get just locked into 'this is the way it has to be,' and they're afraid of messing something up. I don't ever want to be that way with shooting or with anything, really - not just shooting.

I love shooting guns. Not at people or animals, but I love shooting blanks!

I was at a Madonna show many, many years ago and I was in the sweet spot and she came out and I mean it was the best part of the show. And I was shooting, shooting, shooting, shooting. And I'm like, "God, I must have shot a hundred pictures have I not run out of film?" And I opened the back of my camera and there was no film in there. So that happened to me only once.

Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.

Like I tell myself all the time, you have to keep shooting. I'm not going to stop shooting.

Making a mistake means overshooting a scene, shooting too many takes, for instance. Long after you've got it, you just keep shooting.

I didn't get to see Predator until halfway through shooting. It was great to get an education while I was shooting because it made me excited to be part of this legacy.

Unfortunately, the public might not know that we get a script usually two days before shooting. So sometimes I'm shooting an episode and don't even know how it's going to end because I haven't read that yet.

Shooting at Quentin Tarantino movie was like a masterclass in directing. Although I went back literally right into rehearsal, started shooting... while I was doing it I had to write my Grindhouse trailer and I added two days of shooting. My brother was producing Hostel and the Grindhouse trailer and I was like: "Gabe, just figure this out!"

I shot a lot of commercials and sometimes I enjoy the commercial shooting and sometimes I really hate it, but in thirty seconds or one minute, you can make some remarkable work shooting in one or two or three days.

I fractured my hand while shooting for 'Bullet Raja,' while we were shooting in Nashik.

How is Marxist-Leninist theory to be linked with the practice of the Chinese revolution? To use a common expression, it is by "shooting the arrow at the target". As the arrow is to the target, so is Marxism-Leninism to the Chinese revolution. Some comrades, however, are "shooting without a target", shooting at random, and such people are liable to harm the revolution.

I only wish the sport of shooting was more reachable and there were training centers all over the country where youngsters could go and try shooting.

The hard part is staying at the top. Getting to the top, you got somebody you shooting at. Then when you get to the top, now people shooting at you.

It becomes a lot better for the actors when we're 'shooting, shooting, shooting,' instead of waiting around in a trailer for something to happen.

When I'm not shooting, I go to school every day. When I am shooting, I have tutors on set helping me.

I love the digital camera because it makes shooting easier and economical. I shoot fast, and I can shoot a lot. I shoot rehearsal; I just keep on shooting nonstop.

Public lands are for everyone's use. Be responsible when shooting and clean up the area you were shooting in so others can enjoy the land.

I can easily say "no" to a project if the script isn't great, but when the script is good, then I start asking the other questions. Who's going to direct it? Who's the creator? Who are the actors? When are we shooting? Where is it shooting? All that kind of stuff.