Top 1200 Shooting Star Quotes & Sayings - Page 2

They're not shooting me for deserting the United Stated Army - thousands of guys have done that. They're shooting me for bread I stole when I was 12 years old.

I'm not a big Hollywood star. I'm an actor. I'm called a star. That's not what I am. First of all I'm a human being; my profession is acting. People give you titles. They say you're an up and coming star, then they say you're a star, then they say you're a washed-up star. So I don't get caught up in what I'm called. My job, my profession, is acting.

I was really uncomfortable with fame. I mean, it's lovely and flattering, and you enjoy all the razzmatazz and being flown around, but when people suddenly call you a star, you think, 'I'm not a star, I'm just playing a star role.'

This will sound really funny, but I'm so used to shooting in Hindi that shooting in English took a while to get used to.

I realized that a lot of the great directors that I admire from [Ingmar] Bergman to [Fredrico] Fellini re always shooting, then going into the editing room, and shooting again.

Every star, whether it's Harrison Ford or Robert De Niro, is remembered by one film. Persis is a star in the sky - how can a star be forgotten when all you have to do is look up and see her?

My uncle Max was a mountain, a shooting star, a big bear of a man, a piggyback ride waiting to happen, his pockets full of candy and, later money, or whatever the particular currency of our ages happened to be. He was rock concerts, baseball games, he was yes when my parents were no, he was a consolation for every disappointment.

People keep saying EC3 is the heart and soul of TNA: that he's this homegrown star, and he is going to be this big star. But fans don't understand that I'm the true star - I came off Vince McMahon's TV.

I didn't get to see Predator until halfway through shooting. It was great to get an education while I was shooting because it made me excited to be part of this legacy.

Basketball is big stuff in New York. If you're good in it, everybody respects you. Nobody would want to ruin your shooting eye or your shooting arm.

Looking back now on our workload, I just shake my head at our pace. 'Star Trek: The Next Generation' was my first series, so I didn't know anything about that when I started. I just assumed it was normal to make 26 episodes a year on a seven-day shooting schedule.

What's great is when you're shooting at the same hotel you're living in, you finish shooting, put your stuff down, take an elevator and go to bed.

I'm not very aware of styles. We never talk about styles before we start shooting, or even during shooting, because I think the film will bring you there.

When you're shooting a movie, it's two months of your life usually. You don't really have time to see anybody else. Your friends are put on hold while you're shooting, and what you have is the family that you create on set.

When I decided to see what Nascar was all about in 2005, it was an intellectual project, the same reason I went to the shooting range on West 20th Street and tried shooting a rifle at paper targets. I was addicted to both things instantly.

How is Marxist-Leninist theory to be linked with the practice of the Chinese revolution? To use a common expression, it is by "shooting the arrow at the target". As the arrow is to the target, so is Marxism-Leninism to the Chinese revolution. Some comrades, however, are "shooting without a target", shooting at random, and such people are liable to harm the revolution.

I fractured my hand while shooting for 'Bullet Raja,' while we were shooting in Nashik.

Shooting on the street in Brazil - compared to people trying to sneak a picture of something, if you're shooting in the States or Canada - people would literally just try to grab you.

Four months after we finished shooting, I'd been in New Orleans shooting another movie and my agent and I were having a bite to eat - actually in London - and he's sitting there and goes, 'Wow, I just can't believe how ripped you are.'

Shooting Umbrella Academy' is like shooting five movies. You're working with a cast of incredibly talented 30-year-olds who all know what their mission is.

I'm not really a movie star. No matter what I do in acting, whether I'm good, how much work I get, whatever, I never will be a movie star. Because I never think of myself as one. You are a movie star because you think of yourself as a movie star and always have.

I love shooting guns. Not at people or animals, but I love shooting blanks!

Direction is something that interests me. Even while shooting, I always have conversations with the director to get a better understanding of shooting technicalities.

Public lands are for everyone's use. Be responsible when shooting and clean up the area you were shooting in so others can enjoy the land.

Look," I whisper to Cat, "Shooting star! That's good luck." She rolls her eyes. "It's a plane, you idiot," she says, and when I look again I can see that she's right. Typical.

When you're shooting with long lenses, even if you're shooting a close-up, you feel the air, the distance between the camera and the subject.

Scenes change while shooting. Nowadays, while you're shooting the movie, you're cutting at the same time.

The shooting of the guns, that was kind of funny, because rolling a cigarette and shooting a gun aren't like normal things for a 13-year old girl!

I only wish the sport of shooting was more reachable and there were training centers all over the country where youngsters could go and try shooting.

You do not become a star, you are born a star. A star is born with that indefinable extra something.

Oh, yeah - I could see myself as a catch and shooter, come off curls and shooting. I really feel good about shooting the ball.

I see myself as a huge fiery comet, a shooting star. Everyone stops, points up and gasps "Oh look at that!" Then - whoosh, and I'm gone... and they'll never see anything like it ever again... and they won't be able to forget me - ever.

I always get a little anxious like the first day of school when we've had our hiatus and we're coming back, because I think I'm not as insane as I was when we started shooting. I have that anxiety before we start shooting.

When I heard about how big a star Puneeth Rajkumar is, I was anxious about working with him. It was only after we began shooting that I realized how chilled-out and down-to-earth he actually is. We worked hard on the set but also had fun doing so.

I had just sat down at a table with Star [Jones] and, bam, it just popped all over Star's shoes. Star was like, 'What is that!?' I said, 'My water broke!'

I love the digital camera because it makes shooting easier and economical. I shoot fast, and I can shoot a lot. I shoot rehearsal; I just keep on shooting nonstop.

Whenever I am shooting in Chennai, I spend most of my time with my wife and kids. Sometimes, I take my kids to the shooting spot, and they just love it.

My homies that are around me never give me that 'star pass'. I've hung out with some stars who are playing basketball and everyone let's them score all the baskets. Shooting pool, they let them make all the shots. My homies don't let me get away with that.

I love Calgary. It's a great city. I enjoyed my time there, quite a bit. Shooting and filming in that cold could be very difficult, at times. When you're shooting nights, and it's 3 in the morning and minus 35 degrees, that's hard to work in.

Oh, he was the sun burning bright and brittle And she was the moon shining back his light a little He was a shooting star She was softer and more slowly He could not make things possible But, she could make them holy.

I shot a lot of commercials and sometimes I enjoy the commercial shooting and sometimes I really hate it, but in thirty seconds or one minute, you can make some remarkable work shooting in one or two or three days.

You can practice shooting eight hours a day, but if your technique is wrong, then all you become is very good at shooting the wrong way. Get the fundamentals down and the level of everything you do will rise.

The hard part is staying at the top. Getting to the top, you got somebody you shooting at. Then when you get to the top, now people shooting at you.

My dad and I used to shoot little one-stop animations on an old 8mm film camera when I was no more than 7 or 8, and when he was away at work, I would keep shooting nonsensical, short animated films using 'Star Wars' figures or Smurfs - depended what the narrative was.

Life is fleeting. And if you're ever distressed, cast your eyes to the summer sky when when the stars are strung across the velvety night. And when a shooting star streaks through the blackness, turning night into day... make a wish and think of me.

I like shooting movies in Thailand very much because the government is so cooperative there. The police help you to close the roads for shooting.

My mother…was perfectly horrified when I began shooting and tried to keep me in school, but I would run away and go quail shooting in the woods or trim my dresses with wreaths of wildflowers.

I want to be a star. It doesn't mean that I'll act any less. My performance will be at par, but I want to be a star. I want the audience to spend their hard-earned money on my tickets without doubting. And when that day comes, I'll believe I'm a star.

I was shooting Beyond Redemption, I started shooting American Horror Story, so I was going back and forth between Northern California and LA. That was not bad at all - that flight is like getting on the subway, it's nothing. And then during rehearsals.

Making a mistake means overshooting a scene, shooting too many takes, for instance. Long after you've got it, you just keep shooting.

I think when I was younger, I wanted to be a star, until I became a star, and then it's a lot of work. It's work to be a star. I don't enjoy the stardom part. I only enjoy the creative process.

My homies that are around me never give me that 'star pass.' I've hung out with some stars who are playing basketball and everyone let's them score all the baskets. Shooting pool, they let them make all the shots. My homies don't let me get away with that.

My friends and family are not really fixated on the specifics of 'Star Wars.' My parents don't know anything about 'Star Wars.' They've never watched a 'Star Wars' film.

We did not see ourselves as remaking cinema at the time, at least not in my view. Myself and the other actors were not part of the industry; we weren't inside the star system. We were running around, shooting in the streets, hiding behind trees to do our makeup. It was a very simple way of working.

Unfortunately, the public might not know that we get a script usually two days before shooting. So sometimes I'm shooting an episode and don't even know how it's going to end because I haven't read that yet.

Just learn the whole script before you start shooting. That makes shooting a joy. Even if they rewrite, it's easy.

I'm going to try to pull a Natalie Portman. Natalie went to Harvard while shooting 'Star Wars'. I don't know how she did it. I want to have lunch with her and ask her - that seems like a bunch of stress right there.

I can easily say "no" to a project if the script isn't great, but when the script is good, then I start asking the other questions. Who's going to direct it? Who's the creator? Who are the actors? When are we shooting? Where is it shooting? All that kind of stuff.

'Star Trek' is science fiction. 'Star Wars' is science fantasy. Based on the episodes I worked on, I think with 'Star Wars: Clone Wars,' we're starting to see a merging, though. It does deal, philosophically, with some of the issues of the time, which is always something 'Star Trek' was known for.

At night my father often heard sporadic gunfire mixed in with the sound of dogs howling. If the war came closer, soon there would be only minor difference between shooting a dog and shooting a man.