Top 1200 Shooting Star Quotes & Sayings - Page 3

Sometimes, if you're shooting a complicated scene, you have to stay in a position and wait for the technician to do his job, and then you have to be where you're supposed to be, right on the spot. You don't rehearse all that much on films. If I think of the amount of time I spend on set compared with the time spent shooting, it's ridiculously short.

They?re shooting at us,? I said incredulously. ?They?re actually shooting at us!

Donald Trump called for the closing of borders to Muslims; John McCain said, in response to the President's address on the San Bernardino shooting, that 'this is the war of our time.' As that shooting shows, we react to terrorism with far more intensity than we do to an ordinary crime.

I am going to be on 'True Blood.' It was really exciting. I had a great time shooting it. I spent the last nine months shooting this season and it was very secretive, very sexy, a lot of blood and fangs.

We recognize that there have been acts in the past that are Asian or Korean who tried to go, 'Hey, I'm a huge star in Korea, I'm a huge star in Asia so you guys need to respect me for being a huge star there.' But I don't know. As much as we may be big, we have to be very humble and start from the ground up in the States.

...every person has a star, every star has a friend, and for every person carrying a star there is someone else who reflects it, and everyone carries this reflection like a secret confidante in the heart.

The sun shine comes, you see the shine you see the color, when night comes you the stars you see the dark the blooming moon you choose a star you follow the star it comes in your dreams you follow stars once a light bug dies you see a new star you follow the star your dreams come true.

I talked to George Lucas once, not about Star Wars. Everyone wants to talk to him about Star Wars, and I didn't want to be one of those people. In person - at least on this occasion - he wasn't effervescent and giddy, as the Star Wars movies are. He's more focused.

If there was any show I could guest star on, I would want to guest star on 'Star Wars: The Clone Wars' because I am such a nerd and I love that show. If there was ever an opportunity to be on that, I would snatch it up.

I was a big fan of 'Star Trek.' But then again, you know, 'Star Trek', 'Star Wars', 'Doctor Who', I wasn't a big fan, but you know, when they ask you and they cast you and it drops in your lap, how can you say no to these franchises.

'Battlestar' was 22 episodes - 9 to 10 months a year - and we were exhausted. You finish shooting, and the last thing you want to do is go back to work. You want those 3 months off because you're tired - it's a grueling shooting schedule.

Shooting on film is great because it imparts discipline: What do you need to see so you're not finding it in the camera. When I'm shooting, I have the scene in mind, where I'm going to have certain lines. I learned to overlap and to shoot more than I think I need. That was the learning curve.

Zombies, what are you going to do with them? Just keep chopping them up, shooting at them, shooting at them.

I'm not a star, and I don't want to be a star. Stars fall. I'm an ordinary guy with an extraordinary job.

When I was shooting 'The Dark Knight,' I always felt like I was shooting an intimate drama for some reason. The scenes were all intimate, and they were always between a few individuals.

I was shooting all this time. And there was only one guy who helped to pull him. And I had to think whether I was going to keep shooting or help the guy. And so I kept shooting and then they put him in this little clinic, and I photographed through the window while they had to amputate his leg. And I felt very strange because I didn't - I felt I could have helped, but I didn't help. But then I also felt elated that I was getting a shot that would be important to the film.

Shooting at a man who is returning the compliment means going into action with the greatest speed of which a man's muscles are capable, but mentally unflustered by an urge to hurry or the need for complicated nervous and muscular actions which trick shooting involves.

In terms of the film itself, there was nothing much very new about 'Star Wars.' 'Star Wars' was a trailblazer for the kind of monumentalist pastiche which has become standard in a homogeneous Hollywood blockbuster culture that, perhaps more than any other film, 'Star Wars' played a role in inventing.

I don't want to be labeled a star, or billed as a star. I'm a messenger, really, and when I get work to do, I have to do it.

I can't deal with the ears in 'Star Trek.' I only saw the first 'Star Wars' movie, and I don't think I saw an entire 'Star Trek' TV show, and I certainly didn't see the movie. I like 'Andy Griffith' and 'Deadwood.'

I hadn't read comics really before coming in to shooting the original 'Thor.' During that and beforehand, I read stacks and got my head around it all. We reference, especially when we were putting the script together before we started shooting, other stories.

It takes a very unique individual to be a star, and a main event star.

I was shooting for 'Maaya' when I got a call from John Abraham's office. They told me about the film and asked if I could audition. But since I was shooting, I recorded my audition and sent them the tapes. The next thing I know, I was on board.

To me, the All-Star Game is just another step. I try to take all my experiences and put them together. To make the NBA was something, and then to be recognized as an All-Star - although I don't consider myself a star. I see myself as just trying to reach my potential as B. J.

I think some people get just locked into 'this is the way it has to be,' and they're afraid of messing something up. I don't ever want to be that way with shooting or with anything, really - not just shooting.

Shooting in sequence, I think it intensifies everybody's relationship, the crew, the actors. You have to be very focused, and shooting at night is a challenge because you get tired. I think it requires a special kind of concentration, but it's also exhilarating.

I was simultaneously shooting for 'Manikarnika' and 'Ek Je Chhilo Raja'. In two-and-a-half months, I took 23 flights, including an international flight to Los Angeles. It was physically very challenging, shooting for both. I would catch up on sleep on the flights.

The star of Bethlehem was a star of hope that led the wise men to the fulfillment of their expectations, the success of their expedition. Nothing in this world is more fundamental for success in life than hope, and this star pointed to our only source for true hope: Jesus Christ.

Inside every TV star is a movie star screaming to get out, and Donna Frenzel, with whom I'm guessing you're not instantly familiar, made George Clooney a movie star once and for all in the first ten minutes of his fifth feature, 1998's 'Out of Sight.'

As a kid, 'Star Wars' was much more my thing than 'Star Trek' was.

'Star Wars' is life, but 'Star Wars' is also not very good, which is why 'Rogue One' - a Frankenstein's monster assembled from a butchered first cut and an excessively large space antenna that only exists to add another 30 minutes to the film - is one of the better 'Star Wars' movies.

Once we were in the studio, we realized we were getting certain effects through the shooting of the dramatic scenes on video, shooting off a screen and then getting wave patterns and stuff like that.

You never have any idea where your movie's going to go when you're shooting - you're in this little bubble. Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it.

Shooting clay targets is a very cleansing experience. It's very relaxing. It takes a lot of concentration. It's also very social, since you're usually shooting with friends. You can talk and forget about almost anything else that's on your mind.

We are made of star-stuff. Our bodies are made of star-stuff. There are pieces of star within us all.

I was a star in England, but Ive never been a star in America. Now I am.

I'm not a rock star. Sure I am, to a certain extent because of the situation, but when kids ask me how it feels to be a rock star, I say leave me alone, I'm not a rock star. I'm not in it for the fame, I'm in it because I like to play.

When I first started, I saw myself shooting documentaries or making documentaries, which is what I did, mostly, for a number of years. So it was quite a surprise how I found myself shooting features. It was like my wildest dreams as a kid collided.

I hate when people call me a star, because I don't consider myself to be a star.

Shooting a horror story with kids, I always explain really simply. They may be scary to watch, but they're a lot of fun to shoot. You know, the kids have a great time shooting these movies. Whether you let them watch it is another matter.

If I was a star, it would be difficult to go off and do 'Coronation Street.' So I guess I'm not a star.

I walk, talk, and act like a star, and guess what? I am a star.

To be in this business and be a star, not just be on the card, to be a star puts a demand on your time.

When I go to a sci-fi convention, oh God, it's the closest thing to being a rock star I will ever know in this life. I want to be a rock star, don't you? It's a good thing to be, a rock star.

Well, I don't like the word 'rock star,' the two words, 'rock star.' Not even 'soft rock star. Not even limestone star. I don't like those words.

It's always challenging when you're shooting a film. Shooting things out of order and keeping continuity on all levels is always for me the most challenging thing.

Sometimes, directors are afraid to stop shooting, because the second you stop and say, "We got it," and move on, you'll never get another chance. And they're terrified to get in the cutting room and not be happy. So they just keep shooting.

One must understand that shooting is a very individual sport and see what sort of coaching possibilities exist in the country and what their standards are. One of the issues that has been faced earlier by shooting athletes is that we have one odd national coach for whom it's impossible to give that sort of attention to say, a group of 30.

Vijay Mallya is a star, not an actor. Anybody who lives a lifestyle of that kind, is a star.

There are so many things going on in your head while shooting bold scenes. On screen it might look sensual, or hot and great. But when you're shooting for it, you need to take care of so many things.

When Christ ascended Triumphantly from star to star He left the gates of Heaven ajar.

Drink lots of water. I drink eight liters when I am not shooting and when I am shooting, it is five.

I started shooting pictures because I had all these photographers around me, and life was kind of boring creatively because you play the same songs every night. So I looked for another outlet, and I started shooting.

You become a star not because of your title; you become a star because you are adding star value to the company

I'm a YouTube star, let's put it that way!That sounds like a karaoke star with balls.

When I was in Vietnam with Jane Fonda, I was shooting a farmer in a field - just a pastoral scene. And while I was shooting him, an explosion occurred right - he blew up right in my lens, so to speak. And he had stepped on a landmine.

I am sometimes perplexed by people who refer to defensive rifles, or defensive rifle shooting. The defensive arm is the pistol, since you have it at hand to meet situations that you do not anticipate. If you have the luxury of anticipating a lethal encounter, you pick up a long arm, either a rifle or a shotgun, but in that case you go on to the attack. Thus rifle shooting is offensive, and pistol shooting is defensive. Of course, life does not always duplicate theory, and there are exceptions to everything, but nevertheless the rifle is not a defensive weapon in concept.

There was a star riding through clouds one night, & I said to the star, 'Consume me'.

I was shooting at myself - I was shooting my own violence and the violence of the times

A while back there was this fad where a big star [would get] a producing credit and you'd ask around, and people were like, "No, they didn't produce, they just took the credit." I was flabbergasted. So when I started, people were weirded out by the fact that I was like, "How long is our prep? I'll come a week before that." They were like, "We're not shooting for six weeks."