Top 1200 Shooting Up Quotes & Sayings

Direction is something that interests me. Even while shooting, I always have conversations with the director to get a better understanding of shooting technicalities.

I enjoyed shooting 'Chandramukhi' so much that I would not say it was a relief when the shooting got over.

Zombies, what are you going to do with them? Just keep chopping them up, shooting at them, shooting at them.

Just learn the whole script before you start shooting. That makes shooting a joy. Even if they rewrite, it's easy.

Like I tell myself all the time, you have to keep shooting. I'm not going to stop shooting.

It becomes a lot better for the actors when we're 'shooting, shooting, shooting,' instead of waiting around in a trailer for something to happen.

Most people have already seen a cosmic collision. If you've seen a shooting star ever, you've seen a cosmic collision, because a shooting star is not a star. It's a tiny dust or pea sized fragment of an asteroid or a comet hitting our atmosphere and burning up as it hits in, as it comes in.

Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can't leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.

This will sound really funny, but I'm so used to shooting in Hindi that shooting in English took a while to get used to.

My mother…was perfectly horrified when I began shooting and tried to keep me in school, but I would run away and go quail shooting in the woods or trim my dresses with wreaths of wildflowers.

I am my father's daughter. It was not up to me growing up. I was his hunting and fishing buddy, so I've been shooting my whole life.

I was simultaneously shooting for 'Manikarnika' and 'Ek Je Chhilo Raja'. In two-and-a-half months, I took 23 flights, including an international flight to Los Angeles. It was physically very challenging, shooting for both. I would catch up on sleep on the flights.

I only wish the sport of shooting was more reachable and there were training centers all over the country where youngsters could go and try shooting.

I'm not very aware of styles. We never talk about styles before we start shooting, or even during shooting, because I think the film will bring you there.

There were a couple of times, leading up to shooting [Ordinary World], where I was like, "Oh, my god, what did I get myself into? Hopefully, I don't ruin this guy's precious script." And then, after a couple of days of shooting, I started getting in the groove of it and it was really fun. I love being a rookie at stuff. It makes it feel vital. I love doing things I've never done before, and I love making stuff.

Shooting videos with lots of effects is like shooting a bunch of puzzle pieces.

How is Marxist-Leninist theory to be linked with the practice of the Chinese revolution? To use a common expression, it is by "shooting the arrow at the target". As the arrow is to the target, so is Marxism-Leninism to the Chinese revolution. Some comrades, however, are "shooting without a target", shooting at random, and such people are liable to harm the revolution.

I'm not scared, if that's what you're wondering. The moment of death is full of sound and warmth and light shooting away, arcing up and up and up, and if singing were a feeling it would be this, this light, this lifting, like laughing... The rest you have to find out for yourself.

I didn't get to see Predator until halfway through shooting. It was great to get an education while I was shooting because it made me excited to be part of this legacy.

Dirk was obviously a player that I looked up to. In high school I actually wore No. 41 in honor of Dirk. He was the first player where I was like this guy is seven-feet tall and shooting jump shots and shooting threes, this is what I want to be like.

I like shooting movies in Thailand very much because the government is so cooperative there. The police help you to close the roads for shooting.

I was shooting Beyond Redemption, I started shooting American Horror Story, so I was going back and forth between Northern California and LA. That was not bad at all - that flight is like getting on the subway, it's nothing. And then during rehearsals.

I was at a Madonna show many, many years ago and I was in the sweet spot and she came out and I mean it was the best part of the show. And I was shooting, shooting, shooting, shooting. And I'm like, "God, I must have shot a hundred pictures have I not run out of film?" And I opened the back of my camera and there was no film in there. So that happened to me only once.

When a man is shooting a handgun, it's just like he is shooting because that's his job, and he has no other choice. It's no good. When a girl is shooting a handgun, it's really something.

I think some people get just locked into 'this is the way it has to be,' and they're afraid of messing something up. I don't ever want to be that way with shooting or with anything, really - not just shooting.

Public lands are for everyone's use. Be responsible when shooting and clean up the area you were shooting in so others can enjoy the land.

I also have a brand-new prescription for gunfire jitters: When the shooting gets loud, proceed to the nearest wooden staircase. Run up and down a few times, making sure to stumble at least once. What with the scratches and the noise of running and falling, you won't even be able to hear the shooting, much less worry about it. Yours truly has put this magic formula to use, with great success!

I learn my lines in a few different ways. A lot of my dialogue sticks with me in a general sort of way when I read the entire script for the first or second time. Then, when I get the shooting schedule, I have a better idea of what scenes are shooting when. I then will focus on those that are coming up first.

We would just go out and line up a bunch of cans and shoot with rifles, handguns and at times, submachine guns... When I was a kid it was a controlled atmosphere, we weren't shooting at humans... we were shooting at cans and bottles mostly. I will most certainly take my kids out for target practice.

Basketball is big stuff in New York. If you're good in it, everybody respects you. Nobody would want to ruin your shooting eye or your shooting arm.

I want to improve my shooting, my free throw shooting, keeping my turnovers down.

I've had mental errors before while not shooting the ball well and while shooting the ball well, and vice versa. So I can't compound one on top of the other. It's just a matter of getting out of the groove of shooting bad and just staying more locked in.

I realized that a lot of the great directors that I admire from [Ingmar] Bergman to [Fredrico] Fellini re always shooting, then going into the editing room, and shooting again.

Shooting at Quentin Tarantino movie was like a masterclass in directing. Although I went back literally right into rehearsal, started shooting... while I was doing it I had to write my Grindhouse trailer and I added two days of shooting. My brother was producing Hostel and the Grindhouse trailer and I was like: "Gabe, just figure this out!"

When I'm not shooting, I go to school every day. When I am shooting, I have tutors on set helping me.

Shooting on the street in Brazil - compared to people trying to sneak a picture of something, if you're shooting in the States or Canada - people would literally just try to grab you.

What's great is when you're shooting at the same hotel you're living in, you finish shooting, put your stuff down, take an elevator and go to bed.

The shooting of the guns, that was kind of funny, because rolling a cigarette and shooting a gun aren't like normal things for a 13-year old girl!

When not shooting, I love to catch up on my sleep.

Shooting Umbrella Academy' is like shooting five movies. You're working with a cast of incredibly talented 30-year-olds who all know what their mission is.

I fractured my hand while shooting for 'Bullet Raja,' while we were shooting in Nashik.

I love Calgary. It's a great city. I enjoyed my time there, quite a bit. Shooting and filming in that cold could be very difficult, at times. When you're shooting nights, and it's 3 in the morning and minus 35 degrees, that's hard to work in.

I always get a little anxious like the first day of school when we've had our hiatus and we're coming back, because I think I'm not as insane as I was when we started shooting. I have that anxiety before we start shooting.

Literally, people probably came up with a budget and said, 'It'll be cheaper if we cut down the prep,' but it's not cheaper, because then you're shooting, you're fumbling through the movie and you are prepping at three times the cost because you're quadruple-time as you're shooting and then prepping after you're done shooting.

While shooting in Patiala, I never felt as if I was shooting here for first time, such was the love I got from the locals and Punjabi actors shooting with me.

When I was in Vietnam with Jane Fonda, I was shooting a farmer in a field - just a pastoral scene. And while I was shooting him, an explosion occurred right - he blew up right in my lens, so to speak. And he had stepped on a landmine.

Shooting in Los Angeles is always pleasant and comfortable. Shooting in New York is like being on 'Survivor.'

Oh, yeah - I could see myself as a catch and shooter, come off curls and shooting. I really feel good about shooting the ball.

Shooting takes up all my time. But I'm not complaining!

Every year is Super Bowl or bust, really. If you ain't shooting for the Super Bowl... I mean, I guess if you're the Browns, you're shooting for a win. Or a few wins, at least. But everybody else, you gotta be shooting for the Super Bowl.

UP has such beautiful locations and such ease of shooting.

Making a mistake means overshooting a scene, shooting too many takes, for instance. Long after you've got it, you just keep shooting.

Shooting a fight is like shooting any other scene. You have to tell a story using a very specific choreography.

If you're not shooting in the right direction, it doesn't matter how well you're shooting.

Whenever I am shooting in Chennai, I spend most of my time with my wife and kids. Sometimes, I take my kids to the shooting spot, and they just love it.

When you're shooting with long lenses, even if you're shooting a close-up, you feel the air, the distance between the camera and the subject.

I am sometimes perplexed by people who refer to defensive rifles, or defensive rifle shooting. The defensive arm is the pistol, since you have it at hand to meet situations that you do not anticipate. If you have the luxury of anticipating a lethal encounter, you pick up a long arm, either a rifle or a shotgun, but in that case you go on to the attack. Thus rifle shooting is offensive, and pistol shooting is defensive. Of course, life does not always duplicate theory, and there are exceptions to everything, but nevertheless the rifle is not a defensive weapon in concept.

They're not shooting me for deserting the United Stated Army - thousands of guys have done that. They're shooting me for bread I stole when I was 12 years old.

You have to keep shooting, even on tough shooting nights. You have to believe the next shot is going in.

Scenes change while shooting. Nowadays, while you're shooting the movie, you're cutting at the same time.