Top 1200 Shooting Up Quotes & Sayings - Page 4

Eventually, I think, by using such elements as flocks of birds or biblical quotes, repeatedly I add meaning to my final product. I'm still exploring how to express my feelings through these elements. I've always felt that in order to portray humans, you should not be shooting humans; you should be shooting something else. And what I've used is animals, which are very important in my films.

You never have any idea where your movie's going to go when you're shooting - you're in this little bubble. Everything you care about is getting the next step right: getting the script right, finding the right actors, shooting it. Then you spend half a year in a dark room editing your film, and you don't talk to anybody.

I'm not a big fan of shooting something that looks like it could belong in any movie. I'm not a fan of, okay, 'wide shot, wide shot, medium shot, close-up, close-up - we'll figure it out in post.' I hate that.

I haven't spoken to Oprah herself. She had so much going on, since her network show was wrapping up at the time we were shooting. I can't fault her for that.

Reading a good poem can give me a far bigger kick than a novel. But it's not something I can keep doing. It would be like shooting up 10 times a day.

As an actor, some of the most fun days I've had on set have involved shooting blanks all day - or better yet, on a micro-budget indie shoot in Texas, shooting live ammo. I feel guilty admitting this, but make-believe beating a man half to death for nine hours can also be strangely satisfying and, dare I say, good fun.

When I was shooting Drive Me Crazy, I wanted to go out with the rest of the cast and stay up late and play air hockey. I just wanted to have fun.

'True Blood' is shot on film. It's more like a movie, and they take more days to shoot it, plus it has an hour of content. 'The Good Wife' is network. They're shooting on HD. It moves quicker and they only have forty minutes of content instead of a full hour. Not to mention the difference of shooting, you know, rated-R stuff!

There's not much of a difference shooting something for TV and shooting something for film; the difference is film is in a cinema and TV is in your home.

The only real difference between shooting 'Firefly' and 'Serenity' was that on 'Serenity,' we had a lot more freedom with time. When you're shooting a television show, you usually have anywhere between six and nine pages of script to shoot a day, and only twelve hours to do it. But with 'Serenity,' we could shoot one scene all day long.

For people who grew up hunting, especially war veterans, shooting often settled the mind. It was something that required full concentration, and therefore took you away from your troubles, at least for a short time.

You spend all this time, as a child, coming up with these fantasy stories, and here I am, sleeping in a treehouse, in the middle of Canyon de Chelly, shooting a Western. That's a bit of a once-in-a-lifetime experience.

I've had a lot of majors where I didn't play well until the last round. Keep yourself in contention; that's the name of the game. I usually ended up shooting a good round and all of a sudden, somehow, I won.

Mercury dropped the purple car and shot up into the air, whistling like a shooting star. The woman in the car next to me looked up at me like I was a superhero. I smiled at her and jumped down, trying to be smooth. I landed wrong and went sliding on my face. I glanced back at her. She appeared less impressed than before.

Democrats losing elections. Donald Trump did win this. It's not illegitimate. And when the day comes that they realize and sober up that he's not going to be hounded out of office, that he's not gonna wake up one day and say to Mike Pence, "Here. Take the keys. I've had it." Then what are they gonna do? Because they're shooting every barrel they've got now. And they will probably continue. The think least we can make people hate him.

Programmers have been wandering out and shooting a shotgun into the night sky and hoping they hit something, and I end up paying $150 for channels full of nothing I want to watch.

What's important is the tolerance. If people are not beating other people up, or shooting them for being different, then that's progress. Even if the ideas that go through their head are fodder for novelists.

It's not unexpected that shooting massive amounts of water, sand, and chemicals at high pressure into the earth to shatter shale and release natural gas might shake things up. But earthquakes aren't the worst problem with fracking.

I started working on how I would direct this a year before we started shooting "All We Had" and I was prepping, acting, and directing sort of at the same time. I knew that I didn't want to hold people up on set.

When you're on a sound stage and you're shooting a fire stunt, this weird thing happens where the fire eats up all the oxygen and everybody gets a little dingy.

Shooting a television show can be very difficult and at times can really wear on you. If you keep reminding yourself that it is a job and you show up together as a team and as a whole, you can prevail.

Here in Bengal the production has to work under more pressing schedules partly caused by monetary reasons as the shooting has to be wrapped up within a limited number of days to prevent cost overrun and hence there is not much scope to rethink and alter.

A lot of people believe in reading reviews. If I get too focused on some detail of what they've said about me, I'm going to end up shooting myself in the foot.

If someone suddenly lost their director the day before shooting and wanted me to step in, I'd be willing to. But I'd do brain surgery the same way. I'm always up for something new.

The entire time I was up shooting 'Suits,' I was running back to my trailer to help get 'Nine Circles' produced. It's a no-brainer for me to keep that part of life alive.

You can't have a relationship when you're shooting a 14-hour day and your husband is shooting a 14-hour day in the same city. It's a time thing and it's a together thing.

The most difficult thing about shooting guns instantly on film is to not pull a silly face while the gun is going off, because it's always a bit of a shock. So you find yourself sticking your tongue out or blinking or whatever. So the hardest thing is to keep a straight face while you're shooting a gun.

The first set I ended up on was Guillermo del Toro's 'Pacific Rim' that was shooting in Toronto and they needed a bunch of Asian extras, and for some reason they put their ad on Craigslist.

I think that you're very aware that you're shooting a 3D film for a movie that's beloved to the fan community, and that it's going to be on people's radar, and that you have to be excellent. I think it evolved over time how epic it has become. The first time we went to Comic-Con after we finished shooting I went, "oh my goodness, oh my goodness!"

When an archer is shooting for nothing, he has all his skill. If he shoots for a brass buckle, he is already nervous. If he shoots for a prize of gold, he goes blind or sees two targets - He is out of his mind! His skill has not changed. But the prize divides him. He cares. He thinks more of winning than of shooting- And the need to win drains him of power.

Whenever I'm not shooting, I'm in the editing room with my footage. While the crew is taking 15 minutes to an hour to set up the next shot, I'm behind the Avid, putting the flick together.

I rarely feel the desire to reread a scene the day before the shooting. Sometimes I arrive at the place where the work is to be done and I do not even know what I am going to shoot. This is the system I prefer: to arrive at the moment when shooting is about to begin, absolutely unprepared, virgin. I often ask to be left alone on the spot for fifteen minutes or half an hour and I let my thoughts wander freely.

I think my biggest break though came probably on Patriot Games because it was the biggest, longest second unit up to that point. It was like five months of shooting and a huge crew.

Serious sport has nothing to do with fair play. It is bound up with hatred, jealousy, boastfulness, disregard of all rules and sadistic pleasure in witnessing violence. In other words, it is war minus the shooting.

I always prefer the character moments. For me, personally, whether I'm shooting the gun or not shooting the gun, I really don't care. I'm the guy who's like, "Whatever you want me to do." But, I really get excited about the character moments that are steeped in emotion when the stakes are high.

A studio allows me more freedom. You can create your own sort of reality which is actually more exciting than shooting on location. You can conjure up a complete atmosphere of escapism for the public.

I don't think fast enough on my feet in terms of the writing to change the script too much when I'm shooting it. I like to have it set and done and know that I feel good about it and I might add a few lines here and there while we're shooting, if I think of a new joke, I might toss it in, but for the most part, I try to stick to the written script and have all the latitude exist within that.

What does it tell you that applications for guns since the shooting are up 41 percent in Colorado, and that our cameras found about 50 people in line at one gun shop yesterday outside Denver?

I used to find myself goofed out in the street on drugs. And I had such a bad problem with addiction at the time that I didn't mind. I was dealing cocaine and shooting up a lot of cocaine. And that's not a good space to be in.

If you make a film, that magic is not there, because you were there while shooting it. After writing a film and shooting it and being in the editing room every day, you can never see it clearly. I think other people's perception of your film is more valid than your own, because they have that ability to see it for the first time.

The first day of shooting I walk up to Christopher Walken, and I said, Should I call you Mr. Walken or Chris? He goes, 'Call me Flash.'

I've only ever played 'God of War' while we were shooting it. I've seen a lot of the videos, but while we were shooting 'God of War,' they had a green room for the actors to hang out in, and they always had the newest game on the big screen. So we'd sit there playing 'God of War' to get us into the mood.

I've always been really active. I grew up playing sports, so I'm always shooting hoops or throwing the football with my friends. I'm super-active in that sense.

I was shooting for 'Heart Attack' in Spain when Trivikram Srinivas garu called me up and told me that we will do a film together.

I'm not sure that Van Gogh got up in the morning and looked at the crows and the bizarre clouds and went damn that's a good painting, you know? No, he considered shooting himself, and one day he did.

Basketball teams, after the perfunctory lay-up drill, fall into the crowded isolation and personal style of 10 city kids shooting at the same basket or playing one-on-one.

There's a ruthlessness to the city now that wasn't there before. I was in Dublin a few months ago, when we were shooting Breakfast on Pluto, and if I saw one kid throwing up on the street, I must have seen a hundred of them.

I did [Michael Cimino] first movie, "Thunderbolt and Lightfoot," and I remember I was still in my twenties and very nervous, we're shooting up in Montana, and I'm thinking, "What the hell am I doing here? I don't feel anything like this part.

When I was 19, I picked up an old, tiny, automatic Yashica camera and I just started shooting. We didn't have iPhones back then, we didn't even have cell phones. I loved having a camera in my hand.

I never look at failing as an option anyhow. I believe thinking you could fail is already shooting yourself in the foot and setting yourself up for failure.

The great thing about literature is that you're making up your own interpretation of the character anyway. Also, you're given basically a bible of who a character is and you're kind of shooting yourself in the foot if you're not reading it.

I think everyone is just expanding, with the centers shooting 3s. I think that just opens the floor up a lot more. A lot more shots are going up, a lot more freedom of movement. It makes it more of an exciting game.

Any man can shoot a gun, and with practice he can draw fast and shoot accurately, but that makes no difference. What counts is how you stand up when somebody is shooting back at you.

On my left the shooting had the sharp explosion of the infantry artillery, on my right could be heard the sporadic cannon shots thundering from the front, and up above the sky was clear and the sun bright.

Same thing with film, by the time you've finished shooting and you've really been into everything, you've touched up everything in the editing room. You've gone in there and taken little bits from everything.

Doing a sitcom is like doing a play - you rehearse for three or four days, and then you shoot what you rehearsed on Friday night in front of an audience. An hour-long drama is like shooting a movie. You're shooting 13-14 hour days. The endurance itself is different.

When I'm shooting a film, I don't look at playback. I don't go and do a scene and then hurry up and watch what I just did. I never look at it so I haven't seen any of it.

I was shooting a bikini promotion in Mahe in the Seychelles in 1980 when there was a military coup and I, along with a roomful of other people, ended up being kidnapped and held hostage at gunpoint in a windowless room with no ventilation for 36 hours.

While directing in theater that the actors will - I don't know if it's competitiveness or what it is, but they love to make each other laugh. They love to impress each other in rehearsal. They'll try something for a reaction. But in film, you're very often not all together in the room at the same time. You're shooting one day, somebody else is shooting the next. It's a totally different dynamic.

Congressman Lacy Clay and I believe that there's no excuse for shooting at police officers, law enforcement officers who get up in the morning and go out and put their lives on the line to protect us.