Top 1200 Shot Quotes & Sayings - Page 2

If you do an original film and you want to cut a scene out you do it. But when you do a shot by shot remake you don't have that option and every scene has to work again.

Moviemaking is a time machine: narrative spliced into fragments and reassembled into a constant present, the end of a story shot before the beginning, which is shot after the middle.

When I came into the NBA, coaches wanted you to shoot a midrange shot or two before you shot your 3 - you know, to get an 'easy one' first.

I've shot films in locations that have seemed haunted. I shot a film in a maximum-security prison in Russia. Part of it was on a psychiatric ward - there were definitely some creepy vibes there.

When you play a tiebreaker, you dont have time to think of anything, ... You have to go for your shots because one shot can make such a difference. Thats the kind of shot that can break an opponent.

He's a great shot-blocker. So once you go in there, you've got to either get into his body and get an and-one, or you've got to drive and kick. It's not all about trying to force the shot over a shot-blocker like Nerlens Noel. You've got to kick it.

This is pool. This is setting up your next shot, and I always want to make sure when we're setting up San Antonio's next shot we have a good shot at making sure that we continue to build our infrastructure in such a way that San Antonio will be a player for years to come in national defense issues.

I want to say 'I Shot The Police' but the government would have made a fuss so I said 'I Shot The Sheriff' insteadbut it's the same idea: justice.

My 3-point shot is my best shot.

Film is shot in fragments, and the same moments can be shot again and again until the director is satisfied.

I sit and wonder why no one uses the shot fake. The shot fake, when used correctly, can eliminate a defender

I'm not going to change who I am or the way I promote fights just to get a title shot, but I think I've done plenty to earn that shot.

We've been conditioned to understand music as a field where you get discovered, and you're always trying to find that end. So 'my shot' is speaking of a variety of shots. When you're a rapper, you look at every shot as the one you're supposed to take.

[Keeping Up with the Joneses] is not one of those movies where people get shot and fall down and there's no reality of what would happen if you got shot and knocked over a motorcycle. It's meant to be a slight comedy in that sense.

The beauty of Toronto is that it has not been shot a lot in movies, for itself at least. I mean, most of the time, Toronto is shot to portray something else.

Every shot should be a knockout shot.

And I've shot in Prince Edward Island winters, I mean, I've shot in some intense, intense temperatures.

My mom got shot. My dad got shot. Some of the craziest stuff. All that happened to me.

What I try to do is find a weakness in my opponent. A way that I can hit you. One good, clean shot. Try to time it. If I can get it and the shot is there, if I find that shot in the first round and they go down, they go down. I'm prepared for anything, not just to get first round knockouts. If they're there, I'm not gonna resist to take them.

I have always loved South Africa, where I shot 'Andaz' and 'No Entry.' Some of the biggest films of my career have been shot in Cape Town.

Patriotism is a passion which induces hot youth to rush forth to get shot and half shot, while sober, conservative age waves the flag and corrals the contracts.

I shot down some German planes and I got shot down myself, crashing in a burst of flames and crawling out, getting rescued by brave soldiers.

In my view there is a level of human knowledge that involves just getting it right aptly. This "animal" epistemic level is an inferior level in just the way of Diana's long shot in the dark while drunk. That shot is inferior in a certain respect if too poorly selected as a hunter's archery shot, even if not quite as poorly selected as would be a shot aimed at the moon. Even if Diana's too risky shot turns out to be apt by attaining success through sublime archery dexterity, it is still inferior in the particular respect of being so risky and hence so poorly selected.

To decide to film a movie again shot by shot, you must be masochistic to a certain degree because it is a much greater challenge.

A shot of Shyam Benegal inspires me a lot. I wonder why a film of David Dhawan cannot have a shot like that.

Everyone deserves a shot....and some deserve to be shot.

I've been in love with basketball from the moment I shot my first shot, hanging out with my father. When I was a kid I would stay in the gym waiting for my dad to finish practicing. I was just shooting.

I see myself as a winner. I'm not one of those guys who say, 'Let's come back next year and maybe give it a better shot.' The shot is now.

Sometimes with Polaroids, the shot you want to get in your head doesn't happen. What it makes me do is be patient, I guess, or let go of that presumption of what the shot's going to be.

I felt I have gifted my wicket. So more than technique, I need to work on my shot selection, I need to decide which ball to be hit, I was going for every shot.

I never know which camera is on me when I'm dancing and the director picks the shot he likes but it usually isn't the best shot for showing the steps I want the audience to see.

If you hit a bad shot, just tell yourself it is great to be alive, relaxing and walking around on a beautiful golf course. The next shot will be better.

If anybody's getting a shot, somebody's getting a shot against me because I'm the guy to beat.

I learned something very important early on: You accept what happens and move on. In other words, if I hit a bad shot, I can't change it. There is only the next shot. That was a big lesson.

Golf is social. It brings a lot of people together. And the great thing about a scramble, there's less pressure because you don't feel like every shot has to be your shot.

I can get a title shot any time I want to. They know I can beat 110% of the champions out there right now. I just have to be motivated. Most of them are going to be trying to not give me a shot.

It took me 10 fights to get the damn interim title shot and then 11 to get an undisputed shot.

Reverse the ball one time for a good shot, two times for a great shot, three times for a layup.

Cournoyer has it on that wing. Here's a shot - Henderson made a wild stab for it and fell. Here's another shot! Right in front - THEY SCORE!!! Henderson has scored for Canada!

I was in Milan, and somebody gave me a Trussardi diary, and I thought 'Genius.' Inside I put the Polaroids, how much film I shot, who I shot with. This way, for billing later on, I had all the information.

I don't know how many lions and leopards I've shot. I've shot two elephants, which was enough - never again. It's a melancholy and moving thing to hunt an elephant. It's like shooting an old man.

Know that a word suddenly shot from the tongue is like an arrow shot from the bow. Son, that arrow won't turn back on its way; you must damn the torrent at its source.

Last summer a second unit production crew went to France and shot scenes for several of this season's episodes. They shot costumed actors in and around real castles and landmarks, we couldn't possibly have duplicated here in Hollywood.

You look at the inner cities and you see bad education, no jobs, no safety. You walk to the grocery store with your child and you get shot. You walk outside to look and see what's happening, and you get shot. In Chicago 3,000 people have been shot since January 1st. I am not going to let that happen.

Who shot you?" For a moment he looked annoyed. "I fail to see what that's got to do with anything. Reading assures me that anyone who's ever met me would have reason to shoot me, so I must admit with all candor that I have no idea. Was it you?" "If I'd shot you I wouldn't have missed," she said. "Was that wishful thinking or are you in fact a practiced shot?" "Desire would have made up for lack of expertise.

There's an ecstasy about doing something really good on film: the composition of a shot, the drama within the shot, the texture... It's palpable.

It's an individual sport (golf), so it's the exact opposite of baseball. If you hit a bad shot, you can't say, 'Well, this happened.' It's just you. It's your shot. You can't point the finger at anybody but yourself.

I can tell by body language who wants a shot and who's going to make it and who's going to take a bad shot.

Sometimes the biggest problem is in your head. You've got to believe you can play a shot instead of wondering where your next bad shot is coming from.

To have a second movie that you're proud of and that actually turned out the way you wanted, shot by shot, I realize I'm probably going to be able to do this for a little while for my living.

I've got a scar on my shin from when I got shot in New York when I was 17. I was outside a McDonald's and somebody shot a gun from a car, and the bullet grazed my leg.

I think a shot can actually influence a scene in a huge way. For example, comedy is always better in a two-shot. What's between the characters is what's funny. So you learn about these things as you go along.

If your shot is broke, you at least want to shoot it comfortably. You want to be comfortable shooting a broke shot. You don't want to be uncomfortable shooting a broke shot.

The storyboard artists job is to plan out shot for shot the whole show, write all the dialog, and decide the mood, action, jokes, pacing, etc of every scene.

There are a lot of players who fiddle around with their towel in your shot or they get up out of their chair to see if a ball's on when you're about to play your shot.

A big shot is a little shot who keeps on shootin'

The philosophy I always have is what's the sentence that would tell me about each shot. If I can't read why the shot's there, what is the story trying to say?

Any type of animation, it could be really super crude or very sophisticated, it doesn't mean anything if we don't make this point in this shot, this one here and this one here. There's the saying, 'One shot, one thought.' It's pretty much a true way to go.

At the end of the first Halloween, when I shot 6 bullets into Michael Myers, John Carpenter said, Let's get a shot of you looking out of the window and seeing no one lying there.

There's things that you just couldn't do with an optical printer. Now, with digital compositing, most of the energy that goes into a shot goes into the aesthetic issues of, 'Is it a good shot or not?'