Top 1200 Shots Quotes & Sayings

When we get comfortable, we start relaxing, taking bad shots, especially me I take bad shots when I'm tired.

You want to take shots you practice thousands and thousands of times. You want to take those same shots in games. The easier you can find those shots, the better.

I just tried to make things happen, whether it was (my) shots or getting shots for other people.

It's one of my obsessions to come up with ways to reimagine establishing shots in new, non-boring ways. Shots that have energy and excitement.

I don't try and copy anyone in T20 cricket. My cricketing shots are inside out, behind the bowler, and other shots I have developed.

I try to do a good job of contesting shots and blocking shots and altering shots, but I've got to do a better job of doing more.

I've been learning when to block shots against who I'm playing. I'm not just going to leave a shooter to go block shots.

I've storyboarded for things other people have shot. So thinking in shots and orchestrating shots is not foreign to me at all.

We look at the poor shots and ask why. Then we work on stability and balance. We're always trying to get the club in the little bit better position so we hit fewer poor shots.

When you're younger, you might make some shots you're not normally capable of, because you're more fluid, maybe stronger, maybe faster. As you get older, you learn not to take those crazy shots.

A lot of people say I'm reckless and I take too many shots. I take shots on the forehead. There's nothing wrong with that. It puts me in punching range.

I've been feeling really comfortable on clay because I have more time to set up my forehand. I can use a lot of different shots - drop shots and high balls. You can mix up a lot of shots, so it's actually more fun to play on clay.

Pull and sweep are two shots which can help me score runs outside India. These are two shots that can immediately put pressure back on bowlers.

For me, it's just finding ways to create shots. I feel like if I got a shot off, it has a good chance of going in. So it's finding ways of creating different shots. Being smart. I watch film a lot, and different tricks that I can do to get my shot off the ball and creating ways to get shots off of pick-and-rolls or one-on-one situations like that.

I shoot a lot of bank shots and a lot of shots around the perimeter. There's a lot of things I like to work on, but I know my bread and butter when it comes down to it, and that's in the post.

I think [Otto Porter Junior] just took a couple tough shots so far - a couple tough jump shots - but I think he has a great mid-range game, he's very tall and can create his shot. So, I think with more spacing he'll get easier shots, I think he'll be fine.

I had no real photography experience, thankfully. I consciously took a lot of crowd shots. I was influenced by Seattle photographer Charles Peterson, who always seemed to incorporate fans in his live band shots.

You go through periods of times where bands are calling the shots, and then sometimes, you've got the record companies calling the shots. I think it has to be a bit of both to make the thing work.

I've hit a lot of big shots and missed a lot of big shots, and I'll continue to shoot them.

I feel that I can make certain shots, tough shots, and that I can play better when things aren't going well.

I like to play attacking shots, even if it is in the first over of the game. If I get out playing attacking shots, then so be it.

I was tired. I hadn't slept eight hours in two, three years. I lived on four, five hours of sleep. You can do it during a campaign because thousands are screaming for you. You're getting adrenaline shots each day. Then the campaign ends, and there are no more shots.

You have games when you miss shots and when you make shots. But knowing you're here for a reason and you're an NBA basketballer helps.

There's two facets of this game. You know, if I'm not making shots, OK, then I have to do something on defense. So if I'm missing shots or making shots, it doesn't affect my overall game.

But now the shots began—not many, but one shot is a fusillade if there have been no shots before.

You don't have to hit perfect shots all the time here. The variety of shots you get to play, the shots you sometimes have to hit along the ground, it's just a lot of fun to me.

For those aspiring to make a living from travel photography, it's a sad fact that the boring shots are the shots that are going to make you money.

I think once you see a couple shots go down, and when you're getting shots in rhythm, the game flows.

If you have to tell someone they call the shots, they're not really calling the shots.

You've gotta play a head game; especially blocking shots, you've gotta make it hard. You're playing against the best of the best: they're not gonna go straight to the basket, do a layup. You've gotta lure them into some shots.

A shooter takes shots, a shotter makes shots.

When you're playing spot minutes, it's harder to hit those shots. But if you're getting volume shots, now it's a lot easier to get a rhythm.

Golf is the crack of sports. If you hit five good shots, you know you can hit six good shots. The next time you hit six good shots, you know you can hit seven.

If I made a musical in the beginning of my career, it would have been crane shots and tracking shots and people coming out of cakes and whatever, but these techniques are something that I’ve left behind me.

I build confidence when I practice a variety of shots - hitting it high or low, working the ball. A lot of golfers go to the range and just hit full shots. That doesn't build on-course confidence, because you won't always hit full shots out there. My confidence is built on knowing I can effectively work the ball in any circumstance.

I've just aimed to go out with a clear mind; to try not to premeditate my shots and if I'm going to play a few big shots I try to have a few deliveries under my belt first; have my eye in a bit better.

Runs are runs, even if they are coming off playing cut shots or in front, but it's not like T20 can only be played with big shots.

It's my job to make shots. But the big shift is that I understand it's actually my job to take these shots.

There are a plenty of shots that I have been amazed by, but a lot of these shots are played because you have worn an iron mask. Take away the protection, and let me see if they play them. Don't forget that the past players did not have any protection.

Sometimes those shots I take won't go in but I'm going to continue to take the same shots.

A hunter archer can also be out to shock by taking crazy shots. What makes his shots "crazy" is set by excessive risk, judged by hunting-archery standards, which would tend to draw agreement from knowledgeable observers.

Obviously, I can always get better on defense, improve intensity, my willingness to be locked in and stay in a stance, all that stuff is great, but I feel like playmaking, for myself, not only to create shots for myself but to create shots for others, benefits everybody.

Golf is not a game of good shots. It's a game of bad shots.

I believe that good defense embodies seven cardinal principle: reduce the number of your opponent's shots; force your opponent into low percentage shots; control everything within 18 feet; eliminate second shots; no easy baskets; point the ball on all long shots; and prevent the ball from going into the pivot man.

Making the tough shots and leaning in a certain way and a fadeaway and stuff like that, those are tough shots, but those are shots you have to learn to make in this league.

An editor does not just join shots. He creates emotions out of the shots.

If I made a musical in the beginning of my career, it would have been crane shots and tracking shots and people coming out of cakes and whatever, but these techniques are something that I've left behind me.

Even if it's just two shots, I just want to see the ball go in the hole. That gives me the confidence to know I can make shots when I'm called upon in a playoff type of situation.

There's times where I could take all the shots every time I touch the ball, but that's not me. I just play a team game and just take open shots.

Big shots are only little shots who keep shooting.

I found out some of the spots on the floor that I like to shoot - do my little floater shots, my pull-up shots, being able to get all the way to the rim. By me doing that, it's kind of opened up my 3-point shot.

I don't take any type of shots. I feel like I take the shots that are necessary and open.

I got rabies shots for biting the head off a bat but that's OK - the bat had to get Ozzy shots.

You have T20 and that also plays a part in some of the shots batsmen play. You see guys playing the same shots in T20s and Tests and are sometimes lucky to get away with it.

Most of the time when you're open that's when it's tough to make shots because you try to get some different focus than normally when some guys try to contest your shots.

If I'm blocking shots or changing shots or even preventing players from taking shots, I'm helping the team and we are likely to win when our defense is playing well.

I think of all my iron shots as punches - not punch shots, but how much pressure I'm applying to the hit.

Now, I just made an animated movie a few years ago, 'The Tale of Desperaux', and that had twelve hundred shots in it. Twelve hundred CG shots is a pretty big plan.

Basketball is a game of sacrificing yourself for the next guy, being a team that takes good shots, and taking the right shots

As long as I can take open shots or good shots, I'm going to take it.