Top 1200 Shots Of Tequila Quotes & Sayings - Page 18

Everyone equates good cinema with boring shots and boring films - where a character takes 10 minutes to walk down a corridor, and still nothing happens at the end of the shot. Those films tried to be cool and fashionable by dispensing with drama, which, in my opinion, is absolute nonsense.

If you are not physically strong, it's difficult. But at the same time, I think you need something more than that; you need to vary your shots, as Justine has been able to do in Amelia or Charleston, where she beat her -- I can't remember where it was on clay. So you need this kind of thing. But of course if you're not fit, you'll never make it through.

The slow-rising central horror of "Watergate" is not that it might grind down to the reluctant impeachment of a vengeful thug of a president whose entire political career has been a monument to the same kind of cheap shots and treachery he finally got nailed for, but that we might somehow fail to learn something from it.

From the bowler's point of view, if I look at a batsman, I don't see his shots, I see his defence. If a player has a strong defence, he is a very good player.

My main goal is to help the team as much as possible anyway I can. If they need me to shoot the three, I'll shoot the three. If they need me to run the floor and block shots, I'll do that also.

It's got to feel good off the face, it's got to look good from on top of the ball. And then, obviously, it's got to perform. But in those iron testings, obviously, I'm just trying to hit the best shots I can.

When you're younger, everyone wants to be a point guard. Everyone wants to shoot fadeaway jump shots all day. Nobody wants to be a big man. Nobody wants to go stand on the block and just set picks.

It was a morning when all nature shouted Fore! The breeze, as it blew gently up from the valley, seemed to bring a message of hope and cheer, whispering of chip shots holed and brassies landing squarely on the meat. The fairway, as yet unscarred by the irons of a hundred dubs, smiled greenly up at the azure sky.

If I could take back all the mistakes that I made throughout my career, I would have had a perfect career. I would have missed no shots. I would have made no turnovers. I would have went right instead of going left when I was supposed to, every game.

When you have a lot going on in a scene - whether it be a lot of shots, a lot of coverage, a lot of edits, or just the amount of content - it can cover up a deficit of true feeling. But when you don't have a lot of material to work with, you really have to be sincere with everything. You really have to mean it, because there's nowhere to hide.

Digital photography is, by definition, unfinished. You don't feel that after every 24 or 36 shots you have to change your film - you know you can go on for ever if you want. You can see the result immediately, and find out if your original idea is worth going on with or not, whether it can be corrected, whether it can be improved.

When the others grew tired and went home and there was no one else to play with I used to play my own Test matches on the porch of our house, using a broom handle or a stick as the bat and a marble as the ball. I would arrange the pot plants to represent fielders and try to find the gaps as I played my shots.

When they invented the Steadicam, every movie had to have a fight in a stairwell. Whenever there's a new thing, it's abused until artists realize what a Steadicam as a tool can be. And now I defy people to be able to see Steadicam shots, because we know how to do them and make them invisible.

Usually we have pick-up shots to film after all the main work is done; sometimes we even do them after our wrap party. Just like when you're packing up and moving, it's the little things that end up taking the most time, and there is no romance in the clean up.

On stage, everyone stays put; the vantage point is always the vantage point, and you have to play to the size of the house. And of course, on film, there's different angles, different shots, so that determines how animated or how still you must be.

I plot the par 5s back from the green and make my plan. If I can reach the green in two shots, I'm going to be aggressive off the tee. But if 's a three-shot hole, the goal changes. You want to put yourself in position to hit your favorite shot to the green.

I know children regress after vaccination because it happened to my own son. Why aren't there any tests out there on the safety of how vaccines are administered in the real world, six at a time? Why have only two of the 36 shots our kids receive been looked at for their relationship to autism?

There's over 100 species of lemurs. Each is a little bit different in their social structure except for one thing: they are all female dominant. The females are the leaders. They are the ones that call the shots. When you watch a group, you can see the females are the first one to say “We’re going to move.” Then she moves off and everybody just follows.

I was never a one-dimensional guy; I was always able to block shots, play defense, get rebounds, or drive, or pass. My father made me grow up that way. He taught me to work on different things in my game and wanted me to be more than a one-dimensional player.

I know what it's like to fight against the crowd from when I went to Denmark to fight Mikkel Kessler. He's like David Beckham over there, he gets blanket coverage in the papers all week, and you could hear a pin drop when I was landing my shots. There was no respect for The Cobra out there. There was no noise, no love, nothing.

I want free life, and I want fresh air; And I sigh for the canter after the cattle, The crack of the whip like shots in battle, The medley of horns, and hoofs, and heads That wars, and wrangles, and scatters and spreads; The green beneath and the blue above, And dash, and danger, and life and love.

The only person I did bondage for was Irving Klaw and his sister Paula. Usually they would shoot four or five models every Saturday. He wouldn't pay for the regular pictures unless we did some bondage. So I did bondage shots to get paid for the other photos.

I like to give dimension to shots inside action scenes. It's demanding because you have to rehearse a lot of things happening at the same time and frame all those things in a shot. But I feel like when you accomplish that then you've got a cool action scene.

All those animals that were in the cages, I would spend a lot of time in those cages with the animals in-between shots, just hanging out, because I prefer animals to humans. If I get an opportunity to be with them, I'll usually take it.

Whenever I don't have anything to do, I play Candy Crush or Scrabble. We actors have time between shots, which we need to kill. And we cannot call friends or family, as you are called at a moment's notice. So you need to do something which you can dispose of immediately when called for a shot.

When you're young and you first come onto the scene, you're fearless. You just go for your shots and don't really think about the consequences. But as you play on through years and years, you get punished for those misses, and gradually, that leaves scars. It dents your confidence a bit.

I felt like looking at the season to this point, we probably hadn't taken enough shots downfield to loosen thing up, ... It does serve a purpose even if you don't hit it. There's nothing that will get a cornerback to back off a little bit than knowing he got beat even if you hit it or not.

Because of the grass and open face, I take one more club for shots from the rough, unless the ball is sitting on top of dry grass. Then, I use more loft and swing softer, trying to hit it about 70 percent to avoid a flyer over the green.

He doesn't like to be hit. Not that anybody likes to be hit, but Brock for whatever reason has shown much more of a dramatic response to the negativity of those shots. To the point where he's not asleep, it isn't like he got knocked out, he's not getting dropped, but he just turns his face away from adversity.

At first, we lived in very, very small places... with my mom cleaning houses and scrounging up just enough to keep us in town with a working car. She introduced me to my first agent, and I started with stand-in work, then eventually commercials and television guest-shots.

The weird thing is, if I'd made 'The Incredibles,' shot-for-shot - exactly the same script, same timing, same shots - in live action, it would be perceived very differently, and somehow more adult than me doing it in animation. I find that fascinating and frustrating.

The only reason I lost, the only reason I failed to get what I want, is because the monster is me, there's no difference between us. It makes all the moves, calls all the shots, while I'm just along for the ride, with no idea how to pull the brakes or get off.

I really have to accept the fact that I'm not a young man anymore, that I've probably taken one lifetime's worth of punishment already, and I really do need to be careful. Certainly I don't want other WWE superstars taking the shots I did. That makes me feel very uncomfortable when I see somebody get hit with an unprotected chair shot.

One of the problems with 'SNL' is that, if you tried to adlib, the director would put you off camera and off the mic, so only you would know that you ever did it. The director always directed to the script; he wasn't listening to what you were doing. He was calling shots whilst looking at the page.

The only thing I would tell my younger self is, 'Don't pay a lot of money for head shots.' There's always some dude in Brooklyn that's like, 'Dude, this is gonna get you the job.' And he convinces you you've got to pay $700. You don't! Your head shot doesn't matter!

The quickest time to rehydrate is right after you're done training, so I'm always carrying these gallons of water to drink, drink, drink so my body can recover faster. And that's a huge part of being able to take damage, by the way. If you're hydrated, your brain is lubricated, you can take bigger shots.

When I was a kid and my dad was playing for Man United, I used to stand behind the goal watching Eric Cantona, David Beckham, Paul Scholes, Mark Hughes, Andrei Kanchelskis, Ryan Giggs... and I used to try to save all their shots that went wide, imagining I was deciding the title for United.

There is a complete difference between art and the art market. Prices are high now for the simple reason that there are people are willing to pay them. The market dominates the art world today because at the moment collectors call the shots. Like everything else that won't last forever.

My homies that are around me never give me that 'star pass.' I've hung out with some stars who are playing basketball and everyone let's them score all the baskets. Shooting pool, they let them make all the shots. My homies don't let me get away with that.

If your opponent is playing several shots in vain attempts to extricate himself from a bunker, do not stand near him and audibly count his strokes. It would be justifiable homicide if he wound up his pitiable exhibition by applying his niblick to your head.

On 'Girl With the Dragon Tattoo,' I spent two or three months learning how to ride a motorcycle. I wasn't really riding the motorcycle in 98 percent of the movie, but the shots of me getting on and off had to look like I had been doing it for years and years.

When I was a little boy, Marvin Hagler was my idol. He got no respect for most of his career. His fighting style was straight ahead. He took every shot thrown at him, and he kept punching back 'til he won. I honestly feel that's how I am. I take big shots from people. But I keep going.

A number of plastic surgeons are claiming that looking at John Kerry now, as opposed to a few months ago, they believe he's had Botox shots. They claim a number of his worry lines have vanished. They haven't vanished, just Howard Dean is wearing them now.

I'm very impressed by films like' Whiplash' or what Fincher does, where you get all these different... Where you get all this coverage that's perfectly linked up. I actually find coverage very confusing. But I love sequencing shots because I know exactly where I am.

Sometimes, in Silicon Valley, there is this attitude that we know best and we can change the world. The boldness allows us to invent the future. But, we need more empathy for those who are left behind and a recognition that Silicon Valley can't just call the shots and expect change.

The show [Shots Fired] is an autopsy of our criminal justice system, a space where the conversation surrounding the issues in our country is offering a seat at the table to all the voices to be heard, a murder mystery, and grassroots look at our own humanity as we move through the parts and pieces of the story.

Directing ain't about drawing a neat little picture and showing it to the cameraman. I didn't want to go to film school. I didn't know what the point was. The fact is, you don't know what directing is until the sun is setting and you've got to get five shots and you're only going to get two.

When I came out publicly, some photo editors had a field day searching for pictures of me with a limp wrist or some other stereotypical gay signifier - as though, after decades in the public eye, they'd suddenly come across a trove of shots where I looked like a Cher impersonator.

When I am dreaming at night, I see everything as a shot from a movie. I have cranes and extras in my dreams. I swear to you! It doesn't happen every day, but many nights my dreams are like a movie. I don't see normal movement - I see things in very complicated shots.

You don't have to be a superhero and pull off shots you've never hit before. Your goal should be to put yourself in position to play as close to your regular game as possible. That's what I did in the final round of the 2018 Open Championship at Carnoustie, when I was in the final pairing with Jordan Spieth.

My homies that are around me never give me that 'star pass'. I've hung out with some stars who are playing basketball and everyone let's them score all the baskets. Shooting pool, they let them make all the shots. My homies don't let me get away with that.

The inside is packed with people. Lots of them crowding the bar, passing drinks back for people to carry to tables. A bunch of guys are pouring shots of vodka. "To Zacharov!" one toasts. "To open hearts and open bars!" calls another. "And open legs," says Anton.

Well, I like to - the game of serve and volley, but it's very tough, you know, against the best players because they return so good and their passing shots are really good. So it's really tough to get there with those players.

I am always in self-doubt... every moment of my filmmaking. I am supremely confident when the story is being written and everything is in our head. But the moment we get into the filmmaking, I start doubting myself - from the camera angle to the re-recording to getting the actors to do their shots.

I have a responsibility and a job as a guy who gets paid a lot of money, I'm expected to perform. And 82 games in 6-7 months is a lot, and it's hard on the body, and you're not gonna play perfect every night. Even Ray Allen misses shots, even LeBron misses dunks.

I mean, defending isolations is easy, but it's hard at the same time. I think I'm a pretty good defender, but when you go against guys that can make tough shots, it makes you feel so bad, like, 'Oh, man, these guys just made a tough shot on me.'

I enjoy 'Life Aquatic.' I think that one, from a visual standpoint, is just such a fun, visual movie to look at, whether it's the shots of the ship cut down the middle, that set where you can see everyone in each of their rooms doing whatever and moving about - something like that, I could watch that on a loop for an hour.

The dubbing of the music and effects is really incredible today. You're feeling gun shots. I mean, it's not the way people say it is, but the gunshot sounds real. And cars sound real. Among the many things in the evolution (of movies) is to make the sound in the movie incredible. That's what you feel.

What team's supposed to win - that doesn't mean anything. You've still got to go out and play. You've still got to go out and hit the shots and make the putts.

We fight smart, fight intelligent, pick our shots, be very smart about how we place our feet. That's how we win.