Top 1200 Shots Of Tequila Quotes & Sayings - Page 20

If I get my teammates going early, then my shots usually open up. Come off pick and roll and make the pocket pass on the first one. Then it's like OK, does the defender step up now? Then next time I may have the layup. So, just playing the game like that. Reading and reacting and not thinking too much.

I have had a lot of your countrymen as co-stars, that's true. I quite like them both. It depends on the person. I don't think English makes the man nor does American, but I like this guy right here [Clive]. He's nice and tall, which means I never have a double chin - there's lots of shots of me looking up, and I'm a swan. Well, we all laugh but it's so true.

As long as I'm at Kentucky, you've got to be able to take the shots, or don't stay at Kentucky. To be the coach at Kentucky and get what I get, you can't be a 35-year-old coach whose never been fired. I've been fired.

I don't back down. Like, I don't know how to flop. That's never been a part of my game. For me to know if a guy likes to turn left shoulder or right shoulder in the post, I have an advantage. Or if he likes to go left all the time, I have an advantage. Or if he can't make open jump shots, I have an advantage.

If you're thinking clearly and are content about where your life is - to where you can just think about the present, think about the now - that's what you need to do to hit good golf shots. I know there are a lot of distractions, but when you're thinking clearly, you're more free. You've got to have that freedom on the golf course.

You got to be able to hit mid-range shots, you got to able to hit threes and you got to be able to finish in the lane.

We should fulfill the Minsk Protocol. The main reason for the sanctions is that Russia broke a taboo: It triggered a war in Europe. Crimea is a problem, but the most painful part of the sanctions is tied to the war in the Donbas. As soon as Russia takes real steps to prevent shots from being fired there, this part of the sanctions will be lifted.

The job is trying to create movie shots that have depth, that have the meanings you need them to have, and then good enough so that they will add something to the final picture. They will make the picture; they'll get into the picture, and give them what they need. It's an interesting job.

The dozens of people working on this at Digital Domain, they knew that you couldn't get away with almost photo real, because we had real real in the room. You have real real in the cut every four or five shots, so you have this constant yardstick built into the footage by virtue of there being no real robot there. So it became the standard of photo reality that the VFX team had to match.

Weird stuff, for me, is not that weird. I guess if it were other people, they'd think it was weird. I eat nutritional yeast. And sometimes I take clay shots to help pull toxins out of my body. I eat weird L.A. food, so I guess that's probably weird in other people's eyes.

That is my most comfortable place: close-up beauty shots! I also love to stand and speak in front of people. I can get a bit nervous while I'm speaking, but I love to touch others with my message. TV hosting with a teleprompter is also a comfort zone. I love to nail the copy quickly with the right expression and facial expression. Delivery is key!

A beginner gets so excited when he hits the ball in the air or maybe hits a nice bunker shot. A player who has won major championships doesn't get that excited about those shots anymore. It takes a lot more to excite you. The closer you get to perfection, the more difficult it becomes. That's what draws me to golf. It's such a challenge.

Labels are going to tie you down with a 360 deal, they take percentages of literally every endeavor you're tied to. It's a lot of stipulations and constraints placed on you. What makes it worse is that, in terms of distributing budgets, labels aren't even giving the same amount as they used to. It totally defeats the purpose. My advice would be to get it out there on your own first which will lead you to calling the shots.

I've just discovered the secret of golf. You can't play a really hot game unless you're so miserable that you don't worry over your shots. Take the case of a chip shot, for instance. If you're really wretched, you don't care where the ball is going and so you don't raise your head to see. Grief automatically prevents pressing and over-swinging. Look at the top-notchers. Have you ever seen a happy pro?

Having been an actor, I always want to leave room for the actors to find their comfort zone, so I don't like to be too rigid in how I plan my shots. It's different if you have weeks to rehearse and you can rehearse on your sets or in your locations and you can plan that out with your actors, but in modern independent filmmaking, you don't really have that time. You have to have a certain level of improvisation.

I'm part of this show called "Shots Fired" that is premiering on FOX. It's right after the Super Bowl. It's a pretty incredible show. I'm pretty much the voice of the show, so the voice of the opening credit record and the songs in between is pretty much my voice.

I wish that there was a program in college that taught you what to do about getting head shots, how to get an agent, how to get a manager, how to - none of that was taught. It was all your craft, and I'm very appreciative that they taught the craft in theater, but film and television are completely different than theater.

The fun part of golf is the variety of shots. In football you can do anything with a ball, but you can do anything with a golf ball as well. When you hit a shot and the ball does exactly what you want it to do ... that's wonderful. It's just great when you hit the ball well. You should always try not to make the ball cry.

You start admiring someone who's famous for actually doing something---imagine that---and I swear to you I will buy you every item in her entire wardrobe. But over my own dead body will I spend my own time and money turning you into a clone of some brain-dead waste of skin who thinks the pinnacle of achievement is selling her wedding shots to a magazine.

I've always wanted to shoot a good percentage for my team, because I'm the point guard, and I can take fewer shots, still score more, so that I can get my teammates feeling good about themselves. That was always my feeling - that if I shoot a high percentage, I don't have to shoot a ton.

Our senior officers knew the war was going badly. Yet they bowed to groupthink pressure and kept up pretenses. ...Many of my generation, the career captains, majors, and lieutenant colonels seasoned in that war, vowed that when our turn came to call the shots, we would not quietly acquiesce in halfhearted warfare for half-baked reasons that the American people could not understand.

Honey Boo Boo is a handful, baby. She says what she wants to say, does what she wants to do. I've only seen, like, snippets, like one or two or three, you know, little shots of her, but yeah, she's a handful, baby.

But as we went on, and you keep practicing and rehearsing more and more fight scenes, it clicks and you just get it. It's almost like a soccer game. If you take enough shots on target, one of them is going to go in. As soon as it does, something happens and it just registers. I found it a lot easier after that, which was about three-quarters of the way through the shoot.

Every shot feels like the first shot of the day. If I'm on the range hitting shot after shot, I can hit them just as good as I did when I was 30. But out on the course, your body changes between shots. You get out of the cart, and you've got this 170-yard 5-iron over a bunker, and it goes about 138.

When the American documentary filmmaker Donn Alan Pennebaker wanted to do a film on Dylan, Dylan asked him what he'd already done, and Pennebaker answered, Nothing except shots in the street. Dylan asked to see them, and he agreed to let him do the film.

In film, the camera can get an array of shots so the audience can see the emotion the character is giving off. Using close-ups on the character's face really helps get the message across. On stage, you can't do that. But the stage has that live feeling that you can't get anywhere else because the audience is right there.

I've always wanted to do blow with Genghis Khan, 'bet that guy knows how to party. I also think a bottle of wine with Hitchcock would've been cool. Also doing shots with the baby Jesus, bet that guy knows how to party.

If they can get 15 or higher, it will be a very bad night for House Speaker Paul Ryan. Ryan twisted himself into a pretzel by endorsing but not always supporting Donald Trump. Now, he's facing the prospect of a slimmer majority, with fewer moderates. Conservative members in the Freedom Caucus have already sent warning shots threatening Ryan's tenure as speaker.

When I'm down on energy, I have these superfoods powders with supergreens, algae, spirulina, and wheat germ extract. Sometimes I have a course of vitamins. For example, in autumn I'm going to start shots of B12 and biotin. For me this is really important because I travel so much. My lifestyle is quite challenging and this is something that supplements me before winter starts, which is a difficult time for your body.

I try to maintain an even tempo in all the games. Sometimes you play well and sometimes you get out. When you get out, you feel it is a wrong shot. Most players in tough situations play shots that could be out, but over time you refine that and give yourself the best chance of performing, the more you play in such situations.

When a person tests positive for HIV, it is not a test for the virus itself but for antibodies to the virus, and the test is not able to distinguish between HIV antibodies and a multitude of other antibodies. Many conditions can lead to a false positive result, including flu shots, hepatitis, and pregnancy.

You watched and you saw what happened and in the accumulation of episodes you saw the pattern: Daddy ruled the roost, called the shots, made the money, made the decisions, so you signed up on his side, and fifteen years later when the women's movement came along with its incendiary manifestos telling you to avoid marriage and motherhood, it was as if somebody put a match to a pile of dry kindling.

The thing that you learn in directing is that when you're on the floor, no matter how complex the shooting is...you have to remain absolutely sensitive to every nuance of the behavior of the people around you. Because, ultimately, if you don't keep in mind the overall humanity, then the machine takes over and suddenly all you have are technically fine shots, technically good performances. The story's being told, but something's lacking, something mysterious, indefinable.

At halftime [of Game 7], one of our oldest guys on the team, James Jones, came to me, and he's like, "Man, it's time for you to do something. You've been sleeping the whole playoffs, the whole final series." First couple of shots I got coming out, I was like, "You know what, I'm gonna shoot it." Fortunately they fell, and we started making our way back.

A woman does not have to make decisions based on the need to survive. She can cut through issues, call shots as she sees them....Many bad decisions are made by men in government because it is good for them personally to make bad public decisions.

I should also say, in general, I just drank a lot. I shouldn't characterize it as "to get the courage to perform." It was just an in-general nighttime activity. It definitely made it easier when I started doing stand-up. It was just much simpler to do a couple of shots. It made my nerves go away, for the most part. It just was something I sort of relied on for about the first four years.

The pictures of me on the Internet were silly, inappropriate shots. I appreciate all the support of my fans, and hope they understand that along the way I am going to make mistakes and I am not perfect. I never intended for any of this to happen, and I am truly sorry if I have disappointed anyone. Most of all, I have let myself down. I will learn from my mistakes and trust my support team.

People talk about Kobe's 81-point game, the second-highest scoring game in NBA history. I saw the game. I don't care if it was 79, 81 - I just remember the game. I remember the moves. I remember the shots. I remember the beauty of it. The numbers? What he shot from the field? I don't care.

I just try to just roll with the punches. I mean, once the team pretty much starts closing out, just try to get in attack mode, and at the same time, try to find my teammates. It's kind of hard, hitting the shots I was hitting, to try and pass the ball, but you've got to figure out a way.

We can't discount how scary and shaken not just the Turkish government is, but Turkish society is. Imagine if you had some rump group of military officials here in the United States who started flying off with F-16s or other artillery and were taking shots at government buildings, and people were killed and injured. People would be scared and rightfully so.

I don’t watch a lot of other basketball away from the gym. But I do look at LeBron’s box score. I want to see how many points, rebounds and assists he had, and how he shot from the field. If he had 30 points, nine rebounds and eight assists, I can tell you exactly how he did it, what type of shots he made and who he passed to.

We can talk about the value of sportsmanship on one hand, and on the other hand, the leading shots, highlights ... you see every night are the outrageous and unsportsmanlike, so I think there is a double standard here. On the one hand, we complain about it, on the other hand it's the first thing you see every night.

It's great we have a female Thor. It's great we have a black Captain America. But those are just optics; it's optics of change... Unless you have the structural diversity, the structural change behind the scenes - more women, more people of color actually calling the shots and editing these books - those optics won't last.

Say good-bye to Dodd-Frank and all of the financial reforms and efforts to try to rein in Wall Street. Just say good-bye to it. That means we can go where Wall Street gets to call the shots again. We saw how that worked out in 2008.

So after those Games, I continued to compete that season and the year after that. I really had the goal of being intentional. I didn't want to do big tricks because it was an X Games final or an Olympics final. I wanted to call my own shots. I started to do that and I started to have more fun than I ever knew I could have.

I think I've always had the shots. But in the past, I've suffered too many mental lapses. Now, I'm starting to get away from that and my mental discipline and commitment to the game are much better. I think I'm really taking a good look at the big picture. That's the difference between being around for the final or watching the final from my sofa at home.

I love watching old fights. It's hard to watch the black-and-white footage, although I know about Randolph Turpin and people like that, but I'm talking about Hearns, Haggler, Leonard, those guys. Sugar Ray Leonard, he was way before his time, throwing bolos and all that, those big wind-up bolo shots.

Eric Schmidt looks innocent enough, with his watercolor blue eyes and his tiny office full of toys and his Google campus stocked with volleyball courts and unlocked bikes and wheat-grass shots and cereal dispensers and Haribo Gummi Bears and heated toilet seats and herb gardens and parking lots with cords hanging to plug in electric cars.

The only thing I know that makes me feel comfortable is to know as much as I can. Not like what the shots are going to be, but knowing enough about my character that I can forget those things. And more specifically, my lines. I have to know my lines. I have to know something really well, so I can forget it when we're doing it. And there is comfort in knowing, "Okay, there's not another stone that I could have overturned."

I have always been interested in crafting films that use long, static urban landscape shots as a way of manipulating the emotions of the viewer and forcing them to slow down, which I think simultaneously makes them more vulnerable as spectators, and also puts them in a position of being more than just spectators.

I think everyone is just expanding, with the centers shooting 3s. I think that just opens the floor up a lot more. A lot more shots are going up, a lot more freedom of movement. It makes it more of an exciting game.

Martina Navratilova said in the early '90s that Seles would inspire the players of the future to also use two-handed forehands. That didn't happen, but she is responsible for the all-out aggression with which most of the top players play. All the low trajectory shots hit with just moderate amounts of spin and traveling into the corners like heat-seeking missiles? You guessed it, Monica's to blame.

Obviously fitness matters and at a certain age batsmen get the knack, batsmen get an idea how to get runs and I think he got the idea about 2-3 years ago how to get runs, what sort of shots to play and reading the situation.

Sudheer Varma is very easy going and very confident director. He knows exactly what he wants. He has a very good vision and knows how many shots he wants for a scene. He is super fast. He gives freedom for actors to try different things. The atmosphere on the sets was never serious. We had great fun working together.

Hale looked at Macey, who added, "Seven minutes since shots fired." "Kat what's the emergency response tie in Midtown Manhattan?" "Not long enough if they want a clean exit," she told him. Macey hadn't heard Kat's words, but she looked at Hale like she'd read his mind.

I keep like simple thing in my head, so obviously is working. Then it's luck. To be honest, look at set point. I hit one of the worst drop shots I ever hit and he hit a frame It's pure luck, you know, to haven't drop a set. So you need to have it sometime, and I hope I will have more.

In film, the camera can get an array of shots so the audience can see the emotion the character is giving off. Using close-ups on the characters face really helps get the message across. On stage, you cant do that. But the stage has that live feeling that you cant get anywhere else because the audience is right there.

Honey Boo Boo is a handful, baby. She says what she wants to say, does what she wants to do. Ive only seen, like, snippets, like one or two or three, you know, little shots of her, but yeah, shes a handful, baby.

As a group I thought we played connected. I feel like we had a lot of great shots, some great opportunities, and for us it is just bearing down a little bit and finishing. We believe in our team, for us we have confidence, we have respect and we know it is going to take a lot of hard work and playing together as a team.

I'm really specific in the way that I shoot. I've always had a very good sense of what I need in the editing room. I used to shoot in a way that drew more attention to the camera and I've tried, in each film, to draw less and less attention to the camera. I think when you pay attention to the shots, you're aware of the fact that there's a director.