Top 1200 Shots Quotes & Sayings - Page 2

Antonio Inoki majored in strong style. He showed real emotion with real technique in the ring. Hard shots that look like hard shots. But the important steps is the real technique from the real martial arts. It means detail is important.

At first you see a lot of people say 'Oh he's good, but he can't shoot' or 'Oh he's good, but can his shot translate to the NBA?' That just made me go into the gym and work that much harder to show and prove that I can shoot outside shots, and I can make shots.

Does Grandpa love to baby-sit his grandchildren? Are you kidding? By day he is too busy taking hormone shots at the doctor's or chip shots on the golf course. At night he and Grandma are too busy doing the cha-cha.

If you start worrying about your shooting percentages, you start not taking the shots you know you can make. You start worry about taking shots because you don't want to mess up your percentage.

In the past years, I got in a lot of foul trouble because I was out of position, or because I was just too aggressive. I was trying to block too many shots. It's really just learning when to take a chance at blocking shots, and to get to spots early.

I'm not a guy that's going to shoot 10 3s a game - I like to get to the basket. But some of those shots I do gotta take. Some of those shots I gotta let fly.

I'm a big fan of fiction film where you have a story and you have to transform that into a visual language, basically working with actors and also transforming that into how you pronounce that in the visual language of the shots, the construction of the shots and the lighting. All of that appealed to me from the beginning of my career at the university. When I graduated from the university, I wanted to deal mainly with that, with the visual aspect of the movie.

Just someone trying to shoot in 70mm deserves the nomination, and he[Quentin Tarantino] is shooting interiors, like tight interior shots, for that matter. Obviously [Quentin] is the director and demanding the shots, but all credit for the beauty of that film [Hateful Eight] goes to the director of photography.

Some game. If you get on the side where all the hot-shots are, then it's a game, all right - I'll admit that. But if you get on the other side, where there aren't any hot-shots, then what's a game about it? Nothing. No game.

Although the assembly of the shots is responsible for the structure of the film, it does not, as is generally assumed, create its rhythm; the distinct time running through the shots makes the rhythm of the picture, and the rhythm is determined not by the length of edited pieces, but by the pressure of the time that runs through them. The pieces that 'won't edit', that can't be properly joined, are those which record a radically different kind of time

I wouldn't have the experience or the confidence to go on 'AGT' without being on 'Little Big Shots' because doing 'Little Big Shots' was really fun, but it was also really good practice for my appearance on 'AGT,' and it was just a great, awesome experience that I will remember always.

The poetic temperament is the worst for golf. It dreams of brilliant drives, iron shots laid dead, and long putts holed, while in real golf success waits for him who takes care of the foozles and leaves the fine shots to take care of themselves.

I love just seeing shots of New York inside of a fictional movie that are not controlled. I do not like shots with extras, I have to say. I don't mind extras in other scenes, but I love New York City streets just as they look. I don't even care if someone looks at the camera. It doesn't bother me.

I don't take bad shots.

At its best, the US Open demands straight drives, crisp iron shots, brilliant chipping and putting, and strategic position play. Plus the patience of St. Francis and the will of Patton. At its worst, the Open eradicates the difference in ability between a Tom Purtzer and a Tom Watson and throws both in the same jail of high rough and high risk shots. This is the disturbing tendency in the Opens of the seventies and eighties, one which worries everyone in golf.

Some players like to change clubs around the green to hit high or low shots. I play all of my short-game shots with my 54-degree sand wedge and change my ball position to hit it higher or lower. I think it's easier to learn one club than four.

Golf is not about the quality of your good shots, it is about the quality of your bad shots.

Golf is the closest game to the game we call life. You get bad breaks from good shots; you get good breaks from bad shots - but you have to play the ball where it lies.

They really are bad shots.

An actor's performance can be improved or shaped - or ruined - by what takes you use, how long you are on the actor's face, what line you put on the other actor's face, and when do you use close-ups or wide shots or two shots.

I look at like this: Any player I guard, long twos or shots like that, if they make them I still think that's good defense. You can't make those shots at a high percentage the whole game. It's just hard to make long two-pointers, step-backs, fadeaways, off-the-dribble crossovers.

I want to be the guy calling the shots.

If a guy is shooting a shot in the corner 70 percent of the missed shots usually come off that other side and 30 percent hits off the front rim so just playing the percentages and kind of studying your teammates' shots throughout the course of the game.

It was more of me rushing my shots than anything. Thats the biggest thing for me. I was making good moves, but at the end of my moves, I was rushing all my shots. I learned a lesson.

When you play guard, you're not going to block a lot of shots. Inside, you're going to block shots.

When you hear my lyrics, you hear the shots that I throw at people. I throw shots because I always been the underdog. I got rejected so many times, and I say it in my lyrics constantly.

Even though Sachin is great, I have always found Rahul more solid and hard to get out. He has a solid defense and plays less shots than others. When a batsman plays less shots then it is tough to get him as he makes less mistakes.

I have never seen anybody, and I don't think there has ever been anybody like Nick Diaz in all of MMA. Can you tell me another guy who is going to stand right in front of you, take big shots, and still keep coming at you with those body shots and those amazing combinations?

In eighth grade, I pretty much didn't want to pass. I was 6'8'.' I was always bigger and stronger. I was getting triple-teamed, and the results weren't good. I wasn't helping my team. I was forcing shots. Then I started passing it out to my team, and they started hitting shots and slashing, and that's when things opened up for me.

Actually, in a lot of circumstances, the Kalashnikov is poorly used by people who are not especially good shots, or who are outright bad shots. In these cases, the rifle's weaknesses emerge. As far as accuracy goes, the Kalashnikov is stubbornly mediocre, and the ease with which it can be fired on automatic means that many people fire it on automatic when they would be better served firing a single, aimed shot. Getting shot at by a sniper is a much different experience, and far more frightening. But either experience is, to borrow your word, memorable. These memories are pretty much all bad.

Sometimes you get nervous because you cannot make shots and then you rush your shot and then you take bad shots and then you get even more nervous.

I'm not afraid to take big shots. I'm not afraid to take any type of shots.

Nobody - but nobody - has ever become really proficient at golf without practice, without doing a lot of thinking and then hitting a lot of shots. It isn't so much a lack of talent; it's a lack of being able to repeat good shots consistently that frustrates most players. And the only answer to that is practice.

Our bigs do a lot for us guards to get us shots, to get us shots, to get us open buckets, that they deserve the praise.

Good shooters take the shots; best shooters take most of the shots.

I'm a Scorpio, so I call the shots.

Some shots, for me, are a good shot even if it's forced. The way it might look to a person watching, they might look at it like, 'That's a tough shot.' But for me, it's not a tough decision. I'm committed to those shots, and I spend time working on them.

We are all in it together. This is a war. We take a few shots and it will be over. We will give them a few shots and it will be over.

My true role is to get actors to understand what the camera is doing and what my intent is so they don't waste their good stuff on over-the-shoulder shots and wide shots. They need to know when we're going in to get something important, so they know to really go for it. No human being can give you 1,000 percent on every single take or shot, so you need to let them know what you're heading for. It's important that the actors know they're being looked after and being recorded in a way so they can do their best.

I'm not against taking shots, but I am against taking bad shots.

I make shots, and that's what I am.

They're stealing my ideas. They're imitating my shots.

I miss all the shots I don't take.

Chi Chi Rodriguez had as good a pair of hands as anybody I ever saw, and more shots than you can imagine. But Chi Chi had a habit of turning simple shots into difficult ones.

I don't shoot shots just to shoot shots. I'm always working in a rhythm, working on mechanics. I've got a checklist of the things I need to do with my form, my legs, my arms, all of my mechanics.

In the school of boxing that I come from, that's frowned upon, giving up free shots, cos we know what those kinda shots do to a man's career, regardless of whether it shows up now, or shows up when you least need it. It takes a toll.

Me with diabetes, when I talk about it, it lifts people up. When I talk about how people need to take their insulin shots, it make people go take their shots. My words is like a damn preacher.

On the off days, you have to come in and try to maintain your rhythm, just try to keep everything together. I sometimes come by myself, or some of my boys, get up a few shots, not too much, before or after practice. I always find time to get some shots up.

The night before games, I try to get some shots up. Early on the game day, I come early in the morning to try to get some shots up. I just try to do the same things: go through the scouting, watch some clips before the game, just try to get my body ready.

I'm not better when I force shots. I'm going to take them as they come. They are really sagging in there, trying to take me out of the game. It's my job to find guys. I want to be aggressive and take my shots, but I can't force them.

Alan Rickman was such a terrific actor, and that was such a terrific character that he played. And it was a joy to be with him. We used to laugh together because we ran out of reaction shots. They were always - when everything had been done and the children were finished, they would turn the camera around and we'd have to do various reaction shots of amazement or sadness and things. We used to say we'd got to about number 200-and-something and we'd run out of knowing what to do when the camera came around on us. But he was a joy.

I am not a great fan of computers. I do watch videos and analyse which batsman is playing how. Batsmen can play different shots on different days. A batsman may not play cover drives well, but if he connects with two such shots, he starts playing the drive well on that day.

The time to hurry is in between shots. It's not over the shot. It's timing how people walk. You have to add that to the equation. If you've got somebody walking slow and they get up to the shot and take their 20 seconds, what's the aggregate time for them to hit that shot in between shots? That's what really matters. It's not the shot at hand.

You never make any of the shots you never take. 87% of the ones you do take, you'll miss too. I make 110% of my shots.

I don't hunt shots.

There are basically five ways to score in the half court. Layups, mid-range, three-pointers, free throws - and then what I call 'tough shots.' Tough shots come anywhere on the floor, under difficult circumstances. The ability to create that shot is a special skill in the NBA.

I'm very proud to be part of a cast that's gonna put Hot Shots on screen for the first time, Hot Shots are the first line of defense against wildland fire and these guys are so selfless, they are guys that do what they do without wanting any kind of attention for it.

All true competitors in any field and walk of life take adversity and are strengthened from it. They develop a reputation of determination and toughness that wins more decisive moments in life than winning shots. Bobby Blair was one tough player. Playing him was like going into a phone booth with an angry bobcat. His massive talent was only surpassed by his courage to hit the big shots under the most pressure. No one ever looked forward to playing him. It was going to be pain and suffering if you wanted to go the distance it took to beat him.

I never casually shoot shots, ever. I shoot the same way every time. I shoot the same shots that I'd shoot during the game.

I’m not perfect. I never identified with the way I look; I was just born this way. I don’t feel rejection if I’m not the right person for a job, because that’s not where I find my self-worth. I’m a beautiful person, and that’s not because of my modeling career. There are good shots, and there are bad shots, but it’s just like playing a character. If you think of the top five people that you care about the most in your life, you probably don’t care if they look good in every angle or photo.