Top 1200 Show Quotes & Sayings

If you act, you show character; if you sit still, you show it; if you sleep you show it.

If I'm going to show cleavage or chest then I don't show leg. I show one thing. If I show leg then everything else is covered up.

A show can be artistically successful; a show can be financially successful; a show can be successful by the transformative experience the audience is having; a show can be successful from the point of view of what is experienced by the cast and the company on a daily basis.

'Red vs Blue' as a show has evolved dramatically. It looks an entirely different show to what we started with, but the format of the show has changed so much over the years, too.

People say they make movies to show what 'really happens.' But they only show what they choose to show.

Each of us has our own crazy on the show. The show's called 'Crazy Ex-Girlfriend,' but we're going to explore the craziness of everyone on the show... That's one of the attributes of the show I love so much.

'Dancing With the Stars' is not a show about me - it's a show about my partner, it's a show about celebrities that join the show.

The only difficulty is that I'm playing to two audiences, and it's too bad the noise detracts from the show, because it's a great show. I've seen my own self out there, and it's a very good musical show. Sometimes the show gets lost in the hysteria and sometimes it doesn't.

They don't show Olympic boxing on TV in prime time. They haven't done that since 1988. In 1992, they showed one: Oscar De La Hoya. In 1996, they didn't show it. In 2000, they didn't show it. In 2004, they didn't show it. In 2008, they did not even mention boxing at all. You would think the United States didn't have a boxing team in 2008.

History can show you that it was one pile of bad stuff after another. It can also show you that there's been tremendous progress in knowledge, behaviour, laws, civilisation. It cannot show you that there was a meaning behind it.

You especially want to strive for that nuance on a show like 'The Flash,' which is different from 'Legends' in the sense that it's really, at its heart, a smaller show. It's a more intimate show, in a way.

'Ragtime' was the most magical show that I've done. I had an incredible experience with that, with the show itself, with the cast, with the audience. The response to that show - my God, it really blew me away, the reactions to that show, the way it changed their lives and altered their thinking, their own self-discovery.

Politics isn't a reality show or a gong show. It's not show business for ugly people. It's the arena where we define our common life in a rough and ready contest that has winners and losers.

I wanna thank MTV and the VMAs for choosing me to be a part of the show because, on this show, if you not an icon or upcomin' icon, you're not on the show, you know?

As actors, we want to show our acting prowess but one has to understand what to show and when to show. I learnt very early in my life that it is not required to be in the forefront all the time. There is a moment that belongs to you but when you are not needed, you need to disappear.

The number one show on television should be the most informative, educational and exciting show. 'Bonanza' is not that show.

I'm a lot smaller than most guys, so I have to make up with grittiness and show I can work the hardest, show I'm strong on my skates and show I can push some people around.

It's a very different show because of the elements that we're putting in. There's so many different styles of comedy, but Mr. Show was unique to Bob and David - two of the most brilliant performers and writers there are. Their show was based on them. Our show is a bit more broad. We have a cast of 7, we have guests. We can be slightly more topical.

Even at its height, 'The Daily Show' would do one great show a week, one pretty good show a week, and then two 'meh' ones. It was filler.

Allowing children to show their guilt, show their grief, show their anger, takes the sting out of the situation.

I think that 'Mr. Show' was a huge influence on me. It was literally the reason I started doing comedy, because I was asked to do a bit at The Comedy Store, and B.J. Porter and I went to see Bob and David - who I'd never heard of - do a live show, which was one of the shows that got them the 'Mr. Show' show.

He was a degenerate gambler. That is, a man who gambled simply to gamble and must lose. As a hero who goes to war must die. Show me a gambler and I'll show you a loser, show me a hero and I'll show you a corpse.

Show me the prison, Show me the jail, Show me the prisoner whose life has gone stale. And I'll show you a young man with so many reasons why And there, but for fortune, go you or I.

My show in Egypt was called, 'The Show,' or, 'Al Bernameg' in Arabic. Basically, it was a political satire show. It started on Internet by three, four-minute episodes, and then it evolved into a live show in a theater, which was something that was unprecedented in the Arab world.

'Tommy' was the first show I ever saw on Broadway. I was 14. It wasn't 'the show' that started that flame in me or anything, but it did excite me in a way no other show had. I'd never seen a show so brilliantly cast and directed.

I would never want the show to be a Democrat show or Republican show, because for us the show's more important than that. It isn't for everybody else in the world, but it is for us.

'Power' is not a black show. It's not a white show. It's a New York show.

For me, a show's a show. I try to put on the best show I can for whatever audience or time slot I get.

I come from L.A. where there's a sense of show. But that's not a bad word in my mind. We say art 'show,' don't we? 'Show' implies entertainment.

My favorite is doing the television show, as a variety show, every week. If the show wasn't that great one week, we could always come back and apologize, you know?

From a linguistic point of view, you can't really take much objection to the notion that a show is a show is a show.

Every wrestling show is now designed to be the greatest show ever. In contrast, the NWA show is different. It didn't tire people out to watch, something was allowed to register. It is the exact antithesis of planned, big budget, choreographed, scripted sports entertainment, and that is what makes the show so different.

I stopped trying to show everybody I could play. I don't need to show anybody anything. Just go be myself, and if I do that, then I can really show how good of a player I can be.

An older guy, he's going to show you things that a young man can't show you. He's going to show you how to stay alive. He's going to show you how to turn corners where your young friends will show you how to turn right into that wall, you know what I'm saying?

Show your work, and when the right people show up, pay close attention to them, because they'll have a lot to show you.

If you get a show named after you, and then play another character, that's fine. But if you do a show that's an ensemble show like... MASH, then you're in trouble.

One of the main reasons for success on the show is that we're not a demonstration show. We're an experimentation show.

Show me a young Conservative and I'll show you someone with no heart. Show me an old Liberal and I'll show you someone with no brains.

You show me a polluter, I'll show you a subsidy. I'll show you a fat cat using political clout to escape the discipline of the free market and force the public to pay his production costs.

We didn't have reruns back then, so when the show ended we thought it was over. I'm overwhelmed by how long the show has been popular and by how many people still love it today. I still watch the reruns and just laugh! Here in Mount Airy they show the Andy Griffith Show at 3:30 in the afternoons and they call it "Andy After School", but the show wasn't just for kids, it was for everyone.

I think there will be times where I need to be more serious, and I'll show that. I'll show an intensity that I think a lot of people can't really show or portray.

I was a rabid 'Seinfeld' fan. Then I did the show, and it ruined the show for me. Not that it ruined the quality of the show, but I had seen behind the curtain at Oz.

Let us, like merchants, show our foulest wares, And think perchance they'll sell; if not, The lustre of the better yet to show Shall show the better.

I've been in rooms where the creator has sold a show and then felt like the network didn't buy the show they wanted. They bought a show they thought they could craft into the show they wanted.

My most famous show is the 'Kitchen Show.' More famous than any gallery show or museum show I curated.

I don't know much about writing a show or being a show-runner on a show, but I can only imagine that when you first cast a show and you first do a pilot, there are so many components that you're throwing into the mix and you're not sure how they're going to develop.

My show is not just a cop hosting a talk show - the two are completely different. My show is about helping people stand up to the bad guy.

Our respect for the dead, when they are just dead, is something wonderful, and the way we show it more wonderful still. We show it with black feathers and black horses; we show it with black dresses and black heraldries; we show it with costly obelisks and sculptures of sorrow, which spoil half of our beautiful cathedrals. We show it with frightful gratings and vaults, and lids of dismal stone, in the midst of the quiet grass; and last, and not least, we show it by permitting ourselves to tell any number of falsehoods we think amiable or credible in the epitaph.

I spent a year storyboarding and writing on a show called 'The Marvelous Misadventures of Flapjack' for Cartoon Network, which really taught me how to run a show. Or at least the idea of running a show.

A show isn't just a show, a show is entertainment; it's modeling, acting, singing and dancing all ripped into one, with the little time that we have to do it.

Salman Khan's association with 'Bigg Boss' has taken the show to another level. Because of his presence, the show has gained immense popularity and the reach of the show is tremendous. It has become a household name.

The first two, three, four weeks are wasted. I just show up in front of the computer. Show up, show up, show up, and after a while the muse shows up, too. If she doesn't show up invited, eventually she just shows up.

In the spring of 1996, I was working for Nickelodeon on a show called 'Rocko's Modern Life,' and I was interested at the time in doing a show about the ocean, an undersea show.

The idea of the show is that it's active and that children will become involved and watch the show, but also participate in the show. And I didn't know if that would work.

And it was a whole lot of fun, and in many ways, what we've done with the show is just taken that part of my early memories of visiting my dad, shooting with the Muppets, and taking that and making a show that's really an expansion of that and presenting a show that's all that.

My solo show, 'A Lot More Me,' is part drag show, part burlesque show, part circus show, and part fashion show.

I love science. I hate supposition, superstition, exaggeration and falsified data. Show me the research, show me the results, show me the conclusions - and then show me some qualified peer reviews of all that.

I worked on a show called 'West Wing' before. I didn't work with Aaron Sorkin, but he created the show and set the tenor of the show, which was you follow the words of the script perfectly because there's a dramaturgical thing behind it.

Show me thy feet, show me thy legs, thy thighs Show me those fleshy principalities; Show me that hill where smiling love doth sit, Having a living fountain under it; Show me thy waist, then let me there withal, By the ascension of thy lawn, see all.

I got my first show at Blum & Poe because Paul McCarthy postponed his show, and they came to my studio and asked me if I could put together a show in two weeks.