Top 1200 Show Business Quotes & Sayings - Page 17

I think every show I do, whether I am doing eight shows a week of a Broadway show... I think, "that's a show I'll never get back"... I go home at night and I think to myself, "that was my favorite".

Conscious business.. business that is conscious of inner and outer worlds.. would therefore be business that takes into account body, mind, and spirit in self, culture, and nature. Put differently, conscious business would be mindful of the way that the spectrum of consciousness operates in the Big Three worlds of self and culture and nature.

Fun is at the core of the way I like to do business and it has been key to everything I've done from the outset. More than any other element, fun is the secret of Virgin's success. I am aware that the ideas of business as being fun and creative goes right against the grain of convention, and it's certainly not how the they teach it at some of those business schools, where business means hard grind and lots of 'discounted cash flows' and net' present values'.

If you're a car salesman, and someone says "This is a terrible car, I'm not buying it," it doesn't mean they hate you. They just don't like your product. I think that's a mistake a lot of people in show business make.. they're so tied to their act they take everything personally.

When my brother and me got into performing in the late '40s and early '50s, it was a sensational opportunity to learn from our elders. Every show we played had a dancer, a comic, a juggler, a singer, an acrobat. I came to appreciate virtuosity in all forms of the business.

I think the fact that I grew up in show business had a real effect on my personality. If you were born in New York during the golden age of television, and you grew up on Broadway, that marks you.

I enjoy a lot of stuff. That's why I pursued a career in show business, because I enjoy watching everything as much or more than making it. I'm just a big TV and movie junkie from when I was a kid. Fortunately, it worked out.

I think we all have great opportunities individually but collectively our unit is so much bigger. Collectively our unit is something I've never seen on television. I don't look at our show as a basketball show. I look at our show as a sports and entertainment show.

The key thing is to invest in the future, and what that means is - when you're deploying technology or you're a technology business - is to make sure that you're keeping on the innovation cycle, where you're both creating and adopting the new business practices and the new techniques in order to drive your business the right way.

The key thing is to invest in the future and what that means is when you're deploying technology or you're a technology business, is to make sure that you're keeping on the innovation cycle, where you're both creating and adopting the new business practices, and the new techniques in order to drive your business the right way.

My opinion is that the movie business should show an accurate picture, but I think the responsibility lies in the educational system. Most of the educational material I've seen on the Native American does not portray an actual picture.

Seinfeld [show] had been so huge for me. It was one of those things where I discovered Seinfeld really early and was making sure everyone I knew was watching it. I would tape it on VHS and show it to people that hadn't seen the show yet.

I always smoked cigars. I've smoked cigars with everybody in show business.

You know, 'The Golden Girls' was a very unusual show to start on. I was young, and it was a show about old people, and it was a very traditional show, but it was also an amazing training ground for a joke-writer. It forced me to learn those skills.

I did the Ed Sullivan show four times. I did the Steve Allen show. I did the Jackie Gleason show.

Early on, I joined that large group of show business cadets who were 'multi-hyphenates,' 'independents,' 'self produced' or 'alternately financed.' Sometimes, most times, I've had to do it all: raise the money, write the script, produce, direct and act in the film.

I want to show who I am, show my best tennis, show why I'm there, why I belong.

The average small-business owner uses 18 apps to run their business every day, and if those applications don't allow data to flow seamlessly and they don't integrate, it's going to become a point of friction. It's going to prevent the small business from being successful.

I wrote a little autobiography about how luck has to do with everything. It's called "My Lucky Life In and Out of Show Business." A publisher came to me and said write a book so I did. I wanted to call it "Everybody Else Has Got a Book."

My love life has never been of interest to people. Of course I have a love life; I have a real life outside of show business.

You didn't have to know anything about show business to appreciate the characters' humor, because at its heart, 'Party Down' was about following dreams, dealing with rejection, and surviving all the lame jobs we've all had to work just to get by in the meantime.

In the restaurant business, you never want to have enemies, whereas it seems that many politicians judge their success by how high their enemies are and whether they can show that they can hold their ground and give a punch for every punch they take.

I've been watching 'The Cosby Show' and 'Roseanne' a lot right now, and those work so well because they're not, like, jokey comedies; they are coming from real characters. We want our show to be like that. A family show.

For me what we need is a great deal of fiscal stimulus to show the UK is open for business. We need to upskill our workforce. I'm very much in tune with the work our chancellor is doing.

Katey Sagal, you are an incredible actress. You worked on ‘Married with Children,’ the show that changed comedy, ‘Sons of Anarchy,’ the show that took comedy to a whole new level and ‘8 Simple Rules,’ the show that killed John Ritter.

I started dancing when I saw Fred Astaire in 'Flying Down to Rio,' at approximately nine years old. Fred Astaire influenced me, more than anything, to be in 'show business.

I think one of the most difficult challenges in show business is the challenge of longevity and to constantly realize and reveal what's already been there - like doing stage and singing and dancing in New York. I haven't been that far out of my comfort zone in a while.

I had so many local shows before I came back to New York, which is the ideal place to do a national syndicated show. Then I spent five years trying to convince people to give me a shot in the syndication business.

Television is a business and, financially speaking, they have decisions and considerations that go far beyond the creative merit of the show. But at the same time, you'd like to believe in a man's word. When he shakes your hand and says he's going to stay with it, and doesn't, it's really frustrating in a way.

I wrote a little autobiography about how luck has to do with everything. It's called 'My Lucky Life In and Out of Show Business.' A publisher came to me and said, 'Write a book,' so I did. I wanted to call it 'Everybody Else Has Got a Book.'

In many competitive worlds like luxury, things are done behind closed doors and with secrecy, so one day I had a eureka moment: for one weekend we show everything, full transparency, forget about business or commerce and showcase our work.

The goal of business should not be to do business with anyone who simply wants what you have. It should be to focus on the people who believe what you believe. When we are selective about doing business only with those who believe in our WHY, trust emerges.

You show you care, you die.You show you fear, you die.You show nothing, maybe you live.

I have always been involved with radio, whether it was as an artist talking to radio about my own songs, or as a promotion man at Def Jam to working records through my company. In 2000 I was asked to host a show in Norfolk VA and through that show I was then asked to host the morning show in Detroit. The concept of the show was around Hip Hop. We were active in the community and we wanted to do a local show that had a hip hop feel around it.

I spent some time studying Toyota, because how could a loom maker - they made looms. That was their business for 50 years, 35 years - and then they decided to go into the car business after everyone else was in the car business.

Magic is the oldest part of the show business profession. It can now be used as a forward-thinking tool to build a child's confidence. It has been an amazing part in many entertainers' lives, including Steve Martin and the late Johnny Carson.

Let us show the world that a difference of opinion upon medical subjects is not incompatible with medical friendships; and in so doing, let us throw the whole odium of the hostility of physicians to each other upon their competition for business and money.

A very common thing these days is people show up and they ask us in the band to sign with a Sharpie right on their skin and they go get it tattooed the next day. Then they'll show up at another show and they'll have their tattoo.

France was very opposite of the show-business experience I'd been living; I was anonymous and alone. I wore no makeup, wore the same clothes every day. And I wrote and wrote and wrote.

Look at every show on television; it's derivative of another show that came before it. It was only a matter of time. So all you 'Mentalist' fans, it's okay to like the show, but don't be in denial of where it came from. Friday nights, U.S.A., basic cable-style baby.

After I left the White House, I kept a foothold in the business of American politics; as a talk-show host, analyst, commentator, speechmaker, and occasional writer. I was no longer a practitioner, but I was still a partisan, a Democrat, a blue-stater through and through.

I often find the smaller, independent films are much more rewarding than the bigger stuff, but you do the bigger stuff because it's a business, and you've got to show your face a bit, get yourself around.

I loved everything about show business, meeting the stars, the whole ambience. I was living every young kid's dream. I was told a pop singer's life was three years, but I was still making money seven years later.

I started dancing when I saw Fred Astaire in 'Flying Down to Rio,' at approximately nine years old. Fred Astaire influenced me, more than anything, to be in 'show business.'

My good friend Paul Shaffer and I are going to continue in show business. Next month Paul and I will debut our new act at Caesar's Palace with our white tigers.

I think my legacy should be that when I started in show business, there wasn't no such thing as rock n' roll. When I started with 'Tutti Frutti,' that's when rock really started rocking.

Yeah, I had a talk show canceled. Okay, let's go back to the list of people who had talk shows canceled. Johnny Carson had his first talk show canceled. Jon Stewart. Letterman. Conan O'Brien, if you look at 'The Tonight Show' as a show that got canceled.

I was a crazy Pee-wee Herman fan when I was in my early teens. Before he had the kids' TV show, he had a nightclub show in L.A., and I had gotten a VHS copy of it. It was a kids' show, but onstage in a bar, so it's sort of poking fun at the kids' show. And I was obsessed with that, and then 'Pee-wee's Big Adventure.'

It was only after I'd had some injuries that I basically retired from the performing side of show business and then began working in casting. I did that for 19 years or so before a friend of mine decided to cast me as Phyllis Lapin-Vance on 'The Office.'

Let me show you how to drive me crazy,Let me show you how to make me feel so good,Let me show you how to take me to the edge of the stars and back again.You've gotta show me how to drive you crazy,You've gotta show me all the things you wanna happen to you,We've gotta tell each other everything, we always wanted someone to do.

One of the great things about 'The Cycle' is that we have a wide set of topics - news, culture, music, and sports - and every week, we have several authors of new books on, which often injects literature, history, technology, business, and science into our show as well.

I think maybe one reason why ventriloquists are looked down on is because it's very difficult to be funny. I think what happens is that people get a dummy, they learn the technique of ventriloquism, they memorize the script, they think they're in show business.

We now have a generation of people who in many cases feel that if they become chefs, they'll get a TV show. They have a signature haircut, a year into the business, or a branding arrangement with a shoe company. I don't really relate to that. I guess this is the world we live in now.

We're not trying to make a reality show at all. The show gets described sometimes as a reality show, sometimes as a prank show. I think it's neither. It's just about us, and it's just about us having a platform to be funny and do comedy, really.

While I appreciated the educational advantages I enjoyed in the school and was proud of what I could show in mental culture, I had an earnest desire for something more than a mere business education... I desired to study for a profession, and this prompted me to leave my native state.

I'm sure some people might be offended by that, but this is my feeling about show business. It's not all about pure talent. There are certain people who command a stage because they look good ,like me.

I've always been a good mother, but I've always been in show business, and I've been on stage, and I don't bake cookies and I don't stay home.

If I were in this business only for the business, I wouldn't be in this business.

The Texas thing is such a big deal because whenever I see Texas in a TV show, they always show slow-moving cattle and cowboys with the hats. I wanted to show that Texas isn't a stereotype.

Some people would argue the other side: that the business of business is business, and companies should only be focused on profits. But in today's world, I don't think corporations can only be focused on profits, because they are inextricably linked with the communities that they serve. I do not believe you can be a leader in your industry without being a leader in your community. It's a fundamental shift in how you think about business.