Top 1200 Show Business Quotes & Sayings - Page 18

I tell my graduate students [at Bard College], ‘There are two ways to change the world: through policy, or through sustainable business.’ With sustainable business, individuals build solutions within the current system… Sustainable business asks, ‘How would nature do this?’

I love a smart, well-written show, and '30 Rock,' well, you can't get any better than that. Tina Fey poos funny. There's nothing that she does that isn't funny. That show is an example of how brilliant she is. It's so smart. They've done some brilliant commentary about the 'Housewives' with 'Queen of Jordan,' their show-within-the-show.

I'm proud of the work that we did, and my hope is that everyone who worked on 'Kroll Show,' it will be a credit that people will be like, 'Oh, you worked on that show? The word on that show was that it was good.'

What's fascinating . . .is that you could now have a business that might have been selling for $10 billion where the business itself could probably not have borrowed even $100 million. But the owners of that business, because its public, could borrow many billions of dollars on their little pieces of paper- because they had these market valuations. But as a private business, the company itself couldn't borrow even 1/20th of what the individuals could borrow.

As an improvising musician, I am not in the music business, I am not in the creativity business; I am in the surrender business.

When you're writing something, and you're putting yourself out there, or you're performing and someone comes in and savages that, then of course it feels personal. It doesn't feel like it's just business, because there's no business - it's not like we're conducting business, this anonymous critic and I. It's just that this person is tearing me a new asshole.

Acting is definitely an incredible pursuit, but on the other side, it's a business, and learning where art meets business was a huge lesson for me. The more you can wrap your mind around that idea - that yes, this is my art, but it's tied into business - the more it helps you understand and move past the failures.

There is a terrible thing that's been happening probably for the last 20 years or so and it's called the music business. And music isn't really business; it's work and you got to pay and you've got to buy your guitar or go into the studio. So there is a business side but when people say, "I'm going into the music business," it's not. It's about expression. It's about creativity. You don't join music, in my mind, to make money. You join it because it's in you; it's in your blood stream.

You have to constantly recreate yourself in show business, which is a very fast thing, especially now with the tremendous speed of social media. There are so many personalities, so many different kinds of comedy that you can access, so it’s definitely important to stake your claim and say who you are.

I guess it turns out choosing your life partner from a group of men trying to get their break in show business by sitting around shirtless in a swimming pool while cameras watch around the clock isn't the path to a soulmate after all.

You do show after show after show and get them done and on the air. Television devours material. We work a minimum of 12, 14 hours, and often 15, 18 hours a day.

It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time, when they listen to our show and then go see a show, they'll realize even more what it takes to make a show, and they'll know even more about everybody on stage, rather than just people above the title of the show.

I booked my first national tour of a Broadway show right out of college. It was the tap show, '42nd Street.' I had only been tap dancing for three years when I booked that show.

I think there's just some fundamental decisions at the beginning that are going to make it different. Our show The Right Now Show is going to be specifically different than Mr. Show because of the talent involved.

It's much better to wreak havoc on a show and be a maniac than promote myself. Plugs and anecdotes aren't really in line with my beliefs. Besides, if someone sees me on a morning show and thinks, 'That's not funny; this guy is crazy,' then I don't want them to come to the show anyway.

My best business decision was going into business for myself and owning the box my pretty face was on instead of just being the pretty face on the box. And my worst was letting other people run my business.

I do see things that are funny on the net. I Googled myself the other day and found out that I was worth $250m, and that I was the highest-paid guy in show business! I wish so hard it was true. It is, of course, the complete opposite. I'm neither rich nor do I make a lot of money.

Part of my purpose in my books has been to tell the complete story of a relationship and a marriage, not just to end with 'happily ever after,' leaving the protagonists at the altar or in bed... I wanted to show some of the complicated business of actually living a successful marriage.

In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.

When I came to the Food Network, I didn't want to do a cooking show. I told Kathleen Finch for nine months I didn't want to do a cooking show, I wanted to do a home-and-garden show.

I built a very methodical television show around my business. I learned how to use television as a platform to advertise products. I created a platform showcasing the stuff that I build. It's taking the integration model to another level.

You don't need tons of money to create art. You do need tons of money to be a part of show business. They are two different things.

We did a different show every night. We'd open a show, and then two weeks later we'd open the next show. And two weeks later we'd open the third show until we had all eight running. And it was just one of the richest experiences I'd ever had in my theatrical life.

I would love to see Mr. (Henry) Ford in there, really. I don't know who started the idea that a President must be a Politician instead of a Business man. A Politician can't run any other kind of business. So there is no reason why he can run the U.S. That's the biggest single business in the World.

In the end, alchemy, whether it is metallurgical or financial, fails. A base business can not be transformed into a golden business by tricks of accounting or capital structure. The man claiming to be a financial alchemist may become rich. But gullible investors rather than business achievements will usually be the source of his wealth.

In setting up a business under the name and meaning of the Golden Rule, I was publicly binding myself, in my business relations, to a principle which had been a real and intimate part of my family upbringing. Our idea was to make money and build business through serving the community with fair dealing and honest value.

I watch a TV show called 'Shark Tank.' It's one of my favorite TV shows. It's basically self-made millionaires who have either come up with their own business or clothing... I came up with the idea of designing clothes.

I got into this business for one reason, and I stayed in this business for one reason: To be the World Heavyweight Champion. I think if you are in professional wrestling, and you don't have that dream or aspire to be the best and carry that World Heavyweight Championship, then you are in the wrong business.

Certainly in the movie business there are bullies all over - bullies in the distribution business, exhibition business, production. Fine-tuning adult bullying is different. When a bully is an adult, it's a whole different set of colors.

Every business is manmade. It is a result of individuals. It reflects the personalities and the business philosophy of the founders and those who have directed its affairs throughout its existence. If you want to have an understanding of any business, it is important to know the background of the people who started it and directed its past and the hopes and ambitions of those who are planning its future.

A business is not defined by its name, statutes, or articles of incorporation. It is defined by the business mission. Only a clear definition of the mission and purpose of the organization makes possible clear and realistic business objectives.

There is the expression of selfishness and there is the expression of selflessness - but economists or theoreticians never touched that part. They said: 'Go and become a philanthropist.' I said, 'No, I can do that in the business world, create a different kind of business - a business based on selflessness.'

There are companies trying to build business within Saudi Arabia, and what they find is that if they try to bring on locals and teach them how to become senior executives, they just don't show up to work. They are not predictable as to when they'll come in and how much of their hearts are into that opportunity.

I think one reason why our show is popular too is that we have relationships with all these people. They are our actual friends. We're not like show promoters where we're like, (sleazy) "Hey, come on over and do a show."

Rome is magic, it's like being in Hollywood. But the difference between Hollywood and Rome is that here you don't have just the movie business. The movie business is so little, so you also have the choice to hang out with people who do different kinds of business.

The transformation at the corporate level was achieved by selling off business units in old markets and by creating new business units to pursue the new opportunities. But the individual business units themselves within those transformed corporations were almost inert to change.

I thought I was learning about show business. The more painful it was, the more important I thought the experience must be. Hating it, I convinced myself it must be invaluable.

When you're doing a single-camera show, it's more buying into a level of reality. I think a sitcom, a four-camera show, doesn't require that so much. I think with a film show, you just need the characters to grow.

Come to West Virginia and we'll show you how to live... how to treat people. We're open for business. West Virginia is truly on the move.

We're nondenominational. I come from Northern Ireland, and we've had religious wars for years. I didn't want to create an illusion that my God is better than your God. So our show is a spiritual show, not a religious show.

I never wanted to do reunion shows for the sake of a reunion show. I've done all the 'Brady Bunch' stuff except for the Variety Show, but when a talk show wants us all to get together for their sake, it's not interesting to me.

I've never been unfaithful outside 'Made In Chelsea.' I don't care what the reputation looks like. I was unfaithful on that television show because it's a show about that. I'm not saying it was acceptable behavior, but the show wouldn't work without relationships failing. In real life it's completely different.

I had business experience. I had made my living designing and building electronic equipment. Basic business was not new to me, but the music business was completely new to me. I knew nothing about distribution, or any of those things.

Organized business has assumed that greater profits would be pretty much of a cure-all, and it has to a major extent ignored the fact that the welfare of business rests upon the welfare of the consumers of a nation; that business or free enterprise will function in a democracy only so long as the democracy functions.

The entire idea of building a series of systems in a business is simply this - to create the tools that allow you, as a business owner, to increase productivity and get the job done. The idea behind these systems, of course, is to quit needing your judgement or input in every area of the business.

I have always said and maintained that I think being an RJ is the most difficult job in the media business. To have that energy and animation in your voice alone, to capture your audiences through your show, is entertainment in the true sense.

Obviously Mad TV, SNL are one kind of show, whereas The State belongs to the kind of show that is entirely conceived written and performed by a set group that existed before the TV show.

I don't have any ego about it, but I find there's not a great work ethic in show business. A lot of people are in it to make money, and coming from stand-up, you have to work so hard because almost nothing works, and if you lose the audience for three minutes, you're dead.

I am very intense. I can't help it. That's the way I am. You can't be in this business without being intense. The pressure and tension get to you; it can't help but show on you.

Robert Gober, for example. He doesn't seem like somebody who is just going to show in a gallery that asks him to show. He's just making his work, and when he's ready, he's going to show it.

I hope, what I hope the most is to be more successful as a mother than in show business, because to be a mother is the most difficult I will ever have to do.

My show is an anti-show and the audience have to want to listen. I'm sitting down, there's only one of me, I don't talk much to the audience and it is very quiet. I wouldn't be able to do that kind of show if people didn't know me and my material.

He used to have a tent show, a little tent show, and I thought I was going to get a job working one year on the tent show, but he closed it down and I never got to go out there, but anyway, he had a sax and played drums.

We work hard on the show. We really believe in the show. It's an enormous privilege to work on a show that has the power to touch people's lives in such a positive way. The fan mail and the e-mail certainly reflect that.

Bret Hart, you don't really understand the business of the Pro Wrestling business. You only understand the Bret Hart business of the Pro Wrestling business, and they are two different things.

I had no interest in being an actress what so ever, and when I was about 14 or 15, I was signed to a company in England. They owned a children's TV show which they put me in as a singer, and I was on the show for three years, and I left the show when I was 18 and started looking for a record contract.

It used to be that if you got on 'The Tonight Show,' your career was made. Now, if you're on 'The Tonight Show,' maybe 14 more people show up to your gig in Tulsa.

I'm working on a cooking show; I'm going to do some of it at Dallas Page's performance center. I'm going to do a cooking show called 'Dude Food,' where I show young guys how to eat good and clean, cheap.

The business of government is to keep the government out of business - that is, unless business needs government aid.

I never thought much about success early on. I only thought about being a comedian - or just being in show business, is really more accurate.