Top 1200 Show Me Quotes & Sayings

Show me who your friends are and I'll show you who you are. It works for me. Stay positive and good things happen.

Show me a great actor and I'll show you a lousy husband. Show me a great actress, and you've seen the devil.

Show me your hands. Do they have scars from giving? Show me your feet. Are they wounded in service? Show me your heart. Have you left a place for divine love?

You show me a polluter, I'll show you a subsidy. I'll show you a fat cat using political clout to escape the discipline of the free market and force the public to pay his production costs.

For me, a show's a show. I try to put on the best show I can for whatever audience or time slot I get.

Don't help me or serve me, but let me see it once, because I need it. Don't work for my happiness, my brothers — show me yours — show me that it is possible — show me your achievement — and the knowledge will give me courage for mine.

I think that 'Mr. Show' was a huge influence on me. It was literally the reason I started doing comedy, because I was asked to do a bit at The Comedy Store, and B.J. Porter and I went to see Bob and David - who I'd never heard of - do a live show, which was one of the shows that got them the 'Mr. Show' show.

Show me a god that does not demand mortal suffering. Show me a god that celebrates diversity, a celebration that embraces even non-believers, and is not threatened by them. Show me a god that understands the meaning of peace. In life, not in death.

And while my mind is telling me I'm flirting with her just to prove a point, my body wants to play "you show me your perky privates and I'll show you mine.

Show me a country where the bombs had to fallShow me the ruins of buildings so tallAnd I'll show you a young landWith many reasons whyThere but for fortune, go you or IYou or I.

The show was called 'Jean-Paul Sartre and Ringo.' Bonnie Hunt was in the cast and she made the biggest impression on me. That show just blew me away. I couldn't believe these people were doing this. So that had a big effect on me.

I didn't plan on going into show business. Show business picked me. And it's been fun. One of the best things about being in show business is people think they know me, and they feel like they grew up with me.

I wanna thank MTV and the VMAs for choosing me to be a part of the show because, on this show, if you not an icon or upcomin' icon, you're not on the show, you know?

The live show allows me to transcend myself, because it's not about me anymore. The writing process is very much about me but then the live show is not. They feel really different.

We tried to do a show once every three weeks to a month. We'd always do a new show. It was not successful. It did not become the Matt & Ben show, but it taught me what I like to do as an actor and what I like to do comedically.

Show me anger and I will show you 'Hurt'. Show me hurt and I will show you 'Love'. Peel the layers if you care!

I was a rabid 'Seinfeld' fan. Then I did the show, and it ruined the show for me. Not that it ruined the quality of the show, but I had seen behind the curtain at Oz.

I think a theater show is a pure version of me doing my material. The theater crowd is a bit more polite, there really aren't hecklers, and there are a lot of people there to see me, and they're excited about the jokes and hanging out with me for a show.

Even as a boy, my dad always told me, 'Don't show emotion.' If I banged my cue, he would give me a row and say, 'Stop that.' Don't show any petulance. It was developed, certainly, but I think you have got to have it in you.

He was a degenerate gambler. That is, a man who gambled simply to gamble and must lose. As a hero who goes to war must die. Show me a gambler and I'll show you a loser, show me a hero and I'll show you a corpse.

Think about Kennedy. Think about Carter. Think about Clinton. Think about Obama. They've all been in their forties and from outside Washington, or underdogs in one way or another. I just think that Americans are looking everywhere, saying, 'Hey, show me some authenticity. Show me somebody who's practical. Show me people who run things.'

I did a standup show called 'Show Me the Funny,' so from that I got some TV stuff and people would book me for gigs. I wasn't really good enough at that point, so had to catch up with expectations.

[With depression] you get a real sense of shame, because your friends go, 'Oh come on, show me the lump, show me the x-rays,' and of course you've got nothing to show.

'Tommy' was the first show I ever saw on Broadway. I was 14. It wasn't 'the show' that started that flame in me or anything, but it did excite me in a way no other show had. I'd never seen a show so brilliantly cast and directed.

Show me a young Conservative and I'll show you someone with no heart. Show me an old Liberal and I'll show you someone with no brains.

I love science. I hate supposition, superstition, exaggeration and falsified data. Show me the research, show me the results, show me the conclusions - and then show me some qualified peer reviews of all that.

I spent a year storyboarding and writing on a show called 'The Marvelous Misadventures of Flapjack' for Cartoon Network, which really taught me how to run a show. Or at least the idea of running a show.

Stop talking about how you care about people. Show me something. Show me a policy. Show me a policy where you take responsibility.

My show is an anti-show and the audience have to want to listen. I'm sitting down, there's only one of me, I don't talk much to the audience and it is very quiet. I wouldn't be able to do that kind of show if people didn't know me and my material.

You know, 'The Golden Girls' was a very unusual show to start on. I was young, and it was a show about old people, and it was a very traditional show, but it was also an amazing training ground for a joke-writer. It forced me to learn those skills.

'Ragtime' was the most magical show that I've done. I had an incredible experience with that, with the show itself, with the cast, with the audience. The response to that show - my God, it really blew me away, the reactions to that show, the way it changed their lives and altered their thinking, their own self-discovery.

Then idiots talk....of Energy. If there is a word in the dictionary under any letter from A to Z that I abominate, it is energy. It is such a conventional superstition, such parrot gabble! What the deuce!....But show me a good opportunity, show me something really worth being energetic about, and I'll show you energy.

For me, a good show is not a perfect show; it's just one where you connected. It's a show where the fans got to know you, and they realize that you're human, but they also think you're a star and that you're talented and all that good stuff.

There's a lot of different parts to me, so it makes total sense to me that I would do a big TV show or studio movie and then do a free comedy show the next day. They both feel equally important to me.

We knew all along we were making a good show, so its success was not a surprise to me. What has surprised me is the magnitude of this show's success. More people see me now in one episode than saw me in 20 years of movies and theater!

Yeah, well when I first started working, it was $5 a show; it was probably a little higher by the time I got to my own show, but I remember that they put me under contract at $100 a week, which to me was really an astronomical price.

In 1985, I was the host of a talk show, 'Hot Properties on Lifetime.' Hulk Hogan was on the show. He put me in a headlock and rendered me unconscious and let me fall to the ground. I split my head open and got nine stitches - and this was on live TV.

I'm like this mercenary actor going from show to show - people love to hire me, but then don't want me around much.

If you're a pitcher, and you're pitching and you strike me out and you start celebrating on the mound and showing me off, whenever I get a hit off you, I'm going to go and celebrate, and you shouldn't get mad. If you're a pitcher and strike me out and show me respect and you don't show me up, when I get a homer or a hit, I'm not going to show you up. That's what I believe.

Show me how to love the unlovable Show me how to reach the unreachable Help me now to do the impossible...Fo rgiveness

I'm a representative of something that's greater than myself. When you see me out there on the track, I'm not just representing myself or my country, I'm representing Christ and what He's done through me. I have a responsibility to show His love and show others what He's done for me. It's also freed me up.

I had no interest in being an actress what so ever, and when I was about 14 or 15, I was signed to a company in England. They owned a children's TV show which they put me in as a singer, and I was on the show for three years, and I left the show when I was 18 and started looking for a record contract.

All the way on the West Coast, never having seen a Broadway show, it was like, 'They don't want me. There's nothing there for me.' I'd come to New York a lot and never even tried to see a Broadway show. There was no reason for me to do that.

Show me the prison, Show me the jail, Show me the prisoner whose life has gone stale. And I'll show you a young man with so many reasons why And there, but for fortune, go you or I.

Let me show you how to drive me crazy,Let me show you how to make me feel so good,Let me show you how to take me to the edge of the stars and back again.You've gotta show me how to drive you crazy,You've gotta show me all the things you wanna happen to you,We've gotta tell each other everything, we always wanted someone to do.

Show me why your regulation of culture is needed. Show me how it does good. And until you can show me both, keep your lawyers away.

'Dancing With the Stars' is not a show about me - it's a show about my partner, it's a show about celebrities that join the show.

You don't realize what fine fighting material there is in age. ... You show me any one who's lived to over seventy and you show me a fighter - some one who's got the will to live.

Show me an actor who doesn't want to be famous, and I'll show you a liar. Later, you realise that there's more to it than just the acquisition of fame, and money and girls. But that is what drives them and was what drove me, initially.

My solo show, 'A Lot More Me,' is part drag show, part burlesque show, part circus show, and part fashion show.

This may sound funny, but as much as the 'Today' show matured me, it also was something of a cocoon. I'd been happy there. I never went into the boss's office and pounded my fist on the desk, saying, 'Give me more money! Give me a prime-time show!'

My radio show is actually the conclusion to my week. Which means there'll be 20% of what's happened to me during those five days, on my show. If I don't do my radio show I actually feel lost! It's like the bookends - the beginning and the end of the week and the whole thing comes together. So for me it is important.

I got my first show at Blum & Poe because Paul McCarthy postponed his show, and they came to my studio and asked me if I could put together a show in two weeks.

I don't think I would be getting any of these movies without that show, and that's a strong show, a great fan base and it's helped me out a lot. It took me out of Canada and brought me down to the states and gave me my career basically.

Seinfeld [show] had been so huge for me. It was one of those things where I discovered Seinfeld really early and was making sure everyone I knew was watching it. I would tape it on VHS and show it to people that hadn't seen the show yet.

Show me thy feet, show me thy legs, thy thighs Show me those fleshy principalities; Show me that hill where smiling love doth sit, Having a living fountain under it; Show me thy waist, then let me there withal, By the ascension of thy lawn, see all.

I couldn't do my show without spending 12 years on the streets of Humboldt Park. It made me a better interrogator. Still, if they had taken me out of my squad car and gave me a show, I would've been terrible. But on 'Springer,' the spotlight was on Jerry and I got to grow up within the show.

My primary passion is film-making. That's the aspect of my life that defines me, completes me, and completely grounds me. Everything else - from judging a reality TV show to hosting a talk show - is just a result of me being a film-maker. I am the happiest, satisfied and at peace when I am behind the camera.

I had seen Orange Is The New Black show on Netflix and the first thing that came to my mind was, "Why am I not on this show? It's just irritating me right now." So I made some phone calls and told them, "I want to be on your show." And they found a spot for me.

Nobody was like, 'Kimberly, we're going to let you anchor general news or host a show or do any of that.' I at first started out doing legal analysis, but I had to make the case to my bosses... give me a shot, give me a chance, and I was able to do that: say, 'Let me fill in. Let me show you my range. Nothing to lose here - it's the holidays.'