Top 1200 Show Off Quotes & Sayings - Page 19

When you look at the runway now, the girls are 15 and 16 years old with no knowledge of clothes, no idea how to project themselves. I was trained how to show off the dress, how to move to make the clothes look better.

In perpetrating a revolution, there are two requirements: someone or something to revolt against and someone to actually show up and do the revolting. Dress is usually casual and both parties may be flexible about time and place, but if either faction fails to attend, the whole enterprise is likely to come off badly.

But, at the end of the day, we want to have a show where we can focus on these individuals and their relationships with each other. That's really what the show is about.

Many actors have protested about mobile phones going off in theatres, but the real menace now is people texting during a show. It may only disturb a few people around them, but for me, as an actor, when I spot them answering their emails, I am outraged.

It was actually the production group that ended up producing the show for us...Every musician, especially in the hip-hop community, you always make these show recaps or vlogs, and essentially what "Touring's Boring" was is, we tried to make our vlogs interesting and almost more like a TV show. That's how we got discovered by TV.

Just to clarify the division of labor on the show, I write the show and Alan [Poul] does everything else.

With the television thing you have this lull of time where you're not with the character. And when you get those first pages, you're like, "Who is she again? Huh? Where did we leave off?" Then you show up at the read-through and all of the sudden the voice is there, and you realize that the character is still stewing in you all that time, even in the downtime.

Show me a genuine case of platonic friendship, and I shall show you two old or homely faces.

One of the things that makes this show unique, in terms of an experience, is that when you do a show that has a large cast, scheduling is a very difficult thing.

The show is called 'MacGyver,' and I've got to be there every day. There are probably a lot of girls out there watching the show that I don't have time to talk to.

Yeah, I could get an internet page and maybe get a thousand downloads of new songs but it's a lot of work. I'm 57 now, I really feel like I've got the T-shirt. I just like performing. It's instant. I go off, I do the show, it's over. I like that.

Another show I really enjoyed working on was 'Raising The Bar.' I did four or five episodes of that show.

Dialogue is not always the best way to show emotion, to show your thought process, or to reveal yourself, as a character.

The Walking Dead' is my show. I download it from iTunes so that I can watch it the second it comes out. It's a show that I've got really involved in, emotionally.

I wanted to come up with a hybrid show of sorts that wasn't your traditional 'dump and stir' type of cooking show.

You can train and train until you are blue in the face, but you've got to diet, you've got to have that leanness because if you are not lean, your abs won't show. Of course, the training has to be put in, but then you've to shed all the fat and keep the fat off. And that's how you get an eight pack.

When I was growing up my favorite show was 'The Mary Tyler Moore Show', and I loved all the stuff that Norman Lear did.

The next step for me is not 'The Tonight Show.' That's a job for Jimmy Fallon. I'm way too divisive for a show like that.

I think Oz is the type of show that makes you turn away in fear and in horror, so for a television show, thats pretty intense.

For each show, we do maybe 15 versions before it goes on air. So I know every show microscopically.

I always wanted to be an actress. And it wasn't ego. I felt so little about myself, considered myself such a sparrow. Not just my size. I thought I was so plain... I did plays not to show off but because if I did that - I didn't realize it at the time - I would be somebody other than this person I didn't really approve of.

Strictly' is a machine, it's a beast! It's the biggest show on television, I was thrilled I was allowed to come to watch the show - let alone work on it!

You show me a highly unequal society, and I will show you a police state. Or an uprising. There are no counterexamples. None. It's not if, it's when.

Yeah, 'Gossip Girl' is a good show. It's a real New York show, like 'Sex and the City.'

We deliberately chose a small theatre so that the show was still intimate and the audience would become a part of the show.

Anything I write that I consider stage-quality work, I won't give my TV show. I put it in my live show.

When I announced I had cancer on stage, it was my brain leaping to that insane moment of, "There's no way I could start a show saying, 'Hi, I have cancer!'" And also for me to have these scars, and then think, "Oh my gosh, what if I did stand-up and not even acknowledge that my shirt was off, or that I have scars.

The Hollywood actor business can be a little shallow and can be a little more of a facade, and Nashville and the South, people are genuine and real, so if I can be based out there and go off to Hollywood to do a film or do another TV show and then fly back to Nashville, I'd be set.

To me, I always felt like drums have to be the support and the driving factor in a song, and there's places where the drummer has to show off and do things and get the spotlight, but not all the time. You've gotta pick and choose. And it's always gotta be about the song. That's really the bottom line.

I sometimes close my eyes during a show because I have drawn a picture of an audience enjoying the show more on the back of my eyelids.

When the rich and well-established, who should be generous, are instead spiteful and cruel, they make their behavior wretched and base in spite of their wealth and position. When the intellectually brilliant, who should be reserved, instead show off, they are ignorant and foolish in their weakness in spite of their brilliance.

I am a feminist. I'm trying to show the relationships between men and women, always the structural relations, not individual villains. I'd never make a husband a villain. I try very hard in my work not to - because if I made one man a villain, the rest would be off the hook. I'm interested in the system of oppression.

Nobody wanted the 'Roseanne' show. I heard from agents that there was no interest in a show about a fat woman and her family.

Americans are terrified because so many of them have been laid off in recent years and months and they fear that they may be next. Even if they have not been laid off or have not known anyone laid off, they definitely know someone who has lost his home.

My first drag role was the character Widow Simone in the ballet 'La Fille Mal Gardee.' She's a crazy social climbing woman trying to marry off her daughter to the wealthy town idiot. And in the middle of the show, she gets to perform a clog dance. I loved it.

Andy Paley got us a show opening for his band at an outdoor show at Simmon's College, on a Friday.

I think it's always interesting how music means different things to different people, and people who overthink it are looking to in some ways show off with music, versus people who just respond to a song and decide to sing it.

I want to know: How does a space suit on Mars work? Show me how it is pressurized, and how it is cooled. What's the glove design? None of that stuff can be bought off the rack. It does not exist. You can't just go to SpaceMart and buy those things.

I've been asked for years to do a reality show. One of my criteria is that I would be given the opportunity to show a strong family unit.

Oh yes, my best birthday gift was when my dad gifted me my first car in college. It was a Maruti Swift. I thought that was the coolest thing ever. It was so much fun, as I could completely show it off to my friends that I have my own car now and not my dad's car.

I like Pride festival because we get to show up and show out. Remind people we have resilience and rainbows.

I think 'Oz' is the type of show that makes you turn away in fear and in horror, so for a television show, that's pretty intense.

When you're making a television show, it's about the story and arc of the show rather than any particular episode or director.

I think it's a lot easier to put together a reality show than to actually create a scripted show.

Also, if I did join another show, I'd end up burning my bridges to the show I love most.

Show me a completely smooth operation and I'll show you someone who's covering mistakes. Real boats rock.

On social media people tend to show off, and post their most attractive picture, and moments that are most likely to give everyone else FOMO (Fear of Missing out). They rarely share the moments when they feel down, or when things have gone wrong and they need support.

I value very much the time before the show, when there is nothing else but to concentrate on the show, and it's just purely design.

You have to lead, in the case of a game show, a contestant through the architecture of the show. So there's a lot of rules there, literal and implied, that you have to navigate.

When you're first starting a show, any show, you learn what works and what doesn't work, and it's a kind of trial and error thing.

I go for as much feeling as I can rather than show what I can do up and down the neck. I don't play to show people ability.

I have so many other talents other than fighting, and I would love to be able to show those off. I would like to say, 'Yes, I'm a fighter, and I'm this,' or, 'Yes I'm a fighter, but I'm also this.'

I have fought to protect those benefits that ensure better salaries for teachers across the Nation such as grants to pay off student loans and funding for Teach for America. Still, we must all do more to show our continued appreciation for our Nation's leading role models.

The Republicans finally got some good news over the weekend. The North Koreans set off a nuclear bomb. Thank God. It was so powerful it knocked the Mark Foley story right off the front page. And knocked him off the page he was on, too.

The first time I really had an influence on a show was during 'Ragtime.' It's still the most magical show that I've ever done.

Another show I really enjoyed working on was Raising The Bar. I did four or five episodes of that show.

I'm in showbiz. I look at my boobs like they're show horses or show dogs. You've got to keep them groomed.

Mainly, when I go see a show, unfortunately it's more industrial espionage than it is going to actually enjoy a show.

Well, I think tone is very important with this show [Masters of Sex] because there are certain elements or certain aspects to the show that may be reminiscent of other shows. But, it really is a very new kind of show, in terms of the subject matter and the way it's being dealt with, and the fact that it's about real people and real events.

Walking into a show when I was 16, at that time when it was the No. 1 hit show, and replacing a character comes with so many expectations. I felt a lot of pressure with that.