Top 1200 Show People Quotes & Sayings

I think 'Heroes of Cosplay' will show a lot of the positive things, like how much effort it takes to make a costume. These people on the show aren't taking shortcuts. As long as that effort gets through to the viewers, we will be inspirational. Then there will be people who watch the show that want to get in and hands-on make outfits.

We didn't have reruns back then, so when the show ended we thought it was over. I'm overwhelmed by how long the show has been popular and by how many people still love it today. I still watch the reruns and just laugh! Here in Mount Airy they show the Andy Griffith Show at 3:30 in the afternoons and they call it "Andy After School", but the show wasn't just for kids, it was for everyone.

Politics isn't a reality show or a gong show. It's not show business for ugly people. It's the arena where we define our common life in a rough and ready contest that has winners and losers.

Show kindness whenever possible. Show it to the people in front of you, the people coming up behind you, and the people with whom you are running neck and neck. It will vastly improve the quality of your own life, the lives of others, and the state of the world.

I would say we had two goals when doing this CD. The first goal is to introduce people who have never seen the show before to the best comics that are on the show. And goal number two is to introduce people that they never heard of before and give you a bit more flavor of what the show is actually like. And those goals are very much in line with the philosophy of the show from the very beginning. It's the very best people who are out there.

There are not that many people who can say they have been on a show long enough to leave it. Usually, you don't have a choice. The show gets canceled. There are very few people who live in the rare air of being able to leave a show while it is still in production.

It is one of my targets to show people that a lot of things that are part of their landscape - that people are universal - are the result of some very precise historical changes. All my analyses are against the idea of universal necessities in human existence. They show the arbitrariness of institutions and show which space of freedom we can still enjoy and how many changes can still be made.

Every wrestling show is now designed to be the greatest show ever. In contrast, the NWA show is different. It didn't tire people out to watch, something was allowed to register. It is the exact antithesis of planned, big budget, choreographed, scripted sports entertainment, and that is what makes the show so different.

'The Cosby Show' was a show about black people that was fundamentally and unequivocally friendly to whiteness and to white people. The Huxtables had white friends.

When you play a show or festival, people know what they're getting; they want it. Then you're thrown onto a show where people are watching TV in their houses, and whether they ask for it or not, we're being played in front of them. There's a lot of negative feedback.

You show me pollution and I will show you people who are not paying their own way, people who are stealing from the public, people who are getting the public to pay their costs of production. All environmental pollution is a subsidy.

I remember when I had my show [The Chris Rock Show on HBO], I used to run my show. It was so hard to get people to bring sketches to me. No one had ever worked for a black person before. Even the black people hadn't worked for a black person. It literally took a month or two for everybody to know: I'm really running the show.

One of the things I've learned - before I would go on a show, I was like, "Oh God, I hate that show" or "That show is gonna get canceled." But now after being full-time on a show, you see how difficult it is and how much work goes into it and how so many decisions are based on finances or people's schedules or talent or location issues. It's a miracle that anything gets made.

If you really want to show power in its larger aspects, you need to show the effects on the powerless, for good or ill - the human cost of public works. That's what I try to do, show not only how power works but its effect on people.

I always tell people if you want to do something, go to a great comedy show. And that's what I try to do: give people a really good comedy show.

I think there will be times where I need to be more serious, and I'll show that. I'll show an intensity that I think a lot of people can't really show or portray.

A lot of people, Lady Gaga and Katy Perry and a lot of people have written for other people, and of course Bruno Mars. So I think it's a great way to break into the industry and show people what you can do and show them your talent and people tend to listen a little differently to your own music as an artist, when you've proven yourself as a good songwriter for other artists.

My show is an anti-show and the audience have to want to listen. I'm sitting down, there's only one of me, I don't talk much to the audience and it is very quiet. I wouldn't be able to do that kind of show if people didn't know me and my material.

I'd rather make a show 100 people need to see, than a show that 1000 people want to see.

For years, people have been trying to talk to me about doing a show, and I wouldn't do one because I'm a serious business guy. I'm not going to do a stupid show. So, the opportunity came up with CNBC, and we started talking. It became a real business show. It's educational, people watch it, and it's great for small business.

One of the things we try to do on 'The Fosters' is shine a light on the problems and the people that get pushed to the periphery. From the very beginning of the show, when we told people we were putting foster care at the center of a TV show, even the people who work in the system were afraid.

People don't buy music anymore; they're stealing it. But you can't steal a live show. There's no way to reproduce a real live show. So I think that when you put a great bill together, that people will come out for it.

I love doing [stand-up]. I love making people laugh no matter how. Whether it's a commercial, or a TV show, or a reality show, or a talk show, or a special, or a book. However I can make people laugh, that's what I want to do.

It kills me to see people think that, show business is sex, drugs and rock and roll. And I have what you call a meet and greet. I do it before the show. But when I was doing it after the show especially, there would be people who would come back and said, OK, Smoke, where's the party?

It's fun because I really do love meeting new people. Comedy can be so different from show to show and from writer to writer and actor to actor. People don't set out to make a bad show.

In the stand-up comedy top, there's room for everyone - if you're good, there's room for everyone. You'll put on your own show - no one casts you. You cast your own show as a stand-up comedian. When you get good at stand-up comedy you book a theater and if people show up, people show up. If people don't show up, people don't show up. You don't have a director or a casting agent or anybody saying if you're good enough - the audience will decide.

A very common thing these days is people show up and they ask us in the band to sign with a Sharpie right on their skin and they go get it tattooed the next day. Then they'll show up at another show and they'll have their tattoo.

Sometimes you can just tell there's something unique about it, but you can never really truly tell until you show it to a third party - you show it to you friends, or you show it to people you know that know about music like my label or those kinda people.

Each week we usually have one person who's never done the show before. Last year we had close to 60 who'd never done the show before. We're constantly booking new people, sometimes to the consternation of people who live here who do the show regularly.

In television, there's this weird sense of isolation from your audience; you kind of get this feeling that you write the show for you and your wife and your friends and the other people who work on the show. It's our little show, and then it goes out into the world, and somebody watches it.

I don't wish to be a part of 'Bigg Boss.' People only fight on that show; whenever you put on that show, you hear people fighting.

Netflix is in every country except China and North Korea. Enough people have seen the show. I mean, I'm in Patagonia and people recognize the show [ Narcos].

I think one reason why our show is popular too is that we have relationships with all these people. They are our actual friends. We're not like show promoters where we're like, (sleazy) "Hey, come on over and do a show."

My favorite show of my father Aaron Spelling is probably a show that was his favorite and that was a show called Family. He was the most proud of that show because, you know, my dad kind of got a bad wrap, I think. A lot of times people would say oh he just makes jiggle TV and it's all for entertainment purposes. But he did some really amazing shows as well that he was really proud of, that people kind overlooked. And Family was one of them.

What's so fascinating about people is what they don't show. People are masters at it; usually actors show too much.

It wasn't until I had a platform and an opportunity like 'Being the Elite' to show people that I'm a real human being. Show people I have a personality. I think that's helped more than anything in my career.

I think "Heroes of Cosplay" will show a lot of the positive things, like how much effort it takes to make a costume. These people on the show aren't taking shortcuts. As long as that effort gets through to the viewers, we will be inspirational. Then there will be people who watch the show that want to get in and hands-on make outfits.

You know, 'The Golden Girls' was a very unusual show to start on. I was young, and it was a show about old people, and it was a very traditional show, but it was also an amazing training ground for a joke-writer. It forced me to learn those skills.

I bring people on stage with me. It's a good time, and people love to join in on the party. Show me a smile, and I'll show you one back.

I'm proud of the work that we did, and my hope is that everyone who worked on 'Kroll Show,' it will be a credit that people will be like, 'Oh, you worked on that show? The word on that show was that it was good.'

Yeah, I had a talk show canceled. Okay, let's go back to the list of people who had talk shows canceled. Johnny Carson had his first talk show canceled. Jon Stewart. Letterman. Conan O'Brien, if you look at 'The Tonight Show' as a show that got canceled.

I don't want people kissing my butt. If I had a bad show and I know it, don't tell me I had a good show. I hate that. I guess because I'm 17, people think I don't see stuff like that.

If people sneak into my show, that's a sign of a good show, you know? If people want to risk getting in trouble with the law to come see you play music, that's a sign you're doing something right.

People say they make movies to show what 'really happens.' But they only show what they choose to show.

Show your work, and when the right people show up, pay close attention to them, because they'll have a lot to show you.

My show is not just a cop hosting a talk show - the two are completely different. My show is about helping people stand up to the bad guy.

Yeah. When I was 14, my Dad had a radio show with really cool people from Ghent, our hometown, in it. The people who started the R&S techno label, they did a show, and a very well known Techno DJ called Frank de Wulf who was from around there, he did a show, and everybody could do what they wanted. They all started up there.

We work hard on the show. We really believe in the show. It's an enormous privilege to work on a show that has the power to touch people's lives in such a positive way. The fan mail and the e-mail certainly reflect that.

I just want people to leave a show and go, 'That was the most rockin' show I've ever seen.' I hope people can just roll with me a little bit - you know?

I feel so lucky to have the opportunity to make the show, and that it is in alignment with what I'm interested in, with what I read about. For me, it just felt like an organic step - of course, I'm thinking I want a show that allows for more representation for the community and shows the struggles people face, especially when we're hearing all this political rhetoric - to have a way to show how much this affects people lives.

Treat people kindly. When you are kind to somebody and I don't mean necessarily "buddy-buddy", just show kindness and consideration. Show that people are worthy and you respect them and you are glad they're with you.

It used to be that if you got on 'The Tonight Show,' your career was made. Now, if you're on 'The Tonight Show,' maybe 14 more people show up to your gig in Tulsa.

Seinfeld [show] had been so huge for me. It was one of those things where I discovered Seinfeld really early and was making sure everyone I knew was watching it. I would tape it on VHS and show it to people that hadn't seen the show yet.

The truth is, people go to shows because they want a show. They want showbiz. When people talk about a show they saw it's not because they heard a song, it's because they were excited and geared up about the show.

I post less-than-flattering selfies and don't try to change who I am to make people like me. I try to show people that they don't have to be afraid to show their goofy side.

The bias against the show is purely elitist. We're all like the people on the show - the difference is that some of us speak better, or were born richer. There's nothing that happens on my show that rich people don't experience.

I'm a lot smaller than most guys, so I have to make up with grittiness and show I can work the hardest, show I'm strong on my skates and show I can push some people around.

When we started the show, there were mixed responses. Half of the people said, 'That show doesn't have a chance.' The other half said, 'That show doesn't have a prayer.'

The show isn't about screens, and we don't have any video content or lasers or things blowing up. I want people to come to our show to listen. I want the show to be the music.

The one thing people like about my show is it's universal. Everybody can relate to it. I think people enjoy going to a show and saying, 'Something like that happened to me.'