Top 1200 Show People Quotes & Sayings - Page 16

It's important that people come see our show, because we are performers. We wanted people to see that.

We so love to stereotype people in this country - I can relate to that myself as I've experienced it. By taking on challenges over the years, I've tried to show people I'm not just some 'posh boy' and that there's far more to me.

We deliberately chose a small theatre so that the show was still intimate and the audience would become a part of the show.

I talk to people and show 'em how to solve their problems and stop sitting around and complaining. So I just give people little T-isms, so that when they hear my story they know where I'm coming from and that I'm real.

All that young people have to look up to are older role models, and I think it's important to have people like myself show that it's OK to be who you are when you're young.

Show me a completely smooth operation and I'll show you someone who's covering mistakes. Real boats rock.

I've just got into the convention circuit in the last couple of years and it's great to see all these people who are still interested in the show. It's so gratifying to hear that so many people enjoyed the work that Erin and I have done.

But, at the end of the day, we want to have a show where we can focus on these individuals and their relationships with each other. That's really what the show is about.

Dialogue is not always the best way to show emotion, to show your thought process, or to reveal yourself, as a character.

I don't want people at my shows to come out and say, 'I just saw a cool show.' I want them to say, 'I had fun at the show.' I want it to be a collaborative thing and be part of the audience and have them be part of me. I try to interact with everyone there and have them be equal to me because they are.

There's no people like show people.

I can't do a one-camera show. I don't know how to do that kind of show where you count in your head and then you do the next line.

I admire people who have and show "class." Coach Pat Riley has class! I can only hope other people say the same about me.

If you want a show to talk about politics or the Muslim ban or whatever - someone should make that show. That's not what I'm interested in.

I think 'Oz' is the type of show that makes you turn away in fear and in horror, so for a television show, that's pretty intense.

Our borders are much too porous...We want to keep them open, but we also have to be much more careful. ...Right now, if you get on an airplane [to the U.S.] and claim asylum...when you arrive at Kennedy Airport in New York, they will say to you, 'OK, we'll give you a hearing on whether you deserve asylum. Show up in a year.' And two-thirds of the people never show up.

Looking back on my career, some of the hardest times - eight people at a show, 12 people on a bus - were some of the most fun.

The gay people know where I'm at. Straight people may not know where I'm at, but they find it kind of interesting when they show up and see what is sitting around them.

Walking into a show when I was 16, at that time when it was the No. 1 hit show, and replacing a character comes with so many expectations. I felt a lot of pressure with that.

I think it's a lot easier to put together a reality show than to actually create a scripted show.

It was actually the production group that ended up producing the show for us...Every musician, especially in the hip-hop community, you always make these show recaps or vlogs, and essentially what "Touring's Boring" was is, we tried to make our vlogs interesting and almost more like a TV show. That's how we got discovered by TV.

You have to lead, in the case of a game show, a contestant through the architecture of the show. So there's a lot of rules there, literal and implied, that you have to navigate.

Anything I write that I consider stage-quality work, I won't give my TV show. I put it in my live show.

I think performers are all show-offs anyway, especially musicians. Unless you show off, you're not going to get noticed.

It's still word of mouth that is going to make or break a show, and while critics can't help a show, they can hurt it.

For each show, we do maybe 15 versions before it goes on air. So I know every show microscopically.

I would like to continue to make art by being able to do what I love and have that make it possible for me to support my family. I'd like to make people happy, show people a good time, and hopefully inspire some people.

Just to clarify the division of labor on the show, I write the show and Alan [Poul] does everything else.

Golfers are genuinely courteous in a discourteous world. Show me a guest on The Jerry Springer Show who's a golfer.

The Walking Dead' is my show. I download it from iTunes so that I can watch it the second it comes out. It's a show that I've got really involved in, emotionally.

Whatever you have in your show should be special, but not over the top to the point that it takes the focus away from the collection. After all, the clothes are the most important. But I don't see why I shouldn't do something that makes people smile: they are three weeks into fashion weeks, they are running all over the place, so there's no harm to coming to a show and being entertained. Of course, it has to work with the concept of the collection, it can be tricky but I know where to stop.

The oldest form of theater is the dinner table. It's got five or six people, new show every night, same players. Good ensemble; the people have worked together a lot.

People are getting picked up off the street and getting a show, and it's because we're not using the people that are trying to be entertainers - use more of them.

That would be awesome, to be totally making records whenever I want and to play a show and have a few hundred thousand people there at any city you go to because people know you and your music.

There is this sense of David Cameron leading a Government that's badly out of touch with ordinary people's lives. I'd absolutely welcome the opportunity to show all political leaders what life is like for most people.

I value very much the time before the show, when there is nothing else but to concentrate on the show, and it's just purely design.

As a director you want to show the truth of people and sometimes that's unflattering, or it's not something that people want to see.

I'm always happy to be a part of history. When you're a part of history, you live forever. 'The T.A.M.I. Show' will live forever because now it's brand new. We did that 40-odd years ago, and people are really starting to see it now. I was a part of history when I recorded that show.

Nobody wanted the 'Roseanne' show. I heard from agents that there was no interest in a show about a fat woman and her family.

To my mind there are not enough things that show the Nazis as human, as smart people, charismatic people, who are not inhuman naturally. But who are able to be fantastically inhuman when they choose to be.

I wanted to come up with a hybrid show of sorts that wasn't your traditional 'dump and stir' type of cooking show.

Andy Paley got us a show opening for his band at an outdoor show at Simmon's College, on a Friday.

While choosing a fashion show, I take into consideration the designer and the collection. Then only I said yes to do a show.

Also, if I did join another show, I'd end up burning my bridges to the show I love most.

Another show I really enjoyed working on was Raising The Bar. I did four or five episodes of that show.

Yeah, 'Gossip Girl' is a good show. It's a real New York show, like 'Sex and the City.

The music business is filled with some nice people but a lot of strange people, so when you come across someone who's really genuine at an environment as bizarre as an awards show, you typically gravitate to them.

I love meeting people who've read my books. The prime reason to be on the planet is to make things I can show to other people: paintings, books, movies.

Coming into my second year, my main thing is to show growth - show that I can be consistent and play at a high level all the time.

Show me a genuine case of platonic friendship, and I shall show you two old or homely faces.

Tucker Carlson has the new seven p.m. show on Fox and right now it may be the most interesting and engaging show.

After six years of doing it, the weird thing on 'Towie' is that we can't explain to people that we're famous. We're doing a show where we have to act like normal people.

When it went on the air, the sales department hated it. It was the highest advertising pullout show in the history of NBC. At the early focus groups, people were saying, 'Who are these people? Why should we watch them?

If other people choose to believe because I do, great. I want to show people God's love through what I do and who I am. At the same time, I don't feel I need to pass out Bibles at the concert.

The next step for me is not 'The Tonight Show.' That's a job for Jimmy Fallon. I'm way too divisive for a show like that.

'Scream Queens' was a big, sensational show. There's nothing subtle about a Ryan Murphy show, and I love that.

The movie, if I recall, didn't have to do with the television show because there were concerns from everyone that they didn't want it to be like the TV show.

The first time I really had an influence on a show was during 'Ragtime.' It's still the most magical show that I've ever done.

There are so many funny people and so many talented people, but the one thing nobody else has is my take on the world. So, when I'm developing my show, that's going to be the focus.

The show is called 'MacGyver,' and I've got to be there every day. There are probably a lot of girls out there watching the show that I don't have time to talk to.