Top 1200 Show Tunes Quotes & Sayings - Page 20

Sometimes you have to show them what they want to see in order to get them to show you who they really are.

Improv is really fun but it's a lot harder to show people your work if they don't come to your show. Something about the energy doesn't transfer on tape.

I want to stay in show business; if show business will have me. Still I'd like people to know that I can do something without wearing bib overalls.

Show me someone who never gossips, and I will show you someone who is not interested in people.

When I was a kid there was a show called 'Holmes & Yo-Yo' about a robot cop. I LOVED that show and I think it only lasted like three episodes.

My first job was a show called The Others. I had, like, three lines. Julianne Nicholson was in it, and Gabriel [Macht]. I remember Gabriel wasn't there the day I was, but he sent a note, because he went to Carnegie Mellon as well, so we knew each other a little bit through that, and he was so sweet and generous. It was meant to be a recurring role that would evolve on the show, but the show only lasted a little while and I ended up only doing that one episode.

When you get your show - that's what 'King of Queens' was for me. That was my part; that was my show - I was meant to have that part.

One of the things I like best about the Halloween show is that I change outfits about six times in the show. It is a lot of fun to play the different characters.

Show me where a man spends his time & money, and I'll show you his god.

I like my clothes tight enough to show I'm a woman, but loose enough to show I'm a lady.

You're funny, and you're smart, and you may show up late, but you always show up eventually.

I actually feel like, for a lot of my career, I wasn't able to show my comedic range. I did a lot of dramas and dramedies. I was on 'E.R.' That's not generally thought of as a funny show.

Show me an executive that works long hard hours and I'll show you a bad executive.

Whenever I perform I try to connect with the crowd and give off energy so when they walk away from the show its remarkable and its something they talk about it, like 'damn I cant wait to come back to my show.'

I have been fortunate in my career to play a lot of lead roles. The downside to that is I don't have a life outside of the show. I go on lockdown even with my wife if the show is really difficult and I am having vocal problems.

Show me any health professional - great and not so great - who says they don't make mistakes or haven't made one in years, and I'll show you someone who has trouble admitting the truth.

The key word about The West Wing is show. It is not a reality show. It has nothing to do with reality.

It was more of their quirky show. It was more like a cult show. The ratings weren't really that high.

We can't have a show where we only show the good parts and when things turn ugly, as life often does, we stop pack up our stuff, apologize to the millions watching, and just go home.

I don't regret my decision that I left a popular show like 'Balika Vadhu.' I am happy that I am out of the show and took a break for a month in Delhi.

On 'Sunny,' we're not trying to be a family show. We're literally trying to make the funniest show possible.

When I auditioned for 'Jessie,' I knew that Disney Channel basically will do 100 episodes of a show if it's a hit; they'll stick with something. It's a great network to work with because they make a nice big commitment to a show.

My father was invited to play on a television show when I was 17 or 18 that was an early equivalent of educational television, a Sunday afternoon kind of variety art show.

In my stories for children, I sometimes show a hard, harsh, dangerous world. I'm going to show you the way it is, but I'm going to also tell you that there's every reason to hope.

Lucifer has a sense of fun about life; he just likes to play with people. But the sense of humor of the show is what makes the show entertaining as opposed to dark.

I'm most excited that the hard work has paid off for myself and the team. You put your heart and soul into something and you want to show it to an audience outside of Jersey Boys. It gives a chance to not only show my work, but of Jeffrey Schecter as an actor and co-writer. It gets to show off our cinematographer, my production team. That's what I'm most proud of… everybody gets to have their own moment to enjoy it.

Doing a show for three weeks is nothing like doing a show for seven seasons.

My father was invited to play on a television show when I was 17 or 18, that was an early equivalent of educational television. Sunday afternoon kind of variety art show.

The excitement that comes with walking a Victoria's Secret show is simply unique, so walking out my third show wearing my TWA was one the sexiest moments of my career so far!

I'm at a point in my career, I've been around a long time now, over 35 years in broadcasting. I don't worry about much. I respect what America's Got Talent is. It is a family show. It is a show that I love.

I just want my audiences to be entertained and feel like they're part of the show. I want to show them a good time and create an experience they're going to enjoy.

I think it's terrible to show that to kids. It's - I think you should - if you - if you do a piece where something violent happens and someone dies or is badly injured, you must show the pain.

You can't predict a show, that is the damndest thing, you can't predict if a show is going to work or not until it's on the air.

When you're on the show that's not the time to make decisions. It's before you get on it, so you won't be swayed by pressure. Mentally prepare yourself for the show, and set goals for yourself and stick to them.

Most of my career has been about standing on a stage performing music to an audience, and once the show is over, they go home and I go on to the next show.

I really like scripted dramas. My favorite show of all time would have to be 'Lost': I loved how the writers and producers were able to weave the different storylines together; and the acting in that show was incredible.

If you watch that show and you didn't know it was called Seinfeld, you'd think it was called 'The George Costanza Show'.

Show me someone who has done something worthwhile, and I'll show you someone who has overcome adversity.

I hide my true feelings to avoid causing you trouble or pain, I act strong to show you that I'm not unreliable, I hold my tears back to show you that I'm happy but what hurts the most is knowing the fact that I'm not all these things I portray to be.

Seriously, show me a person who's not into Tom Hanks, and I'll show you a person who is anti-happiness.

If I show somebody something that I've written and they say, "Eh...alright," I just put it away and I never show it to anyone again. But I know people who won't take no for an answer, and eventually someone pays attention.

I'm so proud of this show and I'm really stoked that fans were so enthusiastic about the show so quickly. I mean, I got recognized for 'Arrow' at the airport when I was headed to Vancouver to shoot the second episode. That was kind of crazy.

CBS garners a predominately older white audience, and by having a show like 'Superior Donuts' on their weekly programming, it distorts what people are used to seeing in a positive way. It's a show I think was necessary.

I don't believe, in a show like ours, that you really want to see character growth. That's just my opinion. Maybe to a small degree, but nothing serious. To that end, it doesn't have the same importance that it would have, if you were on an hour-long show. I think an audience gets really hungry for a character to grow and change on an hour-long show, and I think I would be more antsy.

I mean, people have created great shows, produced wonderful television, and nobody tunes in. For whatever reason, it just doesn't resonate with the masses. And vice versa, people have produced some really crappy television and mediocre stuff, and for some reason it hits. And there's no rhyme or reason.

Netflix is in every country except China and North Korea. Enough people have seen the show. I mean, I'm in Patagonia and people recognize the show [ Narcos].

Most artists, their 60th show was in front of no one. My first show was in front of 1,200 people.

What's so fascinating about people is what they don't show. People are masters at it; usually actors show too much.

Regarding local residents attempting to ban sex shops from their neighborhoods: You show me a parent who says he's worried about his child's innocence and I'll show you a homeowner trying to maintain equity.

When you go to a show on opening night, or even the second performance, it is at the very beginning of what it will become. By the end of this run, the show will actually be what it is intended to be.

I love the community of theater. There is something about the camaraderie: People who show up eight times a week to do a show. It's unlike any other business. It's just lovely. You feel like you're in a family.

I have a radio show for the Sirius Satellite Radio Network. It's an interview show. It's called The Spectrum.

When you mean a show like this, you have to say to me a show exactly like this, the way it was done.

I don't think you should feel too pressured about a mixtape. Just do what you want to do and show the music you want to show. You're not trying to win something big with it.

That's why I had to leave Hair on Broadway, because I did it for about a year, and one night I was doing the show, and I realized, well, this is not real. I told the director. He says, man, it was a killer show tonight.

In Puerto Rico, I played in all kinds of bands that played salsa and merengue. That's how I saved the money to come to the U.S. We used to play El Gran Combo tunes. Half the band was my friends - we were around 15 - and the other half was my friend's father and his friends from the hospital where he worked. They were all, like, 50.

In the UK and the US especially you've got a lot of throwaway artists who have their 40 million dancers and they do their show. There's many artists who would not do a live show because they know they can't.

It's been real weird. It wasn't how I expected my life to turn out. Especially, mainly pertaining to the show. It never crossed my mind that one day I'm gonna be big and famous and have my own TV show, you know?

When you're accustomed to wealth, you don't show it, right? That's why the white kids in school could wear bummy sneakers; it's almost like, 'Don't show wealth - that's crass.'

'Legion' is meant to be a show that is a state of mind. But the problem with TV is that there are commercials. There's a hypnotic quality to the way we put it together. I need to get you out of your life in the first seven minutes of that show.