Top 1200 Show Quotes & Sayings - Page 19

Why would I, in a million years, want to do anything even remotely having to do with child molestation on a children's show? See, I take having a kids' show real seriously. I think it's an enormous responsibility.

I think they could of recast the children, I heard of people wanting to do something like that. That would be a nice little show to do but you know that show was of the 80's, I don't think the audience mind set is in that direction any longer.

Presenting the Oscars was the most nerve-racking job I have ever done in show business. It's very much a live show: they have comedy writers waiting in the wings, and as you come off between presentations, they hand you an appropriate gag to tell.

Of course, 'Fox & Friends' is more of an entertainment product than a newscast. The show's viewers know that the morning show promotes Trump and his agenda. Most of Trump's interviews are with boosterish shows like this.

It's so great to come in and do something where you know how strong the format of the show is and you're working with writers and directors who worked on the original show. It feels like you're going into a well-run ship already. Then it's just a matter of creating these new characters.

My brain does like the idea of hosting a late-night show. My brain does like the idea of maybe having a show about me. So, I often pitch ideas and work on scripts and do that just because I may not be right about how I feel, so why not just do this, and if it happens and I got my own show, well maybe I would really end up falling in love with it.

Even though 'Kroll' was a crazy sketch show with big characters, one of the things I'm proud of about the show is that the characters were always kind of coming from an emotionally honest place for whoever I thought that character was.

One of my early memories is of a white girl twirling in a circle. I realized later on that it was from that show 'Small Wonder' - the oldest I could have been when I was watching it was four or five, but it's one I think about a lot. It's stuck in my head, this terrible Fox television show.

There are certain people I'd absolutely love to work with. I was a huge fan of 'Two and a Half Men.' The comedic timing was so perfect on that show. So maybe that show or maybe 'Modern Family.' Both of those shows have great casts.

The ways in which acquired savants show up are usually the same ways that congenital, or non-acquired, savant syndrome shows up. They tend to show up in the same areas: music, art, math, visual, spatial skills, and calendar calculating, although calendar calculating probably isn't quite as prominent in that group. They tend to show up quite quickly, or sort of explode on the scene and they then tend to have an obsessive sort of forceful quality about them in the same way as savant skills. So they tend to show up in the same ways.

That may be a factor because we are the older show; we have been on the air for a while. Is it our day? Is it time to hang it up? But it seems that the show still continues, and we still enjoy being here. And that's a very important element.

Over its 40 years, Muppets on 'Sesame Street' have addressed AIDS, divorce, a parent's deployment overseas, and a death in the family. But the show is addressing incarceration in a way it didn't used to: by bringing the show directly to the kids and families it wants to reach.

I love being a television actor. I love the relationship that I have with my fans, and all of those things. I'm ready to have a show that really hits big. I'm excited to do another six years or more of a show like I did on 'Reba.'

I did a standup show called 'Show Me the Funny,' so from that I got some TV stuff and people would book me for gigs. I wasn't really good enough at that point, so had to catch up with expectations.

My parents were both in show business. My father was an actor, my mom an actress, and both singers, dancers and actors. They met in Los Angeles doing a play together and so I grew up in a show biz family.

The first time I did a show, I definitely didn't get any money. My friend just let me do this show. I was so nervous: my mic didn't work, and I was like, 'Urgh.' It was terrible. It was a dingy club off of the highway, but all these people came. It was packed out.

I don't go to any of the big Academy parties while the show is on because, invariably, it turns to people watching me watch the host, and it's not comfortable. I watch at home and hope the show gets to be really good.

'Rangrasiya' was a very special show for me. It played a very important part in shaping up my career. I feel it was a premature end to the show. My character Rudra was very close to my heart.

I was thinking of doing some exhibitions where I combine tennis and music. I might have a show at, say, the Staples Center, where I might play an exhibition against somebody who would be interesting, then take a break and go do a show.

Besides Spiderman and Batman, 'The Flash' has, hands down, the best villains. You could do a TV show about The Rogues, and there's enough depth and interest and oddly honor amongst those characters that I think people will watch that show.

It's the same with spirit guises; show me a sweet little choirboy or a smiling mother and I'll show you the hideous fanged strigoi it really is. (Not always. Just sometimes. *Your* mother is absolutely fine, for instance. Probably.)

When you play a show or festival, people know what they're getting; they want it. Then you're thrown onto a show where people are watching TV in their houses, and whether they ask for it or not, we're being played in front of them. There's a lot of negative feedback.

We need to show mercy. I mean, because as much mercy as you show people, that's the mercy you're going to be receiving.

The Church desperately needs people of joy and zeal. Show me a church that is consistently obedient to this single command, and I will show you a church that is turning its world upside down.

'Old School' is so breezy it could be a late-night talk show, especially when Craig Kilborn, of 'The Late Late Show,' sidles into camera range as a particularly loathsome competitor to Mitch.

Watch this, I'll show you love like you dreamed of I've got so much to give, watch this Don't be afraid you'll be amazed at all the ways that I can Show you what you've missed Just close your eyes, and watch this

My whole life is a practical joke. Every evening and every show has really become about entertaining me. I was always like that. And now I've come full circle because that's what the TV show is too.

There's a difference between watching a chef show, which doesn't feel like a reality show compared to the Housewives. Those shows can, I think, not only lower your IQ, but really just knock the wind out of you, because we're all here in this business.

The people who run Hollywood are supposed to be masters at creating drama, suspense, thrills - at putting on a great show. If we knew not only who the winners were but also by how much they won, the Oscar show could actually be the Super Bowl of movies.

From the Twitter responses we got with 'Best Friends Forever' and the small feedback we are getting as the show is meted out, I think people are seeing themselves in the show and enjoying seeing female friendship portrayed in the way it really is.

I think I've learned how to be a better boss. I'm the one running the show now, and in the past, I've always kind of been looking at other people to make the decisions. I feel more confident to run not just my show, but behind the scenes, too.

It's always interesting for me to watch the pilot of an established show because you see how the writers and actors weren't really sure what the show was and what the dynamics were. If you look at the pilot for 'Seinfeld,' for example, it's practically unrecognizable.

Brain scans show synchrony between the brains of mother and child; but what they can't show is the internal bond that belongs to neither alone, a fusion in which the self feels so permeable it doesn't matter whose body is whose.

Somebody said, 'Get your agent to call the new Bob Cummings show. They're looking for a funny lady.' Within three hours, I had the job. That was January 1955. I had such fun with that show.

There's something about that idea of looking up and hoping, and thinking, 'I'm good.' Some things, like show business, are absolutely subjective. People look at a TV show and think, 'I could do that.' And maybe they could do that. But they're not.

People try and make it a big deal, but a show's a show, work's work, if you haven't wrestled in New York in a couple months, it's always good to take a booking there because there's a lot of great wrestling fans up there.

I've had 79 to 80 years of show business. I started when I was 5 with a man called Tom Mix. I didn't have time to go to school because I was in silent movies, I was in radio, I was in burlesque, I worked with the circus. I'm all show business!

In a way, Instagram is a space where I edit and show what I want to show. But at some point, I thought, 'Am I really this person?' People like my shiny look, but to me, I'm a much different person than her.

The cancer I had is called clear cell carcinoma, and it can show up anywhere at any time. There's always that little fear in the back of my head, it could show up in my colon, my stomach, my brain. I do worry about that.

Even as a boy, my dad always told me, 'Don't show emotion.' If I banged my cue, he would give me a row and say, 'Stop that.' Don't show any petulance. It was developed, certainly, but I think you have got to have it in you.

I have actual strong ideas. You just have to wait for the right timing. Timing is pretty crucial here. I can't dedicate a lot of energy and efforts trying to, say, create a show that I want to produce while I'm currently on another show.

The tagline behind "House of Lies" is funny, dirty, business. The show is a comedy satire about how big business operates. Most Americans that work in corporate America should be able to relate to this show.

In the case of 'News Radio,' I loved that show. I loved the actors and the producers, but I was longing very much for something more to sink my teeth into me. I think it was an incredibly smart show, but I found myself on the peripheral of a lot of it.

I've come to this belief that, if you show me a woman who can sit with a man in real vulnerability, in deep fear, and be with him in it, I will show you a woman who, A, has done her work and, B, does not derive her power from that man. And if you show me a man who can sit with a woman in deep struggle and vulnerability and not try to fix it, but just hear her and be with her and hold space for it, I'll show you a guy who's done his work and a man who doesn't derive his power from controlling and fixing everything.

The thing that makes me feel the most confident is definitely my smile. I like that my smile and my facial expressions really show what I'm feeling, and my smile is the best way to show that I'm happy.

The fact is, it was a big show. We were a part of that show. Everybody watches for different reasons. There were some people who were tuning in that day to see what was going on with other characters.

I have a lot of help before I show up to a shoot, whether it's video or photo or an appearance; there's a bunch of people that work on my face and on my hair and tell me what to wear. I just show up and then they do everything.

Honestly, 'Parenthood' was not what I planned. I didn't plan to do another drama. I didn't plan to play a single mom. I didn't plan, even, to do an ensemble show. But I hadn't found anything I liked as much. I just connected to the show.

What people don't know about me is that I'm a pretty good businesswoman. Yes, I do this little ol' game show, but I know the show isn't going to last forever, so I've gone into different ventures. But I don't want to sound like I'm bragging.

Cody Rhodes and The Young Bucks had never done a show on television, yet they were able to draw a show with 11,000 people to suburban Chicago. Just based on word of mouth and through the love of wrestling they spread.

This show [Timeless] is absolutely epic. I simply can't believe the production value for the episodes. Each episode is creating a new world. I just can't think of another television show that trumps the Hindenburg to the 1970s week to week.

I am a competitive person, but it's so hard to do a show. Anybody who gets to the point where they get their show on the air, I wish them the best. It's too hard. I'd rather waste energy thinking good things on myself.

Yeah, well when I first started working, it was $5 a show; it was probably a little higher by the time I got to my own show, but I remember that they put me under contract at $100 a week, which to me was really an astronomical price.

I always liked show biz and got to make a few training films at Boeing. Soon after, I got the idea of a science show geared toward kids, around ages 8 through 12.

It's a holistic process for me during a show. I'm always focusing on the technical aspects of my voice. I try to make my voice do what I want. One big thing I do to improve on each show is to listen back to performances on CD while on tour.

I don't do the same show twice. I've never done a show word for word.

The idea of the museum is to show my work since the start, and I wanted to show all of it, not just to choose between different pieces. They are grouped together in themes - minimalism, androgyny, black and white, graphic, flowers, and so on - from the earliest designs to the most recent ones.

'Bonnie and Clyde' was the first show and the first role that I got to originate. Being part of that from the ground up and investing three years of my life into seeing that show come to Broadway was really rigorous but also so exciting.

Twitter is maybe the worst thing. It's cool when you can tweet out your show and be like, 'Hey, come see my show,' or 'Check out this Kickstarter,' but it's also this weird 140-character vehicle for insidiousness.

I think when you're on a network show, it's crazy how different it is... just being on a network show that reaches that many people. It's not like I'm very famous, but seemingly overnight, I would get recognized more, and it was really weird.