Top 1200 Sight And Sound Quotes & Sayings - Page 8

By adding open strings to even the simplest chords, you can create voicings that sound sophisticated, but are really easy (and fun) to play. They're practical, not intimidating, and most certainly don't sound like 'jazz chords.'

The notation is more important than the sound. Not the exactitude and success with which a notation notates a sound; but the musicalness of the notation in its notating.

West Coast hip hop was the sound of my neighbourhood. It was something I could relate to because it had a sound that felt like my surroundings - almost more so than what they were saying. That music was made to be bumped in a Cadillac!

I start with voice, maybe a sentence. That sentence might embody an image, and I go from there. One sentence to the next. Sound drives the work these days - sound before description.

Sound affects us physiologically, psychologically, cognitively, and behaviorally all the time. The sound around us is affecting us even though we're not conscious of it.

It started when I was eight years old. I first heard the cello on the radio, and I loved the sound. It was such a magical, beautiful sound. I dedicated my entire childhood to cello, practising like crazy.

That was the first sound in the song of love! Scarce more than silence is, and yet a sound. Hands of invisible spirits touch the strings Of that mysterious instrument, the soul, And play the prelude of our fate. We hear The voice prophetic, and are not alone.

The problem with writing a book in verse is, to be successful, it has to sound like you knocked it off on a rainy Friday afternoon. It has to sound easy. When you can do it, it helps tremendously because it's a thing that forces kids to read on. You have this unconsummated feeling if you stop.

Not one sound fears the silence that extinguishes it. And no silence exists that is not pregnant with sound.

Music is not sound. Music is using sound to organize emotions in time.

Sometimes I can sit at my computer and find a cool sound, or a new synth patch, and get super-inspired by that and make a track based on that sound. But the piano is where I find the inspiration and come up with the melody.

Perhaps there is no greater test of a man's regularity and easiness of conscience than his readiness to face the postman. Blessed is he who is made happy by the sound of a rat-tat! The good are eager for it; but the naughty tremble at the sound thereof.

I tell you truly, when we are born, we enter the world with the sound of God in our ears, even the singing of the vast chorus of the sky, and the holy chant of the stars in their fixed rounds; it is the Holy Stream of Sound.

I say to string players in small chamber orchestras, 'it's always easy to become a passenger on the journey in sound, just adding volume to the whole. But if you play in an individual way, it makes the difference between good and great sound in an orchestra.'

What I reach for first when I play is sound. Technique maybe, but there is technique in sound.

When I'm on TV or whatever, I'm able to bring my instruments, my board, and my sound is intact. But other kids who are on TV, when they're doing tap, sometimes they're just on the regular floor. It's not as safe; it's not as sound-worthy as it should be.

In anything I've ever written, all the characters sound like me, which I don't think is a bad thing. It makes sense. But I had always admired filmmakers who made movies that didn't sound like them at all.

I fight with pizazz. It's a different sound from everyone else. It's the sound of pizazz.

A lot of modern amps and preamps sound great when you're jamming by yourself, but don't hold up in a band situation. The sound isn't dense enough, and the lows and highs tend to get soaked up by the bass and cymbals.

I don't have and have never had an email address. I'm old school. But as far as downloads go, my only objection is I like the sound of CDs better, so I buy those. I think the sound quality is better.

I don't believe that recordings should sound radically better than the artist, I think that's dishonest. For example, I'm not a great singer but if I spent enough time tweaking my vocals, I could sound like one. But I don't, what you hear is pretty much what I sing.

It is agreed that all sound which is the material of music is of three sorts. First is harmonica, which consists of vocal music; second is organica, which is formed from the breath; third is rhythmica, which receives its numbers from the beat of the fingers. For sound is produced either by the voice, coming through the throat; or by the breath, coming through the trumpet or tibia, for example; or by touch, as in the case of the cithara or anything else that gives a tuneful sound on being struck.

In the early '80s, my sound - especially that mysterious kind of synthesized sound that was used so much - every relatively cheap TV show eventually had it because it's not expensive. It's just one guy doing the whole soundtrack. So it was overdone.

The sound is the key; audiences will accept visual discontinuity much more easily than they'll accept jumps in the sound. If the track makes sense, you can do almost anything visually.

The [Stanford Prison Experiment] was readily approved by the Human Subjects Research committee because it seemed like college kids playing cops and robbers, it was an experiment that anyone could quit at any time and minimal safeguards were in place. You must distinguish hind sight from fore sight, knowing what you know now after the study is quite different from what most people imagined might happen before the study began.

No one knew what Rococode was "supposed" to sound like. Now we have a sound and we have a good idea of what we want to create and the type of songs we want to present to people. I think it's really exciting, actually.

I like the natural sound of a room. All the rooms have their own sound, so it's a matter of putting it where you like and seeing what it sounds like.

People criticize you for trying new things. I think, 'I'm new! I'm 22!' I don't know exactly what my sound is or what I want my album to sound like, so I'm not releasing it yet. While I'm experimenting, I'll let you in on the journey, and you can hear it for free.

Strangers have crossed the sound, but not the sound of the dark oarsmen Or the golden-haired sons of kings, Strangers whose thought is not formed to the cadence of waves, Rhythm of the sickle, oar and milking pail

Time cast a spell on you but you won't forget me, I know I could have loved you, but you would not let me. I'll follow you down 'til the sound of my voice will haunt you, you'll never get away from the sound of the woman that loves you

I am very emotionally affected by sound. Sounds are the inexplicable... There is a sound you hear in your head, it's your nerves, or your blood running.

There is, indeed, a most dangerous passage in the history of a democratic people. When the taste for physical gratifications among them has grown more rapidly than their education and their experience of free institutions, the time will come when men are carried away and lose all self-restraint at the sight of new possessions they are about to obtain. In their intense and exclusive anxiety to make a fortune they lose sight of the close connection that exists between the private fortune of each and the prosperity of all.

Rather than thinking of sound and sense in my essays as two opposing principles, two perpendicular trajectories, as they are often considered in conversations around translation, or even as two disassociated phenomena that can be brought together to collaborate with more or less success, I think of sound as sense. Sound has its own meaning, and it's one of the many non-semantic dimensions of meaning in language. I want to emphasize is the formal dynamic between language-as-information and language-as-art-material.

I would INSIST this record is in NO WAY COLD influenced. Don't get me bent though, I have been a huge fan of Cold from day one. One of the best most awesome song writers. Kelly has in OWN sound, He recorded on the POINT OF ORIGIN Record so there, of course, will be something that familiarizes the Cold sound. But Allele is much heavier, and just kind of warmer, different techniques and a different sound all together. Allele I think is more intense.

...You cannot live by sight and by faith, neither can you live by fear and by faith. It either has to be by faith or by fear, by faith or by sight. Which way are you living? Faith takes out the anxiety It takes out the fear. Faith leans heavy on the Lord. It knows that the Bible is so and can be trusted and that we can live by it and all of our needs will be supplied.

Sound preservation is not only the history of our culture and our country but also a document of life in the world. There is something with sound that is so extraordinary that it can be preserved, that we can listen to a recording made in 1925 and be transported back to that time.

In the morning light, I remembered how much I loved the sound of wind through the trees. I laid back and closed my eyes, and I was comforted by the sound of a million tiny leaves dancing on a summer morning.

It's like an electroacoustic, surround-sound cello gamba. It embodies everything that fascinates me the most - acoustics, playing instruments, digital processing, movement of sound. Somehow, everything is combined in Ómar.

I despair about the lack of proper respect shown for the piano. If you want it to sound like a traffic jam, go out in the street and forget the piano. That's not a piano sound.

Personally, I love the cookie monster grunts. I like how they alienate listeners. We sound the way we sound. We're individuals. We don't all like the same music. Everybody contributes their own influences, style, and history.

I personally wouldn't want my second album to sound like my first; it might sound very rocky or hard rock - and that wouldn't be melancholy. So if people think my music is melancholic, then so be it. It's meant to be uplifting, and I'm just basically saying what needs to be said.

One must have a mind of winter to regard the frost and the boughs of the pine trees, crusted with snow, And have been cold a long time, to behold the junipers, shagged with ice, the spruces, rough in the distant glitter of the January sun, and not to think of any misery in the sound of the wind, in the sound of a few leaves, which is the sound of the land, full of the same wind, blowing in the same bare place for the listener, who listens in the snow, and, nothing herself, beholds nothing that is not there, and the nothing that is.

The difference between me in my work and the me who is here in front of you is that on the page I create a consistency, a voice that must sound really reliable; whereas in person I am free - obviously! - to sound every which way.

Every technology that comes into filmmaking is first a gimmick. Think about sound with 'The Jazz Singer' or the first colour or surround sound - it takes a while for filmmakers to understand how to use it.

Compression is a necessary evil. The artists I know want to sound competitive. You don't want your track to sound quieter or wimpier by comparison. We've raised the bar and you can't really step back.

Oh my gosh! I can't tell you the number of times people have put autotune on my voice, and I'm like, 'Please take it off!' You don't even sound human; it makes you sound like a robot!

For example, after developing a sound similar to an elephant trumpeting, I wrote the song Elephant Talk which gave my elephant sound an appropriate place to live.

If we all could sound like we wanted to, we'd all sound like George Jones.

You can muck around with different guitars for certain bits, but you have to have your own sound. That's your benchmark, that's your sound. I also play a Black Beauty. It sounds amazing.

Sounds of life and movement, people getting ready and people giving up, the sound of hope and the sound of hanging on, and behind them all, the quiet, deadly ticking of a thousand hungry clocks.

Ambient means the natural center or atmosphere of a space. All music has that in it- a space or center. I think it just means the atmosphere or what defines the environment of sound and maybe removing the more destructive, harsh elements and harder rhythmic elements and you get down to the stillness that's inherent. There's an ambient quality in every sound. You may have to enhance that to hear it or bring it out in a different way but there is that in every environmental sound.

A sound mind in a sound body, is a short, but full description of a happy state in this World: he that has these two, has little more to wish for; and he that wants either of them, will be little the better for anything else.

About 10 minutes ago, we all woke up because of this strange roaring sound. We all raced toward the sound, which turned out to be the washing machine going back on. Who knew the rinse cycle could be so scary?

I told him what my dad had said. That got him laughing and as we pulled into the school parking lot, even the sight of Rafe waiting for me only made him roll his eyes. We got out. I glanced at Daniel. He sighed. "Go on." "You sound like you're giving a five-year-old permission to play with an unsuitable friend." "If the shoe fits..." I flipped him off. "Watch it or I won't marry you," he said. "Truck of no truck." I laughed and jogged over to Rafe. "Did he just say...?" Rafe began.

That the sight of people attracts still other people, is something that city planners and city architectural designers seem to find incomprehensible. They operate on the premise that city people seek the sight of emptiness, obvious order and quiet. Nothing could be less true. The presences of great numbers of people gathered together in cities should not only be frankly accepted as a physical fact... they should also be enjoyed as an asset and their presence celebrated.

If you record the sound of bacon in a frying pan and play it back, it sounds like the pops and cracks on an old 33 1/3 recording. Almost exactly like that. You could substitute it for that sound.

I often get asked, 'Is the book dead?' It hasn't happened yet. It's different than music. Music was always meant to be pure sound - it started out as pure sound and now it's pure sound again. But books started out as things. Words on paper began as words on paper. The paperback book is the best technology to deliver that information to you.

I am alone on this road strewn with bones and bordered by ruins! Angels have their brothers, and demons have their infernal companions. Yet I have but the sound of my scythe when it harvests, my whistling arrows, my galloping horse. Always the sound of the same wave eating away at the world

I think, when you're a young composer, you're told constantly that what you're supposed to do is figure out what your voice is. "What is your thing supposed to sound like?" You know: "What's the thing you do," that everyone can recognizably tell from a long distance is you and then you're supposed to be in search of that marker and you're supposed to find it and you're supposed to live there for the rest of your life. And it seemed to me, from a young age, that was what I was encouraged to do. You find a sound and that's your sound! That's what you do.

I look good. I feel good and not to sound conceited I sound great.