Top 1200 Silent Movie Quotes & Sayings - Page 6

My greatest sense comes from the experience of performing in the movie. When I have a great experience, that becomes a perfect movie. If it makes a nickel, it's still perfect. The same is true with a movie that's a bad experience. If it makes a bejillion dollars, I will hate it till the end of time.

'E.T.' was the movie that made me want to make movies in the first place, and it was the first movie that made me focus on writing instead of what happens in the movie.

I have a new book coming out, so I do movie, book, movie, book, movie, book, every place we go.

I'm pretty much a movie-to-movie guy. It's hard for me to multitask so I feel very one-thing-at-a-time oriented and I usually just wait until a movie's done and it's premiered, then just kind of reflect on what I'm interested in my own life and let the movies come to me rather than force them.

I worked at a movie theater in Tempe, Arizona, when I went to community college there. And I got fired because a sorority had rented out a theater to watch 'Titanic,' and they were being really rude to me while they were waiting for the movie. So as I tore their tickets, I told them the end of the movie.

There's never been a mathematical equation that says a good experience making a movie equates to a good movie, or a bad experience on a set is going to lead to a bad movie.

Thoughts can create such a barrier that even if you are standing before a beautiful flower, you will not be able to see it. Your eyes are covered with layers of thought. To experience the beauty of the flower you have to be in a state of meditation, not in a state of mentation. You have to be silent, utterly silent, not even a flicker of thought - and the beauty explodes, reaches to you from all directions. You are drowned in the beauty of a sunrise, of a starry night, of beautiful trees.

Giancarlo Giammetti has a lot of nervous energy. He's a director, really. He was trying to direct the Valentino movie over my shoulder. I don't blame him - that's been his job for 50 years. But I had final cut in the movie by contract and I wouldn't have made the movie if I had not been completely independent.

Because movies have gotten so expensive, and they're so expensive to market, that means that for a movie to break even or to make its money back, everybody has to go see the movie, and if everybody has to go see the movie, then it can't be about anything.

I want to continue to make beautiful movies. The most important thing is to be a part of beautiful stories, that's all I want. So I don't care if it's a Hollywood movie or an independent movie or a Spanish or American movie. I care about telling stories.

I loved 'Weekend,' and it meant a lot to me when I saw it in the movie theater. I think 'Looking' feels more like that movie than any of those other shows, with a little more comedy thrown in than 'Weekend.' But it's certainly got the vibe and look and feeling of that movie.

I think it took me seven years before I got the script for 'Frozen River.' That's the movie I had been looking for my whole career. When I read that, I knew I had to shoot that movie - that it'd be a game-changer. It was one of those scripts where I read it, and I was like, 'This movie could get into Sundance.'

I used to have a group called Bad-Movie Saturday. Every Saturday, six of us would go see the worst movie that came out each weekend. It'd be noon in Burbank. It was just a running commentary. All executives - we would each talk through the movie and make jokes.

Sometimes when I make a movie, my main goal is to show the movie to one particular director.

What is a great love of books? It is something like a personal introduction to the great and good men of all past times. Books, it is true, are silent as you see them on their shelves; but, silent as they are, when I enter a library I feel as if almost the dead were present, and I know if I put questions to these books they will answer me with all the faithfulness and fulness which has been left in them by the great men who have left the books with us.

We did the original 'Stargate' as an independent movie. It was a surprise success. Shortly before the movie came out, the financiers who were frightened the movie might not do well sold the film to MGM. When the film came out, it was a hit and spawned TV shows.

It's not uncommon to hear people say that the re-entry into their lives is very hard. A lot of actors say that the hardest thing about working is not working, because you go from one of the most structured environments in the world to a place of no structure. Maybe that's why you see someone go from movie to movie to movie.

Movies now, you can watch a trailer for a movie on TV now and you're not sure if it's a video game or a movie. You have to wait till the end of it to see, oh, I see, those actors are in it, so that one's a movie. Oftentimes, it's based on a video game.

I firmly believe that you can't get a good movie without risking a bad movie.

Miss Butterworth and the Mad Baron,” Sebastian said approvingly. “Excellent choice.” “You have read this?” Alexei asked. “It’s not as good as Miss Davenport and the Dark Marquis, of course, but worlds better than Miss Sainsbury and the Mysterious Colonel.” Harry found himself rendered speechless. “I’m reading Miss Truesdale and the Silent Gentleman right now.” “Silent?” Harry echoed. “There is a noticeable lack of dialogue,” Sebastian confirmed.

Directors typically have three choices - you do a studio movie and get a paycheck up front, you do an independent movie, which is for your heart and you don't get paid up front and probably don't make any money on it, but it hopefully goes to Sundance and is more of an art movie, and then you do TV.

When I'm in the middle of making a movie, I have blinders on; it's all about just getting the movie out.

I'd love to make a movie with Tom Hardy. If we ever got the chance to make a Venom movie together, that would be super-cool, but his movie would have to take place in the MCU because I'm not giving up my ticket in the MCU.

The opening scene from 'Sharknado' I think was better than the original 'Jaws' movie. It was scarier, it was bloodier, and it had more high-anxiety moments than the original 'Jaws' movie. And that movie kept me out of the ocean for a summer.

I think overall, making a movie is like putting a stamp on the world. Every time I make a movie, I feed in elements to make sure that it's my movie. I'm marking poles like a dog does. This is how I show my movies to the world.

A debut movie is something that you envision for many, many years. If you really want to make a movie, you constantly think about this first movie, so when you make it, you want to have everything in it.

I'm such an action movie junkie that as an action fan, because action scenes are so heightened, we could never really picture ourselves in that scene. So when you're watching an action movie, you experience an action movie more outside of the aquarium: you know you're out of the aquarium looking in at all the swimming fish that are in there.

We spent six weeks there [in Vegas]. The only thing crazy that I did was shoot that movie [The Hangovers]. The stuff in that movie is way crazier than anything I might have done, drunk one night in Vegas. I mean we did it for real in the movie, so that's as crazy as it got.

Princess Rose should indeed be a TV movie, assuming something doesn't go wrong. I don't know how good a movie it will be, because the way movie folk think is different from the way writers think, and I distrust what isn't done my way. This is what I call a healthy paranoia.

The Wizard of Oz' is my favorite movie. It was the first movie I can ever remember watching.

I think one of the reasons 'Gremlins' lasts and some other films don't is because I don't think the movie has a whole lot of dated things - sure, the cars, my hair, and few things here and there that date the movie - but it takes place in a sort of everytown, in a sorta non-specific time, and that gives the movie a timeless quality.

Would movie moguls release a film portraying Adolph Hitler as a great benefactor of the Jews? Hardly. Would they release a movie if the black community found it to be highly disparaging? No way. You better believe these executives would also think long and hard before they released a movie offensive to American Indians, Muslims homosexuals or virtually any affinity group. Yet, to most movie industries a film which offends millions of Christians is fine and dandy.

I think I've been lucky enough not to have to do movie after movie after movie for financial reasons, so I've been able to live life and also make movies. I didn't have to grind them out. I could go long periods where I was living life rather than tripping over cables.

I'm just saying to everyone. The director does not direct the trailer. It's an edited version that takes so many moments of the movie, sometimes it's not even in the movie. The director does the movie. So don't judge the director based on the trailer. Please.

Remember your dreams and fight for them. You must know what you want from life. There is just one thing that makes your dream become impossible, the fear of failure. Never forget your personal legend. Your silent heart will guide you. Be silent now. It is the possibility of a dream that makes life interesting. You can choose between being a victim of destiny or an adventurer who is fighting for something important.

And I like the passion that people have when they're trying to prove they can make a movie or be a movie star.

For me, the reason to make the movie is that if people like the comic, then people would like the movie if it was well made. There are good movies for them, but very few. And I mean that in a true sense. If they love your story for freaking 30 years, then they can do a movie about it.

Jace's eyes sparkled, but he said calmly, "Not at all. the Silent Brothers can help her retrieve her memories." "You hate the Silent Brothers," protested Isabelle. "I don't hate them," said Jace candidly."I'm afraid of them. It's not the same thing." "I thought you said they were libarians," said Clary. "They are librarians." Simon whistled. "Those must be some killer late fees.

When I am working on a movie, all I want to talk about is the movie. All I want to be with are the movie people. It's like a clan. If I'm asked to people's houses for dinner, I hate to go, because they'll talk about other things.

Any time I hear certain songs I put in a movie, I have to not listen to them anymore because I associate them with that movie. They take on that association rather than the association I had when I first heard them. So it's kinda bittersweet to put a song in a movie, honestly.

Suffice to say that the theme (the WHAT of the movie) is going to determine the style (the HOW of the movie).

Whether it be in a small movie or a big movie, I would always be attracted to this role.

My favorite movie is 'Die Hard.' It doesn't have pinatas and mariachis. It's just a good movie.

Sundance [festival] is all your Hollywood buds and buddies and rolling out and high-fiving and "Hell, yeah. Here comes the movie," and in Venice, it's very elegant, and respectful...It's decadence. It's such a fun way to formalize a movie that is for us a down-and-dirty, gritty movie. And to see it with the red carpet, and rolling up in a Maserati.

When I saw the first I couldn't believe I was in another great movie that would be made into a trilogy. This movie is quite visible and I think it will stand the test of time. I think kids and parents will love this movie for a long time.

I remember my sisters, they loved a movie called 'The Naked Island.' And the flute was actually playing the main theme. A Japanese movie. A beautiful movie from 1961. I remember hearing this music with a flute many, many times a day at home.

It's not my job. The Weinstein company, it's their job to convince people. My job was to make the movie. That's what I did. I know what we did in France was to have the maximum screenings just to let people talk about the movie and say they enjoyed the movie.

Every movie that I do, if you analyze the stories, you can notice that in each story, that within the movie after the first 15 minutes, it could fall apart. Or every 10 minutes it has the chance that you lose the thread. On the other hand, if you succeed in putting them together, then the movie looks spontaneous and more like cinema.

They're trying to beat out this movie, the Ring, which is a similar idea. Our movie is about a website you visit and die in three days. Their movie is about a videotape you watch - and die in three days.

One reason we can hardly bear to remain silent is that it makes us feel so helpless. We are so accustomed to relying upon words to manage and control others. If we are silent, who will take control? God will take control, but we will never let him take control until we trust him. Silence is intimately related to trust.

I've heard people say that 'The Blair Witch Project' is a feminist movie because there's a woman in charge and I've heard it called a completely anti-feminist movie because this woman screws everything up. Who cares really? It's just a movie.

the movie is not a thing which is taken by the camera; the movie is the reality of the movie moving from reality to the camera.

'Chitty Chitty Bang Bang' was a movie that I repeatedly turned down. The movie's producer, Albert 'Cubby' Broccoli, known for his tight-fisted control of the James Bond movie franchise, desperately wanted to re-team Julie Andrews and me after the success we'd enjoyed with 'Mary Poppins.'

Today the guns are silent. A great tragedy has ended. A great victory has been won. The skies no longer rain with death - the seas bear only commerce - men everywhere walk upright in the sunlight. The entire world lies quietly at peace. The holy mission has been completed. And in reporting this to you, the people, I speak for the thousands of silent lips, forever stilled among the jungles and the beaches and in the deep waters of the Pacific which marked the way.

I don't like, speaking about the movie, if I may say couple more words, I like a movie that doesn't drag too much, unless it's purpose. I like a movie with an action with a certain pace. If it's too monotone, I hate it. No, I don't hate it, I just don't like it, period.

Doth not all nature around me praise God? If I were silent, I should be an exception to the universe. Doth not the thunder praise Him as it rolls like drums in the march of the God of armies? Do not the mountains praise Him when the woods upon their summits wave in adoration? Doth not the lightning write His name in letters of fire? Hath not the whole earth a voice? And shall I, can I, silent be?

A movie is a filmed rehearsal in a way. The audience doesn't know that because you're taking out the things that don't work. There's no comparison to the theater because it's live. But making a movie is just as challenging and exciting, I find. A movie is pure process. The theater is the result of process.

I actually heard hip-hop before I saw a movie in a movie theater. I heard hip-hop first, at the tender age of seven, so that came first. I didn't see a movie until I was eight.

I'm never aiming to make a movie like someone else's movie, but in order to describe a movie to someone else who hasn't seen it, you usually have to reference things they have seen.

If you watched a movie about a guy who wanted a Volvo and worked for years to get it, you wouldn’t cry at the end when he drove off the lot, testing the windshield wipers. You wouldn’t tell your friends you saw a beautiful movie or go home and put a record on to think about the story you’d seen. The truth is, you wouldn’t remember that movie a week later, except you’d feel robbed and want your money back. Nobody cries at the end of a movie about a guy who wants a Volvo.