Top 42 Simile Quotes & Sayings

The beautiful part of writing is that you don't have to get it right the first time, unlike, say, a brain surgeon. You can always do it better, find the exact word, the apt phrase, the leaping simile.

It is surprising to see what superficial, inconsequential reasonings satisfy the most part of mankind. A piece of wit, a jest, a simile, or a quotation of an Author, passes for a mighty argument.... This weakness and effeminacy of mankind in being persuaded where they are delighted, have made them the sport of orators, poets, and men of wit.

I think the Cold War works as a great analogy or simile for different kinds of conflict. It's funny, when you look back at it, it's one of the last times that the boundaries were clear. Now, as we see on 'Homeland,' there are no clear boundaries and enemies.

The poet, however, uses these two crude, primitive, archaic forms of thought (simile and metaphor) in the most uninhibited way, because his job is not to describe nature, but to show you a world completely absorbed and possessed by the human mind.

I can never look now at the Milky Way without wondering from which of those banked clouds of stars the emissaries are coming. If you will pardon so commonplace a simile, we have set off the fire alarm and have nothing to do but to wait. I do not think we will have to wait for long.

In mainstream literature, a trope is a figure of speech: metaphor, simile, irony, or the like. Words used other than literally. In SF, a trope - at least as I understand the usage - is more: science used other than literally.

I use a lot of similes and metaphors when I work, simply because it's my best way of describing a building or a scene. I'm terrible at describing landscapes - trees, buildings. The inanimate things don't interest me: I always think, "Oh, no, here comes another building I have to describe." So I usually use a simile or metaphor.

A broken heart in real life isn't half as dreadful as it is in books. It's a good deal like a bad tooth, though you won't think THAT a very romantic simile. It takes spells of aching and gives you a sleepless night now and then, but between times it lets you enjoy life and dreams and echoes and peanut candy as if there were nothing the matter with it.

To me, it appears no unjust simile to compare the affairs of this great Continent to the mechanism of a clock, each state representing some one or other of the smaller parts of it which they are endeavoring to put in fine order without considering how useless & unavailing their labor is unless the great Wheel or Spring which is to set the whole in motion is also well attended to & kept in good order.

A metaphor is like a simile.

Coincidence obeys no laws and if it does we don't know what they are. Coincidence, if you'll permit me the simile, is like the manifestation of God at every moment on our planet. A senseless God making senseless gestures at his senseless creatures. In that hurricane, in that osseous implosion, we find communion.

Human beings, you see, do absolutely two primary things. We see like and unlike. Like becomes, in literature, simile and metaphor. Unlike becomes uniqueness and difference, from which I believe, the novel is born.

Never use a metaphor, simile, or other figure of speech which you are used to seeing in print. Never use a long word where a short one will do. If it is possible to cut a word out always cut it out. Never use the passive voice where you can use the active. Never use a foreign phrase a scientific word or a jargon word if you can think of an everyday English equivalent. Break any of these rules sooner than say anything outright barbarous.

Never use a metaphor, simile, or other figure of speech which you are used to seeing in print.

Old Marley was dead as a doornail... The wisdom of our ancestors is in the simile.

The simile has to match the tone of its surroundings and has to be like a little joke. Writing a simile that isn't funny on some level is quite hard.

A simile is just a metaphor with the scaffolding still up.

I'll buy metaphor, but simile's a cop-out used by scaredycats who won't commit to anything. Simile's for cowards.

My stern chase after time is, to borrow a simile from Tom Paine, like the race of a man with a wooden leg after a horse.

He had gone beyond the world of metaphor and simile into the place of things that are, and it was changing him.

A simile is like a pair of eyeglasses, one side sees this, one side sees that, the device brings them together.

Old Marley was as dead as a doornail. Mind! I don't mean to say that, of my own knowledge, what there is particularly dead about a doornail. I might have been inclined, myself, to regard a coffin-nail as the deadest piece of ironmongery in the trade. But the wisdom of our ancestors is in the simile; and my unhallowed hands shall not disturb it, or the Country's done for. You will therefore permit me to repeat, emphatically, that Marley was as dead as a doornail.

Poetic simile was strictly limited to statements like 'his mighty steed was as fleet as the wind on a fairly calm day, say about Force Three,' and any loose talk about a beloved having a face that launched a thousand ships would have to be backed by evidence that the object of desire did indeed look like a bottle of champagne.

A good simile,--as concise as a king's declaration of love.

The simile sets two ideas side by side; in the metaphor they become superimposed.

It's no use telling us that something was 'mysterious' or 'loathsome' or 'awe-inspiring' or 'voluptuous.' By direct description, by metaphor and simile, by secretly evoking powerful associations, by offering the right stimuli to our nerves (in the right degree and the right order), and by the very beat and vowel-melody and length and brevity of your sentences, you must bring it about that we, we readers, not you, exclaim, 'how mysterious!' or 'loathsome' or whatever it is. Let me taste for myself, and you'll have no need to tell me how I should react.

When you're looking around for metaphor or simile, I do think it's often helpful to keep inside the world of the book, to gather your comparisons from the stuff particular to that world - be they king salmon and aviation fuel, or pot roasts and spatulas.

A simile committing suicide is always a depressing spectacle.

I will not go so far as to say that to construct a history of thought without profound study of the mathematical ideas of successive epochs is like omitting Hamlet from the play which is named after him. That would be claiming too much. But it is certainly analogous to cutting out the part of Ophelia. This simile is singularly exact. For Ophelia is quite essential to the play, she is very charming . . . and a little mad.

I went out on a date with Simile. I don't know what I metaphor.

It is a curious fact, but a fact it is, that your witty people are the most hard-hearted in the world. The truth is, fancy destroys feeling. The quick eye to the ridiculous turns every thing to the absurd side; and the neat sentence, the lively allusion, and the odd simile, invest what they touch with something of their own buoyant nature. Humor is of the heart, and has its tears; but wit is of the head, and has only smiles - and the majority of those are bitter.

Ray Bradbury taught me the importance of metaphor and simile and poetic style.

To borrow a simile from the football field, we believe that men must play fair, but that there must be no shirking, and that the success can only come to the player who hits the line hard.

On the heights it is warmer than people in the valley suppose, especially in winter. The thinker recognizes the full import of this simile.

If you're gonna use simile, analogy, metaphor, be descriptive and have some flowery adjectives and a few odd nouns and some engaging bits of dialogue or sentiment, then you're sort of writing a novel, really. But rock lyrics are not really known for their sophistication.

You see, it's really quite simple. A simile is just a mode of comparison employing 'as' and 'like' to reveal the hidden character or essence of whatever we want to describe, and through the use of fancy, association, contrast, extension, or imagination, to enlarge our understanding or perception of human experience and observation.

One thing that literature would be greatly the better for Would be a more restricted employment by authors of simile and>metaphor.

He glanced back at the wall. How like a mirror, too, her face. Impossible; for how many people did you know who reflected your own light to you? People were more often--he searched for a simile, found one in his work--torches, blazing away until they whiffed out. How rarely did other people's faces take of you and throw back to you your own expression, your own innermost trembling thought?

Life is like a simile.

Death, the real simile for disease - for when we are ill, do we not always feel like we are dying, even if it's only a little? - remains, despite our secularism, the most metaphoricised phenomenon of all.

A simile, to be perfect, must both illustrate and ennoble the subject; must show it to the understanding in a clearer view, and display it to the fancy with greater dignity; but either of these qualities may be sufficient to recommend it.... That it may be complete, it is required to exhibit, independently of its references, a pleasing image; for a simile is said to be a short episode.

We all start out with the same alphabet. We are all unique. Talent is not the most important thing --- discipline and dedication are. Craft can be learned but desire and longing are innate. Despite the demands of school and just being young, try to write SOMETHING every day --- a description, a captured emotion, a simile, a metaphor. Read, for crying out loud! A writer must read the way a ball player must go to the ballfield every day to practice. Everything is possible in this world of ours--- and so's publication.