New Jersey is a great place to live. And we have given some of the best talent to the world, from Jack Nicholson, John Travolta, to Jerry Lewis to Bon Jovi to Frank Sinatra.
I went to the premiere of The Detective with Sinatra, and perhaps people jumped to conclusions. He was very protective towards me and never came on to me sexually.
Let's Face it, - Sinatra is a king. He's a very sharp operator, a keen record chief, and has a keen appreciation of what the public wants.
Sinatra invited me once to his birthday party in L.A. I was young, and I felt great about it. But when I got there, the Rat Pack were all in the kitchen laughing their heads off.
I was born in the 50s, my mom was pregnant in the 50s, [Frank] Sinatra had that big come back around then, From Here to Eternity.
Early '90s, I was big, big into Sinatra. I was in college. I was fascinated.
My agent said to me five years ago, 'Hugh, I can see one day you... if I had to plan a goal for you, it's for you to have the kind of career that Sinatra had.'
I have a fondness for jazz, particularly for jazz singers, Billie Holiday and Ella Fitzgerald all the way through the Sinatra era.
Johnny Mercer started Capitol Records, and he brought in Sinatra, Dean Martin, and Nat King Cole. He just let them sing whatever they wanted, and it became the best record company in America.
In an Italian household, there were two figures for me growing up - you had the Pope and you had Frank Sinatra, and, of course, Tony Bennett. And not necessarily in that order.
Sinatra's melancholy was the melancholy of mass (old) media technology - the 'extimacy' of the records facilitated by the phonograph and the microphone, and expressing a peculiarly cosmopolitan and urban sadness.
Mick Jagger's fans bought records with their allowances. Sinatra's people bought them out of wages.
I've been fortunate that when Frank Sinatra was in concert, he would say, 'Here's a song by a wonderful young songwriter, Jimmy Webb,' and I'd be in the front row and stand up. That gets people talking about you.
I remember a show in New Jersey several years ago when a big fight broke out in the crowd. I took the microphone and introduced Frank Sinatra. He wasn't there, but even the guys creating the disturbance stopped to look.
I couldn't get away from the gramophone. It was the only thing that I ever really liked, and I was singing along by the time I was five years old - to the Modernaires and Billie Holiday and Frank Sinatra and Nat King Cole.
Count Basie practically adopted me at 13. We became closer and closer and I ended up conducting for him and Sinatra.
My husband is old-fashioned and kind, he does the greatest Sinatra impression, and I'd never have written anything if he hadn't read all those bedtime stories and unloaded the dishwasher while I slaved over chapters.
Marilyn Monroe was taken advantage of by most of the men that knew her, including Frank Sinatra and Joe DiMaggio, whom I also knew very well.
I'd like to have a kid, but I'd probably get a Frank Sinatra Jr. instead of a Gilbert Gottfried Jr. I'd totally screw up like that.
My dad sent Frank Sinatra a dollar bill to autograph, and when it came back, signed, he had it framed: it was always up on the wall in whatever flat we were in.
I respected Ella Fitzgerald, Nat King Cole and Frank Sinatra. Those were my heroes, and they were 10 years older than I was.
Sinatra was bothered with issues of anti-Semitism and racism all his life. The song and film he made 'The House I Live In,' was a deep message against prejudice and he was very proud to have recorded the song.
Michael's the ultimate entertainer. After Michael Jackson, it's Elvis Presley, Frank Sinatra, and Bruce Lee.
I can't say I wasn't warned. Alarms started clanging the day I signed to write 'His Way: The Unauthorized Biography of Frank Sinatra' (Bantam Books, 1986).
Sinatra, here's a guy who plays a tough guy in all his movies, but was allowed to be vulnerable when he stepped up to the microphone.
Frank (Frank Sinatra) is a singer who comes along once in a lifetime, but why did he have to come in mine?
The high point for me in my career was when Sinatra called me his favourite performer in the Fifties. And I've been sold out ever since.
I was really fortunate growing up to have a broad musical education. My parents listened to all kinds of music, rock, soul, Motown, jazz, Frank Sinatra, everything.
Musical recording history is full of multi-racial collaborations and it is this cross-pollination that has created the magic of Ellington, Sinatra and the Beatles. I am merely a part of that tradition.
I was good friends with Frank Sinatra, I heard Steve Kaufman painting his portrait, so I asked Steve to paint my portrait.
Sinatra was pretty astute - he used the best songwriters around, he used all the resources, he covered every song from the era basically.
When I was 3 or 4, I seemed to be bursting with music. They played Ella Fitzgerald, Count Basie, Frank Sinatra in the house, so I learned my vocabulary from song lyrics - I was literally singing before I was talking.
When I was in my formative years, I rejected Frank Sinatra, Bing Crosby, Andy Williams, and Dean Martin. I now realise they were all great artists, but at the time, as a young man, you have to clear the decks.
When you work with Ray Charles, Billy Eckstine and Frank Sinatra, and you tell them to jump without a net, you better know what you're talking about. Thank God I was ready for it.
Some of my other heroes around that time were, oddly enough, Frank Sinatra, Nat Cole and people like that - I was always more inclined to listen to ballads.
James Brown and Frank Sinatra are two different quantities in the universe. They represent two different experiences of the world.
Nobody could pile on the applesauce like Mickey. He was the best liar in the world - well, Frank Sinatra can tell a good story, too, but I don't believe he was ever unfaithful to me.
Look, when I started out, mainstream culture was Sinatra, Perry Como, Andy Williams, Sound of Music. There was no fitting into it then and of course, there's no fitting into it now.
When people are amped up, they listen to more upbeat, loud songs. A Frank Sinatra album sets a certain mood, just as a Clash record sets another.
I always admired Frank Sinatra. He had ups and downs, but he didn't give up his style. He had what might have been a tough life or character.
We had some very distinguished fans: I know one chancellor of a major university who used to schedule his meetings around Star Trek. We were thrilled to discover that Frank Sinatra was a big fan.
When you talk about the world's greatest entertainer you have to say Al Jolson because there was no one like him. Only Judy Garland and perhaps Frank Sinatra got anywhere near him!
That's what [Frank] Sinatra did. He was the first artist to come out in a major way against anti-Semitism and racial bigotry. And those are huge things back in the 50s and 60s and 70s - and he was doing this in the 40s.
I guess when it comes to this privileged White racist feminist movement they respect someone who treats them rough: John Wayne. Frank Sinatra. Phillip Roth.
Representing not just the resurrection of a career, 1953 marked 37-year-old Frank Sinatra's creative emergence as the best singer of his century.
I got to trumpet, finally. That's why I love to write for brass, and [Count] Basie and [Frank] Sinatra and all that stuff, 'cause that's just like part of my DNA.
Mr. Presley has no discernible singing ability . . . For the ear he is an unutterable bore, not nearly so talented as Frank Sinatra back in the latter's rather hysterical days at the Paramount Theater.
I don't think it's ever changed, whether its Frank Sinatra, Glenn Miller, Zeppelin, Guns n' Roses or anyone today, the reason why you get into music is because you love it, and if you're good at it, that's a plus.
I had the same manager as Frank Sinatra, so I got to meet him and he truly impressed me. He had this magical aura - the whole atmosphere in the room changed when he walked in.
Frank Sinatra turns 100 this year and his music has been a major player in the soundtrack of my life. So it's only right that I return the favor and pay it forward.
If I wanted to be famous, I could have been famous before. I mean, I produced a Frank Sinatra special - Elizabeth Taylor, with Michael Jackson, Gregory Peck, I won't even take a picture.
I won't write my autobiography because I never had an affair with Frank Sinatra, and if I had had, I wouldn't tell anyone.
Sheikie love the music that make me happy when I eat the kebob. I love the old generation - the Frank Sinatra, Bob Marley - he legend.
Jaco Pastorius gave the bass a new voice. I mean, he was very inspired by singers like Frank Sinatra. And in a lot of ways, maybe he wanted to be a singer himself.
I would love to be able to do both (acting and making music). If I look at someone like Sinatra, who toured until he was 80 and made 60 movies, that would be a great life to have.
Frank Sinatra. Hey, Frank, I saw you in 'The Pride and Passion,' and I want to tell you the cannon was wonderful!
I romanticize. I live with the ghosts of Elvis and Frank Sinatra. It seems so glamorous. They were American men who don't exist anymore. But there are ugly things about them, too.
You have to remember, Frank Sinatra is 82 years old, which is 240 in your years. He's lived three lifetimes! He has good and bad days. He can't run ... around as fast as he used to.
In an inconspicuous way, Gretchen Parlato knows
how to play the same instrument that Frank Sinatra played.
There's no one out there like Gretchen.
The thing is that my idols have always been the types of guys who could do anything: Gene Kelly, Fred Astaire, Sinatra, Dean Martin; and when you look up to people like that, you don't accept that you need to be compartmentalised.
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