Top 1200 Singer-Songwriter Quotes & Sayings - Page 4

Explore popular Singer-Songwriter quotes.
Last updated on December 20, 2024.
I want to position myself as a great singer/songwriter in Korea, then jump off that into different markets. South-east Asia, China, Japan - I've done nothing even though I speak four languages - English, Korean, Spanish, and a little bit of Mandarin.
Sonic Youth was not a singer-songwriter band. It was an electric collective. And, whatever else people's perceptions of Sonic Youth were, it was always about putting together a time-based composition - and that is exactly what songwriting is, in its classic form.
The artist who gave me the most inspiration and direction, especially as a singer - and I absolutely consider myself a singer, 100 percent - is Nina Simone. She's my ultimate pianist-singer-type person.
I don't think I was ever designed to be a ubiquitous worldwide star. I'm a singer-songwriter writing quite personal songs. You're not supposed to chuck me on a stage with bells and whistles. There was a struggle ahead after that happened, and perhaps I was trying to write songs to compete in that arena.
Springsteen's 'Thunder Road' and Carole King's 'It's Too Late' are examples of why I am a singer/songwriter. I practice these songs every day. The melodies are timeless in the rock world, the lyrics are words that I need to say, and they need to be heard again.
A lot of festivals can be a jumble of electronic music and rock and roll, and everything's all mixed up - some things are more performance art or light shows or dance parties, and then you'll have a singer-songwriter stuck in the middle to make the changeovers easier.
My father was an aspiring country singer and songwriter. He just didn't get that off that ground. I was afraid, very tentative to do anything with music for years. I didn't tell him I was playing in bands when I was away from home, because it had been such an unpleasant experience and a letdown for him.
Bob Dylan is quite a songwriter, and a great singer and musician. I won't bother with comparing myself to him, but I will say that I heard his records at a very young age and I still listen to all his records.
I made numerous attempts to find a way to do it all, to be a creative singer, songwriter, producer, and to be the mother, daughter, sister, lover, wife. And the thing about music is, with me, that she's a harsh mistress. She does not come to me in the midst of stress.
Taking a song and bringing it to life in a professional recording studio can be an intimidating process at first; I know it certainly was for me. So to be able to offer support and guidance to an emerging singer-songwriter is a huge honor. I look forward to playing a role in such an exciting time of someone's songwriting career.
When I'm outside gardening, it can be so inspiring. I think of words and melodies. It's peaceful. Every singer-songwriter should find something outside of music that makes them as happy as gardening makes me.
Melanie Fiona is a singer, a songwriter, she's a super-girl. I can be silly, goofy, really chilled. She's like your cool chill girlfriend, sister-friend. I'm just like everybody else.
I know I'm not the best. I'm not the best singer, I'm not the best songwriter, I'm not the best player. — © Kid Rock
I know I'm not the best. I'm not the best singer, I'm not the best songwriter, I'm not the best player.
Even when I was coming up in the singer-songwriter ranks during the early '70s, I thought that people who were stylists and stuff shoulda still been up on the pedestal. I mean, it's fine to recognize people who write songs, but it kinda got out of hand, you know?
It was the vehicle that propelled me to international stardom. ("Harder They Come") I was known as a singer/songwriter before that, but people did not know me as an actor. It showed the world where the music I contributed to create was coming from. It opened the gates for Jamaican music, internationally.
I'm a little nervous. Definitely. Especially coming from an album like Biophilia, which was about the universe. This is more of a traditional singer/songwriter thing. When I started writing, I fought against it. I thought it was way too boring and predictable. But most of the time, it just happens; there's nothing you can do. You have to let it be what it is.
I know, in so many cases, a lot of the women who came up through the singer-songwriter, Lilith Fair era, the earlier Lilith Fair era, did say that we were influences on them.
Luckily for me, when I was growing up in high school, I had a band, and I was a singer in the band. I'm less of a legit Broadway singer than I am a pop-rock singer.
I made a promise to myself to write songs I liked. I'm an acoustic singer/songwriter, and I need to be able play every song by myself on guitar. No matter what the production ends up being on the record, I've got to be able to go out and sell it all on my own. It's about connection.
To try and learn how to be a singer, a really good guitar player, a really good pianist, it's always lagged a bit behind learning to be the best songwriter I could possibly be because songwriting comes naturally to me.
When I was 6 I thought that I wanted to be a musician - like a singer-songwriter. That's what I romantically envisioned for myself. But in reality the experience of getting into music was just the opposite. My parents signed me up for classical guitar lessons, which made for two years of the most depressing Wednesday evenings.
I love Feist. I love Francoise Hardy. She was a French singer-songwriter in the '60s who was pretty huge. I think I'm drawn to her sincerity. I love Fiona Apple, too - she's quirky and really honest in her lyrics.
What I wanted to be and who I am is a singer and a songwriter. I wanted to be onstage, and I wanted the world to hear my music. The product of that is fame and the disgusting celebrity that goes along with it. But celebrity does not equal creativity.
Video is a funny thing. It's one thing to be an artist, singer-songwriter, and use words and create pictures in people's minds. And then be asked to do video for it, to actually give a certain visual for your song.
That is what diminishes the artist and his song. The artist is now hermetically sealed. The publishing company got him his deal and they expect to profit from his songs. So what if he is a better singer than a songwriter; let's put him in a room with a real songwriter. Something great is bound to come...except very often nothing great comes out of such contrived match-ups. Nobody knows where a great song comes from, and that's why so many writers credit the Lord as a co-writer (though I notice they never offer Him half the writer's royalties) when they come up with a real gem.
'The Outsider' is a culmination of a lot of things I've been working diligently toward as a recording artist. Hopefully it will render my past pigeonholing obsolete while positioning me more solidly as a socially conscious American singer/songwriter. Wouldn't that be entertaining?
The truth is, I initially became a singer-songwriter while still in my teens because it was the only way to guarantee that somebody on earth would sing the songs I was writing. Since then, I've performed just about everywhere: rock clubs, concerts halls, arenas, TV.
People want things that address their everyday reality, and that goes for stuff that isn't political - with singer-songwriter music, people want things that touch them. — © Boots Riley
People want things that address their everyday reality, and that goes for stuff that isn't political - with singer-songwriter music, people want things that touch them.
It was not very hard to do a double album. Nobody thinks it's a good idea if you're an unknown singer-songwriter. But I just kind of feel like if I want something, I can get it. That's the good side of being American, or something, you know?
I only wanted to be a songwriter. I never wanted to be a singer. And I never wanted to be famous.
I didn't come in and say: "I'm a singer." I came into the band as a second guitar player and a vocalist, but not the songwriter. I had been writing poetry for years, so I sort of had the nature of the words. I felt like no one else could sing my lyrics, so I took a crack at it.
If you're a novelist, you have sort of themes that run throughout novels. You start a novel and you finish a novel. With record-making in the singer-songwriter world or whatever it is that I do, it's a little different because there is no specific arc that is necessarily, like it's not a concept record.
In order to make a normal-sized record, a singer songwriter should have a couple dozen finished songs. Once they go through the process of production, the ones that scream out at you that they're finished are the ones that make the record.
Someone had an eye on me as I was leaving high school. I had a chance to record demos, but they were kind of wanting to make a pop singer out of me, of the 'X Factor' variety. I didn't feel comfortable with it. I wanted to be a songwriter.
On Christmas Day 2016, the greatest singer songwriter of his generation, an icon of his era, George Michael, was lost. A supernova in the shining stars had been extinguished and it felt like the sky had fallen in.
I'm sure I would have been considered a more significant artist if I was a singer-songwriter. It's just not the way I roll. I love being a curator and a musicologist. People write me letters and thank me for turning them on to Fred McDowell and Sippie Wallace, and that's partly my job this time around.
Obviously I'm not the best singer; obviously I'm not the best piano player or the best songwriter, but I'm doing my best on all of 'em. Once you have all those things in place, then I think everything falls the way it should.
I wanted to be so many different things in the beginning - I wanted to be a rocker, I wanted to be a great songwriter, I wanted to be a great melodic singer. — © Thomas Rhett
I wanted to be so many different things in the beginning - I wanted to be a rocker, I wanted to be a great songwriter, I wanted to be a great melodic singer.
Most people in the U.K. discovered me playing a standard on Parkinson. In America, it was on VH1 singing an original called 'All At Sea,' which is a contemporary pop song. So the people that know me there tend to think of me in the singer/songwriter category.
Being in a boy ban,d you're not allowed to be good at anything. You're not allowed to be talented. You're not really allowed to be a songwriter. You're not allowed to be that good a singer.
If you are a soul singer, you are a soul singer. If you are a heavy metal singer, then you are a heavy metal singer. What's color got to do with it? I don't go around thinking, 'I sing soul music and I'm white.' I just sing the way I feel.
I was playing a singer-songwriter, so I started writing, and I started going up to different places around Los Angeles and reading poetry of my own, which terrified me, but I had to do it. I picked up a guitar and started learning guitar.
I think one thing you could probably say for all my albums is that they're all pretty eclectic pop. There's always a little bit of urban influence, some dance, a little bit of country, singer-songwriter, pop-rock. I like everything! On every album you can find that.
I definitely always wanted to be a singer and a performer. I think I got it from my parents because my dad's a singer and my mom's a singer, so it kind of runs in the family and I just thought it was normal.
I'm a songwriter, actually. And when I say I'm a songwriter, I'm saying I can write songs for more than just myself.
Yeah, I always listen to both classic and newer folk-influenced music. Singer-songwriter, alternative music. I also listen to more experimental dance music.
There are very few things I would love to do other than a life of writing, and I think being a singer-songwriter and being an anthropologist are the two other things I can imagine doing.
I grew up playing guitar and writing music, and I always wanted to be a songwriter and a singer and play the guitar. But while I was finishing college, my drag became lucrative, so I had to pursue what was going to pay the bills - and doing comedy as Trixie was something that I was able to market.
The generation I grew up in was the beginning of "stand up for yourself," whether being a singer-songwriter or a feminist. In my college years, the feminist movement was really coming to fore, so we wouldn't have put up with guys treating us less than equal.
I was always a wannabe 'singer-songwriter' but nothing was happening. I was trying for albums. I was too afraid to quit my job for nothing. But my friends kept on encouraging me. I kept on writing songs. My first hit was probably my 150th song.
The stores and the things like that, the business side of things came out at the point when, I'd say probably in the early '70s, it looked like the year of the singer-songwriter was over, 'cause music changed in our time and the spotlight was out.
My theory is this; I'm not a political songwriter. I'm an honest songwriter. — © Billy Bragg
My theory is this; I'm not a political songwriter. I'm an honest songwriter.
Glenn's passing was so unexpected and has left me with a very heavy heart filled with sorrow. He was so young and still full of amazing genius. He was an extremely talented songwriter, arranger, leader, singer, guitarist - you name it - and Glenn could do it and create 'Magic' on the spot.
As a singer-songwriter who gets up on stage and sings about those things that make me vulnerable is an amazing experience. You get up on stage and effectively take your clothes off in front of thousands of people.
I think Americana music is music that is generally more singer/songwriter oriented. It has more to do with the songwriting. The music, it's more like stories set to music.
Rap ain't out there for everybody; everybody can't be a rapper. Everybody can't be a singer; anybody can't just be a songwriter, but it may - there's some profession out there you can be in.
The exciting thing about a songwriter is that, you know, particularly if you're a songwriter and an artist and you play the parts and you're producing it and all that, you have various times you have to critique what you do.
People often talk about me as a singer, but they don't often talk about you when you're a woman as a songwriter.
It should be if you're a good singer and a good songwriter, you should have your spot. You get everybody trying to release the prettiest guy, but that doesn't mean they're the best artist. Most of the time the true artists are just normal old dudes.
I quite like American music, like The Fray - I'm a massive fan of them - and The Killers. I also like more acoustic stuff like Ed Sheeran; I like this English songwriter James Morrison and another singer called Ben Howard.
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