Top 1200 Singer-Songwriter Quotes & Sayings - Page 7

Explore popular Singer-Songwriter quotes.
Last updated on December 21, 2024.
I'm not a singer. I'm not an R&B singer. I'm an artist.
We call out-of-tune singers as 'Aurangazeb singers.' I wouldn't say I'm as bad as an 'Aurangazeb singer,' but I'm definitely no singer.
I find it quite boring when you're listening to radio, and it's the same kind of voice that's on every song on the radio. You can't really tell a lot about that singer as a storyteller and about the singer from what they're singing.
Before any girl was making me her Man Crush Monday, I was a singer. Back before I had muscles, when I had a bird chest, I was a singer. I've always been like this, and I've gotten better because I've progressed.
Little Willie John is the soul singer's soul singer. — © Marvin Gaye
Little Willie John is the soul singer's soul singer.
Bright is the ring of words When the right man rings them, Fair the fall of songs When the singer sings them. Still they are carolled and said - On wings they are carried - After the singer is dead And the maker buried.
Never say that your life is to be a singer. You want to sing because it's a part of your life. But if you don't succeed as a singer, it doesn't mean you don't have a life and it's over.
Hinde Esther Singer was born in Poland on March 31, 1881, the daughter of Bathsheva and Pinchos Mendel Singer. Bathsheva was an intellectual, but both Bathsheva's father and her husband disapproved of erudite women.
I was part of the first wave of singer/songwriters but I was also in that first wave of singer/songwriters who experienced the music industry when technology started to take over.
You know Marques Houston, you know I'm a dancer, I'm a singer, but I wouldn't want to do a movie that I'm a dancer and a singer in. I want to do movies that people can take me more seriously in as an actor, because when you're making that transition, it is tough.
I really studied her singing, trying to see what it was about her that made her such a natural, incredible singer. Because sometimes as a singer, you really have to work to reach a certain note. And for Donna Summer, it seemed effortless.
I was always one of those fortunate people who never wanted to be anything other than a singer and an actor. Most people know me as a singer, but I am also an actor.
When I used to live in Asia, they used to say, "If you're going to sing karaoke, you want to go after the worst singer." And I'd be coming in Deutsche Telekom after the worst singer.
I don't think I'm the worst singer, but I don't think I'm the best singer.
The biggest question I have is if you're a rock singer or a rock 'n' roll band, or if you're a pop singer if you've made your way in another genre of music and now you want to make a country record, why? That's my question. Why?
I am a terrible singer. At best I am a bathroom singer.
I won because I was the people's favorite dancer, and that's what I work with these Idols on. There have been 1,000 singers before you that are as good or better than you, but you're not trying to be the best singer ever. You're trying to be the people's favorite singer.
Now any person who plays an acoustic guitar standing up on stage with a microphone is a folk singer. Some grandmother with a baby in her arms singing a 500-year-old song, well, she's not a folk singer, she's not on stage with a guitar and a microphone. No, she's just an old grandmother singing an old song. The term "folk singer" has gotten warped.
I never thought about becoming a professional singer, but I am in touch with Bono about releasing a musical movie. It will be about an Irish band during the '70s who are looking for fortune in Las Vegas. I should play the singer of the band but I don't want to sing in front of anybody.
I was a young folk singer, or wanted to be. I really wanted to be a New England folk singer, but they never would accept me. I was always hard to categorize, and people wouldn't know what to make of it.
Now I'm not going to go, "Oh my God, what are people saying about me?" I had a choice to be a student and not become a model, and becoming a doctor was another one of my dreams. I had a choice between not becoming a singer or becoming a songwriter and writing behind the scenes; nobody would have seen me writing songs for other people. I had the choice of not marrying my man; we could have just been hidden lovers, but I couldn't cope with it. I had these choices to do all these things, so I'm not going to cry over a life which has been really lucky.
Unless you use the vocoder the way Daft Punk use it, it is very limited. When they sing it's almost human. It sounds sexy. I just used it as an effect. It wasn't because I was not able to sing; I'm not a great singer, but I had some hits as a singer, too. It's a nice effect.
I wanted to do 'Oh Shenandoah' because that's the town I was born in - as a tribute to my mom and dad for giving me all this music. I don't really sing this as a singer, because I'm not a singer. But I wanted to do it for them.
Pops, he was a singer's singer. I loved to hear my father sing. He just was so laid-back and cool. I always wished I could sing like Pops.
I didn't know I was gonna act. I thought I was gonna be a singer because that's what I did first, and I was like, 'When I grow up, I want to be, you know, a singer.'
I'm not as good a singer as I am an actor. So that's why I - the stories I like so much is because I've been a story teller for a long time. I started as a singer and found out I didn't have a very good voice. That's the reason I went into acting.
Mine is an actor's voice, not a singer's voice, but the part was written for an actor (Richard Burton), not a singer.
I always know I'm a country singer, and regardless of where I've fallen into different places with my music, I know that, really, I'm a country singer.
When people ask me, 'Are you a singer?' I say, 'No, I'm not a 'singer' - but I love the craft of singing,' going in and finding out what that means or why the hell I'm singing in the first place. My thing is really the craft of it.
I never let anyone tell me anything growing up and I knew I wanted to be a singer. I would say to every single person that entered my life, 'I'm going to be a singer, I'm going to be on billboards and I'm going to smash it!' You have to put it into the universe, you've got to be positive and not let anything hold you back.
I'm a rapper-singer, or singer-rapper - it's not one before the other. I do both.
My mom was a folk singer and Celtic harpist. My dad was in a barbershop quartet and my great grandma was an opera singer. As I grew up, I discovered pop music and Top 40 radio, but it was in the '90s, so music was very different then - it was really lyrical.
A soul singer is always singing to their crowd. They're always singing about their woes to you. And I really appreciate that when a singer is making you feel... when they're directing it at me. When they're including me.
My practice is to take a sheet, write the song number in the left side, name of the production, and time of recording. Only when I have to fill the name of the singer do we look out to see who is free. When the singers we want aren't there, I end up singing it! That's how I became a singer.
In Utero is a testament to the artistic vision of Kurt Cobain. It's kind of a weird record, and it's strangely beautiful at the same time. And if you look at Kurt's paintings and his drawings - he even did a sculpture for me - it's a rising, tortured-spirit person. It's kind of weird. It's done well, but it's like what Dave was saying about having your own sound. Kurt was a great songwriter. He knew he had a good ear for a hook [and was] a great singer, great guitar player, and In Utero is a good representation of what he liked in art and how he expressed himself.
I went to university and studied English literature, and I forgot about music. I was gonna be a journalist. But then I decided to try and be a backing singer, and my mum was like, "Go for it." If that didn't work, I was gonna go to law school. I was just being boringly sensible; trying to be a singer felt a bit indulgent.
My dad has a lot of foresight and decided that I would not do any shows in Mumbai till I became a singer and got to sing my own songs. He knew that if I started earning money from shows, I would not have the time and aggression to rough it out to become a singer.
At the end of the day, all people want to do is hear a great singer sing a great song. They don't care about what vocal changes it went through. You can't screw up a great song and a great singer.
A cabaret song has got to be written - for the middle voice, ideally - because you've got to hear the wit of the words. And a cabaret song gives the singer room to act, more even than an opera singer.
When I lost the use of my hi-hat and bass drum legs, I became basically a singer. I was a drummer who did a bit of singing, and then I became a singer who did a bit of percussion.
Especially on Broadway, composers and lyricists fretted over their creations, obsessed over every rhyme, every critical chord or interval. The stakes were so high. On Broadway, people were watching and judging, especially newspaper critics who knew a thousand ways to slice and dice a songwriter for the entertainment of hundreds of thousands of faithful readers. There was no anonymity for the Broadway songwriter. Even the best could find themselves stripped naked the morning after by the tastemakers and their readers.
What I mean is that none of my talents had a - what's that great word - rubric. A singer, an actor, a dancer - there was nothing I could really say I was. The writing came much later. And, actually, thank God, because if I had said I'm a singer, I would really have just had one thing to do.
She was twenty and had come to realize that, though she had a voice, she wasn't a singer; that to endure and embrace the life of a singer demands a whole lot more than a voice.
Generally, we tend to believe that royalty is only for mainstream Hindi commercial cinema music and maybe some popular ghazal singer or pop singer but we never think that classical music is played at so many places.
I've watched other people singing, I've become a much better singer. I've become a singer that plays the piano instead of a piano player that sings. — © Elton John
I've watched other people singing, I've become a much better singer. I've become a singer that plays the piano instead of a piano player that sings.
I think it's fine for a singer to sing someone else's song. But the thing I don't like is when a singer that can write songs starts getting someone else to do it for them.
As a songwriter, you tend to develop your own style, your own technique, based around what it is you're trying to write and perform, in terms of your own music. So a way of evolving a guitar style as a songwriter is much easier, I think, than developing a true style of your own just from listening to music or playing other people's music.
I wouldn't really call myself a Jazz singer I think it's offending to real Jazz singers to call me a Jazz singer.
The biggest question I have is if you're a rock singer or a rock 'n' roll band, or if you're a pop singer... if you've made your way in another genre of music and now you want to make a country record, why? That's my question. Why?
I believe if you ask any singer who was the greatest country music singer of all time, they would say 'George Jones'. He was without question and by far the BEST! I first met and worked with him when I was 13 years old; I am so very grateful that he was my friend.
I trained as a singer before I was an actor. I was a kid singer, I went to theater and choir school, and then I got music scholarships throughout my education. And that's what I was going to do. And then I took a left turn and went to drama school and became an actor.
I'm called a folk singer, and I'm not too sure about that. I went about my life approaching music not from the point of view of a singer, but from the point of view of an actor. That's how I first started to sing.
I think there is a misconception that when people are the face of something, or they're the voice, especially when they're young women, that they're being created or molded by someone else. I think more so than not wanting to be a singer I was afraid of being mislabeled as just a singer - not that that's a bad thing.
I sung from an early age and I was always given nice parts in school musicals, but I definitely wasn't the golden girl. I didn't have the guts. You've got to have a real confidence in yourself to be like: "I'm gonna be a singer and write songs." I never thought it would go anywhere because it's so unattainable to be a singer.
Yes was without a singer at that point, cause they were doing ABWH, so you had ABWH, and then you had the 90125 band without a singer.
I really thought I wanted to be a musical-comedy star, but I lived in Phoenix and didn't want to go all the way to New York and be that far away from home. So I thought maybe I'd be a rock 'n' roll singer or an opera singer.
I did record a bunch of stuff, but the thing that usually stops me from doing that is that I'm a terrible singer. I made a bunch of instrumental music, and it feels really good, but just as a singer, I'm not good.
Everyone has their own path in life, no matter if it's being a celebrity or a singer. Quite frankly, I didn't move to Nashville and tell myself I wanted to be a singer because I wanted to be a celebrity or I wanted to be somebody that people admired. I wasn't about that. I just loved music.
Because somebody plays guitar, why does it mean they need a singer? Because people already have this image of things? No, I'll put my music together, then think about whether I need to embellish it with a singer.
How can a song all about struggling with the afterglow of fame thrust someone into fame? How can a lyric like, 'I'm just a singer who already blew his shot,' give a singer another shot? I don't know... but it's funny.
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