Top 1200 Singer-songwriters Quotes & Sayings

Explore popular Singer-songwriters quotes.
Last updated on December 3, 2024.
Growing up, I listened to a lot of American singer/songwriters, so a lot of Tom Waits, Paul Simon - also Woody Guthrie and Bob Dylan. And bands like Vampire Weekend.
I think a lot of singer-songwriters get compared to each other, but I'd like to think that what I'm doing is special and specific to me.
I want people to have a good time. Its boring only to hear singer/songwriters spilling their guts. — © Lykke Li
I want people to have a good time. Its boring only to hear singer/songwriters spilling their guts.
I do all the things that singer-songwriters do. I introduce the songs, I have a story to tell about everything all the time - I cannot be on stage and have something on my mind without telling the audience. I'm super emotional and expressive and vulnerable in that moment.
If I'm hanging out with my friends or I'm working out, I'll listen to female singer-songwriters from the '90s because that's where my heart lies.
I was part of the first wave of singer/songwriters but I was also in that first wave of singer/songwriters who experienced the music industry when technology started to take over.
I feel like a lot of the singer-songwriters in my genre and in my generation have gotten more and more snooty about covering other people's songs. They believe that creativity is the intersect of expression.
I do have a romantic interest in outlasting everybody else. There's a sort of sad machismo to singer-songwriters, I think.
I've had mentors who were kind of the troubadour singer-songwriters, like Merle Haggard, Loretta Lynn, Joni Mitchell, Bob Dylan and Neil Young, and that's just what I've always liked - people who would talk real honestly about their lives and their circumstance.
We love the great Disney songs - they have always inspired us in our work and in our lives! But for 'Let It Go,' we looked elsewhere - to powerful female singer-songwriters like Tori Amos, Aimee Mann, Sara Bareilles, Adele.
I enjoyed hearing people do their own songs. I became attracted to singer-songwriters. I became interested in them as people; was curious about what they wanted to say.
If you look at most of our roster, we've got great singer/songwriters. I'm always attracted to that.
For me, it's always been about a mix of hip-hop, acoustic singer/songwriters, and piano rock. I pull all those together. Each song may lean more heavily on one than the other, but they all have all three pieces.
The fact that there are singer-songwriters dealing with substantive issues is encouraging. It's important for young people to perceive that there are acceptable avenues of dissent, because we live in a world where dissent is hard-pressed; treated as if it were unpatriotic. I've always liked the concept of the loyal opposition. It allows for dissent to be a respectable part of the whole.
When I write songs, I like to write lyrics first, and I think that's different from a lot of singer-songwriters. But I heard Sammy Cahn was asked what comes first, the lyrics or the music, and he said, 'The paycheck.'
I appreciate a lot of singer-songwriters that the normal person doesn't, but I feel like everyone thoroughly enjoys an Ed Sheeran show.
When I finally put my guitar in the case the last time, I want to be remembered just as a singer, not as a country singer or pops singer - just a singer.
The songwriters whom we think of being the greatest songwriters usually write one hit and six or seven flops. That includes the Irving Berlins and the Hoagy Carmichaels, the Harold Arlens, Cole Porter.
I always was into singer-songwriters like Bright Eyes. When I was in high school I wanted to do a project that was like that. Weatherbox is the name of a song by Mission of Burma so I just had a theoretical acoustic project while I was in high school that didn't actually exist.
For a lot of pop performers, fame and celebrity is part of the job. But for singer-songwriters, no one really cares. — © Gabrielle Aplin
For a lot of pop performers, fame and celebrity is part of the job. But for singer-songwriters, no one really cares.
I came along with that crowd of singer-songwriters who were able to make their own statements in such a personal way that it changed the industry: Laura Nyro, Joni Mitchell, Bob Dylan, Sly and the Family Stone.
Songwriters aren't always performers, and even performing songwriters aren't always the kind of show-biz performers you think they'd be.
I loved a lot of different kinds of music, but for my own thing, I went for the singer-songwriters.
Sara Bareilles is one of my favorite singer-songwriters of all time.
I get so frustrated with all these so-called singer-songwriters coming out and they don't write!
I think Im different from a lot of singer-songwriters because some of my favorite singer-songwriters told stories. Like John Prine.
I kicked the door open, and I'm gonna hold my leg in there. I'm keeping the door open for all these amazing female singer-songwriters that are coming out.
I like singer-songwriters, and I find sad songs comforting rather than depressing. It makes you realise you're not alone in the world.
The focus is on singer/songwriters now rather than huge shows. I mean, of course there's always a place for that too.
We only had enough money really to cut 10 things and be in there for a month because it's expensive, you know. And, singer/songwriters, today are lucky if they can get a deal, you know. So, we actually worked so fast that we really cut 20 things.
Like I say, I'm always writing and if something sticks, it sticks. I get to write with great songwriters in town. Lori McKenna is one of my all-time favorite singer-songwriters who's ever walked the planet. I get to write with her. The Warren Brothers are friends of mine and I write with them all the time. Lance Miller is a great songwriter. Tom Douglas - you can't get any better than that. I write a lot of stuff but it's got to stick.
America's a funny place. Every time I've come over it just feels absolutely gigantic and massive. I've always had good shows there, but I just go and come back, feeling like another singer/songwriter in a sea of thousands of singer/songwriters. I don't really know what "breaking it in America" is or means. I just focus on touring day-by-day, and show-by-show, and see where it goes.
There are some singer-songwriters who start out as poets. So someone like Leonard Cohen wrote and published poetry in the early 60s, but then started writing songs. Bob Dylan's a poet in the sense of bard, aoidos or vates.
Loretta Lynn was one of those ladies a long time ago that opened a lot of doors and paved the way for a lot of ballsy singer-songwriters who weren't just cute.
So many artists who came out during that time, including myself, were able to get on radio. New forms of singer-songwriters developed out of that.
A lot of people do not like singer-songwriters, and a lot of people who like them do not like hard rock. It's either-or.
If I were not a black artist but I was still singing, playing guitar, and singing ballads that are spiritual and cerebral, I'd be easier to market because people accept that from white female singer-songwriters faster.
I've struggled with self-esteem and depression, like most singer-songwriters. I listen to my EPs on Bandcamp, and I can just hear the pain and the self-esteem struggle in my voice.
I'm really happy that I got to work with such fresh talent. In a day when record companies are not particularly good at encouraging young, talented songwriters to come forward and get exposure, I think it's important to give tomorrow's songwriters the opportunity.
It's interesting to marry American musical traditions with the subtlety of English-style storytelling and folk singer-songwriters like Martin Carthy and Bert Jansch - they're two heritages that are distinct but also cross over on so many levels.
I definitely always wanted to be a singer and a performer. I think I got it from my parents because my dad's a singer and my mom's a singer, so it kind of runs in the family and I just thought it was normal.
The artist who gave me the most inspiration and direction, especially as a singer - and I absolutely consider myself a singer, 100 percent - is Nina Simone. She's my ultimate pianist-singer-type person.
I grew up with singers. My father's mother sang opera. My dad was a big band singer. I can't remember a time there wasn't music in the house, so I grew up listening to great songwriters - George Gershwin, Cole Porter - and my grandma was playing opera for me before I was 3.
I love female singer-songwriters! — © Melissa Benoist
I love female singer-songwriters!
If somebody says 'singer-songwriter' to me, the first person I think of is James Taylor. There are plenty of modern singer-songwriters, but there is something about James Taylor that has always resonated with me.
I am one of the best singer-songwriters this country has produced. Ever.
The songwriters whom we think of being the greatest songwriters usually write one hit and six or seven flops.
2017 saw a slew of big pop and hip-hop records, a number of breakout female singer-songwriters and all-girl bands, and the return of beloved '60s soul artist Don Bryant and pop star Kesha.
I've come to appreciate how special a song is compared to other art forms, because you can carry it around in your head and your heart, and it remains part of you. It just comes as natural as a bird to me, always did. It's the way singer-songwriters make sense of our lives.
I'm not a big songwriter guy. People who are really good singer-songwriters usually left me kind of cold.
I think, definitely, I was hugely influenced by - obviously like Adele and Florence the Machine. They were my complete idols growing up. But also, there were a lot of influences from my dad, like singer-songwriters of the '70s like Carole King and James Taylor.
Singer/songwriters spend two or three years making an album, and then it goes up for sale and everybody pirates it and you don't make any money. Whereas, writing a film score you still get presented with a paycheck.
Songwriters often seek the company of fellow songwriters to help finish what they've started, and these days, many do it at songwriting camps.
I think my music is born out of the music that I personally like to listen to. I love amazing singer-songwriters and diverse artists but it's important to know your strengths.
Maia Sharp is one of America's great singer-songwriters. Her storytelling runs profound and deep while honoring a pop tradition that urges you to sing along and feel good. Maia sings with an angelic voice that's shrouded in stark realism and a healthy dose of cynicism.....it's an exotic cocktail!
I think I'm different from a lot of singer-songwriters because some of my favorite singer-songwriters told stories. Like John Prine. — © Jill Sobule
I think I'm different from a lot of singer-songwriters because some of my favorite singer-songwriters told stories. Like John Prine.
I want people to have a good time. It's boring only to hear singer/songwriters spilling their guts.
I've grown up on American songwriters my whole life - listening to Paul Simon and Bob Dylan and people like John Prine - you know, classic, real songwriters. They've been the lion's share of what I've really focused on as a writer and as influences, too.
Its hard to take in. One of our most talented singer songwriters has left us. RIP George Michael. Such sad, tragic news. 2016 please end.
My mother had a great vinyl collection, and she was constantly playing female singer-songwriters. I first learned about classic song structures by listening to them, and Laura Nyro particularly stood out. Her voice was outside what you'd usually hear on the radio; that really appealed to me.
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