Top 1200 Singing And Dancing Quotes & Sayings - Page 12

With the disappearance of the future, the only thing that remains in your hands is now. Then you can go deep into this now - whatsoever you are doing. You can be eating or dancing or making love to a woman or singing or digging a hole in the ground - whatsoever you are doing. This is the only time you have, why not do it totally? Why not celebrate it? Celebration and being total mean the same thing. You celebrate only when you are total in something, and when you are total in something you celebrate it.

Before singing, I was acting. I was always more into acting than singing. It was the first thing I always wanted to do.

I grew up watching Gregory Hines banging out rhythms like drum beats, and Jimmy Slyde dancing these melodies, you know, bop-bah-be-do-bap, not just tap-tap-tap. Everyone else was dancing in monotone, but I could hear the hoofers in stereo, and they influenced me to have this musical approach towards tap.

'Love Will Keep Us Together' was a combination of three different singing styles - Al Green, the Beach Boys, and Diana Ross. I loved all these people, and I put their singing styles together and wrote that tune.

That is what war is and dancing it is forward and back, when one is out walking one wants not to go back the way they came but in dancing and in war it is forward and back.

Then the musical instruments appeared. Dad’s snare drum from the house, Henry’s guitar from his car, Adam’s spare guitar from my room. Everyone was jamming together, singing songs: Dad’s songs, Adam’s songs, old Clash songs, old Wipers songs. Teddy was dancing around, the blond of his hair reflecting the golden flames. I remember watching it all and getting that tickling in my chest and thinking to myself: This is what happiness feels like.

"Everything must change, everything must stay the same." Those are good words to have circling around in my head. I just wish that I was able to deal with them, not by singing, but by helping myself. But singing helps, too.

I've never taken vocal lessons. My early trumpet training and a fortunate talent for singing has always been enough for me. In the case of rock singing, I've always felt it was better to remain a bit untrained to maintain your individuality.

That's my goal, is to stay in a truthful place. And sometimes that means writing a silly song, or singing about sex or singing about environmental destruction or heartbreak, or my grandmother. The subject isn't what the core is about, it's about truthfulness and authenticity and that just comes from my heart and soul.

Tap dancing is like... it's equivalent to music, not only for the African American community, but also for the world. Tap dancing is like language; it's like air: it's like everything else that we need in order to survive. I'm blessed and honored to be knowledgeable of the art form and to be a part of the art form.

I don't like bands who would play music like Code. I mean I hate most bands with emotional singing parts (I adore metal singing like Iron Maiden though!)

Presley brought an excitement to singing, in part because rock and roll was greeted as his invention, but for other reasons not so widely reflected on: Elvis Presley had the most beautiful singing voice of any human being on earth.

I do really silly dancing. I love dancing, but I'm not cool when I dance. It's not about my moves, it's not about how cool I am, it's not about how slick I look on the dance floor, it's about having a great time.

I think that I burnt myself out a little bit with my dancing because I did so much of it. I was exhausted so thought that I would try a different kind of performance and expression and acting seemed like a close fit; it was similar in some ways to dancing. My mum showed me some really good films and so I became interested in films and acting.

The audience keeps singing, keeps making my case, and I just keep strumming until I get close enough to see her eyes. And then I start singing the chorus. Right to her. And she smiles at me, and it’s like we’re the only two people out here, the only ones who know what’s happening. Which is that this song we’re all singing together is being rewritten. It’s no longer an angry plea shouted to the void. Right here, on this stage, in front of eighty thousand people, it’s becoming something else. This is our new vow.

I love working with Angel Deradoorian, she's a joy to work with. She's fab at singing and she has a real... she has an understanding that's both intellectual and emotional about singing, that I think that very few people have.

If you look at the other singers of Billie Holiday's time, they were really trying to entertain. They were trying to make people feel good. They were singing fast - and she was singing the blues.

I like the audience to be engaged with the numbers I am singing and do not repeat my songs at any of my concerts. There are thousands of songs that I have lent my voice to with so many other singers, so why bore my audience by singing the same songs?

I believe in singing to such an extent that, if I were asked to redesign the British educational system, I would start by insisting that group singing becomes a central part of the daily routine. I believe it builds character and, more than anything else, encourages a taste for cooperation with others.

I really love singing. I love singing harmony, mostly.

When I was a junior in college I moved to New York and went to this performance school the Experimental Theatre Wing. We had singing class and again, some of the other students would cry when I was singing, and I really didn't know why. I started to realize that there was something in the tone of my voice that was evocative for them.

When they're singing the guitar lines of songs in South America? Never heard that before. And in Canada, when they're singing all of the lyrics to every song - that blows me away. I don't know all the lyrics to every song.

My singing silenced the bullies, but better than that, it silenced the demons inside me. When you're jeered at, told to shut up, sit still, stop being silly, there's a cacophony of noise rolling around in your head. When I was singing, it was peaceful.

When people ask me, 'Are you a singer?' I say, 'No, I'm not a 'singer' - but I love the craft of singing,' going in and finding out what that means or why the hell I'm singing in the first place. My thing is really the craft of it.

Man creates what he is, man creates himself. The meaning has to be created. You have to sing your meaning, you have to dance your meaning, you have to paint your meaning, you have to live it. Through living, it will arise; through dancing, it will start penetrating your being. Through singing, it will come to you. It is not like a rock just lying there to be found, it has to bloom in your being.

I love singing - singing is what I'm famous for doing. Now it's turned into things I am famous for doing - like having rows with my mum or about my boyfriend, so it does get irritating.

Well painting is certainly my main thing. I will keep doing that for the rest of my life, but if I become famous I would maybe like to experiment with acting, or I have a good voice so maybe a little bit of singing. I'm going to take singing lessons, so who knows.

I just found such a love for dancing. If anybody would love to just feel great, not just physically, but you want to feel such confidence, just go and take a ballroom dancing class! I love it more than any kind of workout.

There are people doing yoga in New York, dancing around; that's the power of India. You go to a nightclub somewhere in Spain and there's Amitabh Bachchan on the screen there, dancing around. That's the power of India. That's the power of Indian people.

I've got a superstar like Usher singing bachata, a tune featuring Lil Wayne. I'm offering people more than just bachata. That captures a new audience that would listen to bachata because Usher is singing.

I find it sad that people think it's a political, gender-bending thing, because, really, I'm just singing about guys. There's a million guys singing about girls, and no one makes a big deal of it.

I want to be singing to everybody, and I want everybody to think that I'm singing to them. Guys, girls and everyone in between.

Some people like my singing. But it sounds like bad singing to a lot of other people.

As a former football player who has carried a football more than 4,000 times, trust me, I did not go into ballroom dancing with my body being 100 percent, with no aches or pains or ailments coming with me. When you're dancing, you're doing stuff that your body's not used to, and so you start to aggravate those old injuries.

I tried to connect my singing voice to my guitar an' my guitar to my singing voice. Like the two was talking to one another.

We of the soft-crooning radio type of singer are giving the people what they want. The American public as a whole does not care for full-throated operatic singing. And why should it? Down through the ages, it has been the simple song which has lived and continues to touch the heart of humanity. And so it is with singing.

I want to create music that you can just vibe to. Put in your car and just you know like you roll all the windows up and you're like dancing and you just don't know why you're dancing but the music just makes you move.

I just would like to keep singing. As soon as I'm not singing well, I hope that I know it, so that I can get off the stage and leave what I have done. I hope I'll know, and if I don't, I hope somebody tells me.

Every day I remind myself of all that I have been given... With singing, you never know when you are going to lose the voice, and that makes you appreciate the time that you have when you are still singing well. I am always thanking God for another season, another month, another performance.

The 1980's witnessed a new dance genre in New York City and Los Angeles. Slam Dancing was perhaps a way for adolescent males to deal with the stressors of maturation, aggressive personal feelings, and violence in the society at large. Through dancing, the youths expressed raw power and rage while achieving euphoria, enhanced self-concept, and a healthy fatigue.

I make up stories in my head all the time, but I've never written them down. But I write a lot of story songs. Any song I'm singing, I sort of see it like a movie in my head. That's why a lot of times I close my eyes when I'm singing.

I had a voice - I had an instrument - I loved singing and I had an inspired singing teacher, Miss Sleigh. I went to her every Saturday, and I now possess the upright Steinway piano beside which I used to stand in fear and trembling if I hadn't done my breathing exercises.

My uncle was 16, in junior high, and he heard me singing and snatched me off the stage. I thought he was happy and was going to pat me on the head and say I was good. But he took me home and told my grandmother this youngin' was at school singing the blues.

In my opinion, being an all-rounder is good. It is not right that I should be content with qawwali and ignore other forms, since I am basically trained in classical singing. We should be masters of all forms of singing.

Listen to what others tell you about your voice. If you're only singing to please yourself, you might as well just sing under the shower. But if you're singing for others, you are reliant on them to ask you to sing.

I'm just singing about my own life. Singing about all the little stories in my life and the things I've been through.

All the forms of popular music from jazz to hip-hop, to bebop, to soul [come from black innovation]. You talk about different dances from the catwalk, to the jitterbug, to the Charleston, to break dancing -\-\ all these are forms of black dancing...What would [life] be without a song, without a dance, and joy and laughter, and music.

I started singing in coffeehouses when I was still in high school, in Santa Barbara. I took a job washing dishes and busing tables in the coffeehouse, so I could be there, and would beg permission to sing harmony with the guy who was singing onstage. That was the first time I ever got on a stage in front of people.

My friends and I had taken dancing lessons, although none of us would ever admit it. In those depression days, a friend of my mother was trying to make a living by teaching dancing in the evening, in an upstairs dance studio. There was a back door to the place, and she arranged it so the young men could come up through the back way without being seen.

I went to dance class as a girl because I didn't like sports, but I never did a dance recital in my life. Never, ever, ever. I felt comfortable dancing, and I was happiest dancing, but I was never the best person in the class.

I never went to school for anything that I have done. I've never taken a class in singing, I never went to school for singing, acting, nothing. All I know is that it's a gift.

I think the transition between singing covers on a reality show to being able to do my own thing was really exciting. I'm no longer singing covers every second, and people are actually getting to hear my own original music.

Starting in music, where I get a chance to connect with the lyrics of a song, I learned so much about performing on stage and connecting to your audience and to what you're singing about. Singing is very emotional. Every song has its own purpose.

When I sang that song, I felt it was almost as if some force had moved into my body. Things like that have only happened to me singing jazz. It doesn't happen when singing pop. I get so deeply into the music, it feels like I've become someone else.

Girls love guys who dance, and I'm definitely going to be the first one on the dance floor. Usually, you just see guys sitting around, but I definitely don't hold back when it comes to dancing. I like to keep [my dancing] toned down initially. It's a lot of snapping first off, just to get a feeling.

With me, it's so eclectic and all over the map that no one knows what to expect, ... It may not be a great career move, but all these things - singing with the Funk Brothers and the Dead, singing a Dolly Parton song - is great. I'm welcome to all these different worlds, and that's been wonderful.

Music isn't just for professionals. We delegate all of our music and our dancing and our art to professionals. It's silly. We should be doing our own dancing and drawing.

Singing didn't really come naturally to me, I don't think. I had to really work at it. I just kept singing. I never was really worried about it, though, because I was writing songs, and that was the most important thing to me.

As for finding comfort in the zone, I'm comfortable singing what I write. I like writing emotional and slow, melodious songs. I haven't tried singing songs from other genres, but yes, I would like to give them a try.

You have to be careful not to make music something you don't want to do. Which happens. I've gotten off the road and been like, 'I hate it. I hate singing, I hate playing guitar.' Six days later, I'm in my bedroom singing at the top of my lungs because I love it so much.