Top 1200 Siren Song Quotes & Sayings - Page 7

The first song I ever had recorded by another artist was a song called 'Surefire Feeling' by Jake Owen.

If you can even manage to tell exactly what a song is about, all you do is put that song in a box forever, and it loses its evocative power.

My song 'Smooth Operator,' I think that's a real simple, easy, sing-a-long kind of song. It's not too complicated.

It's not hard to create a song, but to write a song that's really going affect somebody? That takes a hell of a lot of time.

I love when a song is conceived as a jigsaw puzzle in the studio, and then it's a natural to play live. That's my gauge of success for a song.

A song is like a saddle: you ride it for a while, and if it's the right kind of song you can sing it for the rest of your life.

You don't necessarily have to write a song to make it your own. After all, Elvis never wrote a song in his life.

In the past, my process would start with a sample of another song, and I'd chop it up and use that as the basis of the song that I was making.

The key thing is to get that one splash - that one song or that one video for a song - that catches people's eyes. Because it's all digital content now.

I was actually quite surprised how many more mythologies there are about mermaids than the ones our society knows. I was so pleasantly surprised for 'Siren' to add quite an original idea to that: One that is a predator. One that is very intelligent but still has to survive in the ocean with all of its challenges.

It's always that one song that gets to you. You can hide, but the song comes to find you.

You can punch a wall or write a song. Just as painful either way, but you have something to show for it at the end of the day with a song.

Every song, the title dictates the architecture of the song.

Every artist has the song where they say, 'I wish I could have written a song as good as this,' but they don't feel like they've done it yet. It pushes you to evolve.

When you're given a song, it's my job to record the lyrics, story and emotion, and make everyone who is listening to the song believe that it was my words and experience.

Some people think a song without words isn't a real song. Tell that to Beethoven and he'll kick your ass!

The notoriety you get from when your song is on the radio versus when your song is on a mixtape is two completely different things. And when you get a song get big enough to where it gets played on two stations at the same time in the same city, you're like, 'Damn!'

IU and I hosted a music program together, and she had told me that she would be writing a song for me. My fans call me 'Peach,' so when her new song came out, I called to ask her about it, and she confirmed that the song was for me.

You know what, I am not gonna lie, that Taylor Swift 'Trouble' song? I can't resist that song. Her melodies are very catchy.

I love the song 'I Hope You Dance' by Lee Ann Womack. I was going to write that song, but someone beat me to it.

The Song of Love, the Song of Hate, the Songs of Praise and of Thanksgiving; I've learned them all, but there remains one called the Melody of Living.

My aim is for every song to have a purpose - for you to be able to say, 'This song is about this.' But love and heartbreak are some of the most abstract subjects.

You have all these song titles and song time, and you put it in a certain order, and you slap a cover on it. That's a record. That's how I've seen all my records.

I always believed a singer should be able to sing any kind of song. If I wanted to sing a Cole Porter song, I should be able to do that. Or 'Sherry,' I should be able to do that. Or a Dylan song.

My job is to work at song writing and singing and telling the truth in song writing. My job is to be courageous enough to go on stage and tell the truth, the same truth that's gone into my song writing.

I believe in the power of song. Under the spell of the right song, passion is within reach, love is close by, and you are not alone!

For some producers who are technical-minded, making the song sound good is easy, and getting the emotion into the song is harder.

Forgetfulness heals everything and song is the most beautiful manner of forgetting, for in song man feels only what he loves.

You know what's a great song that will be stuck in your head if I say it? 'Single Ladies,' by Beyonce. Killer song.

I keep joking with my teammates that Nickelback should be our walkout song. I think everyone secretly likes at least one song.

There's just a natural human element to a great song that feels immediately satisfying. I like the song to create a mood.

If you write a country song, and it's the best song you've ever written but throw it out because you're a metal band, you'd be an idiot.

No one can threaten poetry. It's always been there, always will be. Humans need it to live: it has sustaining powers. How could we (anyone) get through adolescence without some form of song? Song is only a version of lyric poetry that is carried more by melody than by internal coherence and unity. but lyric and song - they are the same.

Every song becomes an emotional journey for me, and only then will the soul of the song remain honest.

What is so important is that you play for the artist and for the record and for the song ... everything else falls into place ... my solo has to be a complement to the singer and the song.

In a song you can kind of stage-manage everything so that it puts you in a good light. And once a song is recorded, it always performs well.

One song will launch you, but you don't want to be a one-song artist

Most times you don't write the song, the song writes you.

I wrote my first song when I was six or seven, a silly little song. But I used to write poems in high school - not songs.

One song will launch you, but you don't want to be a one-song artist.

All deep things are song. It seems somehow the very central essence of us, song; as if all the rest were but wrappages and hulls!

I recorded the song 'Believers' because I feel the song has a strong and much needed message. We all need encouragement and something to believe in.

Honestly, are we ever going to get over 'California Girls' by Katy Perry? I know it's old, but that song - I love that song!

The life of every river sings its own song, but in most the song is long marred by the discords of misuse.

No part of Manhattan these days really has the same vibe I get from a Ramones song or a Velvet Underground song.

I always believed a singer should be able to sing any kind of song. If I wanted to sing a Cole Porter song, I should be able to do that. Or Sherry, I should be able to do that. Or a Dylan song.

A great guitar solo is really a song within a song. You can always go off and do your pageantry, but it has to be structured.

Whenever I hear somebody cover a song, I don't like to hear it stray too far from the original. I like to hear some of the new energy that a band will put into it, but you kind of want to hear some of the basic parts of the song. I mean, that's what makes it the song that you like.

I'm the same guy at that podium preaching to the people on every single song. I'm not doing a dance for you on another song. It's all a direct assault.

The Mary J. Blige song is called 'My Life.' It's kinda like an autobiography song, stating what I'm about and what I'm trying to do and what I've done.

Popular music usually has a chorus that needs to repeat, and people need to remember the song. That's sort of the major guideline when you're writing a song.

A song is a song and a hit record can change a life.

I put a song out for fun, from 'Lucky Them'... I wrote another one called 'Love Song.' I really liked that.

I'm recording freely, and if I make a song, I release it immediately, so I'm more likely to believe in one song at a time as opposed to albums.

My goal is to think of nothing when I'm writing a song because too many influences could sabotage a potentially amazing song.

Anything is food for starting a song. A song can start with a lyric idea or a melody or just a sound that inspires.

I am outraged that the Gorillaz have infringed the copyright of my song 'Time Warp,' claiming their song 'Stylo' to be an original composition.

I woke up one morning with this song in my head, and the opening line of the song: My name was Richard Nixon, only now I'm a girl.

If I just remix and release, no one will listen. I am adapting, changing the song and merging a new song into an old one.

'Reign' - and this might sound cheesy, but it's a dream I had. I dreamt everything that happened in that song, woke up, and wrote the song.