Top 364 Sixteen Quotes & Sayings - Page 6

But you're almost eighteen. You're old enough. Everyone else is doing it. And next year someone is going to say to someone else 'but you're only sixteen, everyone else is doing it' Or one day someone will tell your daughter that she's only thirteen and everyone else is doing it. I don't want to do it because everyone else is doing it.

Turbulent childhood, adolescent daydreams in the drone of the bus's motor, mornings, unspoiled girls, beaches, young muscles always at the peak of their effort, evening's slight anxiety in a sixteen-year-old-heart, lust for life, fame, and ever the same sky through the years, unfailing in strength and light, itself insatiable, consuming one by one over a period of months the victims stretched out in the form of crosses on the beach at the deathlike hour of noon.

How long it will take until we get to a Golden Age where everybody's perfectly in tune with God's will, I don't know; but because of Prabhupada, Krishna consciousness has certainly spread more in the last sixteen years than it has since the sixteenth century, since the time of Lord Caitanya. The mantra has spread more quickly and the movement's gotten bigger and bigger.

The point of departure for my creation was not primarily the destiny of the sixteen Carmelites of Compiègne but the figure of the young Blanche. In a historic sense she never lived, but she received the breath of life from my internal spirit, and she cannot be detached from the origin, which is hers. Born in the profound horror of a time darkened by the signs of destiny, this figure arose before me in some way as the embodiment of the mortal agony of an era going totally to its ruin.

In Sweeden every city looks the same. I've been to sixteen cities, and every single city is the same! The same cobblestone, the same McDonalds, the same everything. Everything was designed by the same guy. They must have saved a lot of money when they designed all the cities.

'Stand By Me' was really great for me and my buddies; we'd all watch that together because that was us - we were down in the creek and hanging out every day and going on little adventures. I had about sixteen friends who are all about the same age as me and lived in a three-block radius. We spent our entire childhood down in that creek.

Phury lit a blunt and eyed the sixteen cans of Aqua Net that were lined up on Butch and V's coffee table. "What's doing with the hair spray? You boys going drag on us?" Butch held up the lenght of PVC pipe he was punching a hole in. "Potato launcher, my man. Big fun." "Excuse me ?" "Didn't you ever go to summer camp ?" "Basket weaving and woodcarving are for humans. No offense, but we have better things to teach our youngs.

One day I saw a picture of the Buddha on a Buddhist magazine and he was sitting on the grass, and he was sitting on the grass, very peaceful, smiling, and I was impressed. Around me people were not like that, so I had the desire to be someone like him. I nourished that kind of desire until the age of sixteen, when I had the permission from my parents to go and ordain as a Buddhist monk.

When you are sixteen you do not know what your parents know, or much of what they understand, and less of what's in their hearts. This can save you from becoming an adult too early, save your life from becoming only theirs lived over again--which is a loss. But to shield yourself--as I didn't do--seems to be an even greater error, since what's lost is the truth of your parents' life and what you should think about it, and beyond that, how you should estimate the world you are about to live in.

By sixteen I thought, "Ah, this is all crap, you're all sheep, I'm not going to church, leave me alone." And then at a certain point in my teens I started to go to Catholic churches, by myself. Not because I wanted to be Catholic, but because I wanted to light a candle and say something like a prayer and just sit there. There was something I was missing or trying to reconnect with. But it was a secret at the time. I'd developed this cynical persona and the last thing I wanted to admit was that I was skulking around churches in my spare time.

I am running into a new year and the old years blow back like a wind that I catch in my hair like strong fingers like all my old promises and it will be hard to let go of what I said to myself about myself when I was sixteen and twenty-six and thirty-six but I am running into a new year and I beg what i love and I leave to forgive me.

Two weeks until your cure" she says finally. "Sixteen days" I say, but in my head I'm counting: Seven days. Seven days until I'm free and away from all these people and their sliding superficial lives brushing past one another gliding, gliding, gliding from life to death. For them there's hardly a change between the two.

I'm pretty sure I can say that no one in my family ever asked Demetrie what it felt like to be black in Mississippi, working for our white family. It never occurred to us to ask. It was everyday life. It wasn't something people felt compelled to examine. I have wished, for many years, that I'd been old enough and thoughtful enough to ask Demetrie that question. She died when I was sixteen. I've spent years imagining what her answer would be. And that is why I wrote this book.

I laughed. “You’re too young to be so … pessimistic,” I said, using the English word. “Pessi-what?” “Pessimistic. It means looking only at the dark side of things.” “Pessimistic … pessimistic …” She repeated the English to herself over and over, and then she looked up at me with a fierce glare. “I’m only sixteen,” she said, “and I don’t know much about the world, but I do know one thing for sure. If I’m pessimistic, then the adults in this world who are not pessimistic are a bunch of idiots.

Ever since Blessed Alan de la Roche re-established this devotion the voice of the people, which is the voice of God, called it the Rosary. The word Rosary means "Crown of Roses" that is to say that every time people say the Rosary devoutly they place a crown of one hundred and fifty-three red roses and sixteen white roses upon the heads of Jesus and Mary. Being heavenly flowers these roses will never fade or lose their exquisite beauty.

I was very fierce and very driven at eighteen. But my basic philosophy I think has stayed the same, I'm still an atheist, I still believe strongly in the power of free will (despite the mysticism in my prose). I don't believe in the notion of a pre-ordained destiny, and I think because of the sudden death of my father at sixteen I learnt then that it is essential to live life to the fullest as it could be snatched away at any second.

I did not know that 'poetess' was an insult, and that I myself would some day be called one. I did not know that to be told I had transcended my gender would be considered a compliment. I didn't know — yet — that black was compulsory. All of that was in the future. When I was sixteen, it was simple. Poetry existed; therefore it could be written; and nobody had told me — yet — the many, many reasons why it could not be written by me.

I remember the Chillicothe ballplayers grappling the Long Island ball players in a sixteen-inning game ended by darkness. And the shoulders of the Chillicothe players were a red smoke against the sundown and the shoulders of the Rock Island players were a yellow smoke against the sundown. And the umpire's voice was hoarse calling balls and strikes and outs and the umpire's throat fought in the dust for a song.

To be the best and stay there sweat is necessary. I'm older. Of course I'm older. That's the beauty of it. Sixteen years plus different level of wisdom. Different level of understanding. Different level of punishment. i want to live loooong after my records have fallen, long after my rings have tarnished. Whatever you got to do to make sure you chase your legacy. Every second of your life. How will you be remembered? How will you be remembered? Why wouldn't you fight for the greatest achievement ever? Leave your mark to endure forever.

I'm alive inside. A bird is my heart. Mama and Daddy is not win. I'm winning. I'm drinking hot chocolate in the Village wif girls--all kind who love me. How that is so I don't know. How Mama and Daddy kknow me sixteen years and hate me, how a stranger meet me and love me. Must be what they already had in they pocket.

In high school, in 1956, at the age of sixteen, we were not taught "creative writing." We were taught literature and grammar. So no one ever told me I couldn't write both prose and poetry, and I started out writing all the things I still write: poetry, prose fiction - which took me longer to get published - and non-fiction prose.

A woman recently told me a story about her descent into chronic fatigue. She was sleeping sixteen, eighteen hours a day, and feeling more tired when she woke up than when she went to bed. She really wanted to go to a workshop and she went anyway. And when she was there, she felt much less tired. So she decided, "Maybe if I continue to follow what I really want to do at all times, I will feel less tired." This was her spiritual practice - - to only do the things that she wanted to, and to not make choices based on anything else. That is an embracing of pleasure, of joy, of good feelings.

When I was sixteen, I began to think outside the box of my small town. Not that the people in my small town are in a box - they're not! There's a brilliant college there, and I had brilliant teachers from that college. But in terms of a conservative upbringing, which I did have within my own family, I just began to question things and to think for myself.

I'll say this again: Her presence would be the best Mother's Day gift I could ever ask for. I know Kate Siegel a big bestselling author now, but I was sliced, no, ripped open from my boobs down to my baby cannon to bring her into this world, all but bathed in her puke for years, and acted as her own personal chauffeur for the first sixteen years of her life.

Yeah, I used to dress badly until I was about sixteen. But people just didn't seem to have enough respect for me, you know And I didn't like that, so I decided I'd have to show them they weren't any better than me, you know? They were sort of priding themselves. They would say, 'He beat us at chess, but he's still just an uncouth kid.' So I decided to dress up.

Stand By Me' was really great for me and my buddies; we'd all watch that together because that was us - we were down in the creek and hanging out every day and going on little adventures. I had about sixteen friends who are all about the same age as me and lived in a three-block radius. We spent our entire childhood down in that creek.

A lot of college graduates approach me about becoming screenwriters. I tell them, 'Do not become a screenwriter, become a journalist,' because journalists go into worlds that are not their own. Kids who go to Hollywood write coming-of-age stories for their first scripts, about what happened to them when they were sixteen. Then they write the summer camp script. At the age of twenty-three they haven't produced anything, and that's the end of the career.

I was sixteen, I became a working guitar player gigging in LA, mostly in top 40 bands, then touring. I learned to take songs apart, down to their bones. Songwriters would hire me to produce their demos, which lead me to become a songwriter. The relationship and power music has to TV and film attracted me to composing [and] I learned to write for instruments other than guitar.

I had to come out to my mother three times over a twelve-year period, but I first came out to her when I was sixteen. It didn't go over so well, because I grew up in the Pentecostal Church. It was a very strict environment. She has since done a lot of work and has really blown my mind. She has learned about my life and has changed her mind.

Today's fishing industry supplies land farms with fish as well. Over fifty percent of the fish caught is fed to livestock on factory farms and "regular" farms. It is an ingredient in the enriched "feed meal" fed to livestock. Farm animals, like cows, who by nature are vegans, are routinely force-fed fish as well as the flesh, blood, and manure of other animals. It may take sixteen pounds of grain to make one pound of beef, but it also takes one hundred pounds of fish to make that one pound of beef.

We don't need women. There are plenty other things in the world to have sex with, just go to a sexaholics meeting and take notes. There's microwaved watermelons. There's the vibrating handles of lawn mowers right at crotch level. There's vacuum cleaners and beanbag chairs. Internet sites. All those old chat room sex hounds pretending to be sixteen-year-old girls. For serious, old FBI guys makes the sexiest cyberbabes.

Bono met his wife in high school," Park says. "So did Jerry Lee Lewis," Eleanor answers. "I’m not kidding," he says. "You should be," she says, "we’re sixteen." "What about Romeo and Juliet?" "Shallow, confused," then dead. "I love you, Park says. "Wherefore art thou," Eleanor answers. "I’m not kidding," he says. "You should be.

It is astounding to me, and achingly sad, that with eighty thousand people on the waiting list for donated hearts and livers and kidneys, with sixteen a day dying there on that list, that more then half of the people in the position H's family was in will say no, will choose to burn those organs or let them rot. We abide the surgeon's scalpel to save our own lives, out loved ones' lives, but not to save a stranger's life. H has no heart, but heartless is the last thing you'd call her.

Where people work longest and with least leisure, they buy the fewest goods. No towns were so poor as those of England where the people, from children up, worked fifteen and sixteen hours a day. They were poor because these overworked people soon wore out -- they became less and less valuable as workers. Therefore, they earned less and less and could buy less and less.

I felt so much when I was fifteen, sixteen, seventeen, I felt everything. I didn't understand [myself], I was so happy yet so angry and sad. That was the point when I realized that I needed to tell stories and make characters come alive and I needed to make people cry, and make people angry, and make people happy, and make them laugh.

Whatever happened to chivalry? Does it only exist in 80's movies? I want John Cusack holding a boombox outside my window. I wanna ride off on a lawnmower with Patrick Dempsey. I want Jake from Sixteen Candles waiting outside the church for me. I want Judd Nelson thrusting his fist into the air because he knows he got me. Just once I want my life to be like an 80's movie, preferably one with a really awesome musical number for no apparent reason. But no, no, John Hughes did not direct my life.

The very first idea I ever had about making a film... my first thought about ever being a filmmaker was when I was sixteen years old and I wanted to make a Viking movie. And I wanted to make it in old Norse, which I was studying at the time. It's odd because at that age that's a stupidly ridiculous idea 'cause how will I ever be a filmmaker.

Researchers, with science as their authority, will be able to cut animals up, alive, into small pieces, drop them from a great height to see if they are shattered by the fall, or deprive them of sleep for sixteen days and nights continuously for the purposes of an iniquitous monograph. . . . Animal trust, undeserved faith, when at last will you turn away from us? Shall we never tire of deceiving, betraying, tormenting animals before they cease to trust us?

Time the healer (Time the killer) flies faster here in Rome than anywhere else in the world, I believe ... here in Rome there are or seem to be strange differences in the value of things. For instance, the pound weight, instead of being sixteen ounces, is only twelve; the foot measure, instead of being twelve inches, is only nine; and I think, in some way, this must apply to time as well, so that the hour, instead of being sixty minutes long, is only forty-five!

If a woman tells you she's twenty and looks sixteen, she's twelve. If she tells you she's twenty-six and looks twenty-six, she's damn near fourty.

Naturally I feel no shame in writing these things because of the time which separates the moment when they are written--when only I can see them--from the moment when they will be read by other people, a moment which I feel will never come. By then I could have had an accident or died; a war or a revolution could have broken out. This delay makes it possible for me to write today, in the same way I used to lie in the scorching sun for a whole day at sixteen, or make love wihout contraceptives at twenty: without thinking about the consequences

I tried to imagine how things could get much worse. The gods were in the Midwest fighting a huge monster that had almost defeated them once before. Poseidon was under siege and losing a war against the sea Titan Oceanus. Kronos was still out there somewhere. Olympus was virtually undefended. The demigods of Camp Half-Blood were on our own with a spy in our midst. Oh, and according to the ancient prophecy, I was going to die when I turned sixteen—which happened to be in five days, the exact same time Typhon was supposed to hit New York. Almost forgot that.

Speech, tennis, music, skiing, manners, love- you try them waking and perhaps balk at the jump, and then you're over. You've caught the rhythm of them once and for all, in your sleep at night. The city, of course, can wreck it. So much insomnia. So many rhythms collide. The salesgirl, the landlord, the guests, the bystanders, sixteen varieties of social circumstance in a day. Everyone has the power to call your whole life into question here. Too many people have access to your state of mind. Some people are indifferent to dislike, even relish it. Hardly anyone I know.

Diana: "I wish I were rich, and I could spend the whole summer at a hotel, eating ice cream and chicken salad." Anne: "You know something, Diana? We are rich. We have sixteen years to our credit, and we both have wonderful imaginations. We should be as happy as queens." [gestures to the setting sun] Anne Shirley: "Look at that. You couldn't enjoy its loveliness more if you had ropes of diamonds.

I remember I thought I should become a doctor, even though I had no talent for science whatsoever. Then of course, until I was about sixteen, I thought I might have a shot as a major league baseball player. But once I hit my full adolescence I lost all interest in that. I discovered, in rapid succession, books, girls, alcohol and tobacco, and I've never turned back. Those are the four things I'm most interested in.

Sixteen percent of our population is rural, but 40 percent of our military is rural. I don't believe that's because of a lack of opportunity in rural America. I believe that's because if you grow up in rural America, you know you can't just keep taking from the land. You've got to give something back.

To a student: Dear Miss - I have read about sixteen pages of your manuscript . . . I suffered exactly the same treatment at the hands of my teachers who disliked me for my independence and passed over me when they wanted assistants. . . . Keep your manuscript for your sons and daughters, in order that they may derive consolation from it and not give a damn for what their teachers tell them or think of them. . . . There is too much education altogether.

Now, to tell my story--if not as it ought to be told, at least as I can tell it,--I must go back sixteen years, to the days when Whitbury boasted of forty coaches per diem, instead of one railway, and set forth how in its southern suburb, there stood two pleasant house side by side, with their gardens sloping down to the Whit, and parted from each other only by the high brick fruit-wall, through which there used to be a door of communication; for the two occupiers were fast friends.

Are you willing to work sixteen hours a day? Rich people are. Are you willing to work seven days a week and five up most of your weekends? Rich people are. Are you willing to sacrifice seeing your family, your friends, and give up your recreations and hobbies? Rich people are. Are you willing to risk all your time, energy and start-up capital with no guarantee of returns? Rich people are.

I have never engineered a record. I will draw a record and I'll show you what it's gonna look like. And I will design it and sketch it out and show you, you know, the breaks are coming in here. Sixteen bars. Move out. 32 bars and you get this baseline. Repeat this. Ghost it. Take the tops out of that. Make it go thin. Get a filter. Reverse it.

Some like them hot,some like them cold. Some like them when they're not to darn old Some like them fat,some like them lean. Some like them only at sweet sixteen. Some like them dark,some like them light. Some like them in the park,late at night. Some like them fickle,some like them true, But the time I like them is when they're like you

Remember, we could solve this in a heartbeat with ranked-choice voting. The Democrats won't pass it. This allows you to rank your choices and eliminates the intimidation and the fear. They won't pass it; I know because I helped file the bill. Sixteen years ago in Massachusetts they could have solved the spoiler problem. They won't do it because they rely on fear. The fact that they rely on fear tells you something very important. They are not on your side. For that reason alone, they do not deserve your vote.

There were people I knew that came to college and had never drank before, and never partied, and maybe got a little bit too carried away with it when they did finally get out of the house... I feel like I got that stuff out of my system when I was sixteen and knew to balance things - but at the same time - it's not like I was out getting my medical degree. Playing in a band, you can still have plenty of fun!

People don't understand rural America. Sixteen percent of our population is rural, but 40 percent of our military is rural. I don't believe that's because of a lack of opportunity in rural America. I believe that's because if you grow up in rural America, you know you can't just keep taking from the land. You've got to give something back.

Ever since I was a kid, I was always a fan of hip hop. If you get your limelight whether your sixteen or twenty-one or wherever you're at, you get your lime when you get your lime, but if you're a part of hip hop and a child of hip hop, then you will always be a part of hip hop.

Treat your kid like a darling for the first five years. For the next five years, scold them. By the time they turn sixteen, treat them like a friend. Your grown up children are your best friends.

You never know that this is the moment when you're in the moment. When I was sixteen I moved to a smaller town in Vermont, and at that time I didn't have a band to play in. So I was forced to play in Top 40 bands and fraternity bands and wedding bands. That was all pop music, but I was listening to Weather Report and classical music. Then I went to Berklee College of Music in 1978, and you had Victor Bailey there, and Steve Vai. And suddenly I was among my ilk.

People I know who succeed don't mind working. Those who are competent seem to like doing things well -- not stopping because they haven't accomplished what they wanted to on the first go-round. They're willing to do it twenty times, if necessary. There's an illusion that the good people can easily do something, and it's not necessarily true. They're just determined to do it right. I was impressed by hearing one of the women at Radcliffe talk about writing a poem, how many revisions a single poem sometimes has to go through -- fifty or sixty revisions to come out with a poem sixteen lines long.

Near our vineyard there was a pear tree laden with fruit that was not attractive in either flavor or form. One night, when I [at the age of sixteen] had played until dark on the sandlot with some other juvenile delinquents, we went to shake that tree and carry off its fruit. From it we carried off huge loads, not to feast on, but to throw to the pigs, although we did eat a few ourselves. We did it just because it was forbidden.

The acting I got into by doing what we call pantomime, when I was sixteen. And, there were loads of very pretty girls in the show. I realized; I found out very early on, that the lead comic gets the girl. So, that was cool. When I went to university, I studied Economic Social History. And drama. That kind of got me into it. My main passion was to make films. It was never to be an actor. At that time, there weren't many opportunities for a working class Scottish actor. It was kind of an English thing. And it required a certain mannered cerebral acting style that I couldn't relate to.