Top 1200 Sketch Comedy Quotes & Sayings - Page 18

I laugh a lot in horror films. If I'm scared in a horror film, I try to think about what's scaring me... particularly, if it's a bad movie, but something they're doing still works. It's the same way I look at comedy. I've always had an intellectual view of comedy, and what makes people laugh, and how does it work.

The body is not a thing, it is a situation: it is our grasp on the world and our sketch of our project

If there's anything I hate more than a stupid action comedy, it's an incompetent stupid action comedy. It's not so bad it's good. It's so bad it's nothing else but bad.

Do it [stand-up comedy] because it feels like the right thing to do. Do it because you don't want to do anything else. There is something in you that does not want you to do anything else other than comedy.

One of the best things Gwyneth Paltrow has done in years was her mesmerized, good-sport cameo in a 'Pootie' sketch, when she was melted over him like butter on an English muffin.

I think for me, the best comedy comes from when something feels real and genuine, so even though Miranda is this wacky character, there is a real vulnerability to her that we finally get to show in 'Haters Back Off,' and I think that's what makes this comedy rich and more fulfilling, at least for me.

When I was a child of four I wasn't really drawing like a child, I wasn't sketching as a child. I would sketch and I was using perspective, the good relationship of the subject.

I know a lot of girls in the comedy world who are kind of like me. I don't know where the slutty girls hang out, but it's not the comedy world as far as I know.

Ultimately, to me, the computer is just a big pencil. What can we sketch using this pencil that makes a positive difference to society and advances the state of the art, hopefully in an outsized way?

I start with an idea in my head. I sketch it out quickly as a line drawing, using pencil. It never comes out quite right - usually a bit better than my mental picture.

I think art is beautiful. It's decoration and adornment. But art is also a really important vessel for social change, and social change begins with thought. And so if you can find humor in something and take a moment to rethink it, you can take a step back and look at your values from a different angle. I think that's a really important way of carrying on with life. I think the best art for me is funny and the best comedy for me is art. Some of my favorite artists are comedians. Comedy is art, and art can be comedy, and the intersection is vital - at least for my own work.

Growing up as a comedian the most influential person on me was Jon Stewart. He showed that comedy could have a real tangible effect on the world. He showed that comedy could move the needle of society and that a comic can do real things and make a real contribution.

My life plan was to get into drama school and become an actor, but it took me three years. I applied while I was still at school in my final year, and I didn't get in anywhere, so I took a job in a comedy club - not doing stand-up comedy, because that's my idea of hell, but in the office - and I went traveling.

'Funny People' is my favorite performance of myself to date. Even though it's a comedy and there are serious moments, I really felt like Leo felt like a real person. It didn't feel like I was playing myself. Whether it's a comedy or drama, I just try to make it as realistic as possible.

The sketch hunter moves through life as he finds it, not passing negligently the things he loves, but stopping to know them, and to note them down in the shorthand of his sketchbook.

There is force and vitality in a first sketch from life which the after-work rarely has. You want a picture to seize you as forcibly as if a man had seized you by the shoulder! It should impress you like reality!

I am constantly in a need to create irrespective of the medium. When I started out, I did sketch and I continue to do so on paper sometimes. Mainly, I work with acrylic and ink. Honestly, I don't have the patience for oil paint to dry.

I never retouch a sketch: I take a canvas the same size, as I may change the composition somewhat. But I always strive to give the same feeling, while carrying it on further.

I would say I've actually done a lot more comedy than I've done drama. It's weird the way that worked out, because when I came out of theater school I took myself way too seriously, so it's kind of ironic that I ended up sort of going down the comedy path.

I get to do physical comedy! When do women get to do physical comedy? Very rarely.

Life is funny. Life isn’t categorized into comedy, drama, action, is it?So I don’t know why they try to categorize everything. It drives me crazy-why it would have to be just a romantic comedy or…I want to have a little integrity, a little story, you know

Stories are best when they 'emerge' from the depths, and when built in a painting from early sketch through the three-act process to The End, it is a perfect pathway to the unconscious stories set in our dreamwork.

You know, sometimes I worry, you know, is comedy and my type of comedy going to get stale? Is it going to be so offensive that it becomes uninteresting or so niche that I don't have an audience anymore? But it keeps getting bigger and bigger and bigger, where roasting now is a movement. These roasts are on in India, in Mexico.

When people say, 'How did you start in comedy,' I say my family was kidnapped by ninjas when I was very young, and to get them released I had to do a killer five-minute set. And even after I did that, you know, I started doing comedy under tough circumstances, I still kept at it because I enjoyed it.

The only difference between comedy and drama is that, in comedy, I'm going to utilize the tool of creating laughter to deflect discomfort and, in drama, I won't use a tool, but we're going to actually deal with the discomfort and see what comes out of it.

Usually in a Smosh sketch, we get 60 shots, 12 hours to shoot - we're just going 'bam, bam, bam.'

I like the rhythm of comedy in dramas, if that makes sense. In other words, I don't want to write setup, punch, setup, punch, where the joke dictates the scene; I want to find comedy in which the drama is actually driving the moment in the scene.

The painting develops before my eyes, unfolding its surprises as it progresses. It is this which gives me the sense of complete liberty, and for this reason I am incapable of forming a plan or making a sketch beforehand.

When I was either 7 or 8 years old, I did a sketch every day of my teacher and what she wore. At the end of the year, I gave her the sketchbook. For me, the sketching of dresses was about fantasy and dreams.

I'm not really a fashion designer. I just love clothes. I've never been to design school. I can't sketch. I can't cut patterns and things. I can shorten things. I can make a dress out of a scarf.

Through the lack of attaching myself to words, my thoughts remain nebulous most of the time. They sketch vague, pleasant shapes and then are swallowed up; I forget them almost immediately.

I'm never going to say, 'Well, I'm never going to do comedy again.' I love comedies, and it's what people know me for, so I love doing it... I don't really think about it in terms of 'Well, I should do this because it's comedy or drama.'

The truth is, I don't sketch much at all. I have a very visual/spatial brain that retains a lot of information about maps, directions, positioning, and details, so I usually prefer working out those issues on the page itself.

During my military service, I performed a sketch in which I played a flea called Max. So when critics kept misspelling my name, I decided to change it and thought, 'Ah! Max!'

I hadn't done comedy before 'Fresh Meat' - I hadn't really been seen that way, and then 'Fresh Meat' came out, and suddenly a lot more comedy scripts were coming my way, which was really great.

You aim comedy up. If comedy is aimed down, you're a jerk. You laugh at the powerful as a way of bringing them down to your level or bring yourself up to theirs. Donald Trump doesn't actually laugh. I've never seen him do anything other than smirking. He doesn't have a sense of humour. He's just mean.

I want to do all kinds of things. I want to do some comedy. I'd love to do a romantic comedy, and I'd love to do some period pieces with classical text. I'd love somebody to cast me as Macbeth, but for a film. I just want to be all over the place.

I try to be an ethical, moral person and a nice person, and I like to have that reflected in my comedy. I'm not a mean comedian, and I don't think that my comedy is mean. I think that for the most part, it's more focused on the diversity that we all handle and try to provide a distraction from the disaster of modern living.

When you make comedy, you make it for the people and you try to have as many screenings and as many tests and you do focus groups and you read the cards and you try to give the people what they want in this comedy.

Firstly, I am not a comedian. I have a sense of doing comedy but I am a character artist. If the character in the film is a comedy than I can portray it. But, I am not a comedian.

I sketch in a way that people can nearly do the dresses without me coming in for a fitting. Every single detail, every proportion, every cut -- everything.

I had a sketch called 'Fedora Basketball,' which was about basketball players having to wear hats; in addition to scoring points, they have to make sure their fedoras don't fall off.

Doing [a relationship comedy] with Sam [L. Jackson] was exciting. I've done a lot of comedies with a lot of comedy people. My peers. I've never worked with anybody of the kind of dramatic caliber of movie actor that Sam is. It was a little bit intimidating for the first day. Or two... Or the first week. Other than that, it was a joy.

My friend and I founded the New York Arab-American Comedy Festival to counter the negative images of Arabs in media. And we always made sure that the comedy came first. So we weren't a bunch of Arabs trying to be funny. We were a bunch of comedians who just happened to be of Arab heritage.

I think that 'Mr. Show' was a huge influence on me. It was literally the reason I started doing comedy, because I was asked to do a bit at The Comedy Store, and B.J. Porter and I went to see Bob and David - who I'd never heard of - do a live show, which was one of the shows that got them the 'Mr. Show' show.

I'm proud of everything I've done. If it's comedy, it's 'cause I think it's funny. If it's a drama, it's impactful. I'm leaning towards dramas now because I wrapped a couple comedies in a row. I don't like watching myself, but it's easier on me when I don't have to carry a lot of the comedy. But I enjoy making comedies but dramas come more naturally.

I was very bad at projecting my voice. I used to do this Gumby Flower Arranging sketch which involved shouting, and I could never do it right, and at one point my voice went completely.

We did the 'MacGruber' Super Bowl spot for Pepsi, which generated some outside interest. We have a sketch where a guy blows up after 90 seconds. How are we going to make that into a movie?

I certainly do believe that a lot of comedy comes from awkwardness and embarrassment - pointing out the ways things are uncomfortable. Definitely the stuff that interests me. I don't necessarily think that comedy comes from a dark place, like you have to be a strung-out heroin addict. But I don't think it comes from happiness, that's for sure. It comes from frustration and suppressed rage, and wishing the world were different.

I like comedy, not violence, but violence is making a lot of money. But comedy is what I like.

I've always prided myself on being able to perform in the "alt-comedy" zone, but also being able to do comedy for people who aren't media-saturated, and maybe don't have the latest Dan Deacon album. I probably won't be the most popular guy at Zanies in Nashville, and I'll never be the coolest dude at Largo, but I like that I can swim in both those waters.

It's hard enough to write a good drama, it's much harder to write a good comedy, and it's hardest of all to write a drama with comedy. Which is what life is.

I enjoy doing physical comedy. I'd love, you know, them to throw me some shtick that way. I'd love to do that, if they need physical comedy, if they'd let me display my wares that way.

I have done 'Mumbai Meri Jaan,' 'Oye Lucky! Lucky Oye!;' they are not comedy. But those roles didn't stick with people. Comedy films run, even though some of them are bad films. So people see these more.

I feel like with 'Chuck,' because it was a comedy-based show, it was more cartoon-ish. It was just more playful. We had a lot more fun with it. There was a lot of silliness in there. There were serious moments, as well, and there was a lot of heart in that show, but its baseline was comedy.

Comedy people like other comedy people. People hang out and are friends and do shows together, and when you get something going like a TV show or a movie, you want your friends to be in it and make it funnier. That's just the way it should be.

I'll probably stick to comedy for the time being. I mean, a great piece of work is a great piece of work, and I'm up for good work anytime. But I do love comedy!

The stuff I did in 'Rescue Me' was great. It gave me the opportunity to play comedy, and Denis Leary was the first one to take a chance with me. And from that experience, we had a comedy pilot that we did that I was going to play the lead in. And then 'Person of Interest' came along. They're all new experiences.

I love dry British humor. I love to sketch in my off time. I love tequila.

I think it's a very easy thing to make people laugh, especially with a script, and then you've just got to dress up. That's also the idea of comedy in Bollywood. But in stand-up comedy, there's a man with just some content trying to make everyone laugh.