Top 1200 Sketch Comedy Quotes & Sayings - Page 19

I moved to Chicago and I did theater, and then I started writing and I stop acting and I did sketch. You know, I did all of the things that, if you were serious about doing television, don't do.

I knew I just loved comedy, and I think it was my parents who initially brought up the notion of me trying to do stand-up. I think I actually tried writing jokes just at home, just kind of sitting around. But it seemed like a very real way to step into the world of comedy.

If you start to disrespect the character you're playing, or play it too much for laughs, that can work for a sketch, it will sell some gags, but it's all technique. It's like watching a juggler - you can be impressed by it, but it's not going to touch you in any way.

I kind of 'code-sketch,' where I get started with a project by actually writing the code for it and getting something up on the screen. Then I play around with it and see if it's any fun and change the parts that aren't.

There are things in low comedy that make people uncomfortable, and there are things in high comedy that make people bored.

I just saw a clip of Maria Bamford. She has a comedy show that was filmed and performed from her bed - the whole thing supposedly takes place in her bedroom at her parents house in Duluth, MN. I thought it was great and really strange - to have a comedy special without having to leave your bed.

I grew up in rural Ireland; we only had a few TV channels and had never even heard of sketch shows, but it was completely natural for me to tell jokes and stories.

I did B com but realised that it was not my cup of tea. I was always fascinated by animation, and after I completed my course, I wanted to go abroad and pursue it. I used to sketch a lot and was rather serious about it. But all this was until I joined films.

I've always considered myself a graphic artists - a draftsman - as opposed to a typist. I do still work on a drawing table. At times drawing on a computer feels like I'm drawing on an Etch-a-Sketch.

The emphasis in 'Notting Hill' was perhaps, I thought, slightly more on the romance than on the comedy. But I think 'Mickey Blue Eyes' is maybe slightly more on the comedy. And the tone on 'Mickey Blue Eyes,' it's a far sillier film.

I do like a well-written sketch with a bunch of jokes in it, and I like stand-up with good jokes in it it.

It's very, very corrupting to the spirit, doing comedy. And you have to be almost a saint, like Jack Benny was, like Steve Martin is, to avoid the corrupting of it, because there's very little work where the actual work and the reward are simultaneous, and comedy is that.

I'd worked on music docs for years. It felt like writing a novel. By the time I got to Keith Richards, it felt like making a sketch.

I've actually always wanted to write like a one-person show that was sort of a romantic comedy - a show that was kind of cynical about romance and marriage but ultimately embraced it. Because I feel like comedy is always cynical, inherently, because it's contrarian.

You see a lot of sketch variety shows where each segment is one joke that they repeat over and over and over again, and the sketches are always three or four minutes too long.

I like comedy when its mixed with action, it's just so much fun to do comedy with a bit of action, its fun to watch and also so much fun to do.

Comedy is delivered to people in the same form that music is being delivered: by YouTube. People are sharing music and comedy in the same way now.

If there's one regret I have of my time in comedy it's that I really I was so obsessed with improv for so many years and I exclusively did improv for the first 6 years or 7 years. I was doing comedy and then I started doing solo work and stand up, a bit of writing, making videos, and really going into it on that end.

The thing with film is that it's so wide-reaching compared to comedy. When I release my comedy special, half a million people will see it. If I release a movie, five to ten million people will see it.

I love comedy. There's just something so great about making people laugh. And for me, too, whenever I laugh, it just makes me feel so much better just watching a great comedy.

It takes a lot of time to write and put up a sketch show, but that's part of who I am. I don't think that ever goes away, that sensibility - especially coming from the Upright Citizens Brigade. That's just who I am.

I sketch the faces upside down because it's like drawing from the left side of the brain or the right side of the brain. I never took an art lesson in my life.

It may have been a comedy, or it may have been a tragedy. It cost one man his reason, it cost me a blood-letting, and it cost yet another man the penalties of the law. Yet there was certainly an element of comedy. Well, you shall judge for yourselves.

I think that comedy is a good defense for a child. Because you know childhood is a nightmare as it is. And so why not use comedy and being funny as a defense to get through your life as opposed to drugs, alcohol and good looks? Because those things are dangerous when your young.

I would love to play a normal human being with a little bit of a comedic bend that had a love interest. I would love to explore comedy, like a half-hour kind of single-camera comedy. I think that would kind of suit me best.

Funny is funny. I dare anyone to look at Tim Conway and Harvey Korman doing the dentist sketch, which is more than 40 years old, and not scream with laughter.

Well, I get my subject on Wednesday night; I think it out carefully on Thursday, and make my rough sketch; on Friday morning I begin, and stick to it all day, with my nose well down on the block.

The fact is that comedy is actually too serious to be taken seriously. It may be that comedy touches such deep emotions that people feel better if they can just dismiss it as trivial. Just take a big belly laugh. I have watched people laughing, and for a moment they look-and are-absolutely helpless. Vulnerability. You can be assaulted while you are laughing.

A lot of stand-up specials for cable are meant to glorify the comedian. They put you in a really beautiful theater, and sometimes they even blow a little smoke in there to make it misty and sweet. They make the guy look like he's a big rock star. But comedy's not really glamorous. It doesn't enhance comedy for it to look good.

There are people that have only seen me in dramatic stuff and they go, "Oh, I didn't know you could do comedy," and then there are comedy people that go, "Oh, I didn't know you could do drama." I want to try to do both.

Everybody is different. Some comedy is more musical like Steven Wright. His is a pillar of comedy to me. He invented a whole form and all his jokes are poems. So it's different. I wanted to do it like George Carlin. Now I do it like me.

A lot of female comedians will go up there in a sweatshirt and Converses, trying to dress themselves down, because it is sort of a boy's club. I'll go up in my heels. I like that people don't think I'll be funny. I'll take that on. I don't do standup comedy - I do standup and I do comedy, but I don't go up there and do jokes.

With a horror movie, you want to know where the engine of the fear is coming from. Like in comedy, you want to know what the engine that's going to make the comedy - where that's coming from.

It's completely unsexy [Yello, "Oh Yeah" 1985]. It does capture that weird '80s materialism and "We're gonna get it on now" vibe. But it's a very juvenile approach. It also became a weird signal for comedy, in the sense that when you heard the song, it meant comedy was happening on screen. I feel like this song was probably done in a couple of minutes in a studio.

I love watching audiences scream. I imagine it's the same joy that a director feels who has made a comedy when he or she is sitting at the back of a theater listening to the audience laugh. That sound of laughter is so sweet to a comedy director and that's exactly how a horror film feels when you hear the audience scream.

Comedy is so subjective. You could be in a room with 400 people laughing at a joke and you could just not think it's funny. You're just sitting there like, 'Am I in the twilight zone? Why is everyone laughing?' It's such a personal thing. People have such a personal visceral response to comedy.

I love sketch; it's my favorite form. But if it's all improv, they're either very good, and it's annoying how good they are, and it makes you feel bad, or they're not too good; then you're sweating for them.

Performing comedy in San Francisco to begin with is pretty wild. You've got to - you've got the human game preserve to play off of. And it's a lot of great characters everywhere. You work off that, and then you play the rooms, and eventually you get to a point where you're playing a club that is a comedy club, with other comics.

A person who is a comedian does comedy in real life, too. But then there are others, too, who are very good in real life, but can't perform in front of the camera. They get nervous. Nevertheless, an inborn comedian does comedy whether he is in films or not.

I think Amy Poehler and Tina Fey have done so much for women in comedy in the sense that they've normalized it. You don't think, 'I'm going to watch that comedy starring a woman,' you think, 'I'm going to watch that funny show.' They refuse to play the foils for men, or be reduced to the butt of every joke, and I love that about both of them.

It always interested me that 'Goodness Gracious Me' and 'The Kumars,' when shown around the world, were referred to as British comedy. It was only here that they were referred to as Asian comedy, even though I always felt it was very British in its humour and structure.

A simple caricature, a simple sketch - that's fine. There's nothing wrong with that. But if you draw up a caricature... if you associate that subject with the things you're not supposed to, then, of course, you can't expect that to be acceptable.

I think President Obama could have handled politics and policies differently. But he has been decisive, strong, and consistent - important qualities in a president. Mitt Romney is indeed an Etch A Sketch, the antithesis of leadership.

Years ago, there was a variety theatre in every British town, and people paid to go down and see it. Comedy was the main part of the theatre, and comedians earned a living by being funny. Now you have comedy in television instead. Comedians now have to be funny within a play.

There's a theory with comedy that you shouldn't do anything that's too topical in your specials because people won't be able to watch them in five years. But I look at Trump in the same way I look at Mr. T. I can watch comedy jokes about Mr. T in the '80s and still understand what they're talking about.

I did a 'Last Comic Standing' audition in 2006, where you're just performing for three people in a comedy club, in a big comedy club, and I remember them cutting me off, asking about my name in the middle of one of my jokes. Yeah, it's just real weird when you're doing stand-up in that type of sterile, unnatural setting.

When the venture has been made of dealing with historical events and characters, it always seems fair towards the reader to avow what liberties have been taken, and how much of the sketch is founded on history.

Comedy is like a very cokey, druggy sugar. You get hits of comedy, and it's very, "More, give me more of that stuff," because serotonin is being released in the brain. So it's basically, everyone becomes serotonin junkies, and we are serotonin dealers. And that's what being a comedian is about.

Some people think architecture is about the genius sketch; I don't. Great architecture is a collaboration among a lot of people over a long period of time.

I love doing different things where, for a little while, I can focus on standup then sketch writing, then performing, then directing a video. That, to me, is stimulating.

Punk changed everything. It blew away all the dull, pompous stuff that happened before, like glam rock. Kids were getting involved in causes like Rock Against Racism and they needed music that reflected that. Something similar was happening in comedy too, with the Comedy Store and the alternative scene that I got involved in.

Wonder Showzen was one of the first shows that realized each sketch, each segment is essentially one joke, and, once you know what the joke is, it's time to move on.

After I write a sequence, I just open the script and then sit at the piano keyboard and "play" the script. (And because I also draw and paint, sometimes I sketch out the action as well.)

Just by nature, I think in comedy. I think in sketches and what have you. In every drama or action movie I've been in, I have to make a concerted effort not to turn it into a comedy. Every shot, before action is called and after cut is called, I'm usually in some goofy head space. It feels natural to me.

Even the shows or movies that we know are not going to change the world, I love this. I love 'em. I'm a movie fan. I'm a nerd of any kind. I love a big studio comedy as much as I love the teeniest tiniest of indie. I'm not a snob in that way. I really do like a big, big studio comedy.

I sketch literally all the time; constructing a collection is like building a family - you have to have a certain balance. I isolate myself - I need to be concentrated for this so I leave Paris, I leave to a place without a phone.

I was just trying to blend the standup that I do almost with like the visual sketch stuff that I did on "Saturday Night Live." And so in terms of how elastic in the world is, we'll see what we can get away with [in John Mulaney show].

I don't come from a comedy background or a stand-up background, but I think that sometimes there's a misconception that an actor who works primarily in comedy is a comedian. There's nothing wrong with being a comedian, but I'm absolutely not that. I can't think of anything more terrifying than doing stand-up!

The entire New York comedy scene has moved to L.A. - it's bled the New York comedy scene dry.

I'm a big fan of PlayStation 4. I like watching movies, TV shows, comedy specials, and listening to comedy albums and music. I'm also a big fan of getting coffee with a friend or catching up on the phone with people I've known for years, people who keep me grounded, who knew me before.